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<book>
<acknowledge>The original etext is badly mangled with page juxtapositions. Where possible I have sorted it out. Where not I have marked up the mangled text. The hill of illusion and A second rate woman are badly mangled. The Enlightenments of Pagett M.P. are just a little mangled, but understandable. Basically 'Under the Dodars needs to be re-scanned as an etext! Frank Boumphrey feb 2000</acknowledge>
<frontmatter>
<titlepage>
<title>
VOLUME IV UNDER THE DEODARS
</title>
<para>by</para>
<author>Rudyard Kipling</author>
</titlepage>

<toc>
<title>VOLUME IV UNDER THE DEODARS Contents: - </title>

<item>The Education of Otis Yeere</item>
<item>At the Pit's Mouth</item>
<item>A Wayside Comedy</item>
<item>The Hill of Illusion</item>
<item>A Second-rate Woman</item>
<item>Only a Subaltern</item>
<item>In the Matter of a Private</item>
<item>The Enlightenments of Pagett. M. P.</item>
</toc>
</frontmatter>

<bookbody>
<chapter>
<chapheader>
<title>
THE EDUCATION OF OTIS YEERE
</title>

<chapnum>
I
</chapnum>

<blockquote>
<poem>
<line>In the pleasant orchard-closes</line>
<line>"God bless all our gains," say we;</line>
<line>But "Pray God bless all our losses,"</line>
<line>Better suits with our degree.</line>
</poem>
<attrib>-The Lost Bower.</attrib>
</blockquote>

</chapheader>

<para>
THIS is the history of a failure; but the woman who failed said that
it might be an instructive tale
to put into print for the benefit of the younger generation. The
younger generation does not want
instruction, being perfectly willing to instruct if any one will listen
to it.  None the less, here
begins the story where every right-minded story should begin, that
is to say at Simla, where all
things begin and many come to an evil end.
</para>

<para>
The mistake was due to a very clever woman making a blunder
and not retrieving it.  Men are
licensed to stumble, but a clever woman's mistake is outside the
regular course of Nature and
Providence; since all good people know that a woman is the only
infallible thing in this world,
except Government Paper of the '70 issue, bearing interest at four
and a half per cent.  Yet, we
have to remember that six consecutive days of rehearsing the
leading part of The Fallen Angel,
at the New Gaiety Theatre where the plaster is not yet properly
dry, might have brought about an
unhingement of spirits which, again, might have led to
eccentricities.
</para>

<para>
Mrs. Hauksbee came to "The Foundry" to tiffin with Mrs.
Mallowe, her
one bosom friend, for she was in no sense "a woman's woman."
And it was a woman's tiffin, the
door shut to all the world; and they both talked chiflons, which is
French for Mysteries.
</para>

<para>
"I've enjoyed an interval of sanity," Mrs. Flauksbee announced,
after tiffin was over and the two
were comfortably settled in the little writing-room that opened out
of Mrs. Mallowe's bedroom.
</para>

<para>
"My dear girl, what has he done?" said Mrs. Mallowe, sweetly.  It
is noticeable that ladies of a
certain age call each other "dear girl," just as commissioners of
twenty-eight years' standing
address their equals in the Civil List as "my boy."
</para>

<para>
"There's no he in the case. Who am I that an imaginary man should
be always credited to me?
Am I an Apache?'
</para>

<para>
"No, dear, but somebody's scalp is generally drying at your
wigwam-door. Soaking, rather."
</para>

<para>
This was an allusion to the Hawley Boy, who was in the habit of
riding all across Simla in the
Rains, to call on Mrs. Hauksbee. That lady laughed.
</para>

<para>
"For my sins, the Aide at Tyrconnel last night told me off to The
Mussuck. Hsh!  Don't laugh.
One of my most devoted admirers. When the duff came
-some one really ought to teach them to make pudding at
Tyrconnel-The Mussuck was at liberty
to attend to me."
</para>

<para>
"Sweet soul!  I know his appetite," said Mrs. Mallowe. "Did he, oh
did he, begin his wooing?"
</para>


<para>

"By a special mercy of Providence, no.  He explained his
importance as a Pillar of the Empire.  I
didn't laugh."
</para>

<para>
"Lucy, I don't believe you."
</para>

<para>
"Ask Captain Sangar; he was on the other side. Well, as I was
saying, The Mussuck dilated."
</para>

<para>
"I think I can see him doing it," said Mrs. Mallowe, pensively,
scratching her fox-terrier's ears.
</para>

<para>
"I was properly impressed.   Most properly. I yawned openly.
'Strict supervision, and play them
off one against the other,' said The Mussuck, shoveling down his
ice by tureen/uls, I assure you.
'That, Mrs. Hauksbee, is the secret of our Government.'"
</para>

<para>
Mrs. Mallowe laughed long and merrily.  "And what did you say?"
</para>

<para>
"Did you ever know me at loss for an answer yet? I said: 'So I have
observed in my dealings with
you.'  The Mussuck swelled with pride. He is coming to call on me
to-morrow. The Hawley Boy
is coming too."
</para>

<para>
"'Strict supervision and play them off one against the other.  That,
Mrs. Hauksbee, is the secret
of our Government.' And I dare say if we could get to The
Mussuck's heart, we should find that
he considers himself a man of the world."
</para>

<para>
"As he is of the other two things.  I like The Mussuck, and I won't
have you call him names. He
amuses me."
</para>

<para>
"He has reformed you, too, by what appears.  Explain the interval
of sanity, and hit Tim on the
nose with the paper-cutter, please.  That dog is too fond of sugar.
Do you take milk in yours?"
</para>

<para>
"No, thanks.  Folly, I'm wearied of this life.  It's hollow."
</para>

<para>
"Turn religious, then.  I always said that Rome would be your
fate."
</para>

<para>
"Only exchanging half a dozen attach~ in red for one and in black,
and if I fasted, the wrinkles
would come, and never, never go. Has it ever struck you, dear, that
I'm getting old?"
</para>

<para>
"Thanks for your courtesy.  I'll return it. Ye-es we are both not
exactly
-how shall I put it?"
</para>

<para>
"What we have been.  'I feel it in my bones,' as Mrs. Crossley says.
Polly, I've wasted my life."
</para>

<para>
"As how?"
</para>

<para>
"Never mind how. I feel it. I want to be a Power before I die."
</para>

<para>
"Be a Power then.  You've wits enough for anything-and beauty?"
</para>

<para>
Mrs. Hauksbee pointed a teaspoon
straight at her hostess.  "Polly, if you
heap compliments on me like this, I
shall cease to believe that you're a
woman.  Tell me how I am to be a
Power."
</para>

<para>
"Inform The Mussuck that he is the most fascinating and slimmest
man in Asia, and he'll tell you
anything and everything you please."
</para>

<para>
"Bother The Mussuck!  I mean an intellectual Power-not a
gas-power. Polly, I'm going to start a
salon."
</para>

<para>
Mrs. Mallowe turned lazily on the sofa and rested her head on her
hand. "Hear the words of the
Preacher, the son of Baruch," she said.
</para>

<para>
"Will you talk sensibly?"
</para>

<para>
"I will, dear, for I see that you are going to make a mistake."
</para>

<para>
"I never made a mistake in my life at least, never one that I
couldn't explain away afterward."
</para>

<para>
"Going to make a mistake," went on Mrs. Mallowe, composedly.
"It is impossible to start a salon in Simla.  A bar would be much more to
the point."
</para>

<para>
"Perhaps, but why?  It seems so easy
</para>

<para>
"Just what makes it so difficult. How many clever women are there
in Simla?"
</para>

<para>
"Myself and yourself," said Mrs. Hauksbee, without a moment's
hesitation.
</para>

<para>
"Modest  woman!   Mrs.  Feardon would thank you for that.  And
how many clever men?"
</para>

<para>
"Oh - er - hundreds,"  said  Mrs. Hauksbee, vaguely.
</para>

<para>
"What a fatal blunder!  Not one. They are all bespoke of the
Government. Take my husband, for
instance. Jack was a clever man, though I say so who shouldn't.
Government has eaten him up.
All his ideas and powers of conversation-he really used to be a
good talker, even to his wife, in
the old days-are taken from him by this
-this kitchen-sink of a Government. That's the case with every man
up here who is at work. I
don't suppose a Russian convict under the knout is able to amuse
the rest of his gang; and all our
men-folk here are gilded convicts."
</para>

<para>
"But there are scores -"I know what you're going to say.
Scores of idle men up on leave.  I admit it, but they are all of two
objectionable sets,  The
Civilian who'd be delightful if he had the military man's
knowledge of the world and style, and
the military man who'd be adorable if he had the Civilian's
culture."
</para>

<para>
"Detestable word!  Have Civilians culture?  I never studied the
breed deeply."
</para>

<para>
"Don't make fun of Jack's service. Yes.  They're like the seapoys in
the
Lakka Bazar-good material but not polished.  They can't help
themselves, poor dears.  A Civilian
only begins to be tolerable after he has knocked about the world
for fifteen years."
</para>

<para>
"And a military man?"
</para>

<para>
"When he has had the same amount of service.  The young of both
species are horrible.  You
would have scores of them in your salon."
</para>

<para>
"I would not" said Mrs. Hauksbee, fiercely.  "I would tell the
'bearer to darwaza band them. I'd
put their own colonels and commissioners at the door to turn them
away.  I'd give them to the
Topsham girl to play with."
</para>

<para>
"The Topsham girl would be grateful for the gift.  But to go back
to the salon.  Allowing that you
had gathered all your men and women together, what would you
do with them?  Make them
talk?  They would all with one accord begin to flirt. Your salon
would become a glorified
Peliti's-a 'Scandal Point' by lamplight."
</para>

<para>
"There's a certain amount of wisdom in that view."
</para>

<para>
"There's all the wisdom in the world in it.  Surely, twelve Simla
seasons ought to have taught you
that you can't focus anything in India; and a salon, to be any good
at all, must be permanent. In
two seasons your roomful would be scattered all over Asia.  We
are only little bits of dirt on the
hillsides-here one day and blown down the khud the next. We have
lost the art of talking-at least
our men have.  We have no cohesion"-"George Eliot in the flesh,"
interpolated Mrs. Hauksbee,
wickedly.
</para>

<para>
"And collectively, my dear scoffer, we, men and women alike,
have ao influence.
</para>



<para>
Come into the veranda and look at the Mall!"
</para>

<para>
The two looked down on the now rapidly filling road, for all Simla
was abroad to steal a stroll
between a shower and a fog.
</para>

<para>
"How do you propose to fix that river?  Look! There's The
Mussuck-head of goodness knows
what.  He is a power in the land, though he does eat like a
costermonger.  There's Colonel Blone,
and General Grucher, and Sir Dugald Delane, and Sir Henry
Haughton, and Mr. Jellalatty.  All
Heads of Departments, and all powerful."
</para>

<para>
"And all my fervent admirers," said Mrs. Hauksbee, piously.  "Sir
Henry Haughton raves about
me. But go on."
</para>

<para>
"One by one, these men are worth something.  Collectively, they're
just a mob of Anglo-Indians.
Who cares for what Anglo-Indians say?  Your salon won't weld the
Departments together and
make you mistress of India, dear. And these creatures won't talk
administrative 'shop' in a
crowd-your salon-because they are so afraid of the men in the
lower ranks overhearing it.  They
have forgotten what of Literature and Art they ever knew, and the
women"-"Can't talk about
anything except the
last Gymkhana, or the sins of their last nurse.  I was calling on
Mrs. Derwills this morning."
</para>

<para>
"You admit that? They can talk to the subalterns though, and the
subalterns can talk to them.
Your salon would suit their views admirably, if you respected the
religious prejudices of the
country and provided plenty of kala juggahs."
</para>

<para>
"Plenty of kala juggahs. Oh my poor
little idea! Kala juggal's in a salon! But who made you so awfully
clever?"
</para>

<para>
"P"rhaps I've tried myself; or perhaps I know a woman who has. I
have preached and expounded
the whole matter and the conclusion thereof"
</para>

<para>
"You needn't go on.   'Is Vanity.' Polly, I thank you.  These vermin
-. Mrs. Hauksbee waved her
hand from the veranda to two men in the crowd below who had
raised their hats to her
-"these vermin shall not rejoice in a new Scandal Point or an extra
Peliti's. I will abandon the
notion of a salon. It did seem so tempting, though.  But what shall
I do?  I must do something."
</para>

<para>
"Why?  Are not Abana and Pharphar"-"Jack has made you nearly
as bad
as himself! I want to, of course.  I'm tired of everything and
everybody, froin a moonlight picnic
at Seepee to the blandishments of The Mussuck."
</para>

<para>
"Yes-that comes, too, sooner or later, Have you nerve enough to
make your bow yet?"
</para>

<para>
Mrs. Hauksbee's mouth shut grimly. Then she laughed.  "I think I
see myself doing it.  Big pink
placards on the Mall: 'Mrs. Hauksbee!  Positively her last
appearance on any stage!  This is to
give notice!'  No more dances; no more rides; no more luncheons;
no more theatricals with
supper to follow; no more sparring with one's dearest, dearest
friend; no more fencing with an
inconvenient man who hasn't wit enough to clothe what he's
pleased to call his sentiments in
passable speech; no more parading of The Mussuck while Mrs.
Tarkass calls all round Simla,
spreading horrible stories about me?  No more

of anything that is thoroughly wearying, abominable and
detestable, but, all the same, makes life
worth the having. Yes!  I see it all!  Don't interrupt, Polly, I'm
inspired. A mauve and white
striped 'cloud' round my excellent shoulders, a seat in the fifth row
of the Gaiety, and both horses
sold. Delightful vision! A comfortable armchair, situated in three
different draughts, at every
ballroom; and nice, large, sensible shoes for all the couples to
stumble over as they go into the
veranda! Then at supper. Can't you imagine the scene? The greedy
mob gone away. Reluctant
subaltern, pink all over like a newly-powdered baby,-they really
ought to tan subalterns before
they are exported, ?olly-sent back by the hostess to do his duty.
Slouches up to me across the
room, tugging at a glove two sizes too large for him-I hate a man
who wears gloves like
overcoats-and trying to look as if he'd thought of it from the first.
'May I ah-have the pleasure 'of
takin' you 'nt' supper?'  Then I get up with a hungry smile. Just like
this."
</para>

<para>
"Lucy, how can you be so absurd?"
</para>

<para>
"And sweep out on his arm.  So! After supper I shall go away
early, you know, because I shall be
afraid of catching cold.  No one will look for by 'rickshaw.  Mine,
so please you!  I shall stand,
always with that mauve and white 'cloud' over my head, while the
wet ~oaks into my dear, old,
venerable feet and Tom swears and shouts for the mem-sahib's
gharri. Then home to bed at
half-past eleven!  Truly excellent lif~helped out by the visits of the
l'adri, just fresh from burying
somebody down below there." She pointed through the pines,
toward the Cemetery, and
</para>

<para>
continued with vigorous dramatic gesture-"Listen!  I see it
all~own, down
even to the stays!  Such stays!  Six-eight a pair, Polly, with red
flannel-or list is it?-that they put
into the tops of those fearful things.  I can draw you a picture of
them."
</para>

<para>
"Lucy, for Heaven's sake, don't go waving your arms about in that
idiotic manner!  Recollect,
every one can see you from the Mall."
</para>

<para>
"Let them see!  They'll think I am rehearsing for The Fallen AngeL
Look! There's The Mussuck.
How badly he rides. There!"
</para>

<para>
She blew a kiss to the venerable Indian administrator with infinite
grace.
</para>

<para>
"Now,"  she  continued,  "he'll  be chaffed about that at the Club in
the delicate manner those
brutes of men affect, and the Hawley Boy will tell me all about
it-softening the details for fear of
shocking me.  That boy is too good to live, Polly. I've serious
thoughts of recommending him to
throw up his Commission and go into the Church. In his present
frame of mind he would obey
me. Happy, happy child."
</para>

<para>
"Never again," said Mrs. Mallowe, with an affectation of
indignation, "shall you tiffin here! 'Lu
cindy, your behavior is scand'lus.'
</para>

<para>
"All your fault," retorted Mrs. Hauksbee, "for suggesting such a
thing as my abdication.  No!
Jamais-nevaire!  I will act, dance, ride, frivol, talk scandal, dine
out, and appropriate the
legitimate captives of any woman I choose until I d-r-r-rop or a
better woman than I put~ me to
shame before all Simla,-and it's dust and ashes in my mouth while
I'm doing it!"
</para>


<para>

She swept into the drawing-room, Mrs. Mallowe followed and put
an arm round her waist.
</para>

<para>
"I'm not!" said Mrs. Hauksbee, defiantly, rummaging for her
handkerchief. "I've been dining out
the last ten nights, and rehearsing in the afternoon. You'd be tired
yourself. It's only because I'm
tired."
</para>

<para>
Mrs. Mallowe did not offer Mrs. Hauksbee any pity or ask her to
lie down, but gave her another
cup of tea, and went on with the talk.
</para>

<para>
"I've been through that too, dear," she said.
</para>

<para>
"I remember," said Mrs. Hauksbee, a gleam of fun on her face.  "In
'84 wasn't it? You went out a
great deal less next season."
</para>

<para>
Mrs. Mallowe smiled in a superior and Sphinx like fashion.
</para>

<para>
"I became an Influence," said she.
</para>

<para>
"Good gracious, child, you didn't join the Theosophists and kiss
Buddha's big toe, did you? I
tried to get into their set once, but they cast me out for a
skeptic-without a chance of improving
my poor little mind, too."
</para>

<para>
"No, I didn't Theosophilander. Jack says"-"Never mind Jack. What
a husband
says is known before.  What did you do?"
</para>

<para>
"I made a lasting impression."
</para>

<para>
"So have I-for four months.  But that didn't console me in the least.
I hated the man. Wifl you
stop smiling in that inscrutable way and tell me what you mean?"
</para>

<para>
Mrs. Mallowe told.
* * * * * *
</para>

<para>
"And-you-mean~to~say that it is absolutely Platonic on both
sides?"
</para>

<para>
"Absolutely, or I should never have taken it up."
</para>

<para>
"And his last promotion was due to you?"
</para>

<para>
Mrs. Mallowe nodded.
</para>

<para>
"And you warned him against the Topsham girl?"
</para>

<para>
Another nod.
</para>

<para>
"And told him of Sir Dugald Delane's private memo about him?"
</para>

<para>
A third nod.
</para>

<para>
"Why?"
</para>

<para>
"What a question to ask a woman! Because it amused me at first.  I
am proud of my property
now.  If I live he shall continue to be successful. Yes, I will put
him upon the straight road to
Knighthood, and everything else that a man values.  The rest
depends upon himself."
</para>

<para>
"Polly, you are a most extraordinary woman."
</para>

<para>
"Not in the least. I'm concentrated, that's all.  You diffuse yourself,
dear; and though all Simla
knows your skill in managing a team"-"Can't you choose a prettier
word?" "Team, of half a
dozen, from The Mussuck to the Hawley Boy, you gain nothing by
it. Not even amusement."
</para>

<para>
"And you?"
</para>

<para>
"Try my recipe. Take a man, not a boy, mind, but an almost
mature, unattached man, and be this
guide, philosopher, and friend. You'll find it the most interesting
occupation that you ever
embarked on.  It can be done-you needn't look like that-because

I've done it."
</para>

<para>
"There's an element of risk about it that makes the notion
attractive.  I'll get such a man and say
to him, 'Now, understand that there must be no flirtation. 
Do exactly what I tell you, profit by my instruction and
counsels, and all will yet be well.' Is
that the idea?"
</para>

<para>
"More or less," said Mrs. Mallowe with an unfathomable smile.
"But be sure he understands."
</para>
</chapter>
<chapter>
<chapheader>
<chapnum>
II
</chapnum>

<blockquote>
<poem>
<line>Dribble-dribble-trickle-trickle</line>
<line>What a lot of raw dust!</line>
<line>My dollie's had an accident</line>
<line>And out came all the sawdust!</line>
</poem>

<attrib>
-Nursery Rhyme.
</attrib>
</blockquote>
</chapheader>
<para>

So Mrs. Hauksbee, in "The Foundry" which overlooks Simla Mall,
sat at the feet of Mrs.
Mallowe and gathered wisdom.  The end of the Conference was
the Great Idea upon which Mrs.
Hauksbee so plumed herself.
</para>

<para>
"I warn you," said Mrs. Mallowe, beginning to repent of her
suggestion, "that the matter is not
half so easy as it looks.  Any woman-even the Top-sham girl-can
catch a man, but very, very few
know how to manage him when caught."
</para>

<para>
"My child," was the answer, "I've been a female St. Simon Stylites
lookmg down upon men for
thes~these years past. Ask The Mussuck whether I can manage
them."
</para>

<para>
Mrs. Hauksbee departed humming, "I'll go to him and say to him in
manner  most  ironical."
Mrs. Mallowe laughed to herself. Then she grew suddenly sober.
"I wonder whether I've done
well in advising that amusement? Lucy's a clever woman, but a
thought too careless."
</para>

<para>
A week later, the two met at a Monday Pop.  "Well?" sa.'d Mrs.
Mallowe.
</para>

<para>
"I've caught him!" said Mrs. Hauks
bee; her eyes were dancing with merriment.
</para>

<para>
"Who is it, mad woman?  I'm sorry I ever spoke to you about it."
</para>

<para>
"Look between the pillars.  In the third row; fourth from the end.
You can see his face now.
Look!"
</para>

<para>
"Otis Yeere!  Of all the improbable and impossible people!  I don't
believ~ you."
</para>

<para>
"Hsh!  Wait till Mrs. Tarkass begins murdering Milton Wellings;
and I'll tell you all about it.
S-s-ss! That woman 5 voice always reminds me of an Underground
train coming into Earl's
Court with the breaks on. Now listen. It is really Otis Yeere."
</para>

<para>
"So I see, but does it follow that he is your property?"
</para>

<para>
"He is! By right of trove. I found him, lonely and unbefriended, the
very next night after our talk,
at the Dugald Delane's burra-khana. I liked his eyes, and I talked to
him. Next day he called.
Next day we went for a ride together, and to-day he's tied to my
'rickshaw-wheels hand and foot.
You'll see when the concert's over.  He doesn't know I'm here yet."
</para>

<para>
"Thank goodness you haven't chosen a boy. What are you going to
do with him, assuming that
you've got him?"
</para>

<para>
"Assuming, indeed! Does a woman-do I-ever make a mistake in
that sort of thing? First"-Mrs.
Hauksbee ticked off the items ostentatiously on her little gloved
fingers-"First, my dear, I shall
dress him properly. At present his raiment is a disgrace, and he
wears a dressshirt like a
crumpled sheet of the Pioneer.  Secondly, after I have made him
presentable, ~ ,shall form his
manners-his morals are above reproach."
</para>

<para>

"You seem to ha'e discovered a great deal about him considering
the shortness of your
acquaintance."
</para>

<para>
"Surely you ought to know that the first proof a man gives of his
interest in a woman is by
talking to her about his own sweet self. If the woman listens
without yawning, he begins to like
her. If she flatters the animal's vanity, he ends by adoring her."
</para>

<para>
"In some cases."
</para>

<para>
"Never mind the exceptions. I know which one you are thinking of.
Thirdly, and lastly, after he
is polished and made pretty, I shall, as you said, be his guide,
philosopher and friend, and he
shall become a success-as great a success as your friend.  I always
wondered how that man got
on.  Did The Mussuck come to you with the Civil List and,
dropping on one knee no, two knees,
a' la Gibbon-hand it to you and say, 'Adorable angel, choose your
friend's appointment'?"
</para>

<para>
"Lucy, your long experiences of the Military Department have
demoralized you. One doesn't do
that sort of thing on the Civil Side."
</para>

<para>
"No disrespect meant to Jack's Service, my dear.  I only asked for
information. Give me three
months, and see what changes I shall work in my prey."
</para>

<para>
"Go your own way since you must. But I'm sorry that I was weak
enough to suggest the
amusement."
</para>

<para>
'I am all discretion, and may be trusted to an in-finite extent,' "
quoted Mrs. Hauksbee from The
Fallen Angel; and the conversation ceased with Mrs. Tarkass's
last, long-drawn war-whoop.
</para>

<para>
Her bitterest enemies-and she had many-could hardly accuse Mrs.
Hauksbee of wasting her time.
Otis Yzere
was one of those wandering "dumb' characters, foredoomed
through life to be nobody's property.
Ten years in Her Majesty's Bengal Civil Service, spent, for the
most part, in undesirable
Districts, had given him little to be proud of, and nothing to bring
confidence. Old enough to
have lost the first fine careless rapture that showers on the
immature 'Stunt imaginary
Commissioner-ships and Stars, and sends him into the collar with
coltish earnestness and
abandon; too young to be yet able to look back upon the progress
he had made, and thank
Providence that under the conditions of the day he had come even
so far, he stood upon the
dead-centre of his career. And when a man stands still, he feels the
slightest impulse from
without.  Fortune had ruled that Otis Yeere should be, for the first
part of his service, one of the
rank and file who are ground up in the wheels of the
Administration; losing heart and soul, and
mind and strength, in the process. Until steam replaces manual
power in the working of the
Empire, there must always be this percentage-must always be the
men who are used up,
expended, in the mere mechanical routine.  For these promotion is
far off and the millgrind of
every day very instant.  The Secretariats know them only by name;
they are not the picked men
of the Districts with Divisions and Collectorates awaiting them.
They are simply the rank and
file-the food for fever-sharing with the ryot and the plough-bullock
the honor of being the plinth
on which the State rests.  The older ones have lost their
aspirations; the younger are putting
theirs aside with a sigh. Both learn to endure patiently until they

learned what manner 0f life he had led in what she vaguely called
"those awful cholera
districts"; learned too, but this knowledge came later, what manner
of life he had purposed to
lead and what dreams he had dreamed i. the year of grace '77,
before the reality had knocked the
heart out of him. Very pleasant are the shady bridle-paths round
Prospect Hill for the telling of
such confidences.
</para>

<para>
"Not yet," said Mrs. Hauksbce to Mrs. Mallowe. "Not yet. I must
wait until the man is properly
dressed, at least. Great Heavens, is it possible that he doesn't know
what an honor it is to be
taken up by Me!"
</para>

<para>
Mrs. Hauksbee did not reckon false modesty as one of her failings.
</para>

<para>
"Always with Mrs. Hauksbee!" murmured Mrs. Mallowe, with her
sweetest smile, to Otis. "Oh
you men, you men! Here are our Punjabis growling because you've
monopolized the nicest
woman in Simla.  They'll tear you to pieces on the Mall, some day,
Mr. Yeere."
</para>

<para>
Mrs. Mallowe rattled down-hill, having satisfied herself, by a
glance through the fringe of her
sunshade, of the effect of her words.
</para>

<para>
The shot went home.  Of a surety Otis Yeere was somebody in this
bewildering whirl of
Simla-had monopolixed the nicest woman in it and the Punjabis
were growling.  The notion
justified a mild glow of vanity.  He had never looked upon his
acquaintance with Mrs. Hauksbee
as a matter for general interest.
</para>

<para>
The knowledge of envy was a pleas-ant feeling to the man of no
account. It was intensified later
in the day when a luncher at the Club said, spitetully, "Well, for a
debilitated Ditcher, Yeere,
"ud uf the day.  Twelve years in the rank and file, men say, will
sap the hearts of the bravest and
dull the wits of the most keen.
</para>

<para>
Out of this life Otis Yeere had fled for a few months; drifting, in
the hope of a little masculine
society, into Simla. When his leave was over he would return to
his swampy, sour-green,
undermanned Bengal district; to the native Assistant, the native
Doctor, the native Magistrate,
the steaming, sweltering Station, the ill-kempt City, and the
undisguised insolence of the
Municipality that babbled away the lives of men.  Life was cheap
however.  The soil spawned
humanity, as it bred frogs in the Rains, and the gap of the sickness
of one season was filled to
overflowing by the fecundity of the next.  Otis was 'infeignedly
thankful to lay down his work
for a little while and escape from the seething, whining, weakly
hive, impotent to help itself, but
strong in its power to cripple, thwart, and annoy the sunken~eyed
man who, by official irony was
said to be "in charge" of it.
</para>

<para>
*  *  * *
*
</para>

<para>
"I knew there were women-dowdies in Bengal.  They come up here
sometimes.  But I didn't
know that there were men-dowds, too."
</para>

<para>
Then, for the first time, it occurred to Otis Yeere that his clothes
wore the mark of the ages. It
will be seen that his friendship with Mrs. Hauksbee had made
great strides.
</para>

<para>
As that lady truthfully says, a man is never so happy as when he is
talking about himself.  From
Otis Yeere's lips Mrs. Hauksbee, before long, learned everything
that she wished to know about
the subject of her experiment:
</para>


<para>
you are going it. Hasn't any kind friend told you that she's the most
dangerous woman in Simla?"
</para>

<para>
Yeere chuckled and passed out. When, oh when, would his new
clothes be ready? He descended
into the Mall to inquire; and Mrs. Hauksbee, coming over the
Church Ridge in her 'rickshaw,
looked down upon him approvingly. 'He's learning to carry himself
as if he were a man, instead of a piece of furniture,-and," she screwed up
her eyes to see the better
through the sunlight-"he is a man when he holds himself like that.
Oh blessed Conceit, what
should we be without you?"
</para>

<para>
With the new clothes came a new stock of self-confidence. Otis
Yeere discovered that he could
enter a room without breaking into a gentle perspiration-could
cross one, even to talk to Mrs.
Hauksbee, as though rooms were meant to be crossed.  He was for
the first time in nine years
proud of himself, and contented with his life, satisfied with his
new clothes, and rejoicing in the
friendship of Mrs. Hauksbee.
</para>

<para>
"Conceit is what the poor fellow wants," she said in confidence to
Mrs. Mallowe.  "I believe they
must use Civilians to plough the fields with in Lower Bengals. You
see I have to begin from the
very beginning-haven't I? But you'll admit, won't you, dear, that he
is immensely improved since
I took him in hand.  Only give me a little more time and he won't
know himself."
</para>

<para>
Indeed, Yeere was rapidly beginning to forget what he had been.
One of his own rank and file
put the matter brutally when he asked Yeere, in reference to
nothing, "And who has been making
you a Member of Council, lately? You
carry the side of half a dozen of 'em."
</para>

<para>
"I-I'm awf'ly sorry. I didn't mean it, you know," said Yeere,
apologetically.
</para>

<para>
"There'll be no holding you," continued the old stager, grimly.
"Climb down, Otis-climb down,
and get all that beastly affectation knocked out of you with fever!
Three thousand a month
wouldn't support it."
</para>

<para>
Yeere repeated the incident to Mrs. Hauksbee.  He had come to
look upon her as his Mother
Confessor.
</para>

<para>
"And you apologized!" she said. "Oh, shame!  I hate a man who
apologizes. Never apologize for

what your friend called 'side.' Never! It's a man's business to be
insolent and overbearing until he
meets with a stronger.  Now, you bad boy, listen to me."
</para>

<para>
Simply and straightforwardly, as the 'rickshaw loitered round
Jakko, Mrs. Hauksbee preached to
Otis Yeere the Great Gospel of Conceit, illustrating it with living
pictures encountered during
their Sunday afternoon stroll.
</para>

<para>
"Good gracious!" she ended, with the personal argument, "you'll
apologize next for being my
attache""
</para>

<para>
"Never!" said Otis Yeere.  "That's another thing altogether. I shall
always be"-"What's  coming?"
thought Mrs.
Hauksbee.
</para>

<para>
"Proud of that," said Otis.
</para>

<para>
"Safe for the present," she said to herself.
</para>

<para>
"But I'm afraid I have grown conceited. Like Jeshurun, you know.
When he waxed fat, then he
kicked.  It's the having no worry on one's mind and the Hill air, I
suppose."
</para>

<para>
"Hill air, indeed!" said Mrs. Hauksbee to herself.  "He'd have been
hiding

in the Club till the last day of his leave, if I hadn't discovered him."
And aloud-"Why shouldn't
you be? You have

every right to." 
</para>

<para>
"I! Why?"
</para>

<para>
"Oh, hundreds of things.  I'm not going to waste this lovely
afternoon by explaining; but I know
you have. What was that heap of manuscript you showed me about
the grammar of the
aboriginal
</para>

<para>
what's their names?"
</para>

<para>
"Gullals. A piece of nonsense. I've far too much work to do to
bother over Gullals now. You
should see my District.  Come down with your husband some day
and I'll show you round. Such
a lovely place in the Rains!  A sheet of water with the
railway-embankment and the snakes
sticking out, and, in the summer, green flies and green squash. The
people would die of fear if
you shook a dogwhip at 'em.  But they know you're forbidden to do
that, so they conspire to
make your life a burden to you. My District's worked by some man
at Darjiling, on the strength
of a native pleader's false reports. Oh, it's a heavenly place!"
</para>

<para>
Otis Yeere laughed bitterly.
</para>

<para>
"There's not the least necessity that you should stay in it. Why do
you?"
</para>

<para>
"Because I must.  How'm I to get out of it?"
</para>

<para>
"How! In a hundred and fifty ways. If there weren't so many people
on the road, I'd like to box
your ears.  Ask, my dear boy, ask!  Look, There is young Hexarly
with six years' service and half
your talents.  He asked for what he wanted, and he got it.  See,
down by the Convent!  There's
MeAr
thurson who has come to his present position by asking-sheer,
downright asking-after he had
pushed himself out of the rank and file.  One man is as good as
another in your service --believe
me.  I've seen Simla for more seasons than I care to think about.
Do you suppose men are chosen
for appointments because of their special fitness bejorehand? You
have all passed a high
test-what do you call it?-in the beginning, and, except for the few
who have gone altogether to
the bad, you can all work hard. Asking does the rest. Call it cheek,
call it insolence, call it
anything you like, but ask! Men argue-yes, I know what men
say-that a man, by the mere
audacity of his request, must have some good in him. A weak man
doesn't say: 'Give me this and
that.' He whines 'Why haven't I been given this and that?'  If you
were in the Army, I should say
learn to spin plates or play a tambourine with your toes.  As it
is-ask! You belong to a Service
that ought to be able to command the Channel Fleet, or set a leg at
twenty minutes' notice, and
yet you hesitate over asking to escape from a squashy green district
where you admit you are not
master.  Drop the Bengal Government altogether.  Even Darjilmg
is a little out-of-the-way hole.
I was there once, and the rents were extortionate. Assert yourself.
Get the Government of India
to take you over. Try to get on the Frontier, where every man has a
grand chance if he can trust
himself.  Go somewhere!  Do something!  You have twice the wits
and three times the presence
of the men up here, and, and"-Mrs. Hauksbee paused for breath:
then continued-
</para>

<para>
"and in any way you look at it, you ought to. You who could go so
far!"
</para>

<para>
"I don't know," said Yeere, rather taken aback by the unexpected
eloquence. "1 haven't such a
good opinion of myself."
</para>

<para>
It was not strictly Platonic, but it was Policy.  Mrs. Hauksbee laid
her hand lightly upon the
ungloved paw that rested on the turned-backed 'rickshaw hood,
and, looking the man full in the
face, said tenderly, almost too tenderly, 'I believe in you if you
mistrust yourself. Is that enough,
my friend?"
</para>

<para>
"It is enough," answered Otis, very solemnly.
</para>

<para>
He was silent for a long time, redreaming the dramas that he had
dreamed eight years ago, but
through them all ran, as sheet-lightning through golden cloud, the
light of Mrs. Hauksbee's violet
eyes.
</para>

<para>
Curious and impenetrable are the mazes of Simla life-the only
existence in this desolate land
worth the living. Gradually it went abroad among men and women,
in the pauses between dance,
play and Gymkhana, that Otis Yeere, the man with the newly-lit
light of self-confidence in his
eyes, had "done something decent" in the wilds whence he came.
He had brought an erring
Municipality to reason, appropriated the funds on his own
responsibility, and saved the lives of
hundreds,  He knew more about the Gullals than any living man.
Had a vast knowledge of the
aboriginal tribes; was, in spite of his juniority, the greatest
authority on the aboriginal Gullals.
No one quite knew who or what the Gullals were till The 'lussuek,
who had been calling on Mrs.
Haukshee, and prided himself upon pick-
mg people's brains, explained they were a tribe of ferocious
hillmen, somewhere near Sikkim,
whose friendship even the Great Indian Empire would find it
worth her while to secure. Now we
know that Otis Yeere had showed Mrs. Hauksbee his MS notes of
six years' standing on the
same Gullals. He had told her, too, how, sick and shaken with the
fever their negligence had
bred, crippled by the loss of his pet clerk, and savagely angry at
the desolation in his charge, he
had once damned the collective eyes of his "intelligent local
board" for a set of haramzadas.
Which act of "brutal and tyrannous oppression" won him a
Reprimand Royal from the Bengal
Government; but in the anecdote as amended for Northern
consumption we find no record of
this.  Hence we are forced to conclude that Mrs. Hauksbee edited
his reminiscences before
sowing them in idle ears, ready, as she well knew, to exaggerate
good or evil.  And Otis Yeere
bore himself as befitted the hero of many tales.
</para>

<para>
"You can talk to me when you don't fall into a brown study.  Talk
now, and talk your brightest
and best," said Mrs. Haukshee.
</para>

<para>
Otis needed no spur. Look to a man who has the counsel of a
woman of or above the world to
back him.  So long as he keeps his head, he can meet both sexes
on equal ground-an advantage
never intended by Providence, who fashioned Man on one day and
Woman on another, in sign
that neither should know more than a very little of the other'a half.
Such a man goes far, or, the
counsel being withdrawn, collapses suddenly while his world
seeks the reason.
</para>

<para>
Generalled by Mrs. Hauksbee who,
again, had all Mrs. Mallowe's wisdom at her disposal, proud of
himself and, in the end, believing
in himself because he was believed in, Otis Yeere stood ready for
any fortune that might befall,
certain that it would be good. He would fight for his own hand,
and intended that this second
struggle should lead to better issue than the first helpless surrender
of the bewildered 'Stunt.
</para>

<para>
What might have happened, it is impossible to say.  This
lamentable thing befell, bred directly
by a statement of Mrs. Hauksbee that she would spend the next
season in Darjiling.
</para>

<para>
"Are you certain of that?" said Otis Veere.
</para>

<para>
"Quite. We're writing about a house now.
</para>

<para>
Otis Yeere "stopped dead," as Mrs. Hauksbee put it in discussing
the relapse with Mrs. Mallowe.
</para>

<para>
'~He has behaved," she said, angrily, 'just like Captain Kerrington's
pony-only Otis is a donkey-at
the last Gymchana. Planted his forefeet and refused to go on
another step. Polly, my man's going
to disappoint me.  What shall I do?"
</para>

<para>
As a rule, Mrs. Mallowe does not aprove of staring, but on this
occasion she opened her eyes
to the utmost.
</para>

<para>
"You have managed cleverly so far," ,he said  "Speak to him, and
ask him what he means."
</para>

<para>
'I will-at to-night's dance."
</para>

<para>
"N~o, not at a dance," said Mrs. Mallowe, cautiously.  "Men are
never ~themselves quite at
dances. Better wait till to-morrow morning."
</para>

<para>
"Nonsense.  If he's going to 'vert in this insane way, there isn't a
day to waste. Are you gaing?  No?
Then sit
up for me, there's a dear. I shan't stay longer than supper under any
circumstances."
</para>

<para>
Mrs. Mallowe waited through the evening, looking long and
earnestly into the fire, and
sometimes smiling to herself.
*  * *
*
</para>

<para>
"Oh! oh! oh!  The man's an idiot! A raving, positive idiot!  I'm
sorry I ever saw him!"
</para>

<para>
Mrs. Hauksbee burst into Mrs. Mallowe's house, at midnight,
almost in tears.
</para>

<para>
"What in the world has happened?" said Mrs. Mallowe, but her
eyes showed that she had
guessed an answer.
</para>

<para>
"Happened!  Everything has happened!  He was there. I went to
him and said, 'Now, what does
this nonsense mean?' Don't laugh, dear, I can't bear
it.
But you know what I mean I said. Then it was a square, and I sat it
out with him and wanted an
explanation, and he said- Oh! I haven't patience with such idiots!
You know what I said about
going to Darjiling next year? It doesn't matter to me where I go. I'd
have changed the Station and
lost the rent to have saved this. He said, in so many words, that he
wasn't going to try to work up
any more, because-because he would be shifted into a province
away from Darjiling, and his
own District, where these creatures are, is within a day's
journey"-"Ah-hh!" said Mrs. Mallowe,
in a
tone of one who has successfully tracked an obscure word through
a large dictionary.
</para>

<para>
"Did you ever hear of anything so mad-so absurd? And he had the
ball at his feet. He had only to
kick it!  I
would have made him anything! Anything in the wide world.  He
could have gone to the world's
end. I would have helped him.  I made him, didn't I, Polly?  Didn't
I create that man? Doesn't he
owe everything to me? And to reward me, just when everything
was nicely arranged, by this
lunacy that spoiled everything!"
</para>

<para>
"Very few men understand your devotion thoroughly."
</para>

<para>
"Oh, Polly, don't laugh at me!  I give men up from this hour.  I
could have killed him then and
there. What right had this man-this Thing I had picked out of his
filthy paddy-fields-to make love
to me?"
</para>

<para>
"He did that, did he?"
</para>

<para>
"He did.  I don't remember half he said, I was so angry.  Oh, hut
such a funny thing happened!  I
can't help laughing at it now, though I felt nearly ready to cry with
rage. He raved and I
stormed-I'm afraid we must have made an awful noise in our kala
juggah. Protect my character,
dear, if it's all over Simla by to-morrow-and then he bobbed
forward in the middle of this
insanity-I firmly believe the man's demented-and kissed me!"
</para>

<para>
"Morals above reproach," purred Mrs. Mallowe.
</para>

<para>
"So they were- so they are! It was the most absurd kiss.  I don't
believe he'd ever kissed a woman
in his life before. I threw my head back, and it was a sort of slidy,
pecking dab, just on the end of
the chin-here."  Mrs. Hauksbee tapped her masculine little chin
with her fan. "Then, of course, I
was juriously angry, and told him that he was no gentleman, and I
was sorry I'd ever met him,
and so on. He was
crushed so easily that I couldn't be very angry.  Then I came away
straight to you."
</para>

<para>

"Was this before or after supper?"
</para>

<para>
"Oh! before-oceans before. Isn't it perfectly disgusting?"
</para>

<para>
"Let me think. I withhold judgment till to-morrow.  Morning
brings counsel."
</para>

<para>
But morning brought only a servant with a dainty bouquet of
Annandale roses for Mrs. Hauksbee
to wear at the dance at Viceregal Lodge that night.
</para>

<para>
"He doesn't seem to be very penitent," said Mrs. Mallowe. "What's
th,'. billet-doux in the
centre?"
</para>

<para>
Mrs. Hauksbee opened the neatly folded note,-another
accomplishment that she had taught
Otis,-read it, and groaned tragically.
</para>

<para>
"Last wreck of a feeble intellect! Poetry!  Is it his own, do you
think? Oh, that I ever built my
hopes on such a maudlin idiot!"
</para>

<para>
"No.  It's a quotation from Mrs. Browning, and, in view of the facts
of the case, as Jack says,
uncommonly well chosen. Listen-"'Sweet thou has trod on a heart,
</para>

<para>

Pass! There's a world full of men And women as fair as thou art,
</para>

<para>
Must do such things now and thefl
</para>

<para>

"'Thou only hast stepped unaware-Malice not one can impute;
</para>

<para>

And why should a heart have been there,
</para>

<para>

In the way of a fair woman 5 foot?'
</para>

<para>

"I didn't-I didn't-I didn't! "-said Mrs. Hauksbee, angrily, her eyes
filling with tears; "there was no
malice at all Oh, it's too vexatious!"
</para>



<para>
"You've misunderstood the compliment," said Mrs. Mallowe.  "He
clears you completely
and-ahem-1 should think by this, that he has cleared completely
too.  My experience of men is
that when they begin to quote poetry, they are going to flit. Like
swans singing before they die,
you know."
</para>

<para>
'Polly, you take my sorrows in a most unfeeling way."
</para>

<para>
"Do I?"  Is it so terrible? If he's hurt your vanity, I should say that
you've done a certain amount
of damage to his heart."
</para>

<para>
"Oh, you never can tell about a man said Mrs. Hauksbee.
</para>
</chapter>

<chapter>
<chapheader>
<title>AT THE PIT'S MOUTH</title>

<blockquote>
<poem>
<line>Men say it was a stolen tide</line>
<line>The Lord that sent it he knows all, </line>
<line>But in mine ear will aye abide</line>
<line>The message that the bells let fall,</line> 
<line>And awesome bells they were</line>
<line>to me, That in the dark rang,</line>
<line>"Enderby."</line>
</poem>

<attrib>

-Jean Ingelow.
</attrib>
</blockquote>
</chapheader>
<para>

ONCE upon a time there was a man and his Wife and a Tertium
Quid.
</para>

<para>
All three were unwise, but the Wife was the unwisest.  The Man
should have looked after his
Wife, who should have avoided the Tertium Quid, who, again,
should have married a wife of his
own, after clean and open flirtations, to which nobody can possibly
object, round Jakko or
Observatory Hill. When you see a young man with his pony in a
white lather, and his hat on the
back of his head flying down-hill at fifteen miles an hour to meet a
girl who will he properly
surprised to meet him, you naturally approve of that young man,
and  wish  him  Staff
Appointments, and take an interest in his welfare, and, as the
proper time comes, give them
sugar-tongs or side-saddlei according to your means and
generosity.
</para>

<para>
The Tertium Quid flew down-hill on
horseback, but it was to meet the Man's Wife; and when he flew
up-hill it was for the same end.
The Man was in the Plains, earning money for his Wife to spend
on dresses and
four-hundred-rupee bracelets, and inexpensive luxuries of that
kind. He worked very hard, and
sent her a letter or a post-card daily. She also wrote to him daily,
and said that she was longing
for him to come up to Simla. The Tertium Quid used to lean over
her shoulder and laugh as she
wrote the notes.  Then the two would ride to the Post Office
together.
</para>

<para>
Now, Simla is a strange place and its customs are peculiar; nor is
any man who has not spent at
least ten seasons there qualified to pass judgment on
circumstantial evidence. which is the most
untrustworthy in the Courts. For these reasons, and for others
which need not appear, I decline to
state positively whether there was anything irretrievably wrong in
the relations between the
Man's Wife and the Tertium Quid. If there was, and hereon you
must form your own opinion, it
was the Man's Wife's fault.  She was kittenish in her manners,
wearing generally an air of
</para>




<para>
soft and fluffy innocence.  But she was deidlily learned and
evil-instructed; and, now and again,
when the mask dropped, men saw this, shuduered and almost
drew back.  Men are occasionally
parucular, and the least particular men are always the most
exacting.
</para>

<para>
Simla is eccentric in its fashion of tearing friendships.  Certain
attachments which have set and
crystallized through half a dozen seasons acquire almost the
sanctity of the marriage bond, and
are revered as such.  Again, certain attachments equally old, and,
to all appearance, equally
venerable, never seem to win any recognized official status; while
a chance-sprung acquaintance
now two months born, steps into the place which by right belongs
to the senior.  There is no law
reducible to print which regulates these affairs.
</para>

<para>
Some people have a gift which secures them infinite toleration,
and others have not. The Man's
Wife had not. If she looked over the garden wall, for in-stance,
women taxed her with stealing
their husbands. She complained pathetically that she was not
allowed to choose her own friends.
When she put up her big white muff to her lips, and gazed over it
and under her eyebrows at you
as she said this thing, you felt that she had been infamously
misjudged, and that all the other
women's instincts were all wrong; which was absurd. She was not
allowed to own the Tertium
Quid in peace; and was so strangely constructed that she would not
have enjoyed peace had she
been so permitted.  She preferred some semblance of intrigue to
cloak even her most
commonplace actions.
</para>

<para>
After two months of riding, first
round Jakko, then Elysium, then Sum mer Hill, then Observatory
Hill, thep. under Jutogh, and
lastly up and down the Cart Road as far as the Tara Devi gap in the
dusk, she said to the Tertium
Quid, '~Frank, people say we are too much together, and people
are so horrid."
</para>

<para>
The Tertium Quid pulled his moustache, and replied that horrid
people were unworthy of the
consideration oi nice people.
</para>

<para>
"But they have done more than talk
-they have written-written to my hubby-I'm sure of it," said the
Man's Wife, and she pulled a
letter from her husband out of her saddle-pocket and gave it to the
Tertium Quid.
</para>

<para>
It was an honest letter, written by an honest man, then stewing in
the Plains on two hundred
rupees a month (for he allowed his wife eight hundre~ and fifty),
and in a silk banian and cotton
trousers.  It is said that, perhaps, she had no thought of the
unwisdom of allowing her name to be
so generally coupled with the Tertium Quid's; that she was too
much of a child to understand the
dangers of that sort of thing; that he, her husband, was the last man
in the world to interfere
jealously with her little amusements and interests, but that it would
be better were she to drop
the Tertium Quid quietly and for her husband's sake. The letter
was sweetened with many pretty
little pet names, and it amused the Tertium Quid considerably. He
and She laughed over it, so
that you, fifty yards away, could see their shoulders shaking while
the horses slouched along side
by side.
</para>

<para>
Their conversation was not worth reporting.  The upshot of it was
that,
next day, no one saw the Man's Wife and the Tertium Quid
together. They had both gone down
to the Cemetery, whiob, as a rule, is only visited officially by the
inhabitants of Simla.
</para>

<para>
A Simla funeral with the clergyman riding, the mourners riding,
and the coffin creaking as it
swings between the bearer~, is one of the most depressing things
on this earth, particularly when
the procession passes under the wet, dank dip beneath the
Rockcliffe Hotel, where the sun is
shut out and all the bill streams are wailing and weeping together
as they go down the valleys
</para>

<para>
Occasionally folk tend the graves, but we in India shift and are
transferred so often that, at the
end of the second year, the Dead have no friends-only
acquaintances who are far too busy
amusing themsel"es up the hill to attend to old partners.  The idea
of using a Cemetery as a
rendezvous is distinctly a feminine one. A man would have said
simply "Let people talk. We'll
go down the Mall."  A woman is made differently, especially if she
be such a woman as the
Man's Wife.  She and the Tertium Quid enjoyed each other's
society among the graves of men
and women whom they had known and danced with aforetime.
</para>

<para>
They used to take a big horse-blanket and sit on the grass a little to
the left of the lower end,
where there is a dip in the ground and where the occupied graves
stop short and the ready-made
ones are not ready. Each well-regulated India Cemetery keeps half
a dozen graves permanently
open for contingencies and incidental wear and tear.  In the Hills
these are more usually baby's
,'ize, because children who come up
weakened and sick from the Plains often succumb to the effects of
the Rains in the Hills or get
pneumonia from their ayahs taking them through damp
pine-woods after the sun has set.  In
Cantonments, of course, the man's size is more in request; these
arrangements varying with the
climate and population.
</para>

<para>
One day when the Man's Wife and the Tertium Quid had just
arrived in the Cemetery, they saw
some coolies breaking ground. They had marked out a full-size
grave, and the Tertium Quid
asked them whether any Sahib was sick. They said that they did
not know; but it was an order
that they should dig a Sahib's grave.
</para>

<para>
"Work away," said the Tertium Quid, "and let's see how it's done."
</para>

<para>
The coolies worked away, and the Man's Wife and the Tertium
Quid watched and talked for a
couple of hours while the grave was being deepened Then a coolie,
taking the earth in blan. kets
as it was thrown up, jumped over the grave.
</para>

<para>
"That'~ queer," said the Tertium Quid. "Where's my ulster?"
</para>

<para>
"What's queer?" said the Man's Wife.
</para>

<para>
"I have got a chill down my back
just as if a goose had walked over my grave."
</para>

<para>
'Why do you look at the thing, then?" said the Mm's Wife.  "Let us
go."
</para>

<para>
The Tertium Quid stood at the head of the grave, and stared
without answering for a space. Then
he said, dropping a pebble down, "It is nas'y~and cold; horribly
cold. I don't think I shail come to
the Cemetery any more.  I don't think grave-digging is cheerful."
</para>

<para>
The two talked and agreed that the
Cemetery was depressing.  They also arranged for a ride next day
out from the Cemetery through
the Mashobra Tunnel up to Fagoo and back, because all the world
was going to a garden-party at
Viceregal Lodge, and all the people of Mashobra would go too.
</para>

<para>
Corning up the Cemetery road, the Tertium Quid's horse tried to
bolt up hill, being tired with
standing so long, and managed to strain a hack sinew.
</para>

<para>
"I shall have to take the mare tomorrow," said the Tertium Quid,
"and she will stand nothing
heavier than a snaffie."
</para>

<para>
They made their arrangements to meet in the Cemetery, after
allowing all the Mashobra people
time to pass into Simla.  That night it rained heavily, and next day,
when the Tertium Quid came
to the trysting-place, he saw that the new grave had a foot of water
in it, the ground being a
tough and sour clay.
</para>

<para>
"'Jove! That looks beastly," said the Tertiurn Quid.  "Fancy being
boarded up and dropped into
that well!"
</para>

<para>
They then started off to Fagoo, the mare playing with the snaffle
and picking her way as though
she were shod with satin, and the sun shining divinely. The road
below Mashobra to Fagoo is
officially styled the Himalayan-Thibet Road; but in spite of its
name it is not much more than six
feet wide in most places, and the drop into the valley below must
be anything between one and
two thousand feet.
</para>

<para>
"Now we're going to Thibet," said the Man's Wife merrily, as the
horses drew near to Fagoo. She
was riding on the cliff-side.
</para>

<para>
"Into Thibet," said the Tertium Quid,
"ever so far from people who say horrid things, and hubbies who
write stupid letters. With
you-to the end of the world!"
</para>

<para>
A coolie carrying a log of wood came round a corner, and the mare
went wide to avoid
him-forefeet in and haunches out, as a sensible mare should go.
</para>

<para>
"To the world's end," said the Man's Wife, and looked unspeakable
things over her near shoulder
at the Tertium Quid.
</para>

<para>
He was smiling, but, while she looked, the smile froze stiff as it
were on his face, and changed to
a nervous grin-the sort of grin men wear when they are not quite
easy in their saddles. The mare
seemed to be sinking by the stem, and her nostrils cracked while
she was trying to realize what
was happening. The rain of the night before had rotted the
drop-side of the Himalayan-Thibet
Road, and it was giving way under her "What are you doing?" said
the Man's Wife. The Tertium
Quid gave no answer  He grinned nervously and set his spurs into
the mare, who rapped with her
forefeet on the road, and the struggle began.  The Man's Wife
screamed, "Oh, Frank, get off!"
</para>

<para>
But the Tertium Quid was glued to the saddle-his face blue and
white-and he looked into the
Man's Wife's eyes.  Then the Man's Wife clutched at the mare's
head and caught her by the nose
instead of the bridle.  The brute threw up her head and went down
with a scream, the Tertium
Quid upon her, and the nervous grin still set on his face.
</para>

<para>
The Man's Wife heard the tinkle-tinMe of little stones and loose
earth falling off the roadway,
and the sliding roar
of the man and horse going down. Then everything was quiet, and
she called on Frank to leave
his mare and walk up. But Frank did not answer. He was
underneath the mare, nine hundred feet
below, spoiling a patch of Indian corn.
</para>

<para>
As the revellers came hack from Viceregal Lodge in the mists of
the evening, they met a
temporarily insane woman, on a temporarily mad horse, swinging
round the corners, with her
eyes and her mouth open, and her head like the head of the
Medusa. She was
stopped by a man at the risk of his life, and taken out of the saddle,
a limp heap, and put on the
bank to explain herself.  This wasted twenty minutes, and then she
was sent home in a lady's
'rickshaw, still with her mouth open and her hands picking at her
riding-gloves.
</para>

<para>
She was in bed through the following three days, which were
rainy; so she missed attending the
funeral of the Tertium Quid, who was lowered into eighteen inches
of water, instead of the
twelve to which he had first objected.
</para>
</chapter>

<chapter>
<chapheader>
<title>
A Wayside Comedy
</title>

<blockquote>
<para>
Because to every purpose there is time and judgment, therefore the
misery of man is great upon him.-
</para>
<attrib>
-Eccies. viii. 6.
</attrib>
</blockquote>
</chapheader>

<para>

FATE and the Government of India have turned the Station of
Kashima into a prison; and,
because there is no help for the poor souls who are now lying there
in torment, I write this story,
praying that the Government of India may be moved to scatter the
European population to the
four winds.
</para>

<para>
Kashima is bound on all sides by the rock-tipped circle of the
Dosehri hills. In Spring, it is
ablaze with roses in Summer, the roses die and the hot winds blow
from the hills; in Autumn, the
white mists from the hills cover the place as with water, and in
Winter the frosts nip everything
young and tender to earth-level.  There is but one view in
Kashima-a stretch of perfectly flat
pasture and plough-land, running up to the grey-blue scrub of the
Dosebri hills.
</para>

<para>
There are no amusements, except snipe and tiger shooting; but the
tigers have been long since
hunted from their lairs in the rock-caves, and the snipe only come
once a year.  Narkarra-one
hundred and forty-three miles by road-is the nearest station to
Kashima. But Kashima never goes
to Narkarra, where there are at least twelve English people.  It
stays within the circle of the
Dosebri hills.
</para>

<para>
All Kasbima acquits Mrs. Vansuythen of any intention to do harm;
but all Kashima knows that
she, and she alone, brought about their pain.
</para>

<para>
Boulte, the Engineer, Mrs. Boulte, and Captain Kurrell know this.
They are the English
population of Kashima, if we except Major Vansuythen, who is of
no importance whatever, and
Mrs. Vansuythen, who is the most important of all.
</para>

<para>
You must remember, though you will not understand, that all laws
weaken
in a small and hidden community where there is no public opinion.
When a man is absolutely
alone in a Station he runs a certain risk of falling into evil ways.
The risk is multiplied by every
addition to the population up to twelve
-the Jury-number.  After that, fear and consequent restraint begin,
and human action becomes
less grotesquely jerky.
</para>

<para>
There was deep peace in Kashima till Mrs. Vansuythen arrived.
She was a charming woman,
every one said so everywhere; and she charmed every one.  In spite
of this, or, perhaps, because
of this, since Fate is so perverse, she cared only for one man, and
he was Major Vansuythen. Had
she been plain or stupid, this matter would have been intelligible
to Kashima. But she was a fair
woman, with very still grey eyes, the color of a lake just before the
light of the sun touches it.
No man who had seen those eyes, could, later on, explain what
fashion of woman she was to
look upon.  The eyes dazzled him. Her own sex said that she was
"not bad looking, but spoiled
by pretending to be so grave."  And yet her gravity was natural  It
was not her habit to smile.
She merely went through life, looking at those who passed; and the
women objected while the
men fell down and worshipped.
</para>

<para>
She knows and is deeply sorry for the evil she has done to
Kashima; but Major Vansuythen
cannot understand why Mrs. Boulte does not drop in to afternoon
tea at least three times a week.
"When there are only two women in one Station, they ought to see
a great deal of each other,"
says Major Vansuythen.
</para>

<para>
Long and long before ever Mrs. Vansuythen came out of those
far-away places  where  there is
society and amusement, Kurrell had discovered that Mrs. Boulte
was the one woman in the
world  for him  and-you  dare not blame them.  Kashima was as
out of the world as Heaven or
the Other Place, and the Dosehri hills kept their secret well.
Boulte had no concern in the
matter.  He was in camp for a fortnight at a time. He was a hard,
heavy man, and neither Mrs.
Boulte nor Kurrell pitied him.  They had  all Kashima and each
other for their very, very own;
and Kashima was the Garden of Eden in those days. When Boulte
returned from his wanderings
he would slap Kurrell between the shoulders and call him "old
fellow," and the three would dine
together.  Kashima was happy then when the judgment of God
seemed almost as distant as
Narkarra or the railway that ran down to the sea.  But the
Government sent Major Vansuythen to
Kashima, and with him came his wife.
</para>

<para>
The etiquette of Kashima is much the same as that of a desert
island. When a stranger is cast
away there, all hands go down to the shore to make him welcome.
Kashima assembled at the
masonry platform close to the Narkarra Road, and spread tea for
the Vansuythcns.   That
ceremony  was reckoned a formal call, and made them free of the
Station, its rights and
privileges. When the Vansuythens were settled down, they gave a
tiny housewarming to all
Kashima; and that made Kashima free of their house, according to
the immemorial usage of the
Station.
</para>

<para>
Then the Rains came, when no one
could go into camp, and the Narkarra
Road was washed away by the Kasun
River, and in the cup-like pastures of
Kashima the cattle waded knee-deep.
The clouds dropped down from the
Dosehri hills and covered everything.
</para>

<para>
At the end of the Rains, Boulte's manner toward his wife changed
and became  demonstratively
affectionate. They had been married twelve years, and the change
startled Mrs. Boulte, who
hated her husband with the hate of a woman who has met with
nothing but kindness from her
mate, and, in the teeth of this kindness, had done him a great
wrong.  Moreover, she had her awn
trouble to fight with-her watch to keep over her own property,
Kurrell. For two months the Rains
had hidden the Dosebri hills and many other things besides; but
when they lifted, they showed
Mrs.  Boulte that her man among men, her Ted-for she called him
Ted in the old days when
Boulte was out of earshot-was slipping the links of the allegiance.
</para>

<para>
"The Vansuythen Woman has taken him," Mrs. Boulte said to
herself; and when Boulte was
away, wept over her belief, in the face of the over-vehement
blandishments  of  Ted.   Sorrow  in
Kashima is as fortunate as Love, because there is nothing to
weaken it save the flight of Time.
Mrs. Boulte had never breathed her suspicion to Kurrell because
she was not certain; and her
nature led her to be very certain before she took steps in any
direction.  That is why she behaved
as she did.
</para>

<para>
Boulte came into the house one evening, and leaned against the
door-posts of the drawing-room,
chewing his moustache.  Mrs. Boulte was putting some
flowers into a vase.  There is a pretence of civilization even in
Kashima.
</para>

<para>
"Little woman," said Boulte, quietly, "do you care for me?"
</para>

<para>
"Immensely," said she, with a laugh. "Can you ask ~?"
</para>

<para>
"But I'm serious," said Boulte. "Do you care for me?"
</para>

<para>
Mrs. Boulte dropped the flowers, and turned round quickly.  "Do
you want an honest answer?"
</para>

<para>
"Ye-es, I've asked for it."
</para>

<para>
Mrs. Boulte spoke in a low, even voice for five minutes, very
distinctly, that there might be no
misunderstanding her meaning.  When Samson broke the pillars of
Gaza, he did a little thing,
and one not to be compared to the  deliberate  pulling  down  of  a
womans homestead about
her own ears. There was no Wise female friend to advise Mrs.
Boulte, the singularly cautious
wife, to hold her hand.  She struck at Boulte's heart, because her
own was sick with suspicion of
Kurrell, and worn out with the long strain of watching  alone
through  the  Rains. There was no
plan or purpose in her speaking.  The sentences made themselves;
and  Boulte listened leaning
against the door-post with his hands in his pockets.  When all was
over, and Mrs. Boulte began
to breathe through her nose before breaking out into tears, he
laughed and stared straight in front
of him at the Dosebri hills.
</para>

<para>
"Is that all?" be said.  "Thanks, I only wanted to know, you know."
</para>

<para>
"What are you going to do?" said the woman, between her sobs.
</para>

<para>
"Do!  Nothing.  What should I do? Kill Kurrell or send you Home,
or apply for leave to get a
divorce?  It's
two days' dok into Narkarra."  He laughed again and went on:  "I'll
tell you what you can do.
You can ask Kurrell  to  dinner  to-morrow-no, on Thursday, that
will allow you time to
pack~and you can bolt with him. I give you my word I won't
follow."
</para>

<para>
He took up his helmet and went out of the room, and Mrs. Boulte
sat till the moonlight streaked
the floor, thinking and thinking and thinking.  She had done her
best upon the spur of the
moment to pull the house down; but it would not fall.  Moreover,
she could not understand her
husband, and she was afraid.  Then the folly of her useless
truthfulness struck her, and she was
ashamed to write to Kurrell, saying: "I have gone mad and told
everything. My husband says that
I am free to elope with you.  Get a dok for Thursday, and we will
fly after dinner." There was a
cold-bloodedness about that procedure which did not appeal to
her.  So she sat still in her own
house and thought.
</para>

<para>
At dinner-time Boulte came back from his walk, white and worn
and haggard, and the woman
was touched at his distress.  As the evening wore on, she muttered
some expression of sorrow,
something approaching to contrition.  Boulte came out of a brown
study and said, "Oh, that!  I
wasn't thinking about that. By the way, what does Kurrell say to
the elopement?"
</para>

<para>
"I haven't seen him," said Mrs. Boulte.  "Good God! is that all?"
</para>

<para>
But Boulte was not listening, and her sentence ended in a gulp.
</para>

<para>
The next day brought no comfort to Mrs. Boulte, for Kurrell did
not appear, and the new life that
she, in the
five minutes' madness of the previous evening, had hoped to build
out of the ruins of the old,
seemed to be no nearer.
</para>

<para>
Boulte ate his breakfast, advised her to see her Arab pony fed in
the veranda, and went out.  The
morning wore through, and at midday the tension became
unendurable.  Mrs. Boulte could not
cry.  She had finished her crying in the night, and now she did not
want to be left alone. Perhaps
the Vansoythen woman would talk to her; and, since talking opens
the heart, perhaps there might
be some comfort to be found in her company. She was the only
other woman in the Station.
</para>

<para>
In Kasbima there are no regular calling-hours.  Every one can drop
in upon every one else at
pleasure.  Mrs. Boulte put on a big terai hat, and walked  across  to
the Vansoythen's house to
borrow last week's Queen. The two compounds touched, and
in-stead of going up the drive, she
crossed through the gap in the cactus-hedge, entering the house
from the back.  As she passed
through the dining-room, she heard, behind the purdah that
cloaked the drawing-room door, her
husband's voice, saying-"But on my Honor!  On my Soul
and Honor, I tell you she doesn't care for me.  She told me so last
night.  I would have told you
then if Vansuythen hadn't been with you.  If it is for her sake that
you'll have nothing to say to
me, you can make your mind easy. It's Kurrell'
</para>

<para>
"What?" said Mrs. Vansoythen, with an hysterical little laugh.
"Kurrell! Oh, it can't be.  You two
must have made some horrible mistake.  Perhaps you-you lost your
temper, or misunderstood, or something.  Things can't be as wrong as you say."
</para>

<para>
Mrs. Vansuythen had shifted her defence to avoid the man's
pleading, and was desperately trying
to keep him to a side-issue.
</para>

<para>
"There must be some mistake," she insisted, "and it can be all put
right again."
</para>

<para>
Boulte laughed grimly.
</para>

<para>
"It can't be Captain Kurrell!  He told me that he had never taken
the least-the least interest in
your wife, Mr. Boulte.  Oh, do listen!  He said he had not.  He
swore he had not," said Mrs.
Vansuythen.
</para>

<para>
The purdah rustled, and the speech was cut short by the entry of a
little, thin woman with big
rings round her eyes.  Mrs. Vansuytben stood up with a gasp.
</para>

<para>
"What was that you said?" asked Mrs. Boulte.  "Never mind that
man. What did Ted say to you?
What did he say to you?  What did he say to you?"
</para>

<para>
Mrs. Vansuythen sat down helplessly on the sofa, overborne by the
trouble of her questioner.
</para>

<para>
"He said-I can't remember exactly what he said-but I understood
him to say-that is-But, really,
Mrs. Boulte, isn't it rather a strange question?"
</para>

<para>
"Will you tell me what he said?" repeated Mrs. Boulte.  Even a
tiger will fly before a bear robbed
of her whelps, and Mrs. Vansuythen was only an ordinarily good
woman.  She began in a sort of
desperation: "Well, he said that he never cared for you at all, and,
of course, there was not the
least reason why he should have, and-and-that was all."
</para>

<para>
"You said he swore he had not cared for me. Was that true?"
</para>

<para>
"Yes," said Mrs. Vansuythen, very softly.
</para>

<para>
Mrs. Boulte wavered for an instant where she stood, and then fell
forward fainting.
</para>

<para>
"What did I tell you?" said Boulte, as though the conversation had
been unbroken.  "You can see
for yourself She cares for him."  The light began to break into his
dull mind, and he went
on-"And what was he saying to you?"
</para>

<para>
But Mrs. Vansuythen, with no heart for explanations or
impassioned protestations,  was
kneeling  over  Mrs. Boulte.
</para>

<para>
"Oh, you brute!" she cried.  "Are all men like this? Help me to get
her into my room-and her face
is cut against the table. Oh, will you be quiet, and help me to carry
her?  I hate you, and I hate
Captain Kurrell.  Lift her up carefully and now-go!  Go away!"
</para>

<para>
Boulte carried his wife into Mrs. Vansuythen's bedroom and
departed before the storm of that
lady's wrath and disgust, impenitent and burning with jealousy.
Kurrell had been making love to
Mrs. Vansuythen-would do Vansuytben as great a wrong as he had
done Boulte, who caught
himself considering  whether  Mrs.  Vansuythen would faint if she
discovered that the man she
loved had foresworn her.
</para>

<para>
In the middle of these meditations, Kurrell came cantering along
the road and pulled up with a
cheery, "Goodmornin'.  'Been mashing Mrs. Vansuythen as usual,
eh?  Bad thing for a sober,
married man, that. What will Mrs Boulte say?"
</para>

<para>

Boulte raised his head and said, slowly, "Oh, you liar!"  Kurrell's
face changed.  "What's that?"
he asked, quickly.
</para>

<para>
"Nothing much," said Boulte.  "Has my wife told you that you two
are free to go off whenever
you please?  She has been good enough to explain the situation to
me.  You've been a true friend
to  me,  Kurrell-old  man-haven't you?"
</para>

<para>
Kurrell groaned, and tried to frame some sort of idiotic sentence
about being willing to give
"satisfaction." But his interest in the woman was dead, had died
out in the Rains, and, mentally,
he was abusing her for her amazing indiscretion. It would have
been so easy to have broken off
the thing gently and by degrees, and now he was saddled
with-Boulte's voice recalled him.
</para>

<para>
"'I don't think I should get any satisfaction from killing you, and
I'm pretty sure you'd get none
from killing me."
</para>

<para>
Then in a querulous tone, ludicrously disproportioned to his
wrongs, Boulte added-"'Seems
rather a pity that you haven't the decency to keep to the woman,
now you've got her.  You've
been a true friend to her too, haven't you?"
</para>

<para>
Kurrell stared long and gravely. The situation was getting beyond
him.
</para>


<para>
"What do you mean?" he said.
</para>

<para>
Boulte answered, more to himself than the questioner:  'My wife
came over to Mrs. Vansuythen's
just now; and it seems you'd been telling Mrs. Vansuythen that
you'd never cared for Emma.  I
suppose you lied, as usual. What had Mrs. Vansuytben to do with
you, or you with her?  Try to speak the truth for once in a way."
</para>

<para>
Kurrell  took  the  double  insult without wincing, and replied by
another question: "Go on.
What happened?"
</para>

<para>
"Emma fainted," said Boulte, simply.
</para>

<para>
"But, look here, what had you been saying to Mrs. Vansuythen?"
</para>

<para>
Kurrell laughed.  Mrs. Boulte had, with unbridled tongue, made
havoc of his plans; and he could
at least retaliate by hurting the man in whose eyes he was
humiliated and shown dishonorable.
</para>

<para>
"Said to her? What does a man tell a lie like that for?  I suppose I
said pretty much what you've
said, unless I'm a good deal mistaken."
</para>

<para>
"I spoke the truth," said Boulte, again more to himself than
Kurrell. "Emma told me she hated
me.  She has no right in me."
</para>

<para>
"No! I suppose not. You're only her husband, y'know.  And what
did Mrs. Vansuythen say after
you had laid your disengaged heart at her feet?"
</para>

<para>
Kurrell felt almost virtuous as he put the question.
</para>

<para>
"I don't think that matters," Boulte replied; "and it doesn't concern
you."
</para>

<para>
"But it does!  I tell you it does" began Kurrell, shamelessly.
</para>

<para>
The sentence was cut by a roar of laughter from Boulte's lips.
Kurrell was silent for an instant,
and then he, too, laughed-laughed long and loudly, rocking in his
saddle.  It was an unpleasant
sound-the mirthless mirth of these men on the long, white line of
the Narkarra  Road.   There
were  no strangers in Kashima, or they might have thought that
captivity within the
Dosehri hills had driven half the European population mad.  The
laughter ended abruptly, and
Kurrell was the first to speak.
</para>

<para>
"Well, what are you going to do?"
</para>

<para>
Boulte looked up the road, and at the hills.  "Nothing," said he,
quietly; "what's the use?  It's too
ghastly for anything. We must let the old life go
on.
I can only call you a hound and a liar, and I can't go on calling you
names forever. Besides
which, I don't feel that I'm much better.  We can't get out of this
place. What is there to do?"
</para>

<para>
Kurrell looked round the rat-pit of Kashima and made no reply.
The injured husband took up the
wondrous tale.
</para>

<para>
"Ride on, and speak to Emma if you want to. God knows I don't
care what you do."
</para>

<para>
He walked forward and left Kurrell gazing blankly after him.
Kurrell did not ride on either to
see Mrs. Boulte or Mrs. Vansuythen.  He sat in his saddle and
thought, while his pony grazed by
the roadside.
</para>

<para>
The whir of  approaching wheels roused him.  Mrs. Vansuythen
was driving home Mrs. Boulte,
white and wan, with a cut on her forehead.
</para>

<para>
"Stop, please," said Mrs. Boulte "I want to speak to Ted."
</para>

<para>
Mrs. Vansuythen obeyed, but as Mrs. Boulte leaned forward,
putting her hand upon the
splash-hoard of the dog-cart, Kurrell spoke.
</para>

<para>
"I've  seen  your  husband,  Mrs. Boulte.
</para>

<para>
There was no necessity for any further explanation.  The man's
eyes were fixed, not upon Mrs.
Boulte, but
her companion.  Mrs. Boulte saw the look.
</para>

<para>
"Speak to him!" she pleaded, turning to the woman at her side.
"Oh, speak to him!  Tell him
what you told me just now. Tell him you hate him. Tell him you
hate him!"
</para>

<para>
She bent forward and wept bitterly, while the sais, impassive, went
forward to hold the horse.
Mrs. Vansuythen turned scarlet and dropped the reins. She wished
to be no party to such unholy
explanations.
</para>

<para>
"I've nothing to do with it," she began, coldly; but Mrs. Boulte's
sobs overcame her, and she
addressed herself to the man. "I don't know what I am to say,
Captain Kurrell. I don't know what
I can call you. I think you've-you've behaved abominably, and she
has cut her forehead terribly
against the table."
</para>

<para>
"It doesn't hurt.  It isn't anything," said Mrs. Boulte feebly. "That
doesn't matter.  Tell him what
you told me. Say you don't care for him. Oh, Ted, won't you
believe her?"
</para>

<para>
"Mrs. Boulte has made me understand that you were-that you were
fond of her once upon a
time," went on Mrs. Vansuythen.
</para>

<para>
"Well!" said Kurrell brutally.  "It seems to me that Mrs. Boulte had
better be fond of her own
husband first."
</para>

<para>
"Stop!" said Mrs. Vansuythen. "Hear me first.  I don't care-I don't
want to know anything about
you and Mrs. Boulte; but I want you to know that I hate you, that I
think you are a cur, and that
I'll never, never speak to you again.  Oh, I don't dare to say what I
think of you, you-man!"
</para>

<para>

"I want to speak to Ted," moaned Mrs. Boulte, but the dog-cart
rattled on, and Kurrell was left
on the road, shamed, and boiling with wrath against Mrs. Boulte.
</para>

<para>
He waited till Mrs. Vansuythen was driving back to her own
house, and, she being freed from
the embarrassment of Mrs. Boulte's presence, learned for the
second time her opinion of himself
and his actions.
</para>

<para>
In the evenings, it was the wont of all Kashima to meet at the
platform on the Narkarra Road, to
drink tea, and discuss the trivialities of the day. Major Vansuythen
and his wife found
themselves alone at the gathering-place for almost the first time in
their remembrance; and the
cheery Major, in the teeth of his wife's remarkably reasonable
suggestion that the rest of the
Station might be sick, insisted upon driving round to the two
bungalows and unearthing the
population.
</para>

<para>
"Sitting in the twilight!" said he, with great indignation to the
Boultes. That'll never do! Hang it
all, we're one family here! You must come out, and so must
Kurrell.   I'll make  him  bring his
banjo." So great is the power of honest simplicity and a good
digestion over guilty consciences
that all Kashima did turn out, even down to the banjo; and the
Major embraced the company in
one expansive grin. As he grinned, Mrs. Vansuythen raised her
eyes for an instant and looked at
all Kashima.  Her meaning was clear.  Major Vansuythen would
never know anything.  He was
to be the outsider in that happy family whose cage was the Dosehri
hills.
</para>

<para>
"You're singing villainously out of
tune, Kurrell," said the Major, truthfully.  "Pass me that banjo."
</para>

<para>
And he sang in excruciating-wise till the stars came out and all
Kashima went to dinner.
</para>

<para>
*
*
*
*
*
</para>

<para>

That was the beginning of the New Life of Kashima-the life that
Mrs. Boulte made when her
tongue was loosened in the twilight.
</para>

<para>
Mrs. Vansuythen has never told the Major; and since be insists
upon keeping up a burdensome
geniality, she has been compelled to break her vow of not speaking
to  Kurrell.   This  speech,
which must of necessity preserve the semblance of politeness and
interest, serves admirably to
keep alive the flame of jealousy and dull hatred in Boulte's bosom,
as it awakens the same
passions in his wife's heart.  Mrs. Boulte hates Mrs. Vansuythen
because she has taken Ted from
her, and, in some curious fashion, hates her because Mrs.
Vansuythen-and here the wife's eyes
see far more clearly than the husband's-detests Ted.  And Ted
-that gallant captain and honorable man-knows now that it is
possible to hate a woman once
loved, to the verge of wishing to silence her forever with blows.
Above all, is he shocked that
Mrs. Boulte cannot see the error of her ways.
</para>

<para>
Boulte and he go out tiger-shooting together in all friendship.
Boulte has put their relationship
on a most satisfactory footing.
</para>

<para>
"You're a blackguard," he says to Kurrell, "and I've lost any
self-respect I may ever have had; but
when you're with me, I can feel certain that you are not with Mrs. Vansuythen,
or making Emma miserable."
</para>

<para>
Kurrell endures anything that Boulte may say to him.  Sometimes
they are away for three days
together, and then the Major insists upon his wife going over to sit
with Mrs, Boulte; although
Mrs. Vansuythen has repeatedly declared that she prefers her
husband's company to any in the
world.  From the way in which she clings to him, she would
certainly seem to be speaking the
truth.
</para>

<para>
But of course, as the Major says, "in a little Station we must all be
friendly."
</para>
</chapter>
<chapter>


<!--

Something very amiss here! The etext seems to have jumbled up 
'a wayside commedy' The Hill of Illusion and a second rate woman.
I have sorted out the Wayside comedy, but I am unable to sort 
out the other two




-->
<para>
~outhl  I ordered the Hawley Boy, as 'ae valued my patronage, not
to call. The first person I
stumble over-literally stumble over-in her poky, dark, jittle
drawing-room is, of course, the
flawley Boy.  She kept us waiting ten rninutes, and then emerged
as though ~he had been tipped
out of the dirtyrIothes basket.  You know my way, dear, when I am
all put out.  I was Superior,
crrrushingly Superior! 'Lifted my eyes to Heaven, and had heard of
nothing-'dropped my eyes on
the carpet and 'really didn't know'-'played witn my cardcase and
'supposed so.' The Hawley Boy
giggled like a girl, and I had to freeze him with scowls between the
sentences."
</para>

<para>
"And she?"
</para>

<para>
"She sat in a heap on the edge of a couch, and managed to convey
the impression that she was
suffering from stomach-ache, at the very least. It was all I could do
not to ask after her
symptoms.  When I rose she grunted just ~ke a buffalo in the
water-too lazy to move."
</para>

<para>
"Are you certain?'-"Am I blind, Polly? Laziness, sheer
l.~iness, nothing else-or her garments were only constructed for
sitting down
in.
I stayed for a quarter of an hour trying to penetrate the gloom, to
guess what her surroundings
were like, while she stuck out her tongue."
</para>

<para>
"Lu-cy !'~
</para>

<para>
"Well-I'll  withdraw  the  tongue,
though I'm sure if she didn't do it when
I was in the room, she did the minute
I was outside. At any rate, she l~y in
a lump and grunted.  Ask the Hawley
Boy, dear.  I bel~evc the grunts were
m~ant for sentences. but she spoke so
indistinctly that I can't swear to it."
</para>

<para>
"You are incorrigible, simply."
</para>

<para>
"I am not!  Treat me civilly, give me peace with honor, don't put
the only available seat facing
the window, and a child may eat jam in my lap before Church. But
I resent being grunted at.
Wouldn't you?  Do you suppose that she communicates her views
on life and love to The
Dancing Master in a set of modulated 'Grmphs'?"
</para>

<para>
"You attach too much importance to The Dancing Master."
</para>

<para>
"He came as we went, and The Dowd grew almost cordial at the
sight of him. He smiled
greasily, and moved about that darkened dog-kennel in a
suspiciously familiar way."
</para>

<para>
"Don't be uncharitable. Any sin but that I'll forgive."
</para>

<para>
"Listen to the voice of History.  I am only describing what I saw.
He entered, the heap on the
sofa revived slightly, and the Hawley Boy and I came away
together. He is disillusionea, but I
felt it my duty to lecture him severely for going there.  And that's
all."
</para>

<para>
"Now  for Pity's  sake leave the wretched creature and The
Dancing Master alone. They never
did you any harm."
</para>

<para>
"No harm?  To dress as an example and a stumbling-block for half
Simla, and then to find this
Person who is dressed by the hand of God-not that I wish to
disparage Him for a moment, but
you know the tikka dhurzie way He attires those lilies of the
field-this Person draws the eyes of
men-and some of them nice men? It's almost enough ~o make one
di~card clothing.  I told the
Hawley Boy so."
</para>


<para>
A SECOND-RATE WOMAN
223
</para>

<para>
liter you saw her walking with The Dancing Master-an hour later
you met her here at the
Library."
</para>

<para>
"Still with The Dancing Master, remember."
</para>

<para>
"Still with The Dancing Master, I admit, but why on the strength of
that should you imagine"-"I
imagine nothing. I have no imagination. I am only convinced that
The Dancing Master is
attracted to The Dowd because he is objectionable in every way
and she in every other. If I know
the man as you have described him, he holds his wife in slavery at
present."
</para>

<para>
"She is twenty years younger than he."
</para>

<para>
"Poor wretch! And, in the end, after ke has posed and swaggered
and lied-he has a mouth under
that ragged moustache simply made for lies-he will be rewarded
according to his merits."
</para>

<para>
"I wonder what those really are," said Mrs. Mallowe.
</para>

<para>
But Mrs. Hauksbee, her face close to he shelf of the new books,
was humming softly: "What
shall he have who killed the Deer!"  She was a lady of unfettered
speech.
</para>

<para>
One month later, she announced her otention of calling upon Mrs.
Delville. Both Mrs. Hauksbee
and Mrs. Mallowe were in morning wrappers, and there was a
great peace in the land.
</para>

<para>
"I should go as I was," said Mrs. Mallowe. "It would be a delicate
compliment to her style."
</para>

<para>
Mrs. Hauksbee studied herself in the glass.
</para>

<para>
"Assuming for a moment that she ever darkened these doors, I
should put on this robe, after all
the others, to show
her what a morning wrapper ought to be. It might enliven her.  As
it is, I shall go in the
dove-colored-sweet emblem of youth and innocenc~and shall put
on my new gloves."
</para>

<para>
"If you really are going, dirty tan would be too good; and you know
that dove-color spots with
the rain."
</para>

<para>
"I care not. I may make her envious. At least I shall try, though one
cannot expect very much
from a woman who puts a lace tucker into her habit."
</para>

<para>
"Just Heavens!  When did she do that?"
</para>

<para>
"Yesterday-riding with The Dancing Master.  I met them at the
back of Jakko, and the rain had
made the lace lie down.  To complete the effect, she was wearing
an unclean terai with the
elastic under her chin. I felt almost too well content to take the
trouble to despise her."
</para>

<para>
"The Hawley Boy was riding with you. What did he think?"
</para>

<para>
"Does a boy ever notice these things? Should I like him if he did?
He stared in the rudest way,
and just when I thought he had seen the elastic, he said, 'There's
something very taking about that
face.' I rebuked him on the spot. I don't approve of boys being
taken by faces."
</para>

<para>
"Other than your own.  I shouldn't be in the least surprised if the
Hawley Boy immediately went
to call."
</para>

<para>
"I forbade him. Let her be satisfied with The Dancing Master, and
his wife when she comes up.
I'm rather curious to see Mrs. Bent and the Delville woman
together."
</para>

<para>
Mrs. Haukshee departed and, at the end of an hour, returned
slightly flushed.
</para>

<para>
"There is no limit to the treachery of
</para>

<para>
THE HILL OF ILLUSION
213
</para>

</chapter>

<chapter>
<chapheader>
<title>The Hill of Illusion</title>
<blockquote>
<poem>
<line>What rendered vain their deep desire?</line>
<line>A God, a God their severance ruled,</line>
<line>And bade between their shores to be</line>
<line>The unplumbed, salt, estranging sea.</line>
</poem>

<attrib>
-Matthew Arnold.
</attrib>
</blockquote>
</chapheader>

<para>
HE.  Tell your 'hampanis not to hurry so, dear. They forget I'm
fresh from the Plains.
</para>

<para>
SHE.  Sure proof that I have not been going out with any one. Yes,
they are an untrained crew.
Where do we go?
</para>

<para>
HE. As usual-to the world's end. No, Jakko.
</para>

<para>
SHE.  Have your pony led after you, then. It's a long ound.
</para>

<para>
HE.  And for the last time, thank Heaven!
</para>

<para>
SHE.  Do you mean that still?  I didn't dare to write to you about
it-all these months.
</para>

<para>
HE.  Mean it! I've been shaping my affairs to that end since
Autumn. What makes you speak as
though it had occurred to you for the first time?
</para>

<para>
SHE. I! Oh! I don't know. I've had long enough to think, too.
</para>

<para>
HE.  And you've changed your mind?
</para>

<para>
SHE.  No. You ought to know that I
am a miracle of constancy. What are your-arrangements?
</para>

<para>
HE.  Ours, Sweetheart, please.
</para>

<para>
SHE.  Ours, be it then.  My poor boy, how the prickly heat has
marked your forehead!  Have you
ever tried sulphate of copper in water?
</para>

<para>
HE. It'll go away in a day or twa up here.  The arrangements are
simple enough. Tonga in the
early morning-reach Kalka at twelve-Umballa at seven-down,
straight by night train, to Bombay,
and then the steamer of the 21st for Rome.  That's my idea.  The
Continent  and  Sweden-a
ten-week honeymoon.
</para>

<para>
SHE.  Ssh! Don't talk of it in that way. It makes me afraid.  Guy,
how long have we two been
insane?
</para>

<para>
HE. Seven months and fourteen days, I forget the odd hours
exactly, but I'll think.
</para>

<para>
SHE. I only wanted to see if you remembered.  Who are those two
on the Blessington Road?
</para>

<para>
HE.  Eabrey and the Penner woman. What do they matter to us?
Tell me everything that you've
been doing and saying and thinking
</para>
<para>
SHE.  Doing little, saying less, and thinking a great deal. I've
hardly been out at all.
</para>

<para>
HE.  That was wrong of you. You haven't been moping?
</para>

<para>
SHE.  Not very much.  Can you wonder that I'm disinclined for
amuse-ment?
</para>

<para>
HE.  Frankly, I do. Where was the difficulty?
</para>

<para>
SHE.  In this only. The more people 1 know and the more I'm
known here, the wider spread will
be the news of the crash when it comes. I don't like that.
</para>

<para>
HE.  Nonsense. We shall be out of it.
</para>

<para>
SHE.  You think so?
</para>

<para>
HE.  I'm sure of it, if there is any power in steam or horse-flesh to
carry us away. Ha! ha!
</para>

<para>
Sira. And the fun of the situation comes in-where, my Larcelot?
</para>

<para>
lia.  Nowhere, Guinevere.  I was only thinking of something.
</para>

<para>
SHE. They say men have a keener sense of humor than women.
Now I was thinking of the
scandal.
</para>

<para>
HE.   Don't think of anything so ugly.  We shall be beyond it.
</para>

<para>
SHE.  It will be there all the same-~ the mouths of
Simla-telegraphed over India, and talked of at
the dinners
</para>

<para>
-and when He goes out they will stare at Him and see how He
takes it.  And we shall be dead,
Guy dear-dead and cast into the outer darkness where there is-HE.
Love at least.  Isn't that
</para>

<para>
enough?
</para>

<para>
SHE. I have said so.
</para>

<para>
HE. And you think so still?
</para>

<para>
SHE.  What do you think?
</para>

<para>
Ha.  What have I done?  It means qua] ruin to me, as the world
reckons
it~outcasting, the loss of my appointment, the breaking of my life's
work. I pay my price.
</para>

<para>
SHE.  And are you so much above the world that you can afford to
pay it? Am I?
</para>

<para>
HE. My Divinity-what else?
</para>

<para>
SHE. A very ordinary woman I'ni afraid, but, so far, respectable.
How'd you do, Mrs.
Middleditch?  Your husband?  I think he's riding down to
Annandale with Colonel Statters.  Yes,
isn't it divine after the rain?-Guy, how long am I to be allowed to
how to Mrs. Middleditch? Till
the 17th?
</para>

<para>
HE.  Frowsy Scotchwoman? What is the use of bringing her into
the discussion? You were
saying?
</para>

<para>
SHE.  Nothing. Have you ever seen a man hanged?
</para>

<para>
HE.  Yes. Once.
</para>

<para>
SHE.  What was it for?
</para>

<para>
HE. Murder, of course.
</para>

<para>
SHE.  Murder. Is that so great a sin after all? I wonder how he felt
before the drop fell.
</para>

<para>
HE. I don't think he felt much. What a gruesome little woman it is
this evening!  You're
shivering.  Put on your cape, dear.
</para>

<para>
SHE.  I think I will. Oh! Look at the mist  coming over  Saniaoli;
and  I thought we should have
sunshine on the Ladies' Mile! Let's turn back.
</para>

<para>
HE.  What's the good?  There's a cloud on Elysium Hill, and that
means it's foggy all down the
Mall. We'll go
on.
It'll blow away before we get to the Convent, perhaps.  'Jove!  It is
chilly.
</para>

<para>
SHE.  You feel it, fresh from below. Put on your ulster. What do
you think of my ca~e?
</para>
<para>
HE.  Never ask a man his opinion of a woman's dress when he is
desperately and abjectly in love
with the wearer. Let me ~ook.  Like everything else of yours it's
perfect.  Where did you get it
from?
</para>

<para>
SHE.  He gave it me, on Wednesday
-our wedding-day, you know.
</para>

<para>
HE. The Deuce He did! He's growing generous in his old age.
D'you like all that frilly, bunchy
stuff at the throat? I don't.
</para>

<para>
SHE. Don't you?
</para>

<para>

Kind Sir, 0' your courtesy,
</para>

<para>

As you go by the town, Sir, 'Pray you 0' your love for me,
</para>

<para>

Buy me a russet gown, Sir.
</para>

<para>

HE.  I won't say:  "Keek into the draw-well, Janet, Janet." Only
wait a little, darling, and you
shall be stocked with russet gowns and everything else.
</para>

<para>
SHE. And when the frocks wear out, you'll get me new ones-and
everything else?
</para>

<para>
HE. Assuredly.
</para>

<para>
SHE. I wonder!
</para>

<para>
HE. Look here, Sweetheart, I didn't spend two days and two nights
in the train to hear you
wonder. I thought we'd settled all that at Shaifazebat.
</para>

<para>
SHE (dreamily).  At Shaifazehat? Does the Station go on still?
That was ages and ages ago.  It
must be crumbling to pieces.  All except the Amirtollah kutcha
road. I don't believe tha~ could
crumble till the Day of Judgment.
</para>

<para>
Ha. You think so?  What is the mood now?
</para>

<para>
SHE. I can't tell.  How cold it is! Tœt us get on ~uickly.
</para>

<para>
Ha. Better walk a little. Stop your
jkampa"is and get out.  What's the matter with you this evening,
dear?
</para>

<para>
SHE. Nothing. You must grow accustomed to my ways.  If I'm
boring you I can go home.  Here's
Ca~ tam  Congleton coming, I dare say he'll be willing to escort
me.
</para>

<para>
Ha. Goose! Between us, too! Damn Captain Congleton!
</para>

<para>
SHE.  Chivalrous Knight. Is it your habit to swear much in talking?
It jars a little, and you might
swear at me.
</para>

<para>
Ha.  My angel! I didn't know what I was saying; and you changed
so quickly that I couldn't
follow.  I'll apologize in dust and ashes.
</para>

<para>
SHE.  There'll be enough of those later on-Good-night, Captain
Congleton.  Going to the
singing-quadrilles already? What dances am I giving you next
week? No! You must have written
them down wrong. Five and Seven, I said.  If you've made a
mistake, I certainly don't intend to
suffer for it. You must alter your programme.
</para>

<para>
HE. I thought you told me that you bad not been going out much
this season?
</para>

<para>
SHE. Quite true, but when I do I dance with Captain Congleton.
He dances very nicely.
</para>

<para>
HE. And sit out with him, I suppose?
</para>

<para>
SHE. Yes. Have you any objection? Shall I stand under the
chandelier in future?
</para>

<para>
HE. What does he talk to you about? SHE. What do men talk about
when they sit out?
</para>

<para>
HE. Ugh! Don't! Well now I'm up, you must dispense with the
fascinating Congleton for a while.
I don't like laim.
</para>
<para>
SHE.  (after a pause). Do you know what you have said?
</para>

<para>
HE. 'Can't say that I do exactly. I'm not in the best of tempers.
</para>

<para>
Sitin.  So I see,-and feel.  My true and faithful lover, where is your
"eternal constancy,"
"unalterable trust," and "reverent devotion"? I remember those
phrases; you seem to have
forgotten them. I mention a man's name-HE. A good deal more
than that.
</para>

<para>
SHE. Well, speak to him about a dance-perhaps the last dance that
I shall ever dance in my life
before I,-before I go away; and you at once distrust and insult me.
</para>

<para>
HE. I never said a word.
</para>

<para>
SHE. How much did you imply? Guy, '5 this amount of confidence
to be our stock to start the
new life on?
</para>

<para>
HE.  No, of course not.  I didn't mean that.  On my word of honor,
I didn't. Let it pass, dear.
Please let it pass.
</para>

<para>
SHE. This onc~yes-and a second time, and again and again, all
through the years when I shall be
unable to resent it. You want too much, my Lancelot, and,-you
know too much.
</para>

<para>
Hp.  How do you mean?
</para>

<para>
SItE. That is a part of the punishment.  There cannot be perfect
trust between us.
</para>

<para>
HE. In Heaven's name, why not?
</para>

<para>
SHE.  Hush!  The Other Place is quite enough. Ask yourself.
</para>

<para>
HE.  I don't follow.
</para>

<para>
SHE. You trust me so implicitly that when I look at another man-
Never mind, Guy. Have you
ever made love to a gi4-a good girl?
</para>

<para>
HE.  Something of the sort. Centu
ries ago-in the Dark Ages, before I ever met you, dear.
</para>

<para>
SHE. Tell me what you said to her.
</para>

<para>
HE. What does a man say to a girl? I've forgotten.
</para>

<para>
SHE.  I remember. He tells her that he trusts her and worships the
ground she walks on, and that
he'll love and honor and protect her till her dying day; and so she
marries in that belief.  At least,
I speak of one girl who was not protected.
</para>

<para>
HE. Well, and then?
</para>

<para>
SHE. And then, Guy, and then, that girl needs ten times the love
and trust and honor-yes,
honor-that was enough when she was only a mere wife if-if-the
other life she chooses to lead is
to be made even bearable. Do you understand?
</para>

<para>
HE. Even bearable!  It'll he Paradi se.
</para>

<para>
SHE. Ah! Can you give me all I've asked for-not now, nor a few
months later, but when you
begin to think of what you might have done if you had kept your
own appointment and your
caste her~when you begin to look upon me as a drag and a burden?
I shall want it most, then,
Guy, for there will be no one in the wide world but you.
</para>

<para>
HE. You're a little over-tired tonight, Sweetheart, and you're taking
a stage view of the situation.
After the necessary business in the Courts, the road is clear
to-SHE.  "The holy state of
matrimony!" Ha! ha! ha!
</para>

<para>
HE. Ssh! Don't laugh in that horrible way!
</para>

<para>
SHE. I-I c-c-c-can't help it!  Isn't it too absurd! Ah! Ha! ha! ha!
Guy,
</para>

<para>
A SECOND-RATE WOMAN
219
</para>

<para>
myself to talk this evening. May I call to-morrow?
</para>

<para>
SHE. Yes. No! Oh, give me time! rhe day after. I get into my
'rickshaw here and meet Him at
Peliti's.  You ride.
</para>

<para>
HE.  I'll go on to Peliti's too. I think
I want a drink.  My world's knocked
about my ears and the stars are falling.
Who are those brutes howling in the
Old Library?
</para>

<para>
SHE. They're rehearsing the singingquadrilles for the Fancy Ball.
Can't you hear Mrs. Buzgago's
voice?  She has a solo.  It's quite a new idea. Listen.
</para>

<para>
Mm. BUzGAGO (in the Old Library, con. molt. exp.).
</para>

<para>
See saw! MargeryDaw!
</para>

<para>
Sold her bed to lie upon straw.
</para>

<para>
Wasn't she a silly slut
</para>

<para>
To sell her bed and lie upon dirt?
</para>

<para>

Captain Congleton,  I'm going to alter that to "flirt." It sound
better.
</para>

<para>
HE.  No, I've changed my mind about the drink. Good-night, little
lady. I shall see you
to-morrow?
</para>

<para>
SHE.  Ye-es.  Good-night,  Guy. Don't be angry with me.
</para>

<para>
HE. Angry!  You know I trust you absolutely. Good-night and-God
bless you!
</para>

<para>
(Three seconds later. Alone.) Hmm! I'd give something to discover
wLether there's another man
at the back of all this.
</para>

<para>
HE.  For goodness' sake, stop! Don't make an exhibition of
yourself.  What is the matter with
you?
</para>

<para>
SHE.  N-nothing.  I'm better now. HE.  That's all right.  One
moment, dear. There's a little wisp
of hair got loose from behind your right ear and it's straggling over
your cheek. So!
</para>

<para>
SHE. Thank'oo. I'm 'fraid my hat's on one side, too.
</para>

<para>
~IE  What do you wear these huge dagger bonnet-skewers for?
They're big enough to kill a man
with.
</para>

<para>
SHE.  Oh! Don't kill me, though. ~~u're sticking it into my head!
Let me do it. You men are so
clumsy.
</para>

<para>
HE. Have you had many opportunities of comparing us-in this sort
of work?
</para>

<para>
SHE.  Guy, what is my name?
</para>

<para>
HE.  Eh!  I don't follow.
</para>

<para>
SHE.  Here's my cardcase. Can y~u read?
</para>

<para>
HE. Yes.  Well?
</para>

<para>
SHE.  Well, that answers your question. You know the other man 5
name. An'. I sufficiently
humbled, or would you like to ask me if there is any one else?
</para>

<para>
HE. I see now. My darling, I never meant that for an instant. I was
only joking.  There!  Lucky
there's no one on the road. They'd be scandalized.
</para>

<para>
SHE.  They'll be more scandalized before the end.
</para>

<para>
HE.  Do-on't!  I don't like you to talk in that way.
</para>

<para>
SHE. Unreasonable man! Who asked me to face the situation and
accept it?
-Tell me, do I look like Mrs. Penner? Do I look like a naughty
woman? Swear I don't! Give me
your word of honor,
my honorable friend, that I'm not like Mrs. Buzgago.  That's the
way she stands, with her hands
clasped at the back of her head. D'you like that?
</para>

<para>
HE. Don't be affected.
</para>

<para>
SHE.  I'm not.  I'm Mrs. Buzgago. Listen!
</para>

<para>

Pendant une anne' toute entiere
</para>

<para>
Le regiment n'a pas r'naru.
</para>

<para>
Au Ministere de la u,uerre
</para>

<para>
On le r'porta comme perdu.
</para>

<para>

On se r'noncait a' r'trouver sa trace,
</para>

<para>
Q uand un matin subitement,
</para>

<para>
On le vit r'paraitre sur la ~ace,
</para>

<para>
L'Colonel toujours en avant.
</para>

<para>
That's the way she rolls her r's. Am I like her?
</para>

<para>
HE.  No, but I object when you go on like an actress and sing stuff
of that kind. Where in the
world did you pick up the Chanson du Colonel?  It isn't a
drawing-room song. It isn't proper.
</para>

<para>
SHE.  Mrs. Buzgago taught it me. She is both drawing-room and
propel, and in another month
she'll shut hei drawing-room to me, and thank God sh~ isn't as
improper as I am.  Oh, Guy, Guy!
I wish I was like seme womeu and had no scruples about-what is ic
Keene says?-"Wearing a
corpse's hair and being false to the bread they eat."
</para>

<para>
HE.  I am only a man of limited in telligence, and just now, very
bewildered.  When you have
quite finished flashing through all your moods tell me, and I'll try
to understand the last one.
</para>

<para>
SHE.  Moods, Guy!  I haven't any. I'm sixteen years old and you're
just twenty, and you've been
waiting for two hours outside the school in the cold. And now I've
met you, and now we'r~
</para>

<para>
218
WORKS OF RUDYARD KIPLING
</para>

<para>
walking home together. Does that suit you, My Imperial Majesty?
</para>

<para>
HE.  No. We aren't children. Why can't y~u be rational?
</para>

<para>
SHE  He asks me that when I'm going to ommit suicide for hi~
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE. One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. Hah!  What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business! This is too had!
</para>

<para>
SHE.  Of you.
</para>

<para>
HE. And what now?
</para>

<para>
SHE.  What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE.  I daren't risk it.  I'm afraid. If I could only cheat-HE.  A in
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor.  I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE.  I never meant anything else.
</para>

<para>
HE.  Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE.  It's not pretence, Guy. I am afraid.
</para>

<para>
HE.  Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last.  You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do noaeand you yourself
will be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that.  Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperately unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
wilJ you do when I am only
your property-stoleii property?  It can't be, Guy.  It can't he!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see?  If you speak to me like that now,
you'll call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I go-where
should I go?  I can't trust you. Oh! I can't trust you!
</para>

<para>
HE.  I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE. Please don't, dear. It hurts as much as if you hit me.
</para>

<para>
HE. It isn't exactly pleasant for me. SHE.  I can't help it. I wish I
were dead!  I can't trust you, and
I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now. I don't understand you-I won't-and I can't trust
</para>

<para>
218
WORKS OF RUDYARD KIPLING
</para>

<para>
walking home together. Does that suit you, My Imperial Majesty?
</para>

<para>
HE.  No. We aren't children. Why can't y~u be rational?
</para>

<para>
SHE  He asks me that when I'm going to ommit suicide for his
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE.  One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. Hah! What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business!  This is too bad!
</para>

<para>
SHE.  Of you.
</para>

<para>
HE. And what now?
</para>

<para>
SHE. What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE. I daren't risk it.  I'm afraid. If I could only cheat-HE.  A in
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor. I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE. I never meant anything else.
</para>

<para>
HF  Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE. It's not pretence, Guy.  I am afraid.
</para>

<para>
HE.  Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last.  You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do noaeand you yourself
will be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that.  Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperat~y unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
will you do when I am only
your property-stolen property?  It can't be, Guy.  It can't be!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see?  If you speak to me like that now,
you'll call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I gewhere
should I go?  I can't trust you. Oh! I can't trust you!
</para>

<para>
HE. I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE. Please don't, dear. It hurts as much as if you hit me.
</para>

<para>
HE.  It isn't exactly pleasant for me. SHE.  I can't help it. I wish I
were dead!  I can't trust you,
and I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now. I don't understand you-I won't-and I can't trust
</para>

<para>
THE HILL OF ILLUSION
217
</para>

<para>
stop me quick or I shall-l-l-laugh till we get to the Church.
</para>

<para>
HE.  for goodness' sake, stop! Don't make an exhibition of
yourself. What is the matter with you?
</para>

<para>
SHE.  N-nothing. I'm better now.
</para>

<para>
HE.  That's all right.  One moment, dear.  There's a little wisp of
hair got loose from behind your
right ear and it's straggling over your cheek. So!
</para>

<para>
SHE. Thank'oo. I'm 'fraid my hat's on one side, too.
</para>

<para>
~IE.  What do you wear these huge dagger bonnet-skewers for?
They're big enough to kill a man
with.
</para>

<para>
SHE.  Oh! Don't kill me, though. ~~u're sticking it into my head!
Let me do it.  You men are so
cl"msy.
</para>

<para>
HE.  Have you had many opportunities of comparing us-in this sort
of work?
</para>

<para>
SHE.  Guy, what is my name?
</para>

<para>
HE.  Eh!  I don't follow.
</para>

<para>
SHE.  Here's my cardcase. Can y~u read?
</para>

<para>
HE. Yes.  Well?
</para>

<para>
SHE.  Well, that answers your question.  You know the other man
5 name. Am I sufficiently
humbled, or would you like to ask me if there is any one else?
</para>

<para>
HE.  I see now. My darling, I never meant that for an instant.  I
was only joking.  There!  Lucky
there's no one on the road. They'd be scandalized.
</para>

<para>
SHE.  They'll be more scandalized before the end.
</para>

<para>
HE.  Do-on't!  I don't like you to talk in that way.
</para>

<para>

SHE.  Unreasonable man! Who asked me to face the situation and
accept it? -Tell me, do I look
like Mrs. Penner? Do I look like a naughty woman? Swear I don't!
Give me your word of honor,
my honorable friend, that I'm not like Mrs. Buzgago.  That's the
way she stands, with her hands
clasped at the back of her head. D'you like that?
</para>


<para>
HE. Don't be affected.
</para>

<para>
SHE.  I'm not.  I'm Mrs. Buzgago. Listen!
</para>

<para>
Pendant une anne' toute entiere
Le regiment n'a pas r'paru.
Au Ministere de la "OCrrC
On le r'porta comme perdu.
On se r'noncait a' r'trouver sa trace,
Quand un matin suhitement,
On le vit r'paraitre sur la place,
L'Colonel toujours en avant.
</para>

<para>
That's the way she rolls her r's. Am I like her?
</para>

<para>
HE.  No, but I object when you go on like an actress and sing stuff
of that kind. Where in the
world did you pick up the Chanson du Colonel?  It isn't a
drawing-room song. It isn't proper.
</para>

<para>
SHE.  Mrs. Buzgago taught it me. She is both drawing-room and
proper, and in another month
she'll shut he,' drawing-room to me, and thank God she isn't as
improper as I am.  Oh, Guy; Guy!
I wish I was like seme womeu and had no scruples about-what is
i~ Keene says?-'~Wearing a
corpse's hai~ and being false to the bread they eat."
</para>

<para>
HE.  I am only a man of limited in' telligence, and just now, very
bewildered.  When you have
quite finished flashing through all your moods tell me, and I'll try
to understand the last one.
</para>

<para>
SHE.  Moods, Guy!  I haven't any. I'm sixteen years old and you're
just twenty, and you've been
waiting for two hours outside the school in the cold. And now I've
met you, and now we're
walking home together. Does that suit you, My Imperial
Majesty?+++
     HE.  No. We aren't children. Why can't you be rational?
</para>

<para>
SHE  He asks me that when I'm going to sommit suicide for his
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE. One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. HahI What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business! This is too bad!
</para>

<para>
SHE.  Of you.
</para>

<para>

HE. And what now?
</para>

<para>
SHE. What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE. I daren't risk it.  I'm afraid. If I could only cheat-HE.  A Ia
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor. I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE. I never meant anything else.
</para>

<para>
HE. Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE. It's not pretence, Guy. I am afraid.
</para>

<para>
HE. Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last. You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do no~ and you yourself
wfll be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that. Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperately unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
will you do when I am only
your property-stolen property? It can't be, Guy. It can't be!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see? If you speak to me like that now, you'll
call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I go~ where
should I go? I can't trust you. Oh! I can't trust you!
</para>

<para>
HE. I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE, Please don't, dean It hurts as much as if you hit me.
</para>

<para>
HE.  It isn't exactly pleasant for me. SHE. I can't help it. I wish I
were dead!  I can't trust you, and
I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now.  I don't understand you-I won't-and I can't trust
</para>

<para>
A SECOND-RATE WOMAN
219
</para>

<para>
myself to talk this evening. May I call to-morrow?
</para>

<para>
SHE. Yes. No! Oh, give me time! ihe day after. I get into my
'rickshaw here and meet Him at
Peliti's.  You ride.
</para>

<para>
HE. I'll go on to Peliti's too. I think
I want a drink.  My world's knocked
about my ears and the stars are falling.
Who are those brutes howling in the
Old Library?
</para>

<para>
SHE. Tbey're rehearsing the singingquadrilles for the Fancy Ball.
Can't you bear Mrs. Buzgago's
voice?  She has a solo.  It's quite a new idea. Listen.
</para>

<para>
MRS. BUZOAGO (in the Old Library, con. molt. exp.).
</para>

<para>
See saw! MargeryDaw!
</para>

<para>
Sold her bed to lie upon straw.
</para>

<para>
Wasn't she a silly slut
</para>

<para>
To sell her bed and lie upon dirt?
</para>

<para>

Captain  Congleton,  I'm going to alter that to "flirt." It sound
better.
</para>

<para>
HE.  No, I've changed my mind about the drink. Good-night, ~ttle
lady. I shall see you
to-morrow?
</para>

<para>
SHE.  Y~es.  Good-night,  Guy. Don't be angry with me.
</para>

<para>
HE. Angry!  You know I trust you absolutely. Good-night and-God
bless you!
</para>

<para>
(Three seconds later. Alone.) Hmm! I'd give something to discover
wkether there's another man
at the back of all this.
</para>

</chapter>
<chapter>

<para>
222
WORKS OF RUDYARD KIPLING
</para>

<para>
said Mrs. Mallowe. "He will be a sufficient punishment for her.
What a common voice she has!"
</para>

<para>
Mrs. Delville's voice was not pretty, her carriage was even less
lovely, and her raiment was
strikingly neglected. All these things Mrs. Mallowe noticed over
the top of a magazine.
</para>

<para>
"Now what is there in her?" said Mrs. Hauksbee.  "Do you see
what I meant about the clothes
falling off? If I were a man I would perish sooner than be seen
with that rag-bag.  And yet, she
has good eyes, but~h!"
</para>

<para>
"What is it?"
</para>

<para>
"She doesn't know how to use them! On my Honor, she does not.
Look! Oh look!  Untidiness I
can endure, but ignorance never! The woman's a fool."
</para>

<para>
"Hsh!  She'll hear you."
</para>

<para>
"All the women in Simla are fools. She'll think I mean some one
else. Now she's going out. What
a thoroughly objectionable couple she and The Dancing Master
make! Which reminds me. Do
you suppose they'll ever dance together?"
</para>

<para>
"Wait and see. I don't envy her the conversation of The Dancing
Master-loathly man! His wife
ought to be up here before long."
</para>

<para>
"Do you know anything about him?"
</para>

<para>
"Only what he told me.  It may be a11 a fiction. He married a girl
bred in the country, I think,
and, being an honorable, chivalrous soul, told me that he repented
his bargain and sent her to her
mother as often as possibl~a person who has lived in the Doon
since the memory of man and
goes to Mussoorie when other people go Home. The wife is with
her at present. So he says."
</para>

<para>
'~Babies?'~
</para>

<para>
"One only, but he talks of his wife in a revolting way. I hated him
for it. He thought he was being
epigrammatic and brilliant."
</para>

<para>
"That is a vice peculiar to men.  I dislike him because he is
generally in the wake of some girl,
disappointing the Eligibles.  He will persecute May Holt no more,
unless I am much mistaken."
</para>

<para>
"No.  I think Mrs. Delville may oc cupy his attention for a while."
</para>

<para>
"Do you suppose she knows that he is the head of a family?"
</para>

<para>
"Not from his lips. He swore me to eternal secrecy.  Wherefore I
tell you. Don't you know that
type of man?"
</para>

<para>
"Not intimately, thank goodness! As
a general rule, when a man begins to
abuse his wife to me, I find that the
Lord gives me wherewith to answer him
according to his folly; and we part with
a coolness between us. I laugh."
</para>

<para>
"I'm different.  I've no sense  of humor."
</para>

<para>
"Cultivate it, then. It has been my mainstay for more years than I
care to think about.  A
well-educated sense of Humor will save a woman when Religion,
Training, and Home
influences fail; and we may all need salvation sometimes."
</para>

<para>
"Do you suppose that the Delville woman has humor?"
</para>

<para>
"Her dress bewrays her. How can a Thing who wears a supplement
under her left arm have any
notion of the fitness of things-much less their folly? If she discards
The Dancing Maste! after
having once seen him dance, I may respect her.  Otherwise"
</para>

<para>
"But are we not both assuming a great deal too much, dear?  You
saw the woman at Peliti's-half
an hour
</para>

<para>
214
WORKS OF RUDYARD KIPLING
</para>

<para>

A SECOND-RATE WOMAN
</para>

<para>
221
took more exercise and a more intelligent interest in your
neighbors you would"-"Be as much
loved as Mrs. Hauksbee.  You're a darling in many ways and I like
you-you are not a woman's
woman-but why do you trouble your-self about mere human
beings?"
</para>

<para>
"Because in the absence of angels, who I am sure would be
horribly dull, men and women are
the most fascinating things in the whole wide world, lazy one.  I
am interested in The Dowd-I am
interested in The Dancing Master
-I am interested in the Hawley Boy-and I am interested in you."
</para>

<para>
"Why couple me with the Hawley Boy? He is your property."
</para>

<para>
"Yes, and in his own guileless speech, I'm making a good thing out
of him. When he is slightly
more reformed, and has passed his Higher Standard, or whatever
the authorities think fit to exact
from him, I shall select a pretty little girl, the Holt girl, I think,
and"-here she waved her hands
airily-" 'whom Mrs. Hauksbee hath joined together let no man put
asunder.' That's all."
</para>

<para>
"And when you have yoked May Holt with the most notorious
detrimental in Simla, and earned
the undying hatred of Mamma Holt, what will you do with me,
Dispenser of the Destinies of the
Universe?"
</para>

<para>
Mrs. Hauksbee dropped into a low chair in front of the fire, and,
chin in hand, gazed long and
steadfastly at Mrs. Mallowe.
</para>

<para>
"I do not know," she said, shaking her head, "what I shall do with
you, dear. It's obviously
impossible to marry you to some one else-your husband would
object and the experiment might
not be
successful after all. I think I shall be gin by preventing you
from-what is it?
-'sleeping on ale-house benches and snoring in the sun.'"
</para>

<para>
"Don't! I don't like your quotations. They are so rude.  Go to the
Library and bring me new
books."
</para>

<para>
"While you sleep? Nol If you don't come with me, I shall spread
your newest frock on my
'rick