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<book>
<acknowledge>The original etext is badly mangled with page juxtapositions. Where possible I have sorted it out. Where not I have marked up the mangled text. The hill of illusion and A second rate woman are badly mangled. The Enlightenments of Pagett M.P. are just a little mangled, but understandable. Basically 'Under the Dodars needs to be re-scanned as an etext! Frank Boumphrey feb 2000</acknowledge>
<frontmatter>
<titlepage>
<title>
VOLUME IV UNDER THE DEODARS
</title>
<para>by</para>
<author>Rudyard Kipling</author>
</titlepage>

<toc>
<title>VOLUME IV UNDER THE DEODARS Contents: - </title>

<item>The Education of Otis Yeere</item>
<item>At the Pit's Mouth</item>
<item>A Wayside Comedy</item>
<item>The Hill of Illusion</item>
<item>A Second-rate Woman</item>
<item>Only a Subaltern</item>
<item>In the Matter of a Private</item>
<item>The Enlightenments of Pagett. M. P.</item>
</toc>
</frontmatter>

<bookbody>
<chapter>
<chapheader>
<title>
THE EDUCATION OF OTIS YEERE
</title>

<chapnum>
I
</chapnum>

<blockquote>
<poem>
<line>In the pleasant orchard-closes</line>
<line>"God bless all our gains," say we;</line>
<line>But "Pray God bless all our losses,"</line>
<line>Better suits with our degree.</line>
</poem>
<attrib>-The Lost Bower.</attrib>
</blockquote>

</chapheader>

<para>
THIS is the history of a failure; but the woman who failed said that
it might be an instructive tale
to put into print for the benefit of the younger generation. The
younger generation does not want
instruction, being perfectly willing to instruct if any one will listen
to it.  None the less, here
begins the story where every right-minded story should begin, that
is to say at Simla, where all
things begin and many come to an evil end.
</para>

<para>
The mistake was due to a very clever woman making a blunder
and not retrieving it.  Men are
licensed to stumble, but a clever woman's mistake is outside the
regular course of Nature and
Providence; since all good people know that a woman is the only
infallible thing in this world,
except Government Paper of the '70 issue, bearing interest at four
and a half per cent.  Yet, we
have to remember that six consecutive days of rehearsing the
leading part of The Fallen Angel,
at the New Gaiety Theatre where the plaster is not yet properly
dry, might have brought about an
unhingement of spirits which, again, might have led to
eccentricities.
</para>

<para>
Mrs. Hauksbee came to "The Foundry" to tiffin with Mrs.
Mallowe, her
one bosom friend, for she was in no sense "a woman's woman."
And it was a woman's tiffin, the
door shut to all the world; and they both talked chiflons, which is
French for Mysteries.
</para>

<para>
"I've enjoyed an interval of sanity," Mrs. Flauksbee announced,
after tiffin was over and the two
were comfortably settled in the little writing-room that opened out
of Mrs. Mallowe's bedroom.
</para>

<para>
"My dear girl, what has he done?" said Mrs. Mallowe, sweetly.  It
is noticeable that ladies of a
certain age call each other "dear girl," just as commissioners of
twenty-eight years' standing
address their equals in the Civil List as "my boy."
</para>

<para>
"There's no he in the case. Who am I that an imaginary man should
be always credited to me?
Am I an Apache?'
</para>

<para>
"No, dear, but somebody's scalp is generally drying at your
wigwam-door. Soaking, rather."
</para>

<para>
This was an allusion to the Hawley Boy, who was in the habit of
riding all across Simla in the
Rains, to call on Mrs. Hauksbee. That lady laughed.
</para>

<para>
"For my sins, the Aide at Tyrconnel last night told me off to The
Mussuck. Hsh!  Don't laugh.
One of my most devoted admirers. When the duff came
-some one really ought to teach them to make pudding at
Tyrconnel-The Mussuck was at liberty
to attend to me."
</para>

<para>
"Sweet soul!  I know his appetite," said Mrs. Mallowe. "Did he, oh
did he, begin his wooing?"
</para>


<para>

"By a special mercy of Providence, no.  He explained his
importance as a Pillar of the Empire.  I
didn't laugh."
</para>

<para>
"Lucy, I don't believe you."
</para>

<para>
"Ask Captain Sangar; he was on the other side. Well, as I was
saying, The Mussuck dilated."
</para>

<para>
"I think I can see him doing it," said Mrs. Mallowe, pensively,
scratching her fox-terrier's ears.
</para>

<para>
"I was properly impressed.   Most properly. I yawned openly.
'Strict supervision, and play them
off one against the other,' said The Mussuck, shoveling down his
ice by tureen/uls, I assure you.
'That, Mrs. Hauksbee, is the secret of our Government.'"
</para>

<para>
Mrs. Mallowe laughed long and merrily.  "And what did you say?"
</para>

<para>
"Did you ever know me at loss for an answer yet? I said: 'So I have
observed in my dealings with
you.'  The Mussuck swelled with pride. He is coming to call on me
to-morrow. The Hawley Boy
is coming too."
</para>

<para>
"'Strict supervision and play them off one against the other.  That,
Mrs. Hauksbee, is the secret
of our Government.' And I dare say if we could get to The
Mussuck's heart, we should find that
he considers himself a man of the world."
</para>

<para>
"As he is of the other two things.  I like The Mussuck, and I won't
have you call him names. He
amuses me."
</para>

<para>
"He has reformed you, too, by what appears.  Explain the interval
of sanity, and hit Tim on the
nose with the paper-cutter, please.  That dog is too fond of sugar.
Do you take milk in yours?"
</para>

<para>
"No, thanks.  Folly, I'm wearied of this life.  It's hollow."
</para>

<para>
"Turn religious, then.  I always said that Rome would be your
fate."
</para>

<para>
"Only exchanging half a dozen attach~ in red for one and in black,
and if I fasted, the wrinkles
would come, and never, never go. Has it ever struck you, dear, that
I'm getting old?"
</para>

<para>
"Thanks for your courtesy.  I'll return it. Ye-es we are both not
exactly
-how shall I put it?"
</para>

<para>
"What we have been.  'I feel it in my bones,' as Mrs. Crossley says.
Polly, I've wasted my life."
</para>

<para>
"As how?"
</para>

<para>
"Never mind how. I feel it. I want to be a Power before I die."
</para>

<para>
"Be a Power then.  You've wits enough for anything-and beauty?"
</para>

<para>
Mrs. Hauksbee pointed a teaspoon
straight at her hostess.  "Polly, if you
heap compliments on me like this, I
shall cease to believe that you're a
woman.  Tell me how I am to be a
Power."
</para>

<para>
"Inform The Mussuck that he is the most fascinating and slimmest
man in Asia, and he'll tell you
anything and everything you please."
</para>

<para>
"Bother The Mussuck!  I mean an intellectual Power-not a
gas-power. Polly, I'm going to start a
salon."
</para>

<para>
Mrs. Mallowe turned lazily on the sofa and rested her head on her
hand. "Hear the words of the
Preacher, the son of Baruch," she said.
</para>

<para>
"Will you talk sensibly?"
</para>

<para>
"I will, dear, for I see that you are going to make a mistake."
</para>

<para>
"I never made a mistake in my life at least, never one that I
couldn't explain away afterward."
</para>

<para>
"Going to make a mistake," went on Mrs. Mallowe, composedly.
"It is impossible to start a salon in Simla.  A bar would be much more to
the point."
</para>

<para>
"Perhaps, but why?  It seems so easy
</para>

<para>
"Just what makes it so difficult. How many clever women are there
in Simla?"
</para>

<para>
"Myself and yourself," said Mrs. Hauksbee, without a moment's
hesitation.
</para>

<para>
"Modest  woman!   Mrs.  Feardon would thank you for that.  And
how many clever men?"
</para>

<para>
"Oh - er - hundreds,"  said  Mrs. Hauksbee, vaguely.
</para>

<para>
"What a fatal blunder!  Not one. They are all bespoke of the
Government. Take my husband, for
instance. Jack was a clever man, though I say so who shouldn't.
Government has eaten him up.
All his ideas and powers of conversation-he really used to be a
good talker, even to his wife, in
the old days-are taken from him by this
-this kitchen-sink of a Government. That's the case with every man
up here who is at work. I
don't suppose a Russian convict under the knout is able to amuse
the rest of his gang; and all our
men-folk here are gilded convicts."
</para>

<para>
"But there are scores -"I know what you're going to say.
Scores of idle men up on leave.  I admit it, but they are all of two
objectionable sets,  The
Civilian who'd be delightful if he had the military man's
knowledge of the world and style, and
the military man who'd be adorable if he had the Civilian's
culture."
</para>

<para>
"Detestable word!  Have Civilians culture?  I never studied the
breed deeply."
</para>

<para>
"Don't make fun of Jack's service. Yes.  They're like the seapoys in
the
Lakka Bazar-good material but not polished.  They can't help
themselves, poor dears.  A Civilian
only begins to be tolerable after he has knocked about the world
for fifteen years."
</para>

<para>
"And a military man?"
</para>

<para>
"When he has had the same amount of service.  The young of both
species are horrible.  You
would have scores of them in your salon."
</para>

<para>
"I would not" said Mrs. Hauksbee, fiercely.  "I would tell the
'bearer to darwaza band them. I'd
put their own colonels and commissioners at the door to turn them
away.  I'd give them to the
Topsham girl to play with."
</para>

<para>
"The Topsham girl would be grateful for the gift.  But to go back
to the salon.  Allowing that you
had gathered all your men and women together, what would you
do with them?  Make them
talk?  They would all with one accord begin to flirt. Your salon
would become a glorified
Peliti's-a 'Scandal Point' by lamplight."
</para>

<para>
"There's a certain amount of wisdom in that view."
</para>

<para>
"There's all the wisdom in the world in it.  Surely, twelve Simla
seasons ought to have taught you
that you can't focus anything in India; and a salon, to be any good
at all, must be permanent. In
two seasons your roomful would be scattered all over Asia.  We
are only little bits of dirt on the
hillsides-here one day and blown down the khud the next. We have
lost the art of talking-at least
our men have.  We have no cohesion"-"George Eliot in the flesh,"
interpolated Mrs. Hauksbee,
wickedly.
</para>

<para>
"And collectively, my dear scoffer, we, men and women alike,
have ao influence.
</para>



<para>
Come into the veranda and look at the Mall!"
</para>

<para>
The two looked down on the now rapidly filling road, for all Simla
was abroad to steal a stroll
between a shower and a fog.
</para>

<para>
"How do you propose to fix that river?  Look! There's The
Mussuck-head of goodness knows
what.  He is a power in the land, though he does eat like a
costermonger.  There's Colonel Blone,
and General Grucher, and Sir Dugald Delane, and Sir Henry
Haughton, and Mr. Jellalatty.  All
Heads of Departments, and all powerful."
</para>

<para>
"And all my fervent admirers," said Mrs. Hauksbee, piously.  "Sir
Henry Haughton raves about
me. But go on."
</para>

<para>
"One by one, these men are worth something.  Collectively, they're
just a mob of Anglo-Indians.
Who cares for what Anglo-Indians say?  Your salon won't weld the
Departments together and
make you mistress of India, dear. And these creatures won't talk
administrative 'shop' in a
crowd-your salon-because they are so afraid of the men in the
lower ranks overhearing it.  They
have forgotten what of Literature and Art they ever knew, and the
women"-"Can't talk about
anything except the
last Gymkhana, or the sins of their last nurse.  I was calling on
Mrs. Derwills this morning."
</para>

<para>
"You admit that? They can talk to the subalterns though, and the
subalterns can talk to them.
Your salon would suit their views admirably, if you respected the
religious prejudices of the
country and provided plenty of kala juggahs."
</para>

<para>
"Plenty of kala juggahs. Oh my poor
little idea! Kala juggal's in a salon! But who made you so awfully
clever?"
</para>

<para>
"P"rhaps I've tried myself; or perhaps I know a woman who has. I
have preached and expounded
the whole matter and the conclusion thereof"
</para>

<para>
"You needn't go on.   'Is Vanity.' Polly, I thank you.  These vermin
-. Mrs. Hauksbee waved her
hand from the veranda to two men in the crowd below who had
raised their hats to her
-"these vermin shall not rejoice in a new Scandal Point or an extra
Peliti's. I will abandon the
notion of a salon. It did seem so tempting, though.  But what shall
I do?  I must do something."
</para>

<para>
"Why?  Are not Abana and Pharphar"-"Jack has made you nearly
as bad
as himself! I want to, of course.  I'm tired of everything and
everybody, froin a moonlight picnic
at Seepee to the blandishments of The Mussuck."
</para>

<para>
"Yes-that comes, too, sooner or later, Have you nerve enough to
make your bow yet?"
</para>

<para>
Mrs. Hauksbee's mouth shut grimly. Then she laughed.  "I think I
see myself doing it.  Big pink
placards on the Mall: 'Mrs. Hauksbee!  Positively her last
appearance on any stage!  This is to
give notice!'  No more dances; no more rides; no more luncheons;
no more theatricals with
supper to follow; no more sparring with one's dearest, dearest
friend; no more fencing with an
inconvenient man who hasn't wit enough to clothe what he's
pleased to call his sentiments in
passable speech; no more parading of The Mussuck while Mrs.
Tarkass calls all round Simla,
spreading horrible stories about me?  No more

of anything that is thoroughly wearying, abominable and
detestable, but, all the same, makes life
worth the having. Yes!  I see it all!  Don't interrupt, Polly, I'm
inspired. A mauve and white
striped 'cloud' round my excellent shoulders, a seat in the fifth row
of the Gaiety, and both horses
sold. Delightful vision! A comfortable armchair, situated in three
different draughts, at every
ballroom; and nice, large, sensible shoes for all the couples to
stumble over as they go into the
veranda! Then at supper. Can't you imagine the scene? The greedy
mob gone away. Reluctant
subaltern, pink all over like a newly-powdered baby,-they really
ought to tan subalterns before
they are exported, ?olly-sent back by the hostess to do his duty.
Slouches up to me across the
room, tugging at a glove two sizes too large for him-I hate a man
who wears gloves like
overcoats-and trying to look as if he'd thought of it from the first.
'May I ah-have the pleasure 'of
takin' you 'nt' supper?'  Then I get up with a hungry smile. Just like
this."
</para>

<para>
"Lucy, how can you be so absurd?"
</para>

<para>
"And sweep out on his arm.  So! After supper I shall go away
early, you know, because I shall be
afraid of catching cold.  No one will look for by 'rickshaw.  Mine,
so please you!  I shall stand,
always with that mauve and white 'cloud' over my head, while the
wet ~oaks into my dear, old,
venerable feet and Tom swears and shouts for the mem-sahib's
gharri. Then home to bed at
half-past eleven!  Truly excellent lif~helped out by the visits of the
l'adri, just fresh from burying
somebody down below there." She pointed through the pines,
toward the Cemetery, and
</para>

<para>
continued with vigorous dramatic gesture-"Listen!  I see it
all~own, down
even to the stays!  Such stays!  Six-eight a pair, Polly, with red
flannel-or list is it?-that they put
into the tops of those fearful things.  I can draw you a picture of
them."
</para>

<para>
"Lucy, for Heaven's sake, don't go waving your arms about in that
idiotic manner!  Recollect,
every one can see you from the Mall."
</para>

<para>
"Let them see!  They'll think I am rehearsing for The Fallen AngeL
Look! There's The Mussuck.
How badly he rides. There!"
</para>

<para>
She blew a kiss to the venerable Indian administrator with infinite
grace.
</para>

<para>
"Now,"  she  continued,  "he'll  be chaffed about that at the Club in
the delicate manner those
brutes of men affect, and the Hawley Boy will tell me all about
it-softening the details for fear of
shocking me.  That boy is too good to live, Polly. I've serious
thoughts of recommending him to
throw up his Commission and go into the Church. In his present
frame of mind he would obey
me. Happy, happy child."
</para>

<para>
"Never again," said Mrs. Mallowe, with an affectation of
indignation, "shall you tiffin here! 'Lu
cindy, your behavior is scand'lus.'
</para>

<para>
"All your fault," retorted Mrs. Hauksbee, "for suggesting such a
thing as my abdication.  No!
Jamais-nevaire!  I will act, dance, ride, frivol, talk scandal, dine
out, and appropriate the
legitimate captives of any woman I choose until I d-r-r-rop or a
better woman than I put~ me to
shame before all Simla,-and it's dust and ashes in my mouth while
I'm doing it!"
</para>


<para>

She swept into the drawing-room, Mrs. Mallowe followed and put
an arm round her waist.
</para>

<para>
"I'm not!" said Mrs. Hauksbee, defiantly, rummaging for her
handkerchief. "I've been dining out
the last ten nights, and rehearsing in the afternoon. You'd be tired
yourself. It's only because I'm
tired."
</para>

<para>
Mrs. Mallowe did not offer Mrs. Hauksbee any pity or ask her to
lie down, but gave her another
cup of tea, and went on with the talk.
</para>

<para>
"I've been through that too, dear," she said.
</para>

<para>
"I remember," said Mrs. Hauksbee, a gleam of fun on her face.  "In
'84 wasn't it? You went out a
great deal less next season."
</para>

<para>
Mrs. Mallowe smiled in a superior and Sphinx like fashion.
</para>

<para>
"I became an Influence," said she.
</para>

<para>
"Good gracious, child, you didn't join the Theosophists and kiss
Buddha's big toe, did you? I
tried to get into their set once, but they cast me out for a
skeptic-without a chance of improving
my poor little mind, too."
</para>

<para>
"No, I didn't Theosophilander. Jack says"-"Never mind Jack. What
a husband
says is known before.  What did you do?"
</para>

<para>
"I made a lasting impression."
</para>

<para>
"So have I-for four months.  But that didn't console me in the least.
I hated the man. Wifl you
stop smiling in that inscrutable way and tell me what you mean?"
</para>

<para>
Mrs. Mallowe told.
* * * * * *
</para>

<para>
"And-you-mean~to~say that it is absolutely Platonic on both
sides?"
</para>

<para>
"Absolutely, or I should never have taken it up."
</para>

<para>
"And his last promotion was due to you?"
</para>

<para>
Mrs. Mallowe nodded.
</para>

<para>
"And you warned him against the Topsham girl?"
</para>

<para>
Another nod.
</para>

<para>
"And told him of Sir Dugald Delane's private memo about him?"
</para>

<para>
A third nod.
</para>

<para>
"Why?"
</para>

<para>
"What a question to ask a woman! Because it amused me at first.  I
am proud of my property
now.  If I live he shall continue to be successful. Yes, I will put
him upon the straight road to
Knighthood, and everything else that a man values.  The rest
depends upon himself."
</para>

<para>
"Polly, you are a most extraordinary woman."
</para>

<para>
"Not in the least. I'm concentrated, that's all.  You diffuse yourself,
dear; and though all Simla
knows your skill in managing a team"-"Can't you choose a prettier
word?" "Team, of half a
dozen, from The Mussuck to the Hawley Boy, you gain nothing by
it. Not even amusement."
</para>

<para>
"And you?"
</para>

<para>
"Try my recipe. Take a man, not a boy, mind, but an almost
mature, unattached man, and be this
guide, philosopher, and friend. You'll find it the most interesting
occupation that you ever
embarked on.  It can be done-you needn't look like that-because

I've done it."
</para>

<para>
"There's an element of risk about it that makes the notion
attractive.  I'll get such a man and say
to him, 'Now, understand that there must be no flirtation. 
Do exactly what I tell you, profit by my instruction and
counsels, and all will yet be well.' Is
that the idea?"
</para>

<para>
"More or less," said Mrs. Mallowe with an unfathomable smile.
"But be sure he understands."
</para>
</chapter>
<chapter>
<chapheader>
<chapnum>
II
</chapnum>

<blockquote>
<poem>
<line>Dribble-dribble-trickle-trickle</line>
<line>What a lot of raw dust!</line>
<line>My dollie's had an accident</line>
<line>And out came all the sawdust!</line>
</poem>

<attrib>
-Nursery Rhyme.
</attrib>
</blockquote>
</chapheader>
<para>

So Mrs. Hauksbee, in "The Foundry" which overlooks Simla Mall,
sat at the feet of Mrs.
Mallowe and gathered wisdom.  The end of the Conference was
the Great Idea upon which Mrs.
Hauksbee so plumed herself.
</para>

<para>
"I warn you," said Mrs. Mallowe, beginning to repent of her
suggestion, "that the matter is not
half so easy as it looks.  Any woman-even the Top-sham girl-can
catch a man, but very, very few
know how to manage him when caught."
</para>

<para>
"My child," was the answer, "I've been a female St. Simon Stylites
lookmg down upon men for
thes~these years past. Ask The Mussuck whether I can manage
them."
</para>

<para>
Mrs. Hauksbee departed humming, "I'll go to him and say to him in
manner  most  ironical."
Mrs. Mallowe laughed to herself. Then she grew suddenly sober.
"I wonder whether I've done
well in advising that amusement? Lucy's a clever woman, but a
thought too careless."
</para>

<para>
A week later, the two met at a Monday Pop.  "Well?" sa.'d Mrs.
Mallowe.
</para>

<para>
"I've caught him!" said Mrs. Hauks
bee; her eyes were dancing with merriment.
</para>

<para>
"Who is it, mad woman?  I'm sorry I ever spoke to you about it."
</para>

<para>
"Look between the pillars.  In the third row; fourth from the end.
You can see his face now.
Look!"
</para>

<para>
"Otis Yeere!  Of all the improbable and impossible people!  I don't
believ~ you."
</para>

<para>
"Hsh!  Wait till Mrs. Tarkass begins murdering Milton Wellings;
and I'll tell you all about it.
S-s-ss! That woman 5 voice always reminds me of an Underground
train coming into Earl's
Court with the breaks on. Now listen. It is really Otis Yeere."
</para>

<para>
"So I see, but does it follow that he is your property?"
</para>

<para>
"He is! By right of trove. I found him, lonely and unbefriended, the
very next night after our talk,
at the Dugald Delane's burra-khana. I liked his eyes, and I talked to
him. Next day he called.
Next day we went for a ride together, and to-day he's tied to my
'rickshaw-wheels hand and foot.
You'll see when the concert's over.  He doesn't know I'm here yet."
</para>

<para>
"Thank goodness you haven't chosen a boy. What are you going to
do with him, assuming that
you've got him?"
</para>

<para>
"Assuming, indeed! Does a woman-do I-ever make a mistake in
that sort of thing? First"-Mrs.
Hauksbee ticked off the items ostentatiously on her little gloved
fingers-"First, my dear, I shall
dress him properly. At present his raiment is a disgrace, and he
wears a dressshirt like a
crumpled sheet of the Pioneer.  Secondly, after I have made him
presentable, ~ ,shall form his
manners-his morals are above reproach."
</para>

<para>

"You seem to ha'e discovered a great deal about him considering
the shortness of your
acquaintance."
</para>

<para>
"Surely you ought to know that the first proof a man gives of his
interest in a woman is by
talking to her about his own sweet self. If the woman listens
without yawning, he begins to like
her. If she flatters the animal's vanity, he ends by adoring her."
</para>

<para>
"In some cases."
</para>

<para>
"Never mind the exceptions. I know which one you are thinking of.
Thirdly, and lastly, after he
is polished and made pretty, I shall, as you said, be his guide,
philosopher and friend, and he
shall become a success-as great a success as your friend.  I always
wondered how that man got
on.  Did The Mussuck come to you with the Civil List and,
dropping on one knee no, two knees,
a' la Gibbon-hand it to you and say, 'Adorable angel, choose your
friend's appointment'?"
</para>

<para>
"Lucy, your long experiences of the Military Department have
demoralized you. One doesn't do
that sort of thing on the Civil Side."
</para>

<para>
"No disrespect meant to Jack's Service, my dear.  I only asked for
information. Give me three
months, and see what changes I shall work in my prey."
</para>

<para>
"Go your own way since you must. But I'm sorry that I was weak
enough to suggest the
amusement."
</para>

<para>
'I am all discretion, and may be trusted to an in-finite extent,' "
quoted Mrs. Hauksbee from The
Fallen Angel; and the conversation ceased with Mrs. Tarkass's
last, long-drawn war-whoop.
</para>

<para>
Her bitterest enemies-and she had many-could hardly accuse Mrs.
Hauksbee of wasting her time.
Otis Yzere
was one of those wandering "dumb' characters, foredoomed
through life to be nobody's property.
Ten years in Her Majesty's Bengal Civil Service, spent, for the
most part, in undesirable
Districts, had given him little to be proud of, and nothing to bring
confidence. Old enough to
have lost the first fine careless rapture that showers on the
immature 'Stunt imaginary
Commissioner-ships and Stars, and sends him into the collar with
coltish earnestness and
abandon; too young to be yet able to look back upon the progress
he had made, and thank
Providence that under the conditions of the day he had come even
so far, he stood upon the
dead-centre of his career. And when a man stands still, he feels the
slightest impulse from
without.  Fortune had ruled that Otis Yeere should be, for the first
part of his service, one of the
rank and file who are ground up in the wheels of the
Administration; losing heart and soul, and
mind and strength, in the process. Until steam replaces manual
power in the working of the
Empire, there must always be this percentage-must always be the
men who are used up,
expended, in the mere mechanical routine.  For these promotion is
far off and the millgrind of
every day very instant.  The Secretariats know them only by name;
they are not the picked men
of the Districts with Divisions and Collectorates awaiting them.
They are simply the rank and
file-the food for fever-sharing with the ryot and the plough-bullock
the honor of being the plinth
on which the State rests.  The older ones have lost their
aspirations; the younger are putting
theirs aside with a sigh. Both learn to endure patiently until they

learned what manner 0f life he had led in what she vaguely called
"those awful cholera
districts"; learned too, but this knowledge came later, what manner
of life he had purposed to
lead and what dreams he had dreamed i. the year of grace '77,
before the reality had knocked the
heart out of him. Very pleasant are the shady bridle-paths round
Prospect Hill for the telling of
such confidences.
</para>

<para>
"Not yet," said Mrs. Hauksbce to Mrs. Mallowe. "Not yet. I must
wait until the man is properly
dressed, at least. Great Heavens, is it possible that he doesn't know
what an honor it is to be
taken up by Me!"
</para>

<para>
Mrs. Hauksbee did not reckon false modesty as one of her failings.
</para>

<para>
"Always with Mrs. Hauksbee!" murmured Mrs. Mallowe, with her
sweetest smile, to Otis. "Oh
you men, you men! Here are our Punjabis growling because you've
monopolized the nicest
woman in Simla.  They'll tear you to pieces on the Mall, some day,
Mr. Yeere."
</para>

<para>
Mrs. Mallowe rattled down-hill, having satisfied herself, by a
glance through the fringe of her
sunshade, of the effect of her words.
</para>

<para>
The shot went home.  Of a surety Otis Yeere was somebody in this
bewildering whirl of
Simla-had monopolixed the nicest woman in it and the Punjabis
were growling.  The notion
justified a mild glow of vanity.  He had never looked upon his
acquaintance with Mrs. Hauksbee
as a matter for general interest.
</para>

<para>
The knowledge of envy was a pleas-ant feeling to the man of no
account. It was intensified later
in the day when a luncher at the Club said, spitetully, "Well, for a
debilitated Ditcher, Yeere,
"ud uf the day.  Twelve years in the rank and file, men say, will
sap the hearts of the bravest and
dull the wits of the most keen.
</para>

<para>
Out of this life Otis Yeere had fled for a few months; drifting, in
the hope of a little masculine
society, into Simla. When his leave was over he would return to
his swampy, sour-green,
undermanned Bengal district; to the native Assistant, the native
Doctor, the native Magistrate,
the steaming, sweltering Station, the ill-kempt City, and the
undisguised insolence of the
Municipality that babbled away the lives of men.  Life was cheap
however.  The soil spawned
humanity, as it bred frogs in the Rains, and the gap of the sickness
of one season was filled to
overflowing by the fecundity of the next.  Otis was 'infeignedly
thankful to lay down his work
for a little while and escape from the seething, whining, weakly
hive, impotent to help itself, but
strong in its power to cripple, thwart, and annoy the sunken~eyed
man who, by official irony was
said to be "in charge" of it.
</para>

<para>
*  *  * *
*
</para>

<para>
"I knew there were women-dowdies in Bengal.  They come up here
sometimes.  But I didn't
know that there were men-dowds, too."
</para>

<para>
Then, for the first time, it occurred to Otis Yeere that his clothes
wore the mark of the ages. It
will be seen that his friendship with Mrs. Hauksbee had made
great strides.
</para>

<para>
As that lady truthfully says, a man is never so happy as when he is
talking about himself.  From
Otis Yeere's lips Mrs. Hauksbee, before long, learned everything
that she wished to know about
the subject of her experiment:
</para>


<para>
you are going it. Hasn't any kind friend told you that she's the most
dangerous woman in Simla?"
</para>

<para>
Yeere chuckled and passed out. When, oh when, would his new
clothes be ready? He descended
into the Mall to inquire; and Mrs. Hauksbee, coming over the
Church Ridge in her 'rickshaw,
looked down upon him approvingly. 'He's learning to carry himself
as if he were a man, instead of a piece of furniture,-and," she screwed up
her eyes to see the better
through the sunlight-"he is a man when he holds himself like that.
Oh blessed Conceit, what
should we be without you?"
</para>

<para>
With the new clothes came a new stock of self-confidence. Otis
Yeere discovered that he could
enter a room without breaking into a gentle perspiration-could
cross one, even to talk to Mrs.
Hauksbee, as though rooms were meant to be crossed.  He was for
the first time in nine years
proud of himself, and contented with his life, satisfied with his
new clothes, and rejoicing in the
friendship of Mrs. Hauksbee.
</para>

<para>
"Conceit is what the poor fellow wants," she said in confidence to
Mrs. Mallowe.  "I believe they
must use Civilians to plough the fields with in Lower Bengals. You
see I have to begin from the
very beginning-haven't I? But you'll admit, won't you, dear, that he
is immensely improved since
I took him in hand.  Only give me a little more time and he won't
know himself."
</para>

<para>
Indeed, Yeere was rapidly beginning to forget what he had been.
One of his own rank and file
put the matter brutally when he asked Yeere, in reference to
nothing, "And who has been making
you a Member of Council, lately? You
carry the side of half a dozen of 'em."
</para>

<para>
"I-I'm awf'ly sorry. I didn't mean it, you know," said Yeere,
apologetically.
</para>

<para>
"There'll be no holding you," continued the old stager, grimly.
"Climb down, Otis-climb down,
and get all that beastly affectation knocked out of you with fever!
Three thousand a month
wouldn't support it."
</para>

<para>
Yeere repeated the incident to Mrs. Hauksbee.  He had come to
look upon her as his Mother
Confessor.
</para>

<para>
"And you apologized!" she said. "Oh, shame!  I hate a man who
apologizes. Never apologize for

what your friend called 'side.' Never! It's a man's business to be
insolent and overbearing until he
meets with a stronger.  Now, you bad boy, listen to me."
</para>

<para>
Simply and straightforwardly, as the 'rickshaw loitered round
Jakko, Mrs. Hauksbee preached to
Otis Yeere the Great Gospel of Conceit, illustrating it with living
pictures encountered during
their Sunday afternoon stroll.
</para>

<para>
"Good gracious!" she ended, with the personal argument, "you'll
apologize next for being my
attache""
</para>

<para>
"Never!" said Otis Yeere.  "That's another thing altogether. I shall
always be"-"What's  coming?"
thought Mrs.
Hauksbee.
</para>

<para>
"Proud of that," said Otis.
</para>

<para>
"Safe for the present," she said to herself.
</para>

<para>
"But I'm afraid I have grown conceited. Like Jeshurun, you know.
When he waxed fat, then he
kicked.  It's the having no worry on one's mind and the Hill air, I
suppose."
</para>

<para>
"Hill air, indeed!" said Mrs. Hauksbee to herself.  "He'd have been
hiding

in the Club till the last day of his leave, if I hadn't discovered him."
And aloud-"Why shouldn't
you be? You have

every right to." 
</para>

<para>
"I! Why?"
</para>

<para>
"Oh, hundreds of things.  I'm not going to waste this lovely
afternoon by explaining; but I know
you have. What was that heap of manuscript you showed me about
the grammar of the
aboriginal
</para>

<para>
what's their names?"
</para>

<para>
"Gullals. A piece of nonsense. I've far too much work to do to
bother over Gullals now. You
should see my District.  Come down with your husband some day
and I'll show you round. Such
a lovely place in the Rains!  A sheet of water with the
railway-embankment and the snakes
sticking out, and, in the summer, green flies and green squash. The
people would die of fear if
you shook a dogwhip at 'em.  But they know you're forbidden to do
that, so they conspire to
make your life a burden to you. My District's worked by some man
at Darjiling, on the strength
of a native pleader's false reports. Oh, it's a heavenly place!"
</para>

<para>
Otis Yeere laughed bitterly.
</para>

<para>
"There's not the least necessity that you should stay in it. Why do
you?"
</para>

<para>
"Because I must.  How'm I to get out of it?"
</para>

<para>
"How! In a hundred and fifty ways. If there weren't so many people
on the road, I'd like to box
your ears.  Ask, my dear boy, ask!  Look, There is young Hexarly
with six years' service and half
your talents.  He asked for what he wanted, and he got it.  See,
down by the Convent!  There's
MeAr
thurson who has come to his present position by asking-sheer,
downright asking-after he had
pushed himself out of the rank and file.  One man is as good as
another in your service --believe
me.  I've seen Simla for more seasons than I care to think about.
Do you suppose men are chosen
for appointments because of their special fitness bejorehand? You
have all passed a high
test-what do you call it?-in the beginning, and, except for the few
who have gone altogether to
the bad, you can all work hard. Asking does the rest. Call it cheek,
call it insolence, call it
anything you like, but ask! Men argue-yes, I know what men
say-that a man, by the mere
audacity of his request, must have some good in him. A weak man
doesn't say: 'Give me this and
that.' He whines 'Why haven't I been given this and that?'  If you
were in the Army, I should say
learn to spin plates or play a tambourine with your toes.  As it
is-ask! You belong to a Service
that ought to be able to command the Channel Fleet, or set a leg at
twenty minutes' notice, and
yet you hesitate over asking to escape from a squashy green district
where you admit you are not
master.  Drop the Bengal Government altogether.  Even Darjilmg
is a little out-of-the-way hole.
I was there once, and the rents were extortionate. Assert yourself.
Get the Government of India
to take you over. Try to get on the Frontier, where every man has a
grand chance if he can trust
himself.  Go somewhere!  Do something!  You have twice the wits
and three times the presence
of the men up here, and, and"-Mrs. Hauksbee paused for breath:
then continued-
</para>

<para>
"and in any way you look at it, you ought to. You who could go so
far!"
</para>

<para>
"I don't know," said Yeere, rather taken aback by the unexpected
eloquence. "1 haven't such a
good opinion of myself."
</para>

<para>
It was not strictly Platonic, but it was Policy.  Mrs. Hauksbee laid
her hand lightly upon the
ungloved paw that rested on the turned-backed 'rickshaw hood,
and, looking the man full in the
face, said tenderly, almost too tenderly, 'I believe in you if you
mistrust yourself. Is that enough,
my friend?"
</para>

<para>
"It is enough," answered Otis, very solemnly.
</para>

<para>
He was silent for a long time, redreaming the dramas that he had
dreamed eight years ago, but
through them all ran, as sheet-lightning through golden cloud, the
light of Mrs. Hauksbee's violet
eyes.
</para>

<para>
Curious and impenetrable are the mazes of Simla life-the only
existence in this desolate land
worth the living. Gradually it went abroad among men and women,
in the pauses between dance,
play and Gymkhana, that Otis Yeere, the man with the newly-lit
light of self-confidence in his
eyes, had "done something decent" in the wilds whence he came.
He had brought an erring
Municipality to reason, appropriated the funds on his own
responsibility, and saved the lives of
hundreds,  He knew more about the Gullals than any living man.
Had a vast knowledge of the
aboriginal tribes; was, in spite of his juniority, the greatest
authority on the aboriginal Gullals.
No one quite knew who or what the Gullals were till The 'lussuek,
who had been calling on Mrs.
Haukshee, and prided himself upon pick-
mg people's brains, explained they were a tribe of ferocious
hillmen, somewhere near Sikkim,
whose friendship even the Great Indian Empire would find it
worth her while to secure. Now we
know that Otis Yeere had showed Mrs. Hauksbee his MS notes of
six years' standing on the
same Gullals. He had told her, too, how, sick and shaken with the
fever their negligence had
bred, crippled by the loss of his pet clerk, and savagely angry at
the desolation in his charge, he
had once damned the collective eyes of his "intelligent local
board" for a set of haramzadas.
Which act of "brutal and tyrannous oppression" won him a
Reprimand Royal from the Bengal
Government; but in the anecdote as amended for Northern
consumption we find no record of
this.  Hence we are forced to conclude that Mrs. Hauksbee edited
his reminiscences before
sowing them in idle ears, ready, as she well knew, to exaggerate
good or evil.  And Otis Yeere
bore himself as befitted the hero of many tales.
</para>

<para>
"You can talk to me when you don't fall into a brown study.  Talk
now, and talk your brightest
and best," said Mrs. Haukshee.
</para>

<para>
Otis needed no spur. Look to a man who has the counsel of a
woman of or above the world to
back him.  So long as he keeps his head, he can meet both sexes
on equal ground-an advantage
never intended by Providence, who fashioned Man on one day and
Woman on another, in sign
that neither should know more than a very little of the other'a half.
Such a man goes far, or, the
counsel being withdrawn, collapses suddenly while his world
seeks the reason.
</para>

<para>
Generalled by Mrs. Hauksbee who,
again, had all Mrs. Mallowe's wisdom at her disposal, proud of
himself and, in the end, believing
in himself because he was believed in, Otis Yeere stood ready for
any fortune that might befall,
certain that it would be good. He would fight for his own hand,
and intended that this second
struggle should lead to better issue than the first helpless surrender
of the bewildered 'Stunt.
</para>

<para>
What might have happened, it is impossible to say.  This
lamentable thing befell, bred directly
by a statement of Mrs. Hauksbee that she would spend the next
season in Darjiling.
</para>

<para>
"Are you certain of that?" said Otis Veere.
</para>

<para>
"Quite. We're writing about a house now.
</para>

<para>
Otis Yeere "stopped dead," as Mrs. Hauksbee put it in discussing
the relapse with Mrs. Mallowe.
</para>

<para>
'~He has behaved," she said, angrily, 'just like Captain Kerrington's
pony-only Otis is a donkey-at
the last Gymchana. Planted his forefeet and refused to go on
another step. Polly, my man's going
to disappoint me.  What shall I do?"
</para>

<para>
As a rule, Mrs. Mallowe does not aprove of staring, but on this
occasion she opened her eyes
to the utmost.
</para>

<para>
"You have managed cleverly so far," ,he said  "Speak to him, and
ask him what he means."
</para>

<para>
'I will-at to-night's dance."
</para>

<para>
"N~o, not at a dance," said Mrs. Mallowe, cautiously.  "Men are
never ~themselves quite at
dances. Better wait till to-morrow morning."
</para>

<para>
"Nonsense.  If he's going to 'vert in this insane way, there isn't a
day to waste. Are you gaing?  No?
Then sit
up for me, there's a dear. I shan't stay longer than supper under any
circumstances."
</para>

<para>
Mrs. Mallowe waited through the evening, looking long and
earnestly into the fire, and
sometimes smiling to herself.
*  * *
*
</para>

<para>
"Oh! oh! oh!  The man's an idiot! A raving, positive idiot!  I'm
sorry I ever saw him!"
</para>

<para>
Mrs. Hauksbee burst into Mrs. Mallowe's house, at midnight,
almost in tears.
</para>

<para>
"What in the world has happened?" said Mrs. Mallowe, but her
eyes showed that she had
guessed an answer.
</para>

<para>
"Happened!  Everything has happened!  He was there. I went to
him and said, 'Now, what does
this nonsense mean?' Don't laugh, dear, I can't bear
it.
But you know what I mean I said. Then it was a square, and I sat it
out with him and wanted an
explanation, and he said- Oh! I haven't patience with such idiots!
You know what I said about
going to Darjiling next year? It doesn't matter to me where I go. I'd
have changed the Station and
lost the rent to have saved this. He said, in so many words, that he
wasn't going to try to work up
any more, because-because he would be shifted into a province
away from Darjiling, and his
own District, where these creatures are, is within a day's
journey"-"Ah-hh!" said Mrs. Mallowe,
in a
tone of one who has successfully tracked an obscure word through
a large dictionary.
</para>

<para>
"Did you ever hear of anything so mad-so absurd? And he had the
ball at his feet. He had only to
kick it!  I
would have made him anything! Anything in the wide world.  He
could have gone to the world's
end. I would have helped him.  I made him, didn't I, Polly?  Didn't
I create that man? Doesn't he
owe everything to me? And to reward me, just when everything
was nicely arranged, by this
lunacy that spoiled everything!"
</para>

<para>
"Very few men understand your devotion thoroughly."
</para>

<para>
"Oh, Polly, don't laugh at me!  I give men up from this hour.  I
could have killed him then and
there. What right had this man-this Thing I had picked out of his
filthy paddy-fields-to make love
to me?"
</para>

<para>
"He did that, did he?"
</para>

<para>
"He did.  I don't remember half he said, I was so angry.  Oh, hut
such a funny thing happened!  I
can't help laughing at it now, though I felt nearly ready to cry with
rage. He raved and I
stormed-I'm afraid we must have made an awful noise in our kala
juggah. Protect my character,
dear, if it's all over Simla by to-morrow-and then he bobbed
forward in the middle of this
insanity-I firmly believe the man's demented-and kissed me!"
</para>

<para>
"Morals above reproach," purred Mrs. Mallowe.
</para>

<para>
"So they were- so they are! It was the most absurd kiss.  I don't
believe he'd ever kissed a woman
in his life before. I threw my head back, and it was a sort of slidy,
pecking dab, just on the end of
the chin-here."  Mrs. Hauksbee tapped her masculine little chin
with her fan. "Then, of course, I
was juriously angry, and told him that he was no gentleman, and I
was sorry I'd ever met him,
and so on. He was
crushed so easily that I couldn't be very angry.  Then I came away
straight to you."
</para>

<para>

"Was this before or after supper?"
</para>

<para>
"Oh! before-oceans before. Isn't it perfectly disgusting?"
</para>

<para>
"Let me think. I withhold judgment till to-morrow.  Morning
brings counsel."
</para>

<para>
But morning brought only a servant with a dainty bouquet of
Annandale roses for Mrs. Hauksbee
to wear at the dance at Viceregal Lodge that night.
</para>

<para>
"He doesn't seem to be very penitent," said Mrs. Mallowe. "What's
th,'. billet-doux in the
centre?"
</para>

<para>
Mrs. Hauksbee opened the neatly folded note,-another
accomplishment that she had taught
Otis,-read it, and groaned tragically.
</para>

<para>
"Last wreck of a feeble intellect! Poetry!  Is it his own, do you
think? Oh, that I ever built my
hopes on such a maudlin idiot!"
</para>

<para>
"No.  It's a quotation from Mrs. Browning, and, in view of the facts
of the case, as Jack says,
uncommonly well chosen. Listen-"'Sweet thou has trod on a heart,
</para>

<para>

Pass! There's a world full of men And women as fair as thou art,
</para>

<para>
Must do such things now and thefl
</para>

<para>

"'Thou only hast stepped unaware-Malice not one can impute;
</para>

<para>

And why should a heart have been there,
</para>

<para>

In the way of a fair woman 5 foot?'
</para>

<para>

"I didn't-I didn't-I didn't! "-said Mrs. Hauksbee, angrily, her eyes
filling with tears; "there was no
malice at all Oh, it's too vexatious!"
</para>



<para>
"You've misunderstood the compliment," said Mrs. Mallowe.  "He
clears you completely
and-ahem-1 should think by this, that he has cleared completely
too.  My experience of men is
that when they begin to quote poetry, they are going to flit. Like
swans singing before they die,
you know."
</para>

<para>
'Polly, you take my sorrows in a most unfeeling way."
</para>

<para>
"Do I?"  Is it so terrible? If he's hurt your vanity, I should say that
you've done a certain amount
of damage to his heart."
</para>

<para>
"Oh, you never can tell about a man said Mrs. Hauksbee.
</para>
</chapter>

<chapter>
<chapheader>
<title>AT THE PIT'S MOUTH</title>

<blockquote>
<poem>
<line>Men say it was a stolen tide</line>
<line>The Lord that sent it he knows all, </line>
<line>But in mine ear will aye abide</line>
<line>The message that the bells let fall,</line> 
<line>And awesome bells they were</line>
<line>to me, That in the dark rang,</line>
<line>"Enderby."</line>
</poem>

<attrib>

-Jean Ingelow.
</attrib>
</blockquote>
</chapheader>
<para>

ONCE upon a time there was a man and his Wife and a Tertium
Quid.
</para>

<para>
All three were unwise, but the Wife was the unwisest.  The Man
should have looked after his
Wife, who should have avoided the Tertium Quid, who, again,
should have married a wife of his
own, after clean and open flirtations, to which nobody can possibly
object, round Jakko or
Observatory Hill. When you see a young man with his pony in a
white lather, and his hat on the
back of his head flying down-hill at fifteen miles an hour to meet a
girl who will he properly
surprised to meet him, you naturally approve of that young man,
and  wish  him  Staff
Appointments, and take an interest in his welfare, and, as the
proper time comes, give them
sugar-tongs or side-saddlei according to your means and
generosity.
</para>

<para>
The Tertium Quid flew down-hill on
horseback, but it was to meet the Man's Wife; and when he flew
up-hill it was for the same end.
The Man was in the Plains, earning money for his Wife to spend
on dresses and
four-hundred-rupee bracelets, and inexpensive luxuries of that
kind. He worked very hard, and
sent her a letter or a post-card daily. She also wrote to him daily,
and said that she was longing
for him to come up to Simla. The Tertium Quid used to lean over
her shoulder and laugh as she
wrote the notes.  Then the two would ride to the Post Office
together.
</para>

<para>
Now, Simla is a strange place and its customs are peculiar; nor is
any man who has not spent at
least ten seasons there qualified to pass judgment on
circumstantial evidence. which is the most
untrustworthy in the Courts. For these reasons, and for others
which need not appear, I decline to
state positively whether there was anything irretrievably wrong in
the relations between the
Man's Wife and the Tertium Quid. If there was, and hereon you
must form your own opinion, it
was the Man's Wife's fault.  She was kittenish in her manners,
wearing generally an air of
</para>




<para>
soft and fluffy innocence.  But she was deidlily learned and
evil-instructed; and, now and again,
when the mask dropped, men saw this, shuduered and almost
drew back.  Men are occasionally
parucular, and the least particular men are always the most
exacting.
</para>

<para>
Simla is eccentric in its fashion of tearing friendships.  Certain
attachments which have set and
crystallized through half a dozen seasons acquire almost the
sanctity of the marriage bond, and
are revered as such.  Again, certain attachments equally old, and,
to all appearance, equally
venerable, never seem to win any recognized official status; while
a chance-sprung acquaintance
now two months born, steps into the place which by right belongs
to the senior.  There is no law
reducible to print which regulates these affairs.
</para>

<para>
Some people have a gift which secures them infinite toleration,
and others have not. The Man's
Wife had not. If she looked over the garden wall, for in-stance,
women taxed her with stealing
their husbands. She complained pathetically that she was not
allowed to choose her own friends.
When she put up her big white muff to her lips, and gazed over it
and under her eyebrows at you
as she said this thing, you felt that she had been infamously
misjudged, and that all the other
women's instincts were all wrong; which was absurd. She was not
allowed to own the Tertium
Quid in peace; and was so strangely constructed that she would not
have enjoyed peace had she
been so permitted.  She preferred some semblance of intrigue to
cloak even her most
commonplace actions.
</para>

<para>
After two months of riding, first
round Jakko, then Elysium, then Sum mer Hill, then Observatory
Hill, thep. under Jutogh, and
lastly up and down the Cart Road as far as the Tara Devi gap in the
dusk, she said to the Tertium
Quid, '~Frank, people say we are too much together, and people
are so horrid."
</para>

<para>
The Tertium Quid pulled his moustache, and replied that horrid
people were unworthy of the
consideration oi nice people.
</para>

<para>
"But they have done more than talk
-they have written-written to my hubby-I'm sure of it," said the
Man's Wife, and she pulled a
letter from her husband out of her saddle-pocket and gave it to the
Tertium Quid.
</para>

<para>
It was an honest letter, written by an honest man, then stewing in
the Plains on two hundred
rupees a month (for he allowed his wife eight hundre~ and fifty),
and in a silk banian and cotton
trousers.  It is said that, perhaps, she had no thought of the
unwisdom of allowing her name to be
so generally coupled with the Tertium Quid's; that she was too
much of a child to understand the
dangers of that sort of thing; that he, her husband, was the last man
in the world to interfere
jealously with her little amusements and interests, but that it would
be better were she to drop
the Tertium Quid quietly and for her husband's sake. The letter
was sweetened with many pretty
little pet names, and it amused the Tertium Quid considerably. He
and She laughed over it, so
that you, fifty yards away, could see their shoulders shaking while
the horses slouched along side
by side.
</para>

<para>
Their conversation was not worth reporting.  The upshot of it was
that,
next day, no one saw the Man's Wife and the Tertium Quid
together. They had both gone down
to the Cemetery, whiob, as a rule, is only visited officially by the
inhabitants of Simla.
</para>

<para>
A Simla funeral with the clergyman riding, the mourners riding,
and the coffin creaking as it
swings between the bearer~, is one of the most depressing things
on this earth, particularly when
the procession passes under the wet, dank dip beneath the
Rockcliffe Hotel, where the sun is
shut out and all the bill streams are wailing and weeping together
as they go down the valleys
</para>

<para>
Occasionally folk tend the graves, but we in India shift and are
transferred so often that, at the
end of the second year, the Dead have no friends-only
acquaintances who are far too busy
amusing themsel"es up the hill to attend to old partners.  The idea
of using a Cemetery as a
rendezvous is distinctly a feminine one. A man would have said
simply "Let people talk. We'll
go down the Mall."  A woman is made differently, especially if she
be such a woman as the
Man's Wife.  She and the Tertium Quid enjoyed each other's
society among the graves of men
and women whom they had known and danced with aforetime.
</para>

<para>
They used to take a big horse-blanket and sit on the grass a little to
the left of the lower end,
where there is a dip in the ground and where the occupied graves
stop short and the ready-made
ones are not ready. Each well-regulated India Cemetery keeps half
a dozen graves permanently
open for contingencies and incidental wear and tear.  In the Hills
these are more usually baby's
,'ize, because children who come up
weakened and sick from the Plains often succumb to the effects of
the Rains in the Hills or get
pneumonia from their ayahs taking them through damp
pine-woods after the sun has set.  In
Cantonments, of course, the man's size is more in request; these
arrangements varying with the
climate and population.
</para>

<para>
One day when the Man's Wife and the Tertium Quid had just
arrived in the Cemetery, they saw
some coolies breaking ground. They had marked out a full-size
grave, and the Tertium Quid
asked them whether any Sahib was sick. They said that they did
not know; but it was an order
that they should dig a Sahib's grave.
</para>

<para>
"Work away," said the Tertium Quid, "and let's see how it's done."
</para>

<para>
The coolies worked away, and the Man's Wife and the Tertium
Quid watched and talked for a
couple of hours while the grave was being deepened Then a coolie,
taking the earth in blan. kets
as it was thrown up, jumped over the grave.
</para>

<para>
"That'~ queer," said the Tertium Quid. "Where's my ulster?"
</para>

<para>
"What's queer?" said the Man's Wife.
</para>

<para>
"I have got a chill down my back
just as if a goose had walked over my grave."
</para>

<para>
'Why do you look at the thing, then?" said the Mm's Wife.  "Let us
go."
</para>

<para>
The Tertium Quid stood at the head of the grave, and stared
without answering for a space. Then
he said, dropping a pebble down, "It is nas'y~and cold; horribly
cold. I don't think I shail come to
the Cemetery any more.  I don't think grave-digging is cheerful."
</para>

<para>
The two talked and agreed that the
Cemetery was depressing.  They also arranged for a ride next day
out from the Cemetery through
the Mashobra Tunnel up to Fagoo and back, because all the world
was going to a garden-party at
Viceregal Lodge, and all the people of Mashobra would go too.
</para>

<para>
Corning up the Cemetery road, the Tertium Quid's horse tried to
bolt up hill, being tired with
standing so long, and managed to strain a hack sinew.
</para>

<para>
"I shall have to take the mare tomorrow," said the Tertium Quid,
"and she will stand nothing
heavier than a snaffie."
</para>

<para>
They made their arrangements to meet in the Cemetery, after
allowing all the Mashobra people
time to pass into Simla.  That night it rained heavily, and next day,
when the Tertium Quid came
to the trysting-place, he saw that the new grave had a foot of water
in it, the ground being a
tough and sour clay.
</para>

<para>
"'Jove! That looks beastly," said the Tertiurn Quid.  "Fancy being
boarded up and dropped into
that well!"
</para>

<para>
They then started off to Fagoo, the mare playing with the snaffle
and picking her way as though
she were shod with satin, and the sun shining divinely. The road
below Mashobra to Fagoo is
officially styled the Himalayan-Thibet Road; but in spite of its
name it is not much more than six
feet wide in most places, and the drop into the valley below must
be anything between one and
two thousand feet.
</para>

<para>
"Now we're going to Thibet," said the Man's Wife merrily, as the
horses drew near to Fagoo. She
was riding on the cliff-side.
</para>

<para>
"Into Thibet," said the Tertium Quid,
"ever so far from people who say horrid things, and hubbies who
write stupid letters. With
you-to the end of the world!"
</para>

<para>
A coolie carrying a log of wood came round a corner, and the mare
went wide to avoid
him-forefeet in and haunches out, as a sensible mare should go.
</para>

<para>
"To the world's end," said the Man's Wife, and looked unspeakable
things over her near shoulder
at the Tertium Quid.
</para>

<para>
He was smiling, but, while she looked, the smile froze stiff as it
were on his face, and changed to
a nervous grin-the sort of grin men wear when they are not quite
easy in their saddles. The mare
seemed to be sinking by the stem, and her nostrils cracked while
she was trying to realize what
was happening. The rain of the night before had rotted the
drop-side of the Himalayan-Thibet
Road, and it was giving way under her "What are you doing?" said
the Man's Wife. The Tertium
Quid gave no answer  He grinned nervously and set his spurs into
the mare, who rapped with her
forefeet on the road, and the struggle began.  The Man's Wife
screamed, "Oh, Frank, get off!"
</para>

<para>
But the Tertium Quid was glued to the saddle-his face blue and
white-and he looked into the
Man's Wife's eyes.  Then the Man's Wife clutched at the mare's
head and caught her by the nose
instead of the bridle.  The brute threw up her head and went down
with a scream, the Tertium
Quid upon her, and the nervous grin still set on his face.
</para>

<para>
The Man's Wife heard the tinkle-tinMe of little stones and loose
earth falling off the roadway,
and the sliding roar
of the man and horse going down. Then everything was quiet, and
she called on Frank to leave
his mare and walk up. But Frank did not answer. He was
underneath the mare, nine hundred feet
below, spoiling a patch of Indian corn.
</para>

<para>
As the revellers came hack from Viceregal Lodge in the mists of
the evening, they met a
temporarily insane woman, on a temporarily mad horse, swinging
round the corners, with her
eyes and her mouth open, and her head like the head of the
Medusa. She was
stopped by a man at the risk of his life, and taken out of the saddle,
a limp heap, and put on the
bank to explain herself.  This wasted twenty minutes, and then she
was sent home in a lady's
'rickshaw, still with her mouth open and her hands picking at her
riding-gloves.
</para>

<para>
She was in bed through the following three days, which were
rainy; so she missed attending the
funeral of the Tertium Quid, who was lowered into eighteen inches
of water, instead of the
twelve to which he had first objected.
</para>
</chapter>

<chapter>
<chapheader>
<title>
A Wayside Comedy
</title>

<blockquote>
<para>
Because to every purpose there is time and judgment, therefore the
misery of man is great upon him.-
</para>
<attrib>
-Eccies. viii. 6.
</attrib>
</blockquote>
</chapheader>

<para>

FATE and the Government of India have turned the Station of
Kashima into a prison; and,
because there is no help for the poor souls who are now lying there
in torment, I write this story,
praying that the Government of India may be moved to scatter the
European population to the
four winds.
</para>

<para>
Kashima is bound on all sides by the rock-tipped circle of the
Dosehri hills. In Spring, it is
ablaze with roses in Summer, the roses die and the hot winds blow
from the hills; in Autumn, the
white mists from the hills cover the place as with water, and in
Winter the frosts nip everything
young and tender to earth-level.  There is but one view in
Kashima-a stretch of perfectly flat
pasture and plough-land, running up to the grey-blue scrub of the
Dosebri hills.
</para>

<para>
There are no amusements, except snipe and tiger shooting; but the
tigers have been long since
hunted from their lairs in the rock-caves, and the snipe only come
once a year.  Narkarra-one
hundred and forty-three miles by road-is the nearest station to
Kashima. But Kashima never goes
to Narkarra, where there are at least twelve English people.  It
stays within the circle of the
Dosebri hills.
</para>

<para>
All Kasbima acquits Mrs. Vansuythen of any intention to do harm;
but all Kashima knows that
she, and she alone, brought about their pain.
</para>

<para>
Boulte, the Engineer, Mrs. Boulte, and Captain Kurrell know this.
They are the English
population of Kashima, if we except Major Vansuythen, who is of
no importance whatever, and
Mrs. Vansuythen, who is the most important of all.
</para>

<para>
You must remember, though you will not understand, that all laws
weaken
in a small and hidden community where there is no public opinion.
When a man is absolutely
alone in a Station he runs a certain risk of falling into evil ways.
The risk is multiplied by every
addition to the population up to twelve
-the Jury-number.  After that, fear and consequent restraint begin,
and human action becomes
less grotesquely jerky.
</para>

<para>
There was deep peace in Kashima till Mrs. Vansuythen arrived.
She was a charming woman,
every one said so everywhere; and she charmed every one.  In spite
of this, or, perhaps, because
of this, since Fate is so perverse, she cared only for one man, and
he was Major Vansuythen. Had
she been plain or stupid, this matter would have been intelligible
to Kashima. But she was a fair
woman, with very still grey eyes, the color of a lake just before the
light of the sun touches it.
No man who had seen those eyes, could, later on, explain what
fashion of woman she was to
look upon.  The eyes dazzled him. Her own sex said that she was
"not bad looking, but spoiled
by pretending to be so grave."  And yet her gravity was natural  It
was not her habit to smile.
She merely went through life, looking at those who passed; and the
women objected while the
men fell down and worshipped.
</para>

<para>
She knows and is deeply sorry for the evil she has done to
Kashima; but Major Vansuythen
cannot understand why Mrs. Boulte does not drop in to afternoon
tea at least three times a week.
"When there are only two women in one Station, they ought to see
a great deal of each other,"
says Major Vansuythen.
</para>

<para>
Long and long before ever Mrs. Vansuythen came out of those
far-away places  where  there is
society and amusement, Kurrell had discovered that Mrs. Boulte
was the one woman in the
world  for him  and-you  dare not blame them.  Kashima was as
out of the world as Heaven or
the Other Place, and the Dosehri hills kept their secret well.
Boulte had no concern in the
matter.  He was in camp for a fortnight at a time. He was a hard,
heavy man, and neither Mrs.
Boulte nor Kurrell pitied him.  They had  all Kashima and each
other for their very, very own;
and Kashima was the Garden of Eden in those days. When Boulte
returned from his wanderings
he would slap Kurrell between the shoulders and call him "old
fellow," and the three would dine
together.  Kashima was happy then when the judgment of God
seemed almost as distant as
Narkarra or the railway that ran down to the sea.  But the
Government sent Major Vansuythen to
Kashima, and with him came his wife.
</para>

<para>
The etiquette of Kashima is much the same as that of a desert
island. When a stranger is cast
away there, all hands go down to the shore to make him welcome.
Kashima assembled at the
masonry platform close to the Narkarra Road, and spread tea for
the Vansuythcns.   That
ceremony  was reckoned a formal call, and made them free of the
Station, its rights and
privileges. When the Vansuythens were settled down, they gave a
tiny housewarming to all
Kashima; and that made Kashima free of their house, according to
the immemorial usage of the
Station.
</para>

<para>
Then the Rains came, when no one
could go into camp, and the Narkarra
Road was washed away by the Kasun
River, and in the cup-like pastures of
Kashima the cattle waded knee-deep.
The clouds dropped down from the
Dosehri hills and covered everything.
</para>

<para>
At the end of the Rains, Boulte's manner toward his wife changed
and became  demonstratively
affectionate. They had been married twelve years, and the change
startled Mrs. Boulte, who
hated her husband with the hate of a woman who has met with
nothing but kindness from her
mate, and, in the teeth of this kindness, had done him a great
wrong.  Moreover, she had her awn
trouble to fight with-her watch to keep over her own property,
Kurrell. For two months the Rains
had hidden the Dosebri hills and many other things besides; but
when they lifted, they showed
Mrs.  Boulte that her man among men, her Ted-for she called him
Ted in the old days when
Boulte was out of earshot-was slipping the links of the allegiance.
</para>

<para>
"The Vansuythen Woman has taken him," Mrs. Boulte said to
herself; and when Boulte was
away, wept over her belief, in the face of the over-vehement
blandishments  of  Ted.   Sorrow  in
Kashima is as fortunate as Love, because there is nothing to
weaken it save the flight of Time.
Mrs. Boulte had never breathed her suspicion to Kurrell because
she was not certain; and her
nature led her to be very certain before she took steps in any
direction.  That is why she behaved
as she did.
</para>

<para>
Boulte came into the house one evening, and leaned against the
door-posts of the drawing-room,
chewing his moustache.  Mrs. Boulte was putting some
flowers into a vase.  There is a pretence of civilization even in
Kashima.
</para>

<para>
"Little woman," said Boulte, quietly, "do you care for me?"
</para>

<para>
"Immensely," said she, with a laugh. "Can you ask ~?"
</para>

<para>
"But I'm serious," said Boulte. "Do you care for me?"
</para>

<para>
Mrs. Boulte dropped the flowers, and turned round quickly.  "Do
you want an honest answer?"
</para>

<para>
"Ye-es, I've asked for it."
</para>

<para>
Mrs. Boulte spoke in a low, even voice for five minutes, very
distinctly, that there might be no
misunderstanding her meaning.  When Samson broke the pillars of
Gaza, he did a little thing,
and one not to be compared to the  deliberate  pulling  down  of  a
womans homestead about
her own ears. There was no Wise female friend to advise Mrs.
Boulte, the singularly cautious
wife, to hold her hand.  She struck at Boulte's heart, because her
own was sick with suspicion of
Kurrell, and worn out with the long strain of watching  alone
through  the  Rains. There was no
plan or purpose in her speaking.  The sentences made themselves;
and  Boulte listened leaning
against the door-post with his hands in his pockets.  When all was
over, and Mrs. Boulte began
to breathe through her nose before breaking out into tears, he
laughed and stared straight in front
of him at the Dosebri hills.
</para>

<para>
"Is that all?" be said.  "Thanks, I only wanted to know, you know."
</para>

<para>
"What are you going to do?" said the woman, between her sobs.
</para>

<para>
"Do!  Nothing.  What should I do? Kill Kurrell or send you Home,
or apply for leave to get a
divorce?  It's
two days' dok into Narkarra."  He laughed again and went on:  "I'll
tell you what you can do.
You can ask Kurrell  to  dinner  to-morrow-no, on Thursday, that
will allow you time to
pack~and you can bolt with him. I give you my word I won't
follow."
</para>

<para>
He took up his helmet and went out of the room, and Mrs. Boulte
sat till the moonlight streaked
the floor, thinking and thinking and thinking.  She had done her
best upon the spur of the
moment to pull the house down; but it would not fall.  Moreover,
she could not understand her
husband, and she was afraid.  Then the folly of her useless
truthfulness struck her, and she was
ashamed to write to Kurrell, saying: "I have gone mad and told
everything. My husband says that
I am free to elope with you.  Get a dok for Thursday, and we will
fly after dinner." There was a
cold-bloodedness about that procedure which did not appeal to
her.  So she sat still in her own
house and thought.
</para>

<para>
At dinner-time Boulte came back from his walk, white and worn
and haggard, and the woman
was touched at his distress.  As the evening wore on, she muttered
some expression of sorrow,
something approaching to contrition.  Boulte came out of a brown
study and said, "Oh, that!  I
wasn't thinking about that. By the way, what does Kurrell say to
the elopement?"
</para>

<para>
"I haven't seen him," said Mrs. Boulte.  "Good God! is that all?"
</para>

<para>
But Boulte was not listening, and her sentence ended in a gulp.
</para>

<para>
The next day brought no comfort to Mrs. Boulte, for Kurrell did
not appear, and the new life that
she, in the
five minutes' madness of the previous evening, had hoped to build
out of the ruins of the old,
seemed to be no nearer.
</para>

<para>
Boulte ate his breakfast, advised her to see her Arab pony fed in
the veranda, and went out.  The
morning wore through, and at midday the tension became
unendurable.  Mrs. Boulte could not
cry.  She had finished her crying in the night, and now she did not
want to be left alone. Perhaps
the Vansoythen woman would talk to her; and, since talking opens
the heart, perhaps there might
be some comfort to be found in her company. She was the only
other woman in the Station.
</para>

<para>
In Kasbima there are no regular calling-hours.  Every one can drop
in upon every one else at
pleasure.  Mrs. Boulte put on a big terai hat, and walked  across  to
the Vansoythen's house to
borrow last week's Queen. The two compounds touched, and
in-stead of going up the drive, she
crossed through the gap in the cactus-hedge, entering the house
from the back.  As she passed
through the dining-room, she heard, behind the purdah that
cloaked the drawing-room door, her
husband's voice, saying-"But on my Honor!  On my Soul
and Honor, I tell you she doesn't care for me.  She told me so last
night.  I would have told you
then if Vansuythen hadn't been with you.  If it is for her sake that
you'll have nothing to say to
me, you can make your mind easy. It's Kurrell'
</para>

<para>
"What?" said Mrs. Vansoythen, with an hysterical little laugh.
"Kurrell! Oh, it can't be.  You two
must have made some horrible mistake.  Perhaps you-you lost your
temper, or misunderstood, or something.  Things can't be as wrong as you say."
</para>

<para>
Mrs. Vansuythen had shifted her defence to avoid the man's
pleading, and was desperately trying
to keep him to a side-issue.
</para>

<para>
"There must be some mistake," she insisted, "and it can be all put
right again."
</para>

<para>
Boulte laughed grimly.
</para>

<para>
"It can't be Captain Kurrell!  He told me that he had never taken
the least-the least interest in
your wife, Mr. Boulte.  Oh, do listen!  He said he had not.  He
swore he had not," said Mrs.
Vansuythen.
</para>

<para>
The purdah rustled, and the speech was cut short by the entry of a
little, thin woman with big
rings round her eyes.  Mrs. Vansuytben stood up with a gasp.
</para>

<para>
"What was that you said?" asked Mrs. Boulte.  "Never mind that
man. What did Ted say to you?
What did he say to you?  What did he say to you?"
</para>

<para>
Mrs. Vansuythen sat down helplessly on the sofa, overborne by the
trouble of her questioner.
</para>

<para>
"He said-I can't remember exactly what he said-but I understood
him to say-that is-But, really,
Mrs. Boulte, isn't it rather a strange question?"
</para>

<para>
"Will you tell me what he said?" repeated Mrs. Boulte.  Even a
tiger will fly before a bear robbed
of her whelps, and Mrs. Vansuythen was only an ordinarily good
woman.  She began in a sort of
desperation: "Well, he said that he never cared for you at all, and,
of course, there was not the
least reason why he should have, and-and-that was all."
</para>

<para>
"You said he swore he had not cared for me. Was that true?"
</para>

<para>
"Yes," said Mrs. Vansuythen, very softly.
</para>

<para>
Mrs. Boulte wavered for an instant where she stood, and then fell
forward fainting.
</para>

<para>
"What did I tell you?" said Boulte, as though the conversation had
been unbroken.  "You can see
for yourself She cares for him."  The light began to break into his
dull mind, and he went
on-"And what was he saying to you?"
</para>

<para>
But Mrs. Vansuythen, with no heart for explanations or
impassioned protestations,  was
kneeling  over  Mrs. Boulte.
</para>

<para>
"Oh, you brute!" she cried.  "Are all men like this? Help me to get
her into my room-and her face
is cut against the table. Oh, will you be quiet, and help me to carry
her?  I hate you, and I hate
Captain Kurrell.  Lift her up carefully and now-go!  Go away!"
</para>

<para>
Boulte carried his wife into Mrs. Vansuythen's bedroom and
departed before the storm of that
lady's wrath and disgust, impenitent and burning with jealousy.
Kurrell had been making love to
Mrs. Vansuythen-would do Vansuytben as great a wrong as he had
done Boulte, who caught
himself considering  whether  Mrs.  Vansuythen would faint if she
discovered that the man she
loved had foresworn her.
</para>

<para>
In the middle of these meditations, Kurrell came cantering along
the road and pulled up with a
cheery, "Goodmornin'.  'Been mashing Mrs. Vansuythen as usual,
eh?  Bad thing for a sober,
married man, that. What will Mrs Boulte say?"
</para>

<para>

Boulte raised his head and said, slowly, "Oh, you liar!"  Kurrell's
face changed.  "What's that?"
he asked, quickly.
</para>

<para>
"Nothing much," said Boulte.  "Has my wife told you that you two
are free to go off whenever
you please?  She has been good enough to explain the situation to
me.  You've been a true friend
to  me,  Kurrell-old  man-haven't you?"
</para>

<para>
Kurrell groaned, and tried to frame some sort of idiotic sentence
about being willing to give
"satisfaction." But his interest in the woman was dead, had died
out in the Rains, and, mentally,
he was abusing her for her amazing indiscretion. It would have
been so easy to have broken off
the thing gently and by degrees, and now he was saddled
with-Boulte's voice recalled him.
</para>

<para>
"'I don't think I should get any satisfaction from killing you, and
I'm pretty sure you'd get none
from killing me."
</para>

<para>
Then in a querulous tone, ludicrously disproportioned to his
wrongs, Boulte added-"'Seems
rather a pity that you haven't the decency to keep to the woman,
now you've got her.  You've
been a true friend to her too, haven't you?"
</para>

<para>
Kurrell stared long and gravely. The situation was getting beyond
him.
</para>


<para>
"What do you mean?" he said.
</para>

<para>
Boulte answered, more to himself than the questioner:  'My wife
came over to Mrs. Vansuythen's
just now; and it seems you'd been telling Mrs. Vansuythen that
you'd never cared for Emma.  I
suppose you lied, as usual. What had Mrs. Vansuytben to do with
you, or you with her?  Try to speak the truth for once in a way."
</para>

<para>
Kurrell  took  the  double  insult without wincing, and replied by
another question: "Go on.
What happened?"
</para>

<para>
"Emma fainted," said Boulte, simply.
</para>

<para>
"But, look here, what had you been saying to Mrs. Vansuythen?"
</para>

<para>
Kurrell laughed.  Mrs. Boulte had, with unbridled tongue, made
havoc of his plans; and he could
at least retaliate by hurting the man in whose eyes he was
humiliated and shown dishonorable.
</para>

<para>
"Said to her? What does a man tell a lie like that for?  I suppose I
said pretty much what you've
said, unless I'm a good deal mistaken."
</para>

<para>
"I spoke the truth," said Boulte, again more to himself than
Kurrell. "Emma told me she hated
me.  She has no right in me."
</para>

<para>
"No! I suppose not. You're only her husband, y'know.  And what
did Mrs. Vansuythen say after
you had laid your disengaged heart at her feet?"
</para>

<para>
Kurrell felt almost virtuous as he put the question.
</para>

<para>
"I don't think that matters," Boulte replied; "and it doesn't concern
you."
</para>

<para>
"But it does!  I tell you it does" began Kurrell, shamelessly.
</para>

<para>
The sentence was cut by a roar of laughter from Boulte's lips.
Kurrell was silent for an instant,
and then he, too, laughed-laughed long and loudly, rocking in his
saddle.  It was an unpleasant
sound-the mirthless mirth of these men on the long, white line of
the Narkarra  Road.   There
were  no strangers in Kashima, or they might have thought that
captivity within the
Dosehri hills had driven half the European population mad.  The
laughter ended abruptly, and
Kurrell was the first to speak.
</para>

<para>
"Well, what are you going to do?"
</para>

<para>
Boulte looked up the road, and at the hills.  "Nothing," said he,
quietly; "what's the use?  It's too
ghastly for anything. We must let the old life go
on.
I can only call you a hound and a liar, and I can't go on calling you
names forever. Besides
which, I don't feel that I'm much better.  We can't get out of this
place. What is there to do?"
</para>

<para>
Kurrell looked round the rat-pit of Kashima and made no reply.
The injured husband took up the
wondrous tale.
</para>

<para>
"Ride on, and speak to Emma if you want to. God knows I don't
care what you do."
</para>

<para>
He walked forward and left Kurrell gazing blankly after him.
Kurrell did not ride on either to
see Mrs. Boulte or Mrs. Vansuythen.  He sat in his saddle and
thought, while his pony grazed by
the roadside.
</para>

<para>
The whir of  approaching wheels roused him.  Mrs. Vansuythen
was driving home Mrs. Boulte,
white and wan, with a cut on her forehead.
</para>

<para>
"Stop, please," said Mrs. Boulte "I want to speak to Ted."
</para>

<para>
Mrs. Vansuythen obeyed, but as Mrs. Boulte leaned forward,
putting her hand upon the
splash-hoard of the dog-cart, Kurrell spoke.
</para>

<para>
"I've  seen  your  husband,  Mrs. Boulte.
</para>

<para>
There was no necessity for any further explanation.  The man's
eyes were fixed, not upon Mrs.
Boulte, but
her companion.  Mrs. Boulte saw the look.
</para>

<para>
"Speak to him!" she pleaded, turning to the woman at her side.
"Oh, speak to him!  Tell him
what you told me just now. Tell him you hate him. Tell him you
hate him!"
</para>

<para>
She bent forward and wept bitterly, while the sais, impassive, went
forward to hold the horse.
Mrs. Vansuythen turned scarlet and dropped the reins. She wished
to be no party to such unholy
explanations.
</para>

<para>
"I've nothing to do with it," she began, coldly; but Mrs. Boulte's
sobs overcame her, and she
addressed herself to the man. "I don't know what I am to say,
Captain Kurrell. I don't know what
I can call you. I think you've-you've behaved abominably, and she
has cut her forehead terribly
against the table."
</para>

<para>
"It doesn't hurt.  It isn't anything," said Mrs. Boulte feebly. "That
doesn't matter.  Tell him what
you told me. Say you don't care for him. Oh, Ted, won't you
believe her?"
</para>

<para>
"Mrs. Boulte has made me understand that you were-that you were
fond of her once upon a
time," went on Mrs. Vansuythen.
</para>

<para>
"Well!" said Kurrell brutally.  "It seems to me that Mrs. Boulte had
better be fond of her own
husband first."
</para>

<para>
"Stop!" said Mrs. Vansuythen. "Hear me first.  I don't care-I don't
want to know anything about
you and Mrs. Boulte; but I want you to know that I hate you, that I
think you are a cur, and that
I'll never, never speak to you again.  Oh, I don't dare to say what I
think of you, you-man!"
</para>

<para>

"I want to speak to Ted," moaned Mrs. Boulte, but the dog-cart
rattled on, and Kurrell was left
on the road, shamed, and boiling with wrath against Mrs. Boulte.
</para>

<para>
He waited till Mrs. Vansuythen was driving back to her own
house, and, she being freed from
the embarrassment of Mrs. Boulte's presence, learned for the
second time her opinion of himself
and his actions.
</para>

<para>
In the evenings, it was the wont of all Kashima to meet at the
platform on the Narkarra Road, to
drink tea, and discuss the trivialities of the day. Major Vansuythen
and his wife found
themselves alone at the gathering-place for almost the first time in
their remembrance; and the
cheery Major, in the teeth of his wife's remarkably reasonable
suggestion that the rest of the
Station might be sick, insisted upon driving round to the two
bungalows and unearthing the
population.
</para>

<para>
"Sitting in the twilight!" said he, with great indignation to the
Boultes. That'll never do! Hang it
all, we're one family here! You must come out, and so must
Kurrell.   I'll make  him  bring his
banjo." So great is the power of honest simplicity and a good
digestion over guilty consciences
that all Kashima did turn out, even down to the banjo; and the
Major embraced the company in
one expansive grin. As he grinned, Mrs. Vansuythen raised her
eyes for an instant and looked at
all Kashima.  Her meaning was clear.  Major Vansuythen would
never know anything.  He was
to be the outsider in that happy family whose cage was the Dosehri
hills.
</para>

<para>
"You're singing villainously out of
tune, Kurrell," said the Major, truthfully.  "Pass me that banjo."
</para>

<para>
And he sang in excruciating-wise till the stars came out and all
Kashima went to dinner.
</para>

<para>
*
*
*
*
*
</para>

<para>

That was the beginning of the New Life of Kashima-the life that
Mrs. Boulte made when her
tongue was loosened in the twilight.
</para>

<para>
Mrs. Vansuythen has never told the Major; and since be insists
upon keeping up a burdensome
geniality, she has been compelled to break her vow of not speaking
to  Kurrell.   This  speech,
which must of necessity preserve the semblance of politeness and
interest, serves admirably to
keep alive the flame of jealousy and dull hatred in Boulte's bosom,
as it awakens the same
passions in his wife's heart.  Mrs. Boulte hates Mrs. Vansuythen
because she has taken Ted from
her, and, in some curious fashion, hates her because Mrs.
Vansuythen-and here the wife's eyes
see far more clearly than the husband's-detests Ted.  And Ted
-that gallant captain and honorable man-knows now that it is
possible to hate a woman once
loved, to the verge of wishing to silence her forever with blows.
Above all, is he shocked that
Mrs. Boulte cannot see the error of her ways.
</para>

<para>
Boulte and he go out tiger-shooting together in all friendship.
Boulte has put their relationship
on a most satisfactory footing.
</para>

<para>
"You're a blackguard," he says to Kurrell, "and I've lost any
self-respect I may ever have had; but
when you're with me, I can feel certain that you are not with Mrs. Vansuythen,
or making Emma miserable."
</para>

<para>
Kurrell endures anything that Boulte may say to him.  Sometimes
they are away for three days
together, and then the Major insists upon his wife going over to sit
with Mrs, Boulte; although
Mrs. Vansuythen has repeatedly declared that she prefers her
husband's company to any in the
world.  From the way in which she clings to him, she would
certainly seem to be speaking the
truth.
</para>

<para>
But of course, as the Major says, "in a little Station we must all be
friendly."
</para>
</chapter>
<chapter>


<!--

Something very amiss here! The etext seems to have jumbled up 
'a wayside commedy' The Hill of Illusion and a second rate woman.
I have sorted out the Wayside comedy, but I am unable to sort 
out the other two




-->
<para>
~outhl  I ordered the Hawley Boy, as 'ae valued my patronage, not
to call. The first person I
stumble over-literally stumble over-in her poky, dark, jittle
drawing-room is, of course, the
flawley Boy.  She kept us waiting ten rninutes, and then emerged
as though ~he had been tipped
out of the dirtyrIothes basket.  You know my way, dear, when I am
all put out.  I was Superior,
crrrushingly Superior! 'Lifted my eyes to Heaven, and had heard of
nothing-'dropped my eyes on
the carpet and 'really didn't know'-'played witn my cardcase and
'supposed so.' The Hawley Boy
giggled like a girl, and I had to freeze him with scowls between the
sentences."
</para>

<para>
"And she?"
</para>

<para>
"She sat in a heap on the edge of a couch, and managed to convey
the impression that she was
suffering from stomach-ache, at the very least. It was all I could do
not to ask after her
symptoms.  When I rose she grunted just ~ke a buffalo in the
water-too lazy to move."
</para>

<para>
"Are you certain?'-"Am I blind, Polly? Laziness, sheer
l.~iness, nothing else-or her garments were only constructed for
sitting down
in.
I stayed for a quarter of an hour trying to penetrate the gloom, to
guess what her surroundings
were like, while she stuck out her tongue."
</para>

<para>
"Lu-cy !'~
</para>

<para>
"Well-I'll  withdraw  the  tongue,
though I'm sure if she didn't do it when
I was in the room, she did the minute
I was outside. At any rate, she l~y in
a lump and grunted.  Ask the Hawley
Boy, dear.  I bel~evc the grunts were
m~ant for sentences. but she spoke so
indistinctly that I can't swear to it."
</para>

<para>
"You are incorrigible, simply."
</para>

<para>
"I am not!  Treat me civilly, give me peace with honor, don't put
the only available seat facing
the window, and a child may eat jam in my lap before Church. But
I resent being grunted at.
Wouldn't you?  Do you suppose that she communicates her views
on life and love to The
Dancing Master in a set of modulated 'Grmphs'?"
</para>

<para>
"You attach too much importance to The Dancing Master."
</para>

<para>
"He came as we went, and The Dowd grew almost cordial at the
sight of him. He smiled
greasily, and moved about that darkened dog-kennel in a
suspiciously familiar way."
</para>

<para>
"Don't be uncharitable. Any sin but that I'll forgive."
</para>

<para>
"Listen to the voice of History.  I am only describing what I saw.
He entered, the heap on the
sofa revived slightly, and the Hawley Boy and I came away
together. He is disillusionea, but I
felt it my duty to lecture him severely for going there.  And that's
all."
</para>

<para>
"Now  for Pity's  sake leave the wretched creature and The
Dancing Master alone. They never
did you any harm."
</para>

<para>
"No harm?  To dress as an example and a stumbling-block for half
Simla, and then to find this
Person who is dressed by the hand of God-not that I wish to
disparage Him for a moment, but
you know the tikka dhurzie way He attires those lilies of the
field-this Person draws the eyes of
men-and some of them nice men? It's almost enough ~o make one
di~card clothing.  I told the
Hawley Boy so."
</para>


<para>
A SECOND-RATE WOMAN
223
</para>

<para>
liter you saw her walking with The Dancing Master-an hour later
you met her here at the
Library."
</para>

<para>
"Still with The Dancing Master, remember."
</para>

<para>
"Still with The Dancing Master, I admit, but why on the strength of
that should you imagine"-"I
imagine nothing. I have no imagination. I am only convinced that
The Dancing Master is
attracted to The Dowd because he is objectionable in every way
and she in every other. If I know
the man as you have described him, he holds his wife in slavery at
present."
</para>

<para>
"She is twenty years younger than he."
</para>

<para>
"Poor wretch! And, in the end, after ke has posed and swaggered
and lied-he has a mouth under
that ragged moustache simply made for lies-he will be rewarded
according to his merits."
</para>

<para>
"I wonder what those really are," said Mrs. Mallowe.
</para>

<para>
But Mrs. Hauksbee, her face close to he shelf of the new books,
was humming softly: "What
shall he have who killed the Deer!"  She was a lady of unfettered
speech.
</para>

<para>
One month later, she announced her otention of calling upon Mrs.
Delville. Both Mrs. Hauksbee
and Mrs. Mallowe were in morning wrappers, and there was a
great peace in the land.
</para>

<para>
"I should go as I was," said Mrs. Mallowe. "It would be a delicate
compliment to her style."
</para>

<para>
Mrs. Hauksbee studied herself in the glass.
</para>

<para>
"Assuming for a moment that she ever darkened these doors, I
should put on this robe, after all
the others, to show
her what a morning wrapper ought to be. It might enliven her.  As
it is, I shall go in the
dove-colored-sweet emblem of youth and innocenc~and shall put
on my new gloves."
</para>

<para>
"If you really are going, dirty tan would be too good; and you know
that dove-color spots with
the rain."
</para>

<para>
"I care not. I may make her envious. At least I shall try, though one
cannot expect very much
from a woman who puts a lace tucker into her habit."
</para>

<para>
"Just Heavens!  When did she do that?"
</para>

<para>
"Yesterday-riding with The Dancing Master.  I met them at the
back of Jakko, and the rain had
made the lace lie down.  To complete the effect, she was wearing
an unclean terai with the
elastic under her chin. I felt almost too well content to take the
trouble to despise her."
</para>

<para>
"The Hawley Boy was riding with you. What did he think?"
</para>

<para>
"Does a boy ever notice these things? Should I like him if he did?
He stared in the rudest way,
and just when I thought he had seen the elastic, he said, 'There's
something very taking about that
face.' I rebuked him on the spot. I don't approve of boys being
taken by faces."
</para>

<para>
"Other than your own.  I shouldn't be in the least surprised if the
Hawley Boy immediately went
to call."
</para>

<para>
"I forbade him. Let her be satisfied with The Dancing Master, and
his wife when she comes up.
I'm rather curious to see Mrs. Bent and the Delville woman
together."
</para>

<para>
Mrs. Haukshee departed and, at the end of an hour, returned
slightly flushed.
</para>

<para>
"There is no limit to the treachery of
</para>

<para>
THE HILL OF ILLUSION
213
</para>

</chapter>

<chapter>
<chapheader>
<title>The Hill of Illusion</title>
<blockquote>
<poem>
<line>What rendered vain their deep desire?</line>
<line>A God, a God their severance ruled,</line>
<line>And bade between their shores to be</line>
<line>The unplumbed, salt, estranging sea.</line>
</poem>

<attrib>
-Matthew Arnold.
</attrib>
</blockquote>
</chapheader>

<para>
HE.  Tell your 'hampanis not to hurry so, dear. They forget I'm
fresh from the Plains.
</para>

<para>
SHE.  Sure proof that I have not been going out with any one. Yes,
they are an untrained crew.
Where do we go?
</para>

<para>
HE. As usual-to the world's end. No, Jakko.
</para>

<para>
SHE.  Have your pony led after you, then. It's a long ound.
</para>

<para>
HE.  And for the last time, thank Heaven!
</para>

<para>
SHE.  Do you mean that still?  I didn't dare to write to you about
it-all these months.
</para>

<para>
HE.  Mean it! I've been shaping my affairs to that end since
Autumn. What makes you speak as
though it had occurred to you for the first time?
</para>

<para>
SHE. I! Oh! I don't know. I've had long enough to think, too.
</para>

<para>
HE.  And you've changed your mind?
</para>

<para>
SHE.  No. You ought to know that I
am a miracle of constancy. What are your-arrangements?
</para>

<para>
HE.  Ours, Sweetheart, please.
</para>

<para>
SHE.  Ours, be it then.  My poor boy, how the prickly heat has
marked your forehead!  Have you
ever tried sulphate of copper in water?
</para>

<para>
HE. It'll go away in a day or twa up here.  The arrangements are
simple enough. Tonga in the
early morning-reach Kalka at twelve-Umballa at seven-down,
straight by night train, to Bombay,
and then the steamer of the 21st for Rome.  That's my idea.  The
Continent  and  Sweden-a
ten-week honeymoon.
</para>

<para>
SHE.  Ssh! Don't talk of it in that way. It makes me afraid.  Guy,
how long have we two been
insane?
</para>

<para>
HE. Seven months and fourteen days, I forget the odd hours
exactly, but I'll think.
</para>

<para>
SHE. I only wanted to see if you remembered.  Who are those two
on the Blessington Road?
</para>

<para>
HE.  Eabrey and the Penner woman. What do they matter to us?
Tell me everything that you've
been doing and saying and thinking
</para>
<para>
SHE.  Doing little, saying less, and thinking a great deal. I've
hardly been out at all.
</para>

<para>
HE.  That was wrong of you. You haven't been moping?
</para>

<para>
SHE.  Not very much.  Can you wonder that I'm disinclined for
amuse-ment?
</para>

<para>
HE.  Frankly, I do. Where was the difficulty?
</para>

<para>
SHE.  In this only. The more people 1 know and the more I'm
known here, the wider spread will
be the news of the crash when it comes. I don't like that.
</para>

<para>
HE.  Nonsense. We shall be out of it.
</para>

<para>
SHE.  You think so?
</para>

<para>
HE.  I'm sure of it, if there is any power in steam or horse-flesh to
carry us away. Ha! ha!
</para>

<para>
Sira. And the fun of the situation comes in-where, my Larcelot?
</para>

<para>
lia.  Nowhere, Guinevere.  I was only thinking of something.
</para>

<para>
SHE. They say men have a keener sense of humor than women.
Now I was thinking of the
scandal.
</para>

<para>
HE.   Don't think of anything so ugly.  We shall be beyond it.
</para>

<para>
SHE.  It will be there all the same-~ the mouths of
Simla-telegraphed over India, and talked of at
the dinners
</para>

<para>
-and when He goes out they will stare at Him and see how He
takes it.  And we shall be dead,
Guy dear-dead and cast into the outer darkness where there is-HE.
Love at least.  Isn't that
</para>

<para>
enough?
</para>

<para>
SHE. I have said so.
</para>

<para>
HE. And you think so still?
</para>

<para>
SHE.  What do you think?
</para>

<para>
Ha.  What have I done?  It means qua] ruin to me, as the world
reckons
it~outcasting, the loss of my appointment, the breaking of my life's
work. I pay my price.
</para>

<para>
SHE.  And are you so much above the world that you can afford to
pay it? Am I?
</para>

<para>
HE. My Divinity-what else?
</para>

<para>
SHE. A very ordinary woman I'ni afraid, but, so far, respectable.
How'd you do, Mrs.
Middleditch?  Your husband?  I think he's riding down to
Annandale with Colonel Statters.  Yes,
isn't it divine after the rain?-Guy, how long am I to be allowed to
how to Mrs. Middleditch? Till
the 17th?
</para>

<para>
HE.  Frowsy Scotchwoman? What is the use of bringing her into
the discussion? You were
saying?
</para>

<para>
SHE.  Nothing. Have you ever seen a man hanged?
</para>

<para>
HE.  Yes. Once.
</para>

<para>
SHE.  What was it for?
</para>

<para>
HE. Murder, of course.
</para>

<para>
SHE.  Murder. Is that so great a sin after all? I wonder how he felt
before the drop fell.
</para>

<para>
HE. I don't think he felt much. What a gruesome little woman it is
this evening!  You're
shivering.  Put on your cape, dear.
</para>

<para>
SHE.  I think I will. Oh! Look at the mist  coming over  Saniaoli;
and  I thought we should have
sunshine on the Ladies' Mile! Let's turn back.
</para>

<para>
HE.  What's the good?  There's a cloud on Elysium Hill, and that
means it's foggy all down the
Mall. We'll go
on.
It'll blow away before we get to the Convent, perhaps.  'Jove!  It is
chilly.
</para>

<para>
SHE.  You feel it, fresh from below. Put on your ulster. What do
you think of my ca~e?
</para>
<para>
HE.  Never ask a man his opinion of a woman's dress when he is
desperately and abjectly in love
with the wearer. Let me ~ook.  Like everything else of yours it's
perfect.  Where did you get it
from?
</para>

<para>
SHE.  He gave it me, on Wednesday
-our wedding-day, you know.
</para>

<para>
HE. The Deuce He did! He's growing generous in his old age.
D'you like all that frilly, bunchy
stuff at the throat? I don't.
</para>

<para>
SHE. Don't you?
</para>

<para>

Kind Sir, 0' your courtesy,
</para>

<para>

As you go by the town, Sir, 'Pray you 0' your love for me,
</para>

<para>

Buy me a russet gown, Sir.
</para>

<para>

HE.  I won't say:  "Keek into the draw-well, Janet, Janet." Only
wait a little, darling, and you
shall be stocked with russet gowns and everything else.
</para>

<para>
SHE. And when the frocks wear out, you'll get me new ones-and
everything else?
</para>

<para>
HE. Assuredly.
</para>

<para>
SHE. I wonder!
</para>

<para>
HE. Look here, Sweetheart, I didn't spend two days and two nights
in the train to hear you
wonder. I thought we'd settled all that at Shaifazebat.
</para>

<para>
SHE (dreamily).  At Shaifazehat? Does the Station go on still?
That was ages and ages ago.  It
must be crumbling to pieces.  All except the Amirtollah kutcha
road. I don't believe tha~ could
crumble till the Day of Judgment.
</para>

<para>
Ha. You think so?  What is the mood now?
</para>

<para>
SHE. I can't tell.  How cold it is! Tœt us get on ~uickly.
</para>

<para>
Ha. Better walk a little. Stop your
jkampa"is and get out.  What's the matter with you this evening,
dear?
</para>

<para>
SHE. Nothing. You must grow accustomed to my ways.  If I'm
boring you I can go home.  Here's
Ca~ tam  Congleton coming, I dare say he'll be willing to escort
me.
</para>

<para>
Ha. Goose! Between us, too! Damn Captain Congleton!
</para>

<para>
SHE.  Chivalrous Knight. Is it your habit to swear much in talking?
It jars a little, and you might
swear at me.
</para>

<para>
Ha.  My angel! I didn't know what I was saying; and you changed
so quickly that I couldn't
follow.  I'll apologize in dust and ashes.
</para>

<para>
SHE.  There'll be enough of those later on-Good-night, Captain
Congleton.  Going to the
singing-quadrilles already? What dances am I giving you next
week? No! You must have written
them down wrong. Five and Seven, I said.  If you've made a
mistake, I certainly don't intend to
suffer for it. You must alter your programme.
</para>

<para>
HE. I thought you told me that you bad not been going out much
this season?
</para>

<para>
SHE. Quite true, but when I do I dance with Captain Congleton.
He dances very nicely.
</para>

<para>
HE. And sit out with him, I suppose?
</para>

<para>
SHE. Yes. Have you any objection? Shall I stand under the
chandelier in future?
</para>

<para>
HE. What does he talk to you about? SHE. What do men talk about
when they sit out?
</para>

<para>
HE. Ugh! Don't! Well now I'm up, you must dispense with the
fascinating Congleton for a while.
I don't like laim.
</para>
<para>
SHE.  (after a pause). Do you know what you have said?
</para>

<para>
HE. 'Can't say that I do exactly. I'm not in the best of tempers.
</para>

<para>
Sitin.  So I see,-and feel.  My true and faithful lover, where is your
"eternal constancy,"
"unalterable trust," and "reverent devotion"? I remember those
phrases; you seem to have
forgotten them. I mention a man's name-HE. A good deal more
than that.
</para>

<para>
SHE. Well, speak to him about a dance-perhaps the last dance that
I shall ever dance in my life
before I,-before I go away; and you at once distrust and insult me.
</para>

<para>
HE. I never said a word.
</para>

<para>
SHE. How much did you imply? Guy, '5 this amount of confidence
to be our stock to start the
new life on?
</para>

<para>
HE.  No, of course not.  I didn't mean that.  On my word of honor,
I didn't. Let it pass, dear.
Please let it pass.
</para>

<para>
SHE. This onc~yes-and a second time, and again and again, all
through the years when I shall be
unable to resent it. You want too much, my Lancelot, and,-you
know too much.
</para>

<para>
Hp.  How do you mean?
</para>

<para>
SItE. That is a part of the punishment.  There cannot be perfect
trust between us.
</para>

<para>
HE. In Heaven's name, why not?
</para>

<para>
SHE.  Hush!  The Other Place is quite enough. Ask yourself.
</para>

<para>
HE.  I don't follow.
</para>

<para>
SHE. You trust me so implicitly that when I look at another man-
Never mind, Guy. Have you
ever made love to a gi4-a good girl?
</para>

<para>
HE.  Something of the sort. Centu
ries ago-in the Dark Ages, before I ever met you, dear.
</para>

<para>
SHE. Tell me what you said to her.
</para>

<para>
HE. What does a man say to a girl? I've forgotten.
</para>

<para>
SHE.  I remember. He tells her that he trusts her and worships the
ground she walks on, and that
he'll love and honor and protect her till her dying day; and so she
marries in that belief.  At least,
I speak of one girl who was not protected.
</para>

<para>
HE. Well, and then?
</para>

<para>
SHE. And then, Guy, and then, that girl needs ten times the love
and trust and honor-yes,
honor-that was enough when she was only a mere wife if-if-the
other life she chooses to lead is
to be made even bearable. Do you understand?
</para>

<para>
HE. Even bearable!  It'll he Paradi se.
</para>

<para>
SHE. Ah! Can you give me all I've asked for-not now, nor a few
months later, but when you
begin to think of what you might have done if you had kept your
own appointment and your
caste her~when you begin to look upon me as a drag and a burden?
I shall want it most, then,
Guy, for there will be no one in the wide world but you.
</para>

<para>
HE. You're a little over-tired tonight, Sweetheart, and you're taking
a stage view of the situation.
After the necessary business in the Courts, the road is clear
to-SHE.  "The holy state of
matrimony!" Ha! ha! ha!
</para>

<para>
HE. Ssh! Don't laugh in that horrible way!
</para>

<para>
SHE. I-I c-c-c-can't help it!  Isn't it too absurd! Ah! Ha! ha! ha!
Guy,
</para>

<para>
A SECOND-RATE WOMAN
219
</para>

<para>
myself to talk this evening. May I call to-morrow?
</para>

<para>
SHE. Yes. No! Oh, give me time! rhe day after. I get into my
'rickshaw here and meet Him at
Peliti's.  You ride.
</para>

<para>
HE.  I'll go on to Peliti's too. I think
I want a drink.  My world's knocked
about my ears and the stars are falling.
Who are those brutes howling in the
Old Library?
</para>

<para>
SHE. They're rehearsing the singingquadrilles for the Fancy Ball.
Can't you hear Mrs. Buzgago's
voice?  She has a solo.  It's quite a new idea. Listen.
</para>

<para>
Mm. BUzGAGO (in the Old Library, con. molt. exp.).
</para>

<para>
See saw! MargeryDaw!
</para>

<para>
Sold her bed to lie upon straw.
</para>

<para>
Wasn't she a silly slut
</para>

<para>
To sell her bed and lie upon dirt?
</para>

<para>

Captain Congleton,  I'm going to alter that to "flirt." It sound
better.
</para>

<para>
HE.  No, I've changed my mind about the drink. Good-night, little
lady. I shall see you
to-morrow?
</para>

<para>
SHE.  Ye-es.  Good-night,  Guy. Don't be angry with me.
</para>

<para>
HE. Angry!  You know I trust you absolutely. Good-night and-God
bless you!
</para>

<para>
(Three seconds later. Alone.) Hmm! I'd give something to discover
wLether there's another man
at the back of all this.
</para>

<para>
HE.  For goodness' sake, stop! Don't make an exhibition of
yourself.  What is the matter with
you?
</para>

<para>
SHE.  N-nothing.  I'm better now. HE.  That's all right.  One
moment, dear. There's a little wisp
of hair got loose from behind your right ear and it's straggling over
your cheek. So!
</para>

<para>
SHE. Thank'oo. I'm 'fraid my hat's on one side, too.
</para>

<para>
~IE  What do you wear these huge dagger bonnet-skewers for?
They're big enough to kill a man
with.
</para>

<para>
SHE.  Oh! Don't kill me, though. ~~u're sticking it into my head!
Let me do it. You men are so
clumsy.
</para>

<para>
HE. Have you had many opportunities of comparing us-in this sort
of work?
</para>

<para>
SHE.  Guy, what is my name?
</para>

<para>
HE.  Eh!  I don't follow.
</para>

<para>
SHE.  Here's my cardcase. Can y~u read?
</para>

<para>
HE. Yes.  Well?
</para>

<para>
SHE.  Well, that answers your question. You know the other man 5
name. An'. I sufficiently
humbled, or would you like to ask me if there is any one else?
</para>

<para>
HE. I see now. My darling, I never meant that for an instant. I was
only joking.  There!  Lucky
there's no one on the road. They'd be scandalized.
</para>

<para>
SHE.  They'll be more scandalized before the end.
</para>

<para>
HE.  Do-on't!  I don't like you to talk in that way.
</para>

<para>
SHE. Unreasonable man! Who asked me to face the situation and
accept it?
-Tell me, do I look like Mrs. Penner? Do I look like a naughty
woman? Swear I don't! Give me
your word of honor,
my honorable friend, that I'm not like Mrs. Buzgago.  That's the
way she stands, with her hands
clasped at the back of her head. D'you like that?
</para>

<para>
HE. Don't be affected.
</para>

<para>
SHE.  I'm not.  I'm Mrs. Buzgago. Listen!
</para>

<para>

Pendant une anne' toute entiere
</para>

<para>
Le regiment n'a pas r'naru.
</para>

<para>
Au Ministere de la u,uerre
</para>

<para>
On le r'porta comme perdu.
</para>

<para>

On se r'noncait a' r'trouver sa trace,
</para>

<para>
Q uand un matin subitement,
</para>

<para>
On le vit r'paraitre sur la ~ace,
</para>

<para>
L'Colonel toujours en avant.
</para>

<para>
That's the way she rolls her r's. Am I like her?
</para>

<para>
HE.  No, but I object when you go on like an actress and sing stuff
of that kind. Where in the
world did you pick up the Chanson du Colonel?  It isn't a
drawing-room song. It isn't proper.
</para>

<para>
SHE.  Mrs. Buzgago taught it me. She is both drawing-room and
propel, and in another month
she'll shut hei drawing-room to me, and thank God sh~ isn't as
improper as I am.  Oh, Guy, Guy!
I wish I was like seme womeu and had no scruples about-what is ic
Keene says?-"Wearing a
corpse's hair and being false to the bread they eat."
</para>

<para>
HE.  I am only a man of limited in telligence, and just now, very
bewildered.  When you have
quite finished flashing through all your moods tell me, and I'll try
to understand the last one.
</para>

<para>
SHE.  Moods, Guy!  I haven't any. I'm sixteen years old and you're
just twenty, and you've been
waiting for two hours outside the school in the cold. And now I've
met you, and now we'r~
</para>

<para>
218
WORKS OF RUDYARD KIPLING
</para>

<para>
walking home together. Does that suit you, My Imperial Majesty?
</para>

<para>
HE.  No. We aren't children. Why can't y~u be rational?
</para>

<para>
SHE  He asks me that when I'm going to ommit suicide for hi~
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE. One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. Hah!  What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business! This is too had!
</para>

<para>
SHE.  Of you.
</para>

<para>
HE. And what now?
</para>

<para>
SHE.  What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE.  I daren't risk it.  I'm afraid. If I could only cheat-HE.  A in
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor.  I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE.  I never meant anything else.
</para>

<para>
HE.  Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE.  It's not pretence, Guy. I am afraid.
</para>

<para>
HE.  Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last.  You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do noaeand you yourself
will be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that.  Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperately unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
wilJ you do when I am only
your property-stoleii property?  It can't be, Guy.  It can't he!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see?  If you speak to me like that now,
you'll call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I go-where
should I go?  I can't trust you. Oh! I can't trust you!
</para>

<para>
HE.  I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE. Please don't, dear. It hurts as much as if you hit me.
</para>

<para>
HE. It isn't exactly pleasant for me. SHE.  I can't help it. I wish I
were dead!  I can't trust you, and
I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now. I don't understand you-I won't-and I can't trust
</para>

<para>
218
WORKS OF RUDYARD KIPLING
</para>

<para>
walking home together. Does that suit you, My Imperial Majesty?
</para>

<para>
HE.  No. We aren't children. Why can't y~u be rational?
</para>

<para>
SHE  He asks me that when I'm going to ommit suicide for his
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE.  One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. Hah! What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business!  This is too bad!
</para>

<para>
SHE.  Of you.
</para>

<para>
HE. And what now?
</para>

<para>
SHE. What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE. I daren't risk it.  I'm afraid. If I could only cheat-HE.  A in
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor. I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE. I never meant anything else.
</para>

<para>
HF  Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE. It's not pretence, Guy.  I am afraid.
</para>

<para>
HE.  Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last.  You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do noaeand you yourself
will be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that.  Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperat~y unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
will you do when I am only
your property-stolen property?  It can't be, Guy.  It can't be!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see?  If you speak to me like that now,
you'll call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I gewhere
should I go?  I can't trust you. Oh! I can't trust you!
</para>

<para>
HE. I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE. Please don't, dear. It hurts as much as if you hit me.
</para>

<para>
HE.  It isn't exactly pleasant for me. SHE.  I can't help it. I wish I
were dead!  I can't trust you,
and I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now. I don't understand you-I won't-and I can't trust
</para>

<para>
THE HILL OF ILLUSION
217
</para>

<para>
stop me quick or I shall-l-l-laugh till we get to the Church.
</para>

<para>
HE.  for goodness' sake, stop! Don't make an exhibition of
yourself. What is the matter with you?
</para>

<para>
SHE.  N-nothing. I'm better now.
</para>

<para>
HE.  That's all right.  One moment, dear.  There's a little wisp of
hair got loose from behind your
right ear and it's straggling over your cheek. So!
</para>

<para>
SHE. Thank'oo. I'm 'fraid my hat's on one side, too.
</para>

<para>
~IE.  What do you wear these huge dagger bonnet-skewers for?
They're big enough to kill a man
with.
</para>

<para>
SHE.  Oh! Don't kill me, though. ~~u're sticking it into my head!
Let me do it.  You men are so
cl"msy.
</para>

<para>
HE.  Have you had many opportunities of comparing us-in this sort
of work?
</para>

<para>
SHE.  Guy, what is my name?
</para>

<para>
HE.  Eh!  I don't follow.
</para>

<para>
SHE.  Here's my cardcase. Can y~u read?
</para>

<para>
HE. Yes.  Well?
</para>

<para>
SHE.  Well, that answers your question.  You know the other man
5 name. Am I sufficiently
humbled, or would you like to ask me if there is any one else?
</para>

<para>
HE.  I see now. My darling, I never meant that for an instant.  I
was only joking.  There!  Lucky
there's no one on the road. They'd be scandalized.
</para>

<para>
SHE.  They'll be more scandalized before the end.
</para>

<para>
HE.  Do-on't!  I don't like you to talk in that way.
</para>

<para>

SHE.  Unreasonable man! Who asked me to face the situation and
accept it? -Tell me, do I look
like Mrs. Penner? Do I look like a naughty woman? Swear I don't!
Give me your word of honor,
my honorable friend, that I'm not like Mrs. Buzgago.  That's the
way she stands, with her hands
clasped at the back of her head. D'you like that?
</para>


<para>
HE. Don't be affected.
</para>

<para>
SHE.  I'm not.  I'm Mrs. Buzgago. Listen!
</para>

<para>
Pendant une anne' toute entiere
Le regiment n'a pas r'paru.
Au Ministere de la "OCrrC
On le r'porta comme perdu.
On se r'noncait a' r'trouver sa trace,
Quand un matin suhitement,
On le vit r'paraitre sur la place,
L'Colonel toujours en avant.
</para>

<para>
That's the way she rolls her r's. Am I like her?
</para>

<para>
HE.  No, but I object when you go on like an actress and sing stuff
of that kind. Where in the
world did you pick up the Chanson du Colonel?  It isn't a
drawing-room song. It isn't proper.
</para>

<para>
SHE.  Mrs. Buzgago taught it me. She is both drawing-room and
proper, and in another month
she'll shut he,' drawing-room to me, and thank God she isn't as
improper as I am.  Oh, Guy; Guy!
I wish I was like seme womeu and had no scruples about-what is
i~ Keene says?-'~Wearing a
corpse's hai~ and being false to the bread they eat."
</para>

<para>
HE.  I am only a man of limited in' telligence, and just now, very
bewildered.  When you have
quite finished flashing through all your moods tell me, and I'll try
to understand the last one.
</para>

<para>
SHE.  Moods, Guy!  I haven't any. I'm sixteen years old and you're
just twenty, and you've been
waiting for two hours outside the school in the cold. And now I've
met you, and now we're
walking home together. Does that suit you, My Imperial
Majesty?+++
     HE.  No. We aren't children. Why can't you be rational?
</para>

<para>
SHE  He asks me that when I'm going to sommit suicide for his
sake, and, and-I don't want to be
French and rave about my mother, but have I ever told you that I
have a mother, and a brother
who was my pet before I married?  He's married now.  Can't you
imagine the pleasure that the
news of the elopement will give him?  Have you any people at
Home, Guy, to be pleased with
your performances?
</para>

<para>
HE. One or two.  One can't make omelets without breaking eggs.
</para>

<para>
SHE (slowly). I don't see the necessity-HE. HahI What do you
mean? SHE.  Shall I speak the
truth? HE. Under the circumstances, perhaps it would be as well.
</para>

<para>
SHE.  Guy, I'm afraid.
</para>

<para>
HE.  I thought we'd settled all that. What of?
</para>

<para>
SHE. Of you.
</para>

<para>
HE.  Oh, damn it all! The old business! This is too bad!
</para>

<para>
SHE.  Of you.
</para>

<para>

HE. And what now?
</para>

<para>
SHE. What do you think of me?
</para>

<para>
HE.  Beside the question altogether. What do you intend to do?
</para>

<para>
SHE. I daren't risk it.  I'm afraid. If I could only cheat-HE.  A Ia
Buzgago?  No, thanks.
That's the one point on which I have any notion of Honor. I won't
eat his salt and steal too.  I'll
loot openly or not at all.
</para>

<para>
SHE. I never meant anything else.
</para>

<para>
HE. Then, why in the world do you pretend not to be willing to
come?
</para>

<para>
SHE. It's not pretence, Guy. I am afraid.
</para>

<para>
HE. Please explain.
</para>

<para>
SHE.  It can't last, Guy.  It can't last. You'll get angry, and then
you'll swear, and then you'll get
jealous, and then you'll mistrust me-you do no~ and you yourself
wfll be the best reason for
doubting. And I-what shall I do? I shall be no better than Mrs.
Buzgago found out-no better than
any one. And you'll know that. Oh, Guy, can't you see?
</para>

<para>
HE. I see that you are desperately unreasonable, little woman.
</para>

<para>
SHE.  There!  The moment I begin to object, you get angry.  What
will you do when I am only
your property-stolen property? It can't be, Guy. It can't be!  I
thought it could, but it can't. You'll
get tired of me.
</para>

<para>
HE.  I tell you I shall not.  Won't anything make you understand
that?
</para>

<para>
SHE.  There, can't you see? If you speak to me like that now, you'll
call me horrible names later,
if I don't do everything as you like. And if you were cruel to me,
Guy, where should I go~ where
should I go? I can't trust you. Oh! I can't trust you!
</para>

<para>
HE. I suppose I ought to say that I can trust you. I've ample reason.
</para>

<para>
SHE, Please don't, dean It hurts as much as if you hit me.
</para>

<para>
HE.  It isn't exactly pleasant for me. SHE. I can't help it. I wish I
were dead!  I can't trust you, and
I don't trust myself. Oh, Guy, let it die away and be forgotten!
</para>

<para>
HE. Too late now.  I don't understand you-I won't-and I can't trust
</para>

<para>
A SECOND-RATE WOMAN
219
</para>

<para>
myself to talk this evening. May I call to-morrow?
</para>

<para>
SHE. Yes. No! Oh, give me time! ihe day after. I get into my
'rickshaw here and meet Him at
Peliti's.  You ride.
</para>

<para>
HE. I'll go on to Peliti's too. I think
I want a drink.  My world's knocked
about my ears and the stars are falling.
Who are those brutes howling in the
Old Library?
</para>

<para>
SHE. Tbey're rehearsing the singingquadrilles for the Fancy Ball.
Can't you bear Mrs. Buzgago's
voice?  She has a solo.  It's quite a new idea. Listen.
</para>

<para>
MRS. BUZOAGO (in the Old Library, con. molt. exp.).
</para>

<para>
See saw! MargeryDaw!
</para>

<para>
Sold her bed to lie upon straw.
</para>

<para>
Wasn't she a silly slut
</para>

<para>
To sell her bed and lie upon dirt?
</para>

<para>

Captain  Congleton,  I'm going to alter that to "flirt." It sound
better.
</para>

<para>
HE.  No, I've changed my mind about the drink. Good-night, ~ttle
lady. I shall see you
to-morrow?
</para>

<para>
SHE.  Y~es.  Good-night,  Guy. Don't be angry with me.
</para>

<para>
HE. Angry!  You know I trust you absolutely. Good-night and-God
bless you!
</para>

<para>
(Three seconds later. Alone.) Hmm! I'd give something to discover
wkether there's another man
at the back of all this.
</para>

</chapter>
<chapter>

<para>
222
WORKS OF RUDYARD KIPLING
</para>

<para>
said Mrs. Mallowe. "He will be a sufficient punishment for her.
What a common voice she has!"
</para>

<para>
Mrs. Delville's voice was not pretty, her carriage was even less
lovely, and her raiment was
strikingly neglected. All these things Mrs. Mallowe noticed over
the top of a magazine.
</para>

<para>
"Now what is there in her?" said Mrs. Hauksbee.  "Do you see
what I meant about the clothes
falling off? If I were a man I would perish sooner than be seen
with that rag-bag.  And yet, she
has good eyes, but~h!"
</para>

<para>
"What is it?"
</para>

<para>
"She doesn't know how to use them! On my Honor, she does not.
Look! Oh look!  Untidiness I
can endure, but ignorance never! The woman's a fool."
</para>

<para>
"Hsh!  She'll hear you."
</para>

<para>
"All the women in Simla are fools. She'll think I mean some one
else. Now she's going out. What
a thoroughly objectionable couple she and The Dancing Master
make! Which reminds me. Do
you suppose they'll ever dance together?"
</para>

<para>
"Wait and see. I don't envy her the conversation of The Dancing
Master-loathly man! His wife
ought to be up here before long."
</para>

<para>
"Do you know anything about him?"
</para>

<para>
"Only what he told me.  It may be a11 a fiction. He married a girl
bred in the country, I think,
and, being an honorable, chivalrous soul, told me that he repented
his bargain and sent her to her
mother as often as possibl~a person who has lived in the Doon
since the memory of man and
goes to Mussoorie when other people go Home. The wife is with
her at present. So he says."
</para>

<para>
'~Babies?'~
</para>

<para>
"One only, but he talks of his wife in a revolting way. I hated him
for it. He thought he was being
epigrammatic and brilliant."
</para>

<para>
"That is a vice peculiar to men.  I dislike him because he is
generally in the wake of some girl,
disappointing the Eligibles.  He will persecute May Holt no more,
unless I am much mistaken."
</para>

<para>
"No.  I think Mrs. Delville may oc cupy his attention for a while."
</para>

<para>
"Do you suppose she knows that he is the head of a family?"
</para>

<para>
"Not from his lips. He swore me to eternal secrecy.  Wherefore I
tell you. Don't you know that
type of man?"
</para>

<para>
"Not intimately, thank goodness! As
a general rule, when a man begins to
abuse his wife to me, I find that the
Lord gives me wherewith to answer him
according to his folly; and we part with
a coolness between us. I laugh."
</para>

<para>
"I'm different.  I've no sense  of humor."
</para>

<para>
"Cultivate it, then. It has been my mainstay for more years than I
care to think about.  A
well-educated sense of Humor will save a woman when Religion,
Training, and Home
influences fail; and we may all need salvation sometimes."
</para>

<para>
"Do you suppose that the Delville woman has humor?"
</para>

<para>
"Her dress bewrays her. How can a Thing who wears a supplement
under her left arm have any
notion of the fitness of things-much less their folly? If she discards
The Dancing Maste! after
having once seen him dance, I may respect her.  Otherwise"
</para>

<para>
"But are we not both assuming a great deal too much, dear?  You
saw the woman at Peliti's-half
an hour
</para>

<para>
214
WORKS OF RUDYARD KIPLING
</para>

<para>

A SECOND-RATE WOMAN
</para>

<para>
221
took more exercise and a more intelligent interest in your
neighbors you would"-"Be as much
loved as Mrs. Hauksbee.  You're a darling in many ways and I like
you-you are not a woman's
woman-but why do you trouble your-self about mere human
beings?"
</para>

<para>
"Because in the absence of angels, who I am sure would be
horribly dull, men and women are
the most fascinating things in the whole wide world, lazy one.  I
am interested in The Dowd-I am
interested in The Dancing Master
-I am interested in the Hawley Boy-and I am interested in you."
</para>

<para>
"Why couple me with the Hawley Boy? He is your property."
</para>

<para>
"Yes, and in his own guileless speech, I'm making a good thing out
of him. When he is slightly
more reformed, and has passed his Higher Standard, or whatever
the authorities think fit to exact
from him, I shall select a pretty little girl, the Holt girl, I think,
and"-here she waved her hands
airily-" 'whom Mrs. Hauksbee hath joined together let no man put
asunder.' That's all."
</para>

<para>
"And when you have yoked May Holt with the most notorious
detrimental in Simla, and earned
the undying hatred of Mamma Holt, what will you do with me,
Dispenser of the Destinies of the
Universe?"
</para>

<para>
Mrs. Hauksbee dropped into a low chair in front of the fire, and,
chin in hand, gazed long and
steadfastly at Mrs. Mallowe.
</para>

<para>
"I do not know," she said, shaking her head, "what I shall do with
you, dear. It's obviously
impossible to marry you to some one else-your husband would
object and the experiment might
not be
successful after all. I think I shall be gin by preventing you
from-what is it?
-'sleeping on ale-house benches and snoring in the sun.'"
</para>

<para>
"Don't! I don't like your quotations. They are so rude.  Go to the
Library and bring me new
books."
</para>

<para>
"While you sleep? Nol If you don't come with me, I shall spread
your newest frock on my
'rickshaw-bow, and when any one asks me what I am doing, I shall
say that I am going to
Phelps's to get it let out. I shall take care that Mrs. MacNamara
sees me.  Put your things on,
there's a good girl."
</para>

<para>
Mrs. Mallowe groaned and obeyed, and the two went off to the
Library, where they found Mrs.
Delville and the man who went by the nickname of The Dancing
Master.  By that time Mrs
Mallowe was awake and eloquent.
</para>

<para>
"That is the Creature!" said Mrs. Hauksbee, with the air of one
pointing out a slug in the road.
</para>

<para>
"No," said Mrs. Mallowe.  "The man is the Creature.  Ugh!
Good-evening, Mr. Bent. I thought
you were coming to tea this evening."
</para>

<para>
"Surely it was for to-morrow, was it not?" answered The Dancing
Master. "I understood . . . I
fancied .
I'm so sorry . . . How very unfortunate!" -
</para>

<para>
But Mrs. Mallowe had passad on.
</para>

<para>
"For the practiced equivocator you said he was," murmured Mrs.
Hauksbee, "he strikes me as a
failure. Now wherefore should he have preferred a walk with The
Dowd to tea with us?  Elective
affinities, I suppose-both grubby. Polly, I'd never forgive that
woman as long as the world rolls."
</para>

<para>
"I forgive every woman eve'-ything,"
</para>

<para>
THE HILL OF ILLUSION
215
</para>

<para>

~2O
WORKS OF RUDYARD KIPLING
</para>

<para>
the attraction that a dowd has for a certain type of man. I expected
to see her walk out of her
clothes-until I looked at her eyes."
</para>

<para>
"Hooks and eyes, surely," drawled Mrs. Mallowe.
</para>

<para>
"Don't be clever, Polly.  You make my head ache. And round this
hayrick stood a crowd of
men-a positive crowd!"
</para>

<para>
"Perhaps they also expected"-"Polly, don't be Rabelaisian!" Mrs.
Mallowe curled herself up
comfortably on the sofa, and turned her attention to the sweets.
She and Mrs. Hauksbee shared
the same house at Simla; and these things befell two seasons after
the matter of Otis Yeere,
which has been already recorded.
</para>

<para>
Mrs.  Hauksbee  stepped into  the veranda and looked down upon
the Mall,  her  forehead
puckered  with thought.
</para>

<para>
"Hab!" said Mrs. Hauksbee, shortly. "Indeed!"
</para>

<para>
"What is it?" said Mrs. Mallowe, sleepily.
</para>

<para>
"That dowd and The Dancing Master
-to whom I object."
</para>

<para>
"Why to The Dancing Master? He is a middle-aged gentleman, of
reprobate and romantic
tendencies, and tries to be a friend of mine."
</para>

<para>
"Then make up your mind to lose him. Dowds cling by nature, and
I should imagine that this
animal-how terrible her bonnet looks from above is specially
clingsome."
</para>

<para>
"She is welcome to The Dancing
Master so far as I am concerned.  I
never could take an interest  in a
monotonous liar.  The frustrated aim
of his life is to persuade people that he is a bachelor."
</para>

<para>
"0-oh!  I think I've met that sort of man before. And isn't he?"
</para>

<para>
"No.  He confided that to me a few days ago.  Ugh!  Some men
ought to he killed."
</para>

<para>
"What happened then?"
</para>

<para>
"He posed as the horror of horrors-a misunderstood man. Heaven
knows the femme incomprise
is sad enough and bad enough-but the other thing!"
</para>

<para>
"And so fat too! I should have laughed in his face. Men seldom
confide in me.  How is it they
come to you?"
</para>

<para>
"For the sake of impressing me with their careers in the past.
Protect me from men with
confidences!"
</para>

<para>
"And yet you encourage them?"
</para>

<para>
"What can I do? They talk. I listen, and they vow that I am
sympathetic. I know I always profess
astonishment even when the plot is-of the most old possible."
</para>

<para>
"Yes.  Men are so unblushingly explicit if they are once allowed to
talk, whereas women's
confidences are full of reservations and fibs, except"-"When they
go mad and babble of the
Unutterabilities after a week's ac quaintance.  Really, if you come
to consider, we know a great
deal more men than of our own sex."
</para>

<para>
"And the extraordinary thing is that men will never believe it.
They say we are trying to hide
something."
</para>

<para>
"They are generally doing that on their own account. Alas! These
chocolates pall upon me, and I
haven't eaten more than a dozen. I think I shall go to sleep."
</para>

<para>
"Then you'll get fat. dear. If you
</para>

<para>
216
WORKS Of RUDYARD KIPLING
</para>

<para>

A ~ond-Rate Woman
</para>

<para>
fuga, volvitur rota,
</para>

<para>

On
we drift; where looms the dim port?
</para>

<para>
~9ne
Two Three Four Five contrihute their quota:
</para>

<para>

Something ir gained if one caught but the import,
Show it us, Hugues of Saxe-Gotha.
</para>

<para>
-Ma~ter Hugues of Sare-Gotha.
</para>

<para>

"DRESSED! Don't tell me that woman ever dressed in her life.
She stood in the middle of her
room while her ayah
-no, her husband-it must have been a nian-threw her clothes at her.
She then did her hair with
her fingers, and rubbed her bonnet in the flue under the bed. I
know she did, as well as if I had
assisted at the orgie. Who is she?" said Mrs. Hauksbee.
</para>

<para>
"Don't!" said Mrs. Mallowe, feebly.
"You make my head ache. I'm miserable to-day.  Stay me with
fondants, comfort me with
chocolates, for I am-Did you bring anything from Peliti's?"
</para>

<para>
"Questions to begin with. You shall have the sweets when you
have answered them.  Who and
what is the creature?  There were at least half a dozen men round
her, and she appeared to be
going to sleep in their midst."
</para>

<para>
"Delville,"  said  Mrs.  Mallowe, "'Shady' Delville, to distinguish
her from Mrs. Jim of that ilk.
She dances as untidily as she dresses, I believe, and her husband is
somewhere in Madras. Go
and ca~l, if you are so interested."
</para>

<para>
'~What have I to do with Shigramitish women?  She merely caught
my attention for a minute,
and I wondered at
</para>

<para>
THE HILL OF ILLUSION
217
</para>

<para>
~op me quick or I shall-i-i-laugh till we get to the Church.
</para>


<para>
A ~ond-Rate Woman
lls~ fuga, volvitur rota,
</para>

<para>

On
we drift; where looms the dim port?
</para>

<para>
~ne
Two Three Four Five contribute their quota
</para>

<para>

Something i gained if one caught but the import,
~how it us, Hugues of Saxe-Gotha.
</para>

<para>
-~Iaster Hugues of Soxe-Go~ha.
</para>

<para>

"DRESSED! Don't tell me that woman ever dressed in her life.
She stood in the middle of her
room while her ayah
-no, her husband-it must have been a atan-threw her clothes at her.
She then did her hair with
her fingers, and subbed her bonnet in the flue under the bed. I
know she did, as well as if I had
assisted at the orgie. Who is she?" said Mrs. Hauksbee.
</para>

<para>
"Don't!" said Mrs. Mallowe, feebly.
"You make my head ache. I'm miser-able to-day.  Stay me with
fondants, comfort me with
chocolates, for I am-Did you bring anything from Peliti's?"
</para>

<para>
"Questions to begin with. You shall have the sweets when you
have answered them.  Who and
what is the creature?  There were at least half a dozen men round
her, and she appeared to be
going to sleep in their midst."
</para>

<para>
"Delville,"  said  Mrs.  Mallowe, "'Shady' Delville, to distinguish
her from Mrs. Jim of that ilk.
She dances as untidily as she dresses, I believe, and her husband is
somewhere in Madras. Go
and ca~, if you are so interested."
</para>

<para>
"What have I to do with Shigramitish women?  She merely caught
my attention for a minute, and
I wondered at
~2O
WORKS OF RUDYARD KIPLING
</para>

<para>
the attraction that a dowd has for a certain type of man. I expected
to see her walk out of her
clothes-until I looked at her eyes."
</para>

<para>
"Hooks and eyes, surely," drawled Mrs. Mallowe.
</para>

<para>
"Don't be clever, Polly.  You make my head ache. And round this
hayrick stood a crowd of
men-a positive crowd!"
</para>

<para>
"Perhaps they also expected"-"Polly, don't be Rabelaisian!"
</para>

<para>
Mrs. Mallowe curled herself up comfortably on the sofa, and

turned her attention to the sweets.
She and Mrs. Hauksbee shared the same house at Simla; and these
things befell two seasons
after the matter of Otis Yeere, which has been already recorded.
</para>

<para>
Mrs. Hauksbee stepped into the veranda and looked down upon the
Mall,  her  forehead
puckered  with thought.
</para>

<para>
"Hah!" said Mrs. Hauksbee, shortly. "Indeed!"
</para>

<para>
"What is it?" said Mrs. Mallowe, sleepily.
</para>

<para>
"That dowd and The Dancing Master
-to whom I object."
</para>

<para>
"Why to The Dancing Master? He is a middle-aged gentleman, of
reprobate and romantic
tendencies, and tries to be a friend of mine."
</para>

<para>
"Then make up your mind to lose him. Dowds cling by nature, and
I should imagine that this
ani1nal-how terrible her bonnet looks from above !-is specially
clingsome."
</para>

<para>
"She is welcome to The Dancing
Master so far as I am concerned.  I
never could take an interest  in a
monotonous liar.  The frustrated aim
of his life is to persuade people that he is a bachelor."
</para>

<para>
"0-oh!  I think I've met that sort of man before. And isn't he?"
</para>

<para>
"No. He confided that to me a few days ago.  Ugh!  Some men
ought to he killed."
</para>

<para>
"What happened then?"
</para>

<para>
"He posed as the horror of horrors-a misunderstood man. Heaven
knows the femme incomfrise is
sad enough and had enough-but the other thing!"
</para>

<para>
"And so fat too! I should have laughed in his face.  Men seldom
confide in me.  How is it they
come to you?"
</para>

<para>
"For the sake of impressing me with their careers in the past.
Protect me from men with
confidences!"
</para>

<para>
"And yet you encourage them?"
</para>

<para>
"What can I do? They talk. I listen, and they vow that I am
sympathetic. I know I always profess
astonishment even when the plot is-of the most old possible."
</para>

<para>
"Yes.  Men are so unblushingly explicit if they are once allowed to
talk, whereas women's
confidences are full of reservations and fibs, except"-"When they
go mad and babble of
the Unutterabilities after a week's acquaintance.  Really, if you
come to consider, we know a
great deal more of men than of our own sex."
</para>

<para>
"And the extraordinary thing is that men will never believe it.
They say we are trying to hide
something."
</para>

<para>
"They are generally doing that on their own account. Alas! These
chocolates pall upon me, and I
haven't eaten more than a dozen. I think I shall go to sleep."
</para>

<para>
"Then you'll get fat. dear. If yov
</para>

<para>
A SECOND-RATE WOMAN
221
</para>

<para>
took more e~ercise and a more intelligent interest in your
neighbors you would~'-"Be as much
loved as Mrs. Hauksbee.  You're a darling in many ways and I like
you-you are not a woman's
woman-but why do you trouble your-self about mere human
beings?"
</para>

<para>
"Because in the absence of angels, who I am sure would be
horribly dull, men and women are
the most fascinating things in the whole wide world, lazy one.  I
am interested in The Dowd-I am
interested in The Dancing Master
-I am interested in the Hawley Boy-and I am interested in you."
</para>

<para>
"Why couple me with the Hawley Boy? He is your property."
</para>

<para>
"Yes, and in his own guileless speech, I'm making a good thing out
of him. When he is slightly
more reformed, and has passed his Higher Standard, or whatever
the authorities think fit to exact
from him, I shall select a pretty little girl, the Holt girl, I think,
and"-here she waved her hands
airily-" 'whom Mrs. Itauksbee bath joined together let no man put
asunder.' That's all."
</para>

<para>
"And when you have yoked May Holt with the most notorious
detrimental in Simla, and earned
the undying hatred of Mamma Holt, what will you do with me,
Dispenser of the Destinies of the
Universe?"
</para>

<para>
Mrs. Hauksbee dropped into a low chair in front of the fire, and,
chin in band, gazed long and
steadfastly at Mrs. Mallowe.
</para>

<para>
'I do not know," she said, shaking her head, "whot I shall do with
you, dear. It's obviously
impossible to marry you to some one els~your husband would
object and the experiment might
not be
successful after all. I think I shall be-gin by preventing you
from-what is it?
-'sleeping on ale-house benches and snoring in the sun.'"
</para>

<para>
"Don't! I don't like your quotations. They are so rude.  Go to the
Library and bring me new
books."
</para>

<para>
"While you sleep? Nol If you don't come with me, I shall spread
your newest frock on my
'rickshaw-bow, and when any one asks me what I am doing, I shall
say that I am going to
Phelps's to get it let out. I shall take care that ~irs. MacNamara
sees me.  Put your things on,
there's a good girl."

</para>

<para>
Mrs. Mallowe groaned and obeyed, and the two went off to the
Library, where they found Mrs.
Delville and the man who went by the nickname of The Dancing
Master.  By that time Mrs
Mallowe was awake and eloquent.
</para>

<para>
"That is the Creature!" said Mrs Hauksbee, with the air of one
pointing out a slug in the road.
</para>

<para>
"No," said Mrs. Mallowe.  "The man is the Creature.  Ugh!
Good-evening, Mr. Bent. I thought
you were coming to tea this evening."
</para>

<para>
"Surely it was for to-morrow, was it not?" answered The Dancing
Master. "I understood . - . I
fancied .
I'm so sorry .    How very unfortunate!" .
</para>

<para>
But Mrs. Mallowe had pass~d on.
</para>

<para>
"For the practiced equivocator you said he was," murmured Mrs.
Hauksbee, "he strikes me as a
failure. Now wherefore should he have preferred a walk with The
Dowd to tea with us?  Elective
affinities, I suppos~both grubby. Polly, I'd never forgive that
woman as long as the world rolls."
</para>

<para>
"I forgive every woman eve"ything,"
</para>

<para>
222
WORKS OF RUDYARD KIPLING
</para>

<para>
said Mrs. Mallowe. "He will be a sufficient punishment for her.
What a common voice she has!"
</para>

<para>
Mrs. Delville's voice was not pretty, her carriage was even less
lovely, and her raiment was
strikingly neglected. All these things Mrs. Mallowe noticed over
the top of a magazine.
</para>

<para>
"Now what is there in her?" said Mrs. Hauksbee. "Do you see what
I meant about the clothes
falling off? If I were a man I would perish sooner than be seen
with that rag-bag.  And yet, she
has good eyes, but~h!"
</para>

<para>
"What is it?"
</para>

<para>
"She doesn't know how to use them! On my Honor, she does not.
Look! Oh look!  Untidiness I
can endure, but ignor~1ce never! The woman's a fool."
</para>

<para>
"Hsh!  She'll hear you."
</para>

<para>
"All the women in Simla are fools. She'll think I mean some one
else. Now she's going o~t. What
a thoroughly objectionable couple she and The Dancing Master
make! Which reminds me. Do
you suppose they'll ever dance together?"
</para>

<para>
"Wait and see. I don't envy ber the conversation of The Dancing
Master-loathly man~ His wife
ought to be up here before long."
</para>

<para>
"Do you know anything about him?"
</para>

<para>
"Only what he told me.  It may be a11 a fiction. He married a girl
bred in the country, I think,
and, being an honorable, chivalrous soul, told me that he repented
his bargain and sent her to her
mother as often as possible'~a person who has lived in the Doon
since the memory of man and
goes to Mussoorie when other people go Home. The wife is with
her at present. So he says."
</para>

<para>
'Babies?'
</para>

<para>
"One only, but he talks of his wife in a revolting way. I hated him
for it. He thought he was being
epigrammatic and brilliant."
</para>

<para>
"That is a vice peculiar to men.  I dislike him because he is
generally in the wake of some girl,
disappointing the Eligibles. He will persecute May Holt no more,
unless I am much mistaken."
</para>

<para>
"No. I think Mrs. Delville may occupy his attention for a while."
</para>

<para>
"Do you suppose she knows that he is the head of a family?"
</para>

<para>
"Not from his lips. He swore me to eternal secrecy. Wherefore I
tell you. Don't you know that
type of man?"
</para>

<para>
"Not intimately, thank goodness! As
a general rule, when a man begins to
abuse his wife to me, I find that the
Lord gives me wherewith to answer him
according to his folly; and we part with
a coolness between us. I laugh."
</para>

<para>
"I'm different.  I've no sense  of humor."
</para>

<para>
"Cultivate it, then. It has been my mainstay for more years than I
care to think about. A
well-educated sense of Humor will save a woman when Religion,
Training, and Home
influences fail; and we may all need salvation sometimes."
</para>

<para>
"Do you suppose that the Delville woman has humor?"
</para>

<para>
"Her dress bewrays her. How can a Thing who wears a supplement
under her left arm have any
notion of the fitness of things-much less their folly? If she discards
The Dancing Maste~ after
having once seen him dance, I may respect her,  Otherwise -"But
are we not both assuming a
great deal too much, dear?  You sa" the woman at Peliti's-half an
hour
</para>

<para>
A SECOND-RATE WOMAN
223
</para>

<para>
liter you saw her walking with The Dancing Master-an hour later
you met her here at the
Library."
</para>

<para>
"Still with The Dancing Master, remember."
</para>

<para>
"Still with The Dancing Master, I admit, but why on the strength of
that should you imagine"-"I
imagine nothing. I have no imagination. I am only convinced that
The Dancing Master is
attracted to The Dowd because he is objectionable in every way
and she in every other. If I know
the man as you have described him, he holds his wife in slavery at
present."
</para>

<para>
"She is twenty years younger than he."
</para>

<para>
"Poor wretch! And, in the end, after le has posed and swaggered
and lied-he has a mouth under
that ragged moustache simply made for lies-he will be rswarded
according to his merits."
</para>

<para>
"I wonder what those really are," said Mrs. Mallowe.
</para>

<para>
But Mrs. Hauksbee, her face close to 'he shelf of the new books,
was humming softly: "What
shall he have who killed the Deer!"  She was a lady of unfettered
speech.
</para>

<para>
One month later, she announced her intention of calling upon Mrs.
Delville. Both Mrs. Hauksbee
and Mrs. Mallowe were in morning wrappers, and there was a
great peace in the land.
</para>

<para>
"I should go as I was," said Mrs. Mallowe. "It would be a delicate
compliment to her style."
</para>

<para>
Mrs. Hauksbee studied herself in the glass.
</para>

<para>
"Assuming for a moment that she ever darkened these doors, I
should put on this robe, after all
the others, to show
her what a morning wrapper ought to be. It might enliven her.  As
it is, I shall go in the
dove-colored-sweet emblem of youth and innocence~and shall put
on my new gloves."
</para>

<para>
"If you really are going, dirty tau would be too good; and you know
that dove-color spots with
the rain."
</para>

<para>
"I care not. I may make her envious. At least I shall try, though one
cannot expect very much
from a woman who puts a lace tucker into her habit."
</para>

<para>
"Just Heavens!  When did she do that?"
</para>

<para>
"Yesterday-riding with The Dancing Master.  I met them at the
back of Jakko, and the rain had
made the lace lie down.  To complete the effect, she was wearing
an unclean terai with the
elastic under her chin. I felt almost too well content to take the
trouble to despise her."
</para>

<para>
"The Hawley Boy was riding with you. What did he think?"
</para>

<para>
"Does a boy ever notice these things? Should I like him if he did?
He stared in the rudest way,
and just when I thought he had seen the elastic, he said, 'There's
something very taking about that
face.' I rebuked him on the spot. I don't approve of boys being
taken by faces."
</para>

<para>
"Other than your own.  I shouldn't be in the least surprised if the
Hawley Boy immediately went
to call."
</para>

<para>
"I forbade him. Let her be satisfied with The Dancing Master, and
his wife when she comes up.
I'm rather curious to see Mrs. Bent and the Delville woman
together."
</para>

<para>
Mrs. Hauksbee departed and, at the end of an hour, returned
slightly flushed.
</para>

<para>
"There is no limit to the treachery of
</para>

<para>
124
WORKS OF RUDYARD KIPLING
</para>

<para>
t'outh!  I ordered the Hawley Boy, as 'se valued my patronage, not
to call. The first person I
stumble over-literally stumble over-in her poky, dark, jittle
drawing-room is, of course, the
ilawley Boy.  She kept us waiting ten ruinutes, and then emerged
as though ~e had been tipped
out of the dirtyr.lothes basket.  You know my way, dear, when I
am all put out.  I was Superior,
crrrushingly Superior! 'Lifted my eyes to Heaven, and had heard of
nothing-'dropped my eyes on
the carpet and 'really didn't know'-'played wita my cardcase and
'supposed so.' The Hawley Boy
giggled like a girl, and I had to freeze him with scowls between the
sentences."
</para>

<para>
"And she?"
</para>

<para>
"She sat in a heap on the edge of a couch, and managed to convey
the impression that she was
suffering from stomach-ache, at the very least. It was aH I could do
not to ask after her
symptoms.  When I rose she grunted just like a buffalo in the
water-too lazy to move."
</para>

<para>
"Are you certain?"-"Am I blind, Polly? Laziness, sheer
laziness, nothing else-or her garments were only constructed for
sitting down
in.  I stayed for a quarter of an hour trying to penetrate the gloom,
to guess what her
surroundings were like, while she stuck out her tongue."
</para>

<para>
'~Lu~cy!"
</para>

<para>
"Well-I'll  withdraw  the  tongue,
though I'm ~ure if she didn't do it when
I was in the room, she did the minute
I was outside. At any rate, she lay in
a lump and grunted.  Ask the Hawley
Boy, dear.  I believe the grunts were
meant for sentences. but she spoke so
indistinctly that I can't swear to it."
</para>

<para>
"You are incorrigible, simply."
</para>

<para>
"I am not!  Treat me civilly, give me peace with honor, don't put
the only available seat facing
the window, and a child may eat jam in my lap before Church. But
I resent being grunted at.
Wouldn't you?  Do you suppose that she communicates her views
on life and love to The
Dancing Master in a set of modulated 'Grmphs'?"
</para>

<para>
"You attach too much importance to The Dancing Master."
</para>

<para>
"He came as we went, and The Dowd grew almost cordial at the
sight of him. He smiled
greasily, and moved about that darkened dog-kennel in a
suspiciously familiar way."
</para>

<para>
"Don't be uncharitable. Any sin but that I'll forgive."
</para>

<para>
"Listen to the voice of History.  I am only describing what I saw.
He entered, the heap on the
sofa revived slightly, and the Hawley Boy and I came away
together. He is disillusioned, hut I
felt it my duty to lecture him severely for going there.  And that's
all."
</para>

<para>
'~Now  for Pity's  sake leave the wretched creature and The
Dancing Master alone. They never
did you any harm."
</para>

<para>
"No harm?  To dress ~s an example ~nd a stumbling-block for half
Simla, and then to find this
Person who is dressed by the hand of God-not that I wish to
disparage Him for a moment, but
you know the tikka dhurzie way He attires those lilies of the
field-this Person draws the eyes of
men-and some of them nice men?  It's almost enough ~o make one
discard clothing.  I tohI the
Hawley Boy so."
</para>

<para>
A SECOND-RATE WOMAN
22~
</para>

<para>

"And what did that sweet youth do?"
</para>

<para>
"Turned shell-pink and looked across the far blue hills like a
distressed cherub. Am I talking
wildly, Polly? Let me say my say, and I shall be calm. Otherwise I
may go abroad and disturb
Simla with a few original reflections. Excepting always your own
sweet self, there isn't a single
woman in the land who understands me when I am-what's the
word?"
</para>

<para>
"Tete-Fa7~e," suggested Mrs. Mallowe.
</para>

<para>
"Exactly! And now let us have tiffin.  The demands of Socie~y are
~xhausting, and as Mrs.
Delville says"-Here Mrs. Hauksbee, to the horror of the
khU.motgars, lapsed into a series of
grunts, while Mrs. Mallowe stared in lazy surprise.
</para>

<para>
'God gie us a gude conceit of oorselves,'" said Mrs. Hauksbee,
piously, returning to her natural
speech.  "Now, in any other woman tha  would have been vulgar. I
am consumed with curiosity
to see Mrs. Bent. I expect complications."
</para>

<para>
"Woman of one idea," said Mrs. Mallowe, shortly; "all
complications are a~ old as the hills! I
have lived through or near all~ll-ALL!"
</para>

<para>
"And yet do not understand that mcii and women never behave
twice ~like. I am old who was
young-if ever I put my head in your lap, you dear, big sceptic, you
will learn that my parting is
gauz~but never, no never have I lost my interest in men and
women. Polly, I shall see this
business Out to the bitter end."
</para>

<para>
"I am going to sleep," said Mrs. Mallowe, calmly.  "I never
interfere with men or women unless I
am compelled,"
and she retired with dignity to her own room.
</para>

<para>
Mrs. Hauksbee's curiosity was not long left ungratified, for Mrs.
Bent came up to Simla a fe~
days after the  conversation  faithfully  reported above, and
pervaded the Mall by her husband's
side.
</para>

<para>
"Behold!"  said  Mrs.  Hauksbee, thoughtfully rubbing her nose.
"That is the last link of the
chain, if we omit the husband of the Delville, whoever he may be.
Let me consider.  The Bents
and the Delvilles inhabit the same hotel; and the Delville is
detested by the Waddy-do you know
the Waddy?
-who is almost as big a dowd.  The Waddy also abominates the
male Bent, for which, if her other
sins do not weigh too heavily, she will ev~tually go to Heaven."
</para>

<para>
"Don't be irreverent,"  said  Mrs. Mallowe. "I like Mrs. Bent's
face."
</para>

<para>
"I am discussing the Waddy," returned Mrs. Hauksbee, loftily.
"The Waddy will take the female
Bent apart, atter  having  borrowed-yes !~everything that she can,
from hairpins to babies'
bottles. Such, my dear, is life in a hotel.  Tlic Waddy will tell the
female Bent facts and fictions
about The Dancing Master and The Dowd."
</para>

<para>
"Lucy, I should like you better if you were not always looking into
people's back-bed-rooms."
</para>

<para>
"Aiiybody can look into their front drawing-rooms; and remember
whatever I do, and whatever I
look, I never talk
-as the Waddy will. Let us hope that The Dancing Master's greasy
smile and manner of the
pedagogue will soften the heart of that cow, his wife.  If mouths
speak truth, I should think that
</para>

<para>
226
WORKS OF RUDYARD KIPLING
</para>

<para>
little Mrs. Bent could get very angry on occasion.
</para>

<para>
"But what reason has she for being angry?"
</para>

<para>
"What reason! The Dancing Master in himself is a reason. How
does it go? 'If in his life some
trivial errors fall, Look in his face and you'll believe them all~' I
am prepared to credit any evil of
The Dancing Master, because I hate him so. And The Dowd is so
disgustingly badly
dressed"-"That she, too, is capable of e~ery
iniquity?  I always prefer to believe the best of everybody. It saves
so much trouble."
</para>

<para>
"Very good. I prefer to believe the "orst.  It saves useless
expenditure of sympathy. And you may
be quite certain that the Waddy believes with me."
</para>

<para>
Mrs. Mallowe sighed and made no answer.
</para>

<para>
The conversation was holden after dinner while Mrs. Hauksbee
was dressing for a dance.
</para>

<para>
"I am too tired to go," pleaded Mrs. Mallowe, and Mrs. Hauksbee
left her in peace till two in the
morning, when she was aware of emphatic knocking at her door.
</para>

<para>
"Don't be very angry, dear," said Mrs. Hauksbee. "My idiot of an
ayah has gone home, and, as I
hope to sleep to-night, there isn't a soul in the place to unlace me."
</para>

<para>
"Oh, this is too bad!" said Mrs. Mallowe sulkily.
</para>

<para>
"'Can't help it.  I'm a lone, lorn grass-widow, dear, but I will not
sleep in my stays. And such
news, too!  Oh, do unlace me, there's a darling!  The Dowd-The
Dancing Master-I and the
Hawley Boy- You know the Nortb veranda?"
</para>

<para>
"How can I do anything if you spin round like this?" protested Mrs.
Mallowe, fumbling with the
knot of the laces.
</para>

<para>
"Oh, I forget. I must tell my tale without the aid of your eyes. Do
you know you've lovely eyes,
dear?  Well to begin with, I took the Hawley Boy to a kalo'
juggak."
</para>

<para>
"Did he want much taking?"
</para>

<para>
"Lots! There was an arrangement of loose-boxes in kanats, and she
was in the next one talking to
him."
</para>

<para>
"Which? How? Explain."
</para>

<para>
"You know what I mean-The Dow(1 and The Dancing Master.  We
could hear every word and
we listened shamelessly-'specially the Hawley Boy. Polly, I quite
love that woman!"
</para>

<para>
"This is interesting.  There!  Now turn round. What happened?"
</para>

<para>
"One moment.  Ah-h!  Blessed relief. I've been looking forward to
taking them off for the last
half-hour-which is ominous at my time of life. But, as I was
saying, we listened and heard The
Dowd drawl worse than ever. She drops her final g's like a barmaid
or a blue-blooded
Aide-de-Camp. 'Look he-ere, you're gettin' too fond 0' me,' she
said, and The Dancing Master
owned it was so in language that nearly made me i"  The Dowd
reflected foi a while. Then we
heard her say, 'Look he-ere, Mister Bent, why are you such an
aw-ful liar?' I nearly exploded
while The Dancing Master denied the charge. It seems that he
never told her he wa." a married
man."
</para>

<para>
"I said he wouldn't."
</para>

<para>
'~And she had taken this to heart, o,~
</para>

<para>
A SECOND-RATE WOMAN
22S
</para>

<para>

"And what did that sweet youth do?"
</para>

<para>
"Turned shell-pink and looked across the far blue hills like a
distressed cherub. Am I talking
wildly, Polly? Let me say my say, and I shall be calm. Otherwise I
may go abroad and disturb
;5imla with a few original reflections. Excepting always your own
sweet self, there isn't a single
woman in the land who understands me when I am-what's the
word?"
</para>

<para>
"Tete-F~e~," suggested Mrs. MalLowe.
</para>

<para>
"Exactly! And now let us have tiffin.  The demands of Society are
exhausting, and as Mrs.
Delville says"-Here Mrs. Hauksbee, to the horror of the
khitmatgars, lapsed into a series of
grunts, while Mrs. Mallowe stared in lazy surprise.
</para>

<para>
'God gie us a gude conceit of oorselves,' " said Mrs. Hauksbee,
piously, returning to her natural
speech. ".Now, in any other woman tha would have been vulgar. I
am consuroed with curiosity
to see Mrs. Bent. I expect complications."
</para>

<para>
"Woman of one idea," said Mrs. Mallowe, shortly; "all
complications are a~ old as the hills! I
have lived through or near all~li-ALL?"
</para>

<para>
"And yet do not understand that mcii and worren never behave
twice ~like. I am old who was
young-if ever I put my head in your lap, you dear, big sceptic, you
will learn that my parting is
gaua~but never, no never have I lost my interest in men and
women. Polly, I shall see this
business Out to the bitter end."
</para>

<para>
"I am going to sleep," said Mrs. Mallowe, calmly.  "I never
interfere with men or women unless I
am compelled,"
and she retired with dignity to her own room.
</para>

<para>
Mrs. Hauksbee's curiosity was not long left ungratified, for Mrs.
Bent came up to Simla a few
days after the  conversation  faithfully reported above, and
pervaded the Mall by her husband's
side.
</para>

<para>
"Behold!"  said  Mrs.  Hauksbee, thoughtfully rubbing her nose.
"That is the last link of the
chain, if we omit the husband of the Delville, whoever he may be.
Let me consider.  The Bents
and the Delvilles inhabit the same hotel; and the Delville is
detested by the Waddy-do you know
the Waddy?
-who is almost as big a dowd.  The Waddy also abominates the
male Bent, for which, if her other
sins do not weigh too heavily, she will eve~tually go to Heaven."
</para>

<para>
"Don't be irrrverent," said Mrs. Mall3we. "I like Mrs. Bent's face."
</para>

<para>
"I am discussing the Waddy," returned Mrs. Hauksbee, loftily.
"The Waddy will take the female
Bent apart, atter having  borrowed-yes -everything that she can,
from hairpins to babies' bottles.
Such, my dear, is life in a hotel.  The Waddy will tell the female
Bent facts and fictions about
The Dancing Master and The Dowd."
</para>

<para>
"Lucy, I should like you better if you were not always looking into
people's back-bed-rooms."
</para>

<para>
"Aiiybody can look into their front drawing-rooms; and remember
whatever I do, and whatever I
look, I never talk
-as the Waddy will. Let us hope that The Dancing Master's greasy
smile and manner of the
pedagogue will soften the heart of that cow, his wife.  If mouths
speak truth, I should think that
</para>

<para>
226
WORKS OF RUDYARD KIPLING
</para>

<para>
little Mrs. Bent could get very angry on occasion."
</para>

<para>
"But what reason has she for being angry?"
</para>

<para>
"What reason! The Dancing Master in himself is a reason. How
does it go? 'If in his life some
trivial errors fall, Look in his face and you'll believe them all.' I am
prepared to credit any evil of
The Dancing Master, because I hate him so. And The Dowd is so
disgustingly badly
dressed"-"That she, too, is capable of e~ery
iniquity?  I always prefer to believe the best of everybody. It saves
so much trouble."
</para>

<para>
"Very good. I prefer to believe the Worst.  It saves useless
expenditure of sympathy. And you
may be quite certain that the Waddy believes with me."
</para>

<para>
Mrs. Mallowe sighed and made no answer.
</para>

<para>
The conversation was holden after dinner while Mrs. Hauksbee
was dressing for a dance.
</para>

<para>
"I am too tired to go," pleaded Mrs. Mallowe, and Mrs. Hauksbee
left her in peace till two in the
morning, when she was aware of emphatic knocking at her door.
</para>

<para>
"Don't be very angry, dear," said Mrs. Hauksbee. "My idiot of an
ayah has gone home, and, as I
hope to sleep to-night, there isn't a soul in the place to unlace me."
</para>

<para>
"Oh this is too bad!" said Mrs. Mallowe sulkily.
</para>

<para>
"'Can't help it.  I'm a lone, lorn grass-widow, dear, but I will not
sleep in my stays. And such
news, too!  Oh, do unlace me, there's a darling!  The Dowd-The
Dancing Master-I and the
Ilawley Boy- You know the North veranda?"
</para>

<para>
"How can I do anything if you spin round like this?" protested Mrs.
Mallowe, fumbling with the
knot of the laces.
</para>

<para>
"Oh, I forget.  I must tell my tale without the aid of your eyes. Do
you know you've lovely eyes,
dear?  Well to begin with, I took the Hawley Boy to a kalo juggah."
</para>

<para>
"Did he want much taking?"
</para>

<para>
"Lots! There was an arrangement of loose-boxes in kanats, and she
was in the next one talking to
him."
</para>

<para>
"Which? How? Explain."
</para>

<para>
"You know what I mean-The Dow(1 and The Dancing Master.  We
could hear every word and
we listened shamelessly~' specially the Hawley Boy. Polly, I quite
love that woman!"
</para>

<para>
"This is interesting.  There!  No~ turn round. What happened?"
</para>

<para>
"One moment. Ah-h!  Blessed reJief. I've been looking forward to
takmg them off for the last
half-hour-which is ominous at my time of life. But, as I was
saying, we listened and heard The
Dowd drawl worse than ever. She drops her final g's like a barmaid
or a blue-blooded
Aide-de-Camp. 'Look he-ere, you're gettin' too fond 0' me,' she
said, and The Dancing Master
owned it was so in language that nearly made me ~V  The Dowd
reflected foi a while. Then ~e
heard her say, 'Look he-ere, Mister Bent, why are you such an
aw-ful liar?' I nearly exploded
while The Dancing Master denied the charge. It seems that he
never told her he wa.~ a married
man."
</para>

<para>
'~I said he wouldn't."
</para>

<para>
"And she had taken this to heart, o~
</para>

<para>
A SECOND-RATE WOMAN
22~
</para>

<para>
~ersonal  grounds,  I  suppose.  She drawled along for five
minutes, reproaching him with his
perfidy and grew quite motherly. 'Now you've got a nice little wife
of your own-you have,' she
said. 'She's ten times too good for a fat old man like you, and, look
he-ere, you never told me a
word about her, and I've been thinkin' about it a good deal, and I
think you're a liar.' Wasn't that
delicious?  The Dancing Master maundered and raved till the
Hawley Boy suggested that he
should burst in and heat him.  His voice runs up into an
impassioned squeak when he is afraid.
The Dowd must be an extraordinary woman. She explained that
had he been a bachelor she
might not have objected to his devotion; but since he was a
married man and the father of a very
nice baby, she considered him a hypocrite, and this she repeated
twice. She wound up her drawl
with: 'An I'm tellin' you this because your wife is angry with me,
an' I hate quarrellin' with any
other woman, an' I like your wife. You know how you have
behaved for the last six weeks. You
shouldn't have done it, indeed you shouldn't. You're too old an' fat.'
Can't you imagine how The
Dancmg Master would wince at that! 'Now go away,' she said.  'I
don't want to tell you what I
think of you, because I think you are not nice. I'll stay he-ere till
the next dance begins.'  Did you
think that the creature had so much in her?"
</para>

<para>
"I never studied her as closely as you did.  It sounds unnatural.
What happened?"
</para>

<para>
"The Dancing Master attempted blandishment, reproof, jocularity,
and the style of the Lord High
Warden, and I
had almost to pinch the Hawley Boy to make him keep quiet. She
grunted at the end of each
sentence and, in the end he went away swearing to himself, quite
like a man in a novel. He
looked more objectionable than ever. I laughed. I love that
woman-in spite of her clothes.  And
now I'm going to bed. What do you think of it?"
</para>

<para>
"I sha'n't begin to think till the morning," said Mrs. Mallowe,
yawning "Perhaps she spoke the
truth. They do fly into it by accident sometimes."
</para>

<para>
Mrs. Hauksbee's account of her eavesdropping was an ornate one
but trutliful in the main.  For
reasons best known to herself, Mrs. "Shady" Delville had turned
upon Mr Bent and rent him
limb from limb, casting him away limp and disconcerted ere she
withdrew the light of her eyes
from him permanently. Being a man of resource, and anything but
pleased in that he had been
called both old and fat1 he gave Mrs. Bent to understand that he
had, during her absence in the
Doon1 been the victim of unceasing persecution at the hands of
Mrs. Delville, and he told the
tale so often and with such eloquence that he ended in believing it,
while his wife marvelled at
the manners and customs of "some women." When the situation
showed signs of languishing,
Mrs. Waddy was always on hand to wake the smouldering fires of
suspicion in Mrs. Bent's
bosom and to contribute generally to the peace and comfort of the
hotel. Mr. Bent's life was not
a happy one, for if Mrs. Waddy's story were true, he was, argued
his wife, untrustworthy to the
last degree.  If his own statement was true, his charms of manner
and conversation were so
</para>

<para>
128
WORKS OF RUDYARD KIPLING
</para>

<para>
great that he needed constant surveillance.  And he received it, till
he repented genuinely of his
marriage and neglected his personal appearance. Mrs. Delville
alone in the hotel was unchanged.
She removed her chair some six paces toward the head of the
table, and occasionally in the
twilight ventured on timid overtures of friendship to Mrs. Bent,
which were repulsed.
</para>

<para>
"She does it for my sake," hinted the Virtuous Bent.
</para>

<para>
"A dangerous and designing woman," purred Mrs. Waddy.
</para>

<para>
Worst of all, every other hotel in Simla was full!
</para>

<para>
*
*
*
*
*
*
</para>

<para>
"Polly, are you afraid of diphtheria?"
</para>

<para>
"Of nothing in the world except smallpox. Diphtheria kills, but it
doesn't disfigure. Why do you
ask?"
</para>

<para>
"Because th~ Bent baby has got it, and the whole hotel is upside
down in consequence. The
Waddy has 'set her five young on the rail' and fled.  The Dancing
Master fears for his precious
throat, and that miserable little woman, his wife, has no notion of
what ought to be done.  She
wanted to put it into a mustard bath-for croup!"
</para>

<para>
"Where did you learn all this?"
</para>

<para>
"Just now, on the Mall. Dr. Howlen told me.  The Manager of the
hotel is abusing the Bents, and
the Bents are abusing the manager. They are a feckless couple."
</para>

<para>
"Well. What's on your mind?"
</para>

<para>
"This; and I know it's a grave thing to ask. Would you seriously
object to my bringing the child
over here, with its mother?"
</para>

<para>
"On the most strict understanding
that we see nothing of The Dancing Master."
</para>

<para>
"He will be only too glad to stay away.  Polly, you're an angel.  The
woman really is at her wits'
end."
</para>

<para>
"And you know nothing about her. careless, and would hold her up
to public scorn if it gave you
a minute's amusement.  Therefore you risk your life for the sake of
her brat. No, Loo I'm not the
angel. I shall keep to my rooms and avoid her.  But do as you
pleas~only tell me why you do it."
</para>

<para>
Mrs. Hauksbee's eyes softened; she looked out of the window and
back into Mrs. Mallowe's face.
</para>

<para>
"I don't know," said Mrs. Hauksbee, simply.
</para>

<para>
"You dear!"
</para>

<para>
"Polly !-and for aught you knew you might have taken my fringe
off. Never do that again without
warning.  Now we'll get the rooms ready. I don't suppose I shall be
allowed to circulate in society
for a month."
</para>

<para>
"And I also. Thank goodness I shall at last get all the sleep I want."
</para>

<para>
Much to Mrs. Bent's surprise she and the baby were brought over
to the house almost before she
knew where she was. Bent was devoutly and undisguisedly
thankful, for he was afraid of the
infection, and also hoped that a few weeks in the hotel alone with
Mrs. Del. ville might lead to
explanations.  Mrs. Bent had thrown her jealousy to the winds in
her fear for her child's life.
</para>

<para>
"We can give you good milk," sai~ Mrs. Hauksbee to her, "and our
house is much nearer to the
Doctor's than th,'. hotel, and you won't feel as though you were
living in a hostile camp Where is
the dear Mrs. Waddy?  Sh~
</para>

<para>
A SECOND-RATE WOMAN
22~
</para>

<para>
seemed to be a particular friend of yours."
</para>

<para>
"They've all left me," said Mrs. Bent, bitterly. "Mrs. Waddy went
first. She said I ought to be
ashamed of myself for introducing diseases there, and I am sure it
wasn't my fault that little
Dora"-"How nice!" cooed Mrs. Hauksbee.
"The Waddy is an infectious disease herself-'more quickly caught
than the plague and the taker
runs presently mad.' I lived next door to her at the Elysium, three
years ago. Now see, you won't
give us the least trouble, and I've ornamented all the house with
sheets soaked in carbolic.  It
smells comforting, doesn't it? Remember I'm always m call, and
my ayah's at your service when
yours goes to her meals and-and
-if you cry I'll never forgive you."
</para>

<para>
Dora Bent occupied her mother's unprofitable attention through the
day and the night. The
Doctor called thrice in the twenty-four hours, and the house reeked
with the smell of the Condy's
Fluid, chlorine-water, and carbolic acid washes. Mrs. Mallowe
kept to her own rooms-she
considered that she had made sufficient concessions in the cause
of humanity-and Mrs.
Hauksbee was more esteemed by the Doctor as a help in the
sick-room than the half-distraught
mother.
</para>

<para>
"I know nothing of illness," said Mrs. Hauksbee to the Doctor.
"Only tell me what to do, and I'll
do it."
</para>

<para>
"Keep that crazy woman from kissing the child, and let her have as
little to do with the nursing
as you possibly can," said the Doctor; "I'd turn her out of the
sick-room, but that I honestly
believe she'd die of anxiety. She is less
than no good, and I depend on you and the ayahs, remember."
</para>

<para>
Mrs. Hauksbee accepted the responsibility, though it painted olive
hollows under her eyes and
forced her to her oldest dresses. Mrs. Bent clung to her with more
than childlike faith.
</para>

<para>
"I know you'll, make Dora well, won't you?" she said at least
twenty times a day; and twenty
times a day Mrs. Hauksbee answered valiantly, "Of course I will."
</para>

<para>
But Dora did not improve, and the Doctor seemed to be always in
th~ house.
</para>

<para>
"There's some danger of the thing taking a bad turn," he said; "I'll
comc over between three and
four in tha morning to-morrow."
</para>

<para>
"Good gracious!" said Mrs. Hauksbee. "He never told me what the
turn would be!  My education
has been horribly neglected; and I have only this foolish
mother-woman to fall back upon."
</para>

<para>
The night wore through slowly, and Mrs. Hauksbee dozed in a
chair by the fire. There was a
dance at the Viceregal Lodge, and she dreamed of it till she was
aware of Mrs. Bent's anxious
eyes staring into her own.
</para>

<para>
"Wake up!  Wake up!  Do something!"  cried  Mrs.  Bent,
piteously. "Dora's choking to death!
Do you mean to let her die?"
</para>

<para>
Mrs. Hauksbee jumped to her feet and bent over the bed. The child
was fighting for breath,
while the mother wrung her hands despairing.
</para>

<para>
"Gh, what can I do? What can you do? She won't stay still! I can't
hokI her.  Why didn't the
Doctor say this
</para>

<para>
230
WORKS OF RUDYARD KIPLING
</para>

<para>
was coming?" screamed Mrs. Bent. "Won't you help me? She's
dying!"
</para>

<para>
'~I-I've never seen a child die before!" stammered Mrs. Hauksbee,
feebly, and then-let none
blame her weak-ness after the strain of long watching-she broke
down, and covered her face
with her hands.  The ayahs on the threshold snored peacefully.
</para>

<para>
There was a rattle of 'rickshaw wheels below, the clash of an
openirig door, a heavy step on the
stairs, and Mrs. Delville entered to find Mrs. Bent screaming for
the Doctor as she ran round the
room.  Mrs. Hauksbee, her hands to her ears, and her face buried in
the chintz of a chair, was
quivering with pain at each cry from the bed, and murmuring,
"Thank God, I never bore a child!
Oh! thank God, I never bore a child!"
</para>

<para>
Mrs. Delville looked at the bed for an instant, took Mrs. Bent by
the shoulders, and said, quietly,
"Get me some caustic. Be quick."
</para>

<para>
The mother obeyed mechanically. Mrs. Delville had thrown
herself down by the side of the child
and was opening its mouth.
</para>

<para>
"Oh, you're killing her!" cried Mrs. Bent.  "Wh-.re's the Doctor!
Leave her alone!"
</para>

<para>
Mrs. Delville made no reply for a minute, but busied herself with
the child.
</para>

<para>
"Now the caustic, and hold a lamp behind my .',houlder.  Will you
do as you are told?  The
acid-bottle, if you don't know what I mean," she said.
</para>

<para>
A second time Mrs. Delville bent over the child. Mrs. Haukshee,
her face still hidden, sobbed
and -hivered.  One of
the ayahs staggered sleepily into the room, yawning: "Doctor Sahib
come."
</para>

<para>
Mrs. Delville turned her head.
</para>

<para>
"You're only just in time," she said. "It was chokin' her when I
came in, an' I've burned it."
</para>

<para>
"There was no sign of the membrane getting to the air-passages
after the last steaming. It was the
general weakness, I feared," said the Doctor half to himself, and he
whispered as he looked.
"You've done what I should have bee', afraid to do without
consultation."
</para>

<para>
"She was dyin'," said Mrs. Delvilie, under her breath.  "Can you do
any-thin'? What a mercy it
was I went to the dance!"
</para>

<para>
Mrs. Hauksbee raised her head.
</para>

<para>
"Is it all over?" she gasped.  "I'm useless-I'm worse than useless!
What are you doing here?"
</para>

<para>
She stared at Mrs. Delville, and Mrs. Bent, realizing for the first
time who was the Goddess from
the Machine. stared also.
</para>

<para>
Then Mrs. Delville made explanation, putting on a dirty long glove
and smoothing a crumpled
and ill-fitting ball-dress.
</para>

<para>
"I was at the dance, an' the Doctor was tellin' me about your baby
bein' so
ill.
So I came away early, an' your door was open, an' I-I~lost my boy
this way six months ago, an'
I've been tryin' to forget it ever since, an' I~I-am very sorry for
intrudin' an' anythin' that has
happened."
</para>

<para>
Mrs. Bent was putting out the Doctor's eye with a lamp as he
stooped over Dora.
</para>

<para>
"Take it away," said the Doctor. "I think the child will do, thanks
to you, Mrs. Delville. I should
have come ta~
</para>

<para>
A SECOND-RATE WOMAN
231
</para>

<para>
late, but, I assure you"-he was addressing himself to Mrs.
Delville-"I bad not the faintest reason
to expect this.  The membrane must have grown like a mushroom.
Will one of you help me,
please?"
</para>

<para>
He had reason for the last senfence. Mrs. Hauksbee had thrown
herself into Mrs. Delville's arms,
where she was weeping bitterly, and Mrs. Bent was
unpicturesquely mixcd up with both, ~hile
from the tangle came the sound of many sobs and much
promiscuous kissing.
</para>

<para>
"Good gracious!  I've spoilt all your beautiful roses!" said Mrs.
Hauksbee, lifting her head from
the lump of crushed gum and calico atrocities on Mrs. Delville's
shoulder and hurrying to the
Doctor.
</para>

<para>
Mrs. Delville picked up her shawl, and slouched out of the room,
mopping her eyes with the
glove that she had not put on.
</para>

<para>
"I always said she was more than a woman," sobbed Mrs.
Hauksbee, hysterically, "and that
proves it!"
</para>

<para>
*
*
*
*
*
*
</para>

<para>
Six weeks later, Mrs. Bent and Dora had returned to the hotel.
Mrs. Hauksbee had come out of
the Valley of Humiliati~, had ceased to reproach herself for her
collapse in an hour of need, and
was even beginning to direct the affairs of the world as before.
</para>

<para>
"So nobody died, and everything went ~ff as it should, and I kissed
The Dowd, Polly. I feel so
old. Does it show in my face?"
</para>

<para>
"Kisses don't as a rule, do they? Of ~ourse you know what the
result of The
Dowd's providential arrival has been."
</para>

<para>
"They ought to build her a statu~ only no sculptor dare copy those
skirts."
</para>

<para>
"Ah!" said Mrs. Mallowe, quietly. "She has found another reward.
The Dancing Master has been
smirking through Simla giving every one to understand that she
came becauœe of her undying
love for him-for him-to save his child, and all Simla naturally
believes this."
</para>

<para>
"But Mrs. Bent"-"Mrs. Bent believes it more than any
one else. She won't speak to The Dowd now.  Isn't The Dancing
Master an angel?"
</para>

<para>
Mrs. Hauksbee lifted up her voice and raged till bedtime.  The
doors of the two rooms stood
open.
</para>

<para>
"Polly," said a voice from the darkness, "what did that
American-heiress-globe-trotter girl say
last season when she was tipped out of her 'rickshaw turning a
corner?  Some absurd adjective
that made the man who picked her up explode."
</para>

<para>
"'Paltry,'"  said  Mrs.  Mallowe. "Through her nos~like this-'Ha-ow
pahltry!'"
</para>

<para>
"Exactly," said the voice.  "Ha-ow pahltry it all is!"
</para>

<para>
"Which?"
</para>

<para>
"Everything.  Babies,  Diphtheria, Mrs. Bent and The Dancing
Master, I whooping in a chair, and
The Dowd dropping in from the clouds. I wonder what the motive
was~ll the motives."
</para>

<para>

"What do you think?"
</para>

<para>
"Don't ask me. Go to sleep."
</para>
</chapter>

<chapter>
<chapheader>
<title>
ONLY A SUBALTERN
</title>

<blockquote>
<para>
- . - Not only to enforce by command but to encourage by example
the energetic discharge of
duty and the steady endurance of the difficulties and privations
inseparable  from  Military
Service.
</para>
<attrib>~Bengal Army Regulations.</attrib>
</blockquote>
</chapheader>
<para>

THEY made Bobby Wick pass an examination at Sandhurst. He
was a gentleman before he was
gazetted, so, when the Empress announced that "Gentleman-Cadet
Robert Hanna Wick" was
posted as Second Lieutenant to the Tyneside Tail Twisters at Kram
Bokhar, he became an
officer and a gentleman, which is an enviable thing; and there was
joy in the house of Wick
where Mamma Wick and all the little Wicks fell upon their knees
and offered incense to Bobby
by virtue of his achievements.
</para>

<para>
Papa Wick had been a Commissioner in his day, holding authority
over three millions of men in
the Chota-Buldana Division, building great works for the good of
the land, and doing his best to
make two blades of grass grow where there was but one before.
Of course, nobody knew
anything about this in the little English village where he was just
'old Mr. Wick" and had
forgotten that he was a Companion of the Order of the Star of
India.
</para>

<para>
He patted Bobby on the shoulder and said:  "Well done, my boy!"
</para>

<para>
There followed, while the uniform was being prepared, an interval
of pure delight, during which
Bobby took brevet-rank as a "man" at the women~swamped
tennis-parties and tea-fights of the
village, and, I dare say, had his joining. time been extended, would
have fallen in love with several
girls at once. Little country villages at Home are very full of nice
girls, because all the young
men come out to India to make their fortunes.
</para>

<para>

"India," said Papa Wick, "is the place.  I've had thirty years of it
and, begad, I'd like to go back
again. When you joi~n the Tail Twisters you'll he among friends,
if every one hasn't forgotten
Wick of Chota-Buldana, and a lot of people will be kind to you for
our sakes.  The mother will
tell you more about outfit than I can, but remember this. Stick to
your Regiment, Bobby~stick to
your Regiment. You'll see men all round you going into the Staff
Corps, and doing every
possible sort of duty but regimental, and you may be tempted to
follow suit.  Now so long as you
keep within your allowance, and I haven't stinted you there, stick
to the Line, the whole Line and
nothing but the Line.  Be careful how you back another young
fool's bill, and if you fall in love
with a woman twenty years older than yourself, don't tell me about
it, that's all."
</para>

<para>

With these counsels, and many others equally valuable, did Papa
Wick fortify Bobby ere that last
awful night at Portsmouth when the Officers' Quarters held more
inmates than were provided for
by the Regulations, and the liberty-men of the ships fell foul of the
drafts for India, and the battle
raged from the Dockyard Gates even to the slums of
Longport, while the drabs of Fratton came down and scratched the
faces of the Queen's Officers.
</para>

<para>
Bobby Wick, with an ugly bruise on his freckled nose, a sick and
shaky detachment to
manoeuvre inship and the comfort of fifty scornful females to
attend to, had no time to feel
homesick till the Malabar reached mid-Channel, when he doubled
his emotions with a little
guard-visiting and a great many other matters.
</para>

<para>
The Tail Twisters were a most particular Regiment.  Those who
knew them least said that they
were eaten up with 'side.' But their reserve and their internal
arrangements generally were
merely protective diplomacy. Some five years before, the Colonel
commanding had looked into
the fourteen fearless eyes of seven plump and juicy subalterns who
had all applied to enter the
Staff Corps, and had asked them why the three stars should he, a
colonel of the Line, command a
dashed nursery for double-dashed bottle-suckers who put on
condemned tin spurs and rode
qualified mokes at the hiatused heads of forsaken Black
Regiments. He was a rude man and a
terrible. Wherefore the remnant took measures [with the half-butt
as an engine of public
opinion] till the rumor went abroad that young men who used the
Tail Twisters as a crutch to the
Staff Corps, had many and varied trials to endure.  However. a
regiment had just as much right
to its own secrets as a woman.
</para>

<para>
When Bobby came up from Deolali and took his place among the
Tail Twisters, it was gently
but firmly borne in upon him that the Regiment was his father and
his mother and his
indissolubly wedded wife, and that there was no crime under the
canopy of heaven blacker than
that of bringing shame on the Regiment, which was the
best-shooting, best-drilled, best set-up,
bravest, most illustrious, and in all respects most desirable
Regiment within the compass of the
Seven Seas.  He was taught the legends of the Mess Plate from the
great grinning Golden Gods
that had come out of the Summer Palace in Pekin to the
silver-mounted markhorhorn snuff-mull
presented by the last C. 0. [he who spake to the seven subaltems].
And every one of those
legends told him of battles fought at long odds, without fear as
without support; of hospitality
catholic as an Arab's; of friendships deep as the sea and steady as
the fighting-line; of honor won
by hard roads for honor's sake; and of instant and unquestioning
devotion to the Regiment~the
Regiment that claims the lives of all and lives forever.
</para>

<para>
More than once, too, he came officially into contact with the
Regimental colors, which looked
like the lining of a bricklayer's hat on the end of a chewed stick.
Bobby did not kneel and
worship them, because British subalterns are not constructed in
that manner. Indeed, he
condemned them for their weight at the very moment tnat they
were filling with awe and other
more noble sentiments.
</para>

<para>
But best of all was the occasion when he moved with the Tail
Twisters, in review order at the
breaking of a November day.  Allowing for duty-men and sick, the
Regiment was one thousand
and eighty strong, and Bobby belonged to them; for was be not a
Subaltern of the Line- the whole Line and nothing but the Line-as the
tramp of two thousand one
hundred and sixty sturdy ammunition boots attested.  He would not
have changed places with
Deighton of the Horse Battery, whirling by in a pillar of cloud to a
chorus of "Strong right!
Strong left!" or Hogan-Yale of the White Hussars, leading his
squadron for all it was worth, with
the price of horseshoes thrown in; or "Tick" Boileau, trying to live
up to his fierce blue and gold
turban while the  wasps  of  the  Bengal  Cavalry stretched to a
gallop in the wake of the long,
lollopping Walers of the White Hussars.
</para>

<para>
They fought through the clear cool day, and Bobby felt a little
thrill run down his spine when he
heard the tinkletinkle-tinkle of the empty cartridge-cases hopping
from the breech-blocks after
the roar of the volleys; for he knew that be should live to hear that
sound in action. The review
ended in a glorious chase across the plain-batteries thundering
after cavalry to the huge disgust
of the White Hussars, and the Tyneside Tail Twisters hunting a
Sikh Regiment, till the lean lathy
Singhs panted with exhaustion. Bobby was dusty and dripping long
before noon, but his
enthusiasm was merely focused-not diminished.
</para>

<para>
He returned to sit at the feet of Revere, his "skipper," that is to say,
the Captain of his Company,
and to be instructed in the dark art and mystery of managing men,
which is a very large part of
the Profession of Arms.
</para>

<para>
"If you haven't a taste that way," said Revere, between his puffs of
his cheroot. "you'll never he
able to get
the hang of it, but remember Bobby, 'tisn't the best drill, though
drill is nearly everything, that
hauls a Regiment through Hell and out on the other side. It's the
man who knows how to handle
men-goat-men, swine-men, dog-men, and so on."
</para>

<para>
"Dormer, for instance," said Bobby. "I think he comes under the
head of fool-men.  He mopes
like a sick owl."
</para>

<para>
"That's where you make your mistake, my son.  Dormer isn't a fool
yet, but he's a dashed dirty
soldier, and his room corporal makes fun of his socks before
kit-inspection.  Dormer,  being
two-thirds pure brute, goes into a corner and growls."
</para>

<para>
"How do you know?" said Bobby, admiringly.
</para>

<para>
"Because a Company commander has to know these
things-because, if he does not know, he may
have crim~ay, murder-brewing under his very nose and yet not see
that it's there. Dormer is
being badgered out of his mind-big as he is-and he hasn't intellect
enough to resent it.  He's taken
to quiet boozing and, Bobby, when the butt of a room goes on the
drink, or takes to moping by
himself, measures are necessary to pull him out of himself."
</para>

<para>
"What measures?  'Man can't run round coddling his men forever."
</para>

<para>
"No.  The men would precious soon show him that he was not
wanted. You've got to"-Here the
Color-sergeant entered with some papers; Bobby reflected for a
while as Revere looked through
the Company forms.
</para>

<para>
"Does Dormer do anything, Sergeant?" Bobby asked, with the air
of one continuing an interrupted conversation.
</para>

<para>
"No, sir. Does 'is dooty like a hortomato," said the Sergeant, wbo
delighted in long words. "A
dirty soldier, and 'e's under full stoppages for new kit.  It's covered
with scales, sir."
</para>

<para>
"Scales? What scales?"
</para>

<para>
"Fish-scales, sir.  'E's always pokin' in the mud by the river an'
a-cleanin' them muchly- fish with
'is thumbs." Revere was still absorbed in the Company papers, and
the Sergeant, who was sternly
fond of Bobby, continued,-'E generally goes down there when 'e's
got 'is skinful, beggin' youi
pardon, sir, an' they do say that the more lush
in-he-briated 'e is, the more fish 'e catches. They call 'im the
Looney Fish-monger in the Comp'ny,
sir."
</para>

<para>
Revere signed the last paper and the Sergeant retreated.
</para>

<para>
"It's a filthy amusement," sighed Bobby to himself. Then aloud to
Revere:  "Are you really
worried about Dormer?"
</para>

<para>
"A little.  You see he's never mad enough to send to a hospital, or
drunk enough to run in, but at
any minute he may flare up, brooding and sulking as he does. He
resents any interest being
shown in him, and the only time I took him out shooting he all but
shot me by accident."
</para>

<para>
"I fish," said Bobby, with a wry face. "I hire a country-boat and go
down the river from Thursday
to Sunday, and the amiable Dormer goes with me-if you can spare
us both."
</para>

<para>
"You blazing young fool!" said Revere, but his heart was full of
much more pleasant words.
</para>

<para>
Bobby, the Captain of a dhoni, with
Private Dormer for mate, dropped down the river on Thursday
morning-the Private at the bow,
the Subaltern at the helm.  The Private glared uneasily at the
Subaltern, who respected the
reserve of the Private.
</para>

<para>
After six hours, Dormer paced to the stern, saluted, and said-"Beg
y'pardon, sir, but was you ever
on the Durh'm Canal?"
</para>

<para>
"No," said Bobby Wick. "Come and have some tiffin."
</para>

<para>
They ate in ~ilence. As the evening fell, Private Dormer broke
forth, speaking to himself-"Hi
was on the Durh'm Canal, jes'
such a night, come next week twelve month, a-trailin' of my toes in
the water."  He smoked and
said no more till bedtime.
</para>

<para>
The witchery of the dawn turned the grey river-reaches to purple,
gold, and opal; and it was as
though the lumbering dhoni crept across the splendors of a new
heaven.
</para>

<para>
Private Dormer popped his head out of his blanket and gazed at the
glory below and around.
</para>

<para>
"Well-damn-my eyes!" said Private Dormer, in an awed whisper.
"This 'ere is like a bloomin'
gallantry-show!" For the rest of the day he was dumb, but achieved
an ensanguined filthiness
through the cleaning of big fish.
</para>

<para>
The boat returned on Saturday evefling. Dormer had been
struggling with speech since noon  As
the lines and luggage were being disembarked, he found tongue.
</para>

<para>
"Beg y'pardon~ sir," he said, "but would you-would you mm'
shakin' 'ands with me, sir?"
</para>

<para>
"Of cnurse not," said Bobby, and he
shook accordingly. Dormer returned to barracks and Bobby to
mess.
</para>

<para>
"He wanted a little quiet and some fishing, I think," said Bobby.
"My aunt, but he's a filthy sort
of animal!  Have you ever seen him clean 'them, muchlyfish with
'is thumbs'?"
</para>

<para>
"Anyhow," said Revere, three weeks later, "he's doing his best to
keep his things clean."
</para>

<para>
When the spring died, Bobby joined in the general scramble for
Hill leave, and to his surprise
and delight secured three months.
</para>

<para>
"As good a boy as I want," said Revere, the admiring skipper.
</para>

<para>
"The best of the batch," said the Adjutant to the Colonel. "Keep
back that young skrim-shanker
Porkiss, sir, and let Revere make him sit up."
</para>

<para>
So Bobby departed joyously to Simla Pahar with a tin box of
gorgeous raiment.
</para>

<para>
'Son of Wick-old Wick of ChotaBuldana?  Ask him to dinner,
dear," said the aged men.
</para>

<para>
"What a nice boy!" said the matrons and the maids.
</para>

<para>
"First-class place, Simla. Oh, ri-ippmg!" said Bobby Wick, and
ordered new white cord breeches
on the strength of it.
</para>

<para>
"We're in a had way," wrote Revere to Bobby at the end of two
months. "Since you left, the
Regiment has taken to fever and is fairly rotten with it-two
hundred in hospital, about a hundred
in cells-drinking to keep off fever
-and the Companies on parade fifteen file strong at the outside.
There's rather more sickness in
the out-villages than I care for, hut then I'm so blistered with
Erickly-heat that I'm eady to hang
my-
self. What's the yarn about your mashing a Miss Haverley up
there?  Not serious, I hope?  You're
over~young to hang millstones round your neck, and the Colonel
will turf you out of that in
double-quick time if you attempt it."
</para>

<para>
It was not the Colonel that brought Bobby out of Simla, but a
much more to be respected
Commandant. The sick ness in the out-villages spread, the Bazar
was put out of bounds, and
then came the news that the Tail Twisters must go into camp. The
message flashed to the  Hill
stations.-"Cholera-Leave stopped-Officers recalled."  Alas, for the
white gloves in the neatly
soldered boxes, the rides and the dances and picnics that were to
he, the loves half spoken, and
the debts unpaid!  Without demur and without question, fast as
tongue could fly or pony gallop,
hack to their Regiments and their Batteries, as though they were
hastening to their weddings,
fled the subalterns.
</para>

<para>
Bobby received his orders on returning from a dance at Viceregal
Lodge where he had-but only
the Haverley girl knows what Bobby had said or how many waltzes
he had claimed for the next
ball.  Six in the morning saw Bobby at the Tonga Office in the
drenchmg rain, the whirl of the
last waltz still in his ears, and an intoxication due neither to wine
nor waltzing in his brain.
</para>

<para>
"Good man!" shouted Deighton of the Horse Battery, through the
mists. "Whar you raise dat
tonga? I'm coming with you.  Ow!  But I've had a head and a half.
I didn't sit out all night.  They
say the Battery's awful bad," and he hummed dolorously-
'leave the what at the what's-its-name, Leave the flock without
shelter, Leave the corpse
uninterred, Leave the bride at the altar!
</para>


<para>

"My faith!  It'll be more bally corpse than bride, though, this
journey. Jump in, Bobby. Get on,
Coachwanl"
</para>

<para>
On the Umballa platform waited a detachment of officers
discussing the latest news from the
stricken cantonment, and it was here that Bobby learned the real
condition of the Tail 'œwisters.
</para>

<para>
"They went into camp," said an elderly Major recalled from the
whist-tables at Mussoorie to a
sickly Native Regiment, "they went into camp with two hundred
and ten sick in carts. Two
hundred and ten fever cases only, and the balance looking like so
many ghosts with sore eyes. A
Madras Regiment could have walked through 'em."
</para>

<para>
"But they were as fit as be-damned when I left them!" said Bobby.
</para>

<para>
"Then you'd better make them as fit as be-damned when you
rejoin," said the Major, brutally.
</para>

<para>
Bobby pressed his forehead against the rain-splashed windowpane
as the train lumbered across
the sodden Doab, and prayed for the health of the Tyneside Tail
Twisters. Naini Tal had sent
down her contingent with all speed; the lathering ponies of the
Dalhousie Road staggered into
Pathankot, taxed to the full stretch of their strength; while from
cloudy Darjiling the Calcutta
Mail whirled up the last straggler of the little army that was to
fight a fight, in which was neither
medal nor honor for the winning, against an enemy none other
than "the sickness that destroyeth
in the noonday."
</para>

<para>
And as each man reported himself, he said:  "This is a bad
business," and went about his own
forthwith, for every Regiment and Battery in the cantonment was
under canvas, the sickness
bearing them company.
</para>

<para>
Bobby fought his way through the rain to the Tail Twisters'
temporary mess, and Revere could
have fallen on the boy's neck for the joy of seeing that ugly,
wholesome phix once more.
</para>

<para>
"Keep 'em amused and interested," said Revere. "They went on the
drink, poor fools, after the
first two cases, and there was no improvement. Oh, it's good to
have you back, Bobby!  Porkiss
is a-never mind."
</para>

<para>
Deighton came over from the Artillery camp to attend a dreary
mess dinner, and contributed to
the general gloom by nearly weeping over the condition of his
beloved Battery.  Porkiss so far
forgot h!mself as to insinuate that the presence of the officers
could do no earthly good, and that
the best thing would be to send the entire Regiment into hospital
and "let the doctors look after
them."  Porkiss was demoralized with fear, nor was his peace of
mind restored when Revere said
coldly:
"Oh! The sooner you go out the better, if that's your way of
thinking. Any public school could
send us fifty good men in your place, but it takes time, time,
Porkiss, and money, and a certain
amount of trouble, to make a Regiment. 'S'pose you're the person
we go into camp for, eh?"
</para>

<para>
Whereupon Porkiss was overtaken with a great and chilly fear
which a drenching in the rain did
not allay, and, two days later, quitted this world for another where,
men do fondly hope,
allowances are made for the weaknesses of the flesh. The
Regimental Sergeant-Major looked
wearily across the Sergeants' Mess tent when the news was
announced.
</para>

<para>
"There goes the worst of them," he said.  "It'll take the best, and
then, please God, it'll stop." The
Sergeants were silent till one said: "It couldn't be him!" and all
knew of whom Travis was
thinking.
</para>

<para>
Bobby Wick stormed through the tents of his Company, rallying,
rebuking. mildly, as is
consistent with the Regulations, chaffing the faint-hearted:
haling the sound into the watery sunlight when there was a break
in the weather, and bidding
them be of good cheer for their trouble was nearly at an end;
scuttling on his dun pony round the
outskirts of the camp and heading back men who, with the innate
perversity of British soldier's,
were always wandering into infected villages, or drinking  deeply
from  rain-flooded marshes;
comforting the panic-stricken with rude speech, and more than
once tending the dying who had
no friends-the men without "townies"; organizing, with banjos and
burned cork, Sing-songs
which should allow the talent of the Regiment full play; and
generally, as he explained, "paying
the giddy garden-goat all round."
</para>

<para>
"You're worth half a dozen of us, Bobby," said Revere in a moment
of enthusiasm.  "How the
devil do you keep it up?"
</para>

<para>
Bobby made no answer, but had Revere looked into the
breast-pocket of
his coat he might have seen there a sheaf of badly-written letters
which perhaps accounted for
the power that posessed the boy. A letter came to Bobby every other day. The
spelling was not above reproach,
but the sentiments must have been most satisfactory, for on receipt
Bobby's eyes softened
marvelously, and he was wont to fall into a tender abstraction for a
while ere, shaking his
cropped head, he charged into his work.
</para>

<para>
By what power he drew after him the hearts of the roughest, and
the Tail Twisters counted in
their ranks some rough diamonds indeed, was a mystery to both
skipper and C. 0., who learned
from the regimental chaplain that Bobby was considerably more in
request in the hospital tents
than the Reverend John Emery.
</para>

<para>
"The men seem fond of you. Are you in the hospitals much?" said
the Colonel, who did his daily
round and ordered the men to get well with a hardness that did not
cover his bitter grief.
</para>

<para>
"A little, sir," said Bobby.
</para>

<para>
"Shouldn't go there too often if I were you. They say it's not
contagious, but there's no use in
running unnecessary risks.  We can't afford to have you down,
y'know."
</para>

<para>
Six days later, it was with the utmost difficulty that the post-runner
plashed his way out to the
camp with mailbags, for the rain was falling in torrents.  Bobby
received a letter, bore it off to
his tent, and, the programme for the next week's Sing-song being
satisfactorily disposed of, sat
down to answer it.  For an hour the unhandy pen toiled over the
paper, and where sentiment rose
to more than normal tide-level Bobby Wick stuck out his tongue
and breathed heavily.  He was
not used to letter-writing.
</para>


<para>

"Beg y'pardon, sir," said a voice at the tent door; "but Dormer's
'orrid bad, sir, an' they've taken
him orf, sir.
</para>

<para>
"Damn Private Dormer and you too!" said Bobby Wick running the
blotter over the half-finished
letter.  "Tell him I'll come in the morning."
</para>

<para>
'E's awful bad, sir," said the voice, hesitatingly.  There was an
undecided squelching of heavy
boots.
</para>

<para>
"Well?" said Bobby, impatiently.
</para>

<para>
"Excusin' 'imself before an' for takin' the liberty, 'e says it would be
a comfort for to assist 'im,
sir, if"-"Tattoo lao! Get my pony!  Here, come in out of the rain till
I'm ready. 'Vhat blasted
nuisances you are! That's brandy.  Drink some; you want it. Hang
on to my stirrup and tell me if I
go mo fast."
</para>

<para>
Strengthened by a four-finger "nip" which he swallowed without a
wink, the Hospital Orderly
kept up with the slipping, mud-stained, and very disgusted pony as
it shambled to the hospital
tent.
</para>

<para>
Private Dormer was certainly " 'orrid bad." He had all but reached
the stage of collapse and was
not pleasant to look upon.
</para>

<para>
"What's this, Dormer?" said Bobby, bending over the man. "You're
not going out this time.
You've got to come fishin~ with me once or twice more yet."
</para>

<para>
The blue lips parted and in the ghost of a whisper said,-"Beg
y'pardon, sir, disturbin' of you now,
but would you mm' 'oldin' my 'and, sir?"
</para>

<para>
Bobby sat on the side of the bed, and the icy cold hand closed on
his own like a vice, forcing a
lady's ring which was on the little finger de~p into the
flesh.  Bobby Set his lips and waited, the water dripping from the
hem of his trousers. An hour
passed and the grasp of the hand did not relax, nor did the
expression on the drawn face change.
Bobby with infinite craft lit himself a cheroot with the left hand,
his right arm was numbed to
the elbow, and resigned himself to a night of pain.
</para>

<para>
Dawn showed a very white-faced Sub altern sitting on the side of a
sick man's cot, and a Doctor
in the doorway using language unfit for publication.
</para>

<para>
"Have you been here all night, you young ass?" said the Doctor.
</para>

<para>
"There or thereabouts," said Bobby, ruefully. "He's frozen on to
me."
</para>

<para>
Dormer's mouth shut with a click. He turned his head and sighed.
The clinging band opened,
and Bobby's arm fell useless at his side.
</para>

<para>
"He'll do," said the Doctor, quietly. "It must have been a toss-up
all througb the night. 'Think
you're to be congratulated on this case."
</para>

<para>
"Oh, bosh!" said Bobby.  "I thought the man had gone out long
ago only
only I didn't care to take my hand away.  Rub my arm down, there's
a good chap. What a grip the
brute has! I'm chilled to the marrow!" He passed out of the tent
shivering.
</para>

<para>
Private Dormer was allowed to celebrate his repulse of Death by
strong waters.  Four days later,
he sat on the side of his cot and said to the patients mildly:  "I'd 'a'
liken to 'a' spoken to 'im-so I
should."
</para>

<para>
But at that time Bobby was reading yet another letter-he had the
most persistent correspondent
of any man in camp~and was even then about to write that the
sickness had abated. and in
another week at the outside would be gone.  He did not intend to
say that the chill of a sick man's
hand seemed to nave struck into the heart whose capacities for
affection he dwelt on at such
length.  He did intend to enclose the illustrated programme of the
forthcoming Sing-song
whereof he was not a little proud. He also intended to write on
many other matters which do not
concern us, and doubtless would have done so but for the slight
feverish headache which made
him dull and unresponsive at mess.
</para>

<para>
"You are overdoing it, Bobby," said his skipper.  "'Might give the
rest of us credit of doing a
little work.  You go on as if you were the whole Mess rolled into
one. Take it easy."
</para>

<para>
"I will," said Bobby.  "I'm feeling done up, somehow." Revere
looked at him anxiously and said
nothing.
</para>

<para>
There was a flickering of lanterns about the camp that night, and a
rumor that brought men out
of their cots to the tent doors, a paddling of the naked feet of
doolie-bearers and the rush of a
galloping horse.
</para>

<para>
"Wot's up?" asked twenty tents; and through twenty tents ran the
answer-"Wick, 'e's down."
</para>

<para>
They brought the news to Revere and he groaned.  "Any one but
Bobby and I shouldn't have
cared!  The Sergeant-Major was right."
</para>

<para>
"Not going out this journey," gasped Bobby, as he was lifted from
the doolie. "Not going out this
journey."  Then with an air of supreme conviction-"I can't, you
see."
</para>

<para>
"Not if I can do anything!" said the Surgeon-Major, who had
hastened over
from the mess where he had been dining.
</para>

<para>
He and the Regimental  Surgeon fought together with Death for
the life of Bobby Wick. Their
work was interrupted by a hairy apparition in a blue-grey
dressing-gown who stared in horror at
the bed and cried-"Oh, my Gawd.  It can't be 'im!" until an
indignant Hospital Orderly whisked
him away.
</para>

<para>
If care of man and desire to live could have done aught, Bobby
would have been saved.  As it
was, he made a fight of three days, and the Surgeon-Major's brow
uncreased.  "We'll save him
yet," he said; and the Surgeon, who, though he ranked with the
Captain, had a very youthful
heart, went out upon the word and pranced joyously in the mud.
</para>

<para>
"Not going out this journey," whispered Bobby Wick, gallantly, at
the end of the third day.
</para>

<para>
"Bravo!" said the Surgeon-Major. "That's the way to look at it,
Bobby."
</para>

<para>
As evening fell a grey shade gathered round Bobby's mouth, and he
turned his face to the tent
wall wearily. The Surgeon-Major frowned.
</para>

<para>
"I'm awfully tired," said Bobby, very faintly.  "What's the use of
bothering me with medicine?
I don't-want-it. Let me alone."
</para>

<para>
The desire for life had departed, and Bobby was content to drift
away on the easy tide of Death.
</para>

<para>
"It's no good," said the SurgeonMajor. "He doesn't want to live.
He's meeting it, poor child." And
he blew his nose.
</para>

<para>
Half a mile away, the regimental band was playing the overture to
the Sing.
song, for the men had been told that Bobby was out of danger.
The clash of the brass and the
wail of the horns reached Bobby's ears.
</para>

<song>

<line>Is there a single joy or pain,</line>
<line>That I should never kno~ow?</line>
<line>You do not ~ove me, 'tis in vain,</line>
<line>Bid me good-bye and go!</line>
</song>

<para>

An expression of hopeless irritation crossed the boy's face, and he
tried to shake his head.
</para>

<para>
The  Surgeon-Major  bent  down-"What is it?  Bobby?"-"Not that
waltz," muttered Bobby.
"That's our own-our very ownest own.
Mummy dear."
</para>

<para>
With this he sank into the stupor that gave place to death early
next morning.
</para>

<para>
Revere, his eyes red at the rims and his nose very white, went into
Bobby's tent to write a letter
to Papa Wick which should bow the white head of the
ex-Commissioner of Chota-Buldana in the
keenest sorrow of his life.  Bobby's little store of papers lay in
confusion on the table, and among
them a half-finished letter.  The last sentence ran:
"So you see, darling, there is really no fear, because as long as I
know you care for me and I care
for you, nothing can touch me."
</para>

<para>
Revere stayed in the tent for an hour. When he came out, his eyes
were redder than ever.
</para>

<para>
*
*
*
*
*
*
</para>

<para>

Private Conklin sat on a turned-down bucket, and listened to a not
unfamiliar tune.  Private
Conklin was a convalescent and should have been tenderly treated.
</para>

<para>
"Ho!" said Private Conklin. "There's another bloomin' orf'cer
da~d."
</para>

<para>
The bucket shot from under him, and his eyes filled with a
smithyful of sparks. A tall man in a
blue-grey bedgown was regarding him with deep disfavor.
</para>

<para>
"You ought to take shame for yourself, Conky! Orf'cer?-bloomin'
orf'cer? I'll learn you to
misname the likes of 'im. Hangel! Bloomin' Hangel! That's wot 'e
is!"
</para>

<para>
And the Hospital Orderly was so satisfied with the justice of the
punishment that he did not even
order Private Dormer back to his cot.
</para>
</chapter>

<chapter>
<chapheader>

<title>In the Matter of a Private</title>

<blockquote>
<song>
<line>Hurrah! hurrah! a soldier's life for me! </line>
<line>Shout, boys, shout! </line>
<line>for itmakes you jolly and free.</line>
</song>
<attrib>-The Ramrod Corps.</attrib>
</blockquote>

</chapheader>
<para>

PEOPLE who have seen, say that one of the quaintest spectacles of
human frailty is an outbreak
of hysterics in a girls' school. It starts without warning, generally
on a hot afternoon among the
elder pupils. A girl giggles till the giggle gets beyond control.
Then she throws up her head, and
cries, "Honk, honk, honk," like a wild goose, and tears mix with
the laughter.  If the mistress be
wise she will rap out something severe at this point to check
matters. If she be tender-hearted,
and send for a drink of water, the chances are largely in
favor of another girl laughing at the afflicted one and herself
collapsing. Thus the trouble
spreads, and may end in half of what answers to the Lower Sixth
of a boys' school rocking and
whooping together.   Given a week of warm weather, two stately
promenades per diem, a heavy
mutton and rice meal in the middle of the day, a certain amount of
nagging from the teachers,
and a few other things, some amazing effects develop.  At least
this is what folk say who have
had experience.
</para>

<para>
Now, the Mother Superior of a Convent and the Colonel of a
British Infantry Regiment would be
justly shocked at any comparison being made between their
respective charges.  But it is a fact
that, under certain circumstances, Thomas in bulk can be worked
up into ditthering, rippling
hysteria.  He does not weep, but he shows his trouble
unmistakably, and the consequences get
into the newspapers, and all the good people who hardly know a
Martini from a Snider say:
"Take away the brute's ammunition!"
</para>

<para>
Thomas isn't a brute, and his business, which is to look after the
virtuous people, demands that
he shall have his am-munition to his hand. He doesn't wear silk
stockings, and he really ought to
he supplied with a new Adjective to help him to express his
opinions; but, for all that, he is a
great man. If you call him "the heroic defender of the national
honor" one day, and "a brutal and
licentious soldiery" the next, you naturally bewilder him, and he
looks upon you with suspicion.
There is nobody to speak for Thomas except people who have
theories to work off on him; and
nobody understands Thomas except
Thomas, and he does not always know what is the matter with
himself.
</para>

<para>
That is the prologue.  This is the story:
</para>

<para>
Corporal Slane was engaged to be married to Miss Jhansi
M'Kenna, whose history is well known
in the regiment and elsewhere. He had his Colonel's permission,
and, being popular with the
men, every arrangement had been made to give the wedding what
Private Ortheris called
"eeklar."  It fell in the heart of the hot weather, and, after the
wedding, Slane was going up to the
Hills with the Bride. None the less, Slane's grievance was that the
affair would be only a
hired-carriage wedding, and he felt that the "eeklar" of that was
meagre.  Miss M'Kenna did not
care so much.  The Sergeant's wife was helping her to make her
wedding-dress, and she was very
busy.  Slane was, just then, the only moderately contented man in
barracks. All the rest were
more or less miserable.
</para>

<para>
And they had so much to make them happy, too. All their work
was over at eight in the morning,
and for the rest of the day they could lie on their backs and smoke
Canteen-plug and swear at the
punkab-coolies. They enjoyed a fine, full flesh meal in the middle
of the day, and then threw
themselves down on their cots and sweated and slept till it was
cool enough to go out with their
"towny," whose vocabulary contained less than six hundred words,
and the Adjective, and whose
views on every conceivable question they had heard many times
before.
</para>

<para>
There was the Canteen, of course, and there was the Temperance
Room with the second-hand
papers in it; but
a man of any profession cannot read for eight hours a day in a
temperature of 96 or 98 in the
shade, running up sometimes to 1030 at midnight.  Very few men,
even though they get a
pannikin of flat, stale, muddy beer and hide it under their cots, can
continue drinking for six
hours a day. One man tried, but he died, and nearly the whole
regiment went to his funeral
because it gave them something to do. It was too early for the
excitement of fever or cholera.
The men could only wait and wait and wait, and watch the shadow
of the barrack creeping
across the blinding white dust.  That was a gay life.
</para>

<para>
They lounged about cantonments-it was too hot for any sort of
game, and almost too hot for
vice-and fuddled themselves in the evening, and filled themselves
to distension with the healthy
nitrogenous food provided for them, and the more they stoked the
less exercise they took and
more explosive they grew.  Then tempers began to wear away, and
men fell a-brooding over
insults real or imaginary, for they had nothing else to think of.  The
tone of the repartees
changed, and instead of saying light-heartedly: "I'll knock your
silly face in," men grew
laboriously polite and hinted that the cantonments were not big
enough for themselves and their
enemy, and that there would he more space for one of the two in
another place.
</para>

<para>
It may have been the Devil who arranged the thing, but the fact of
the case is that Losson had
for a long time been worrying Simmons in an aimless way. It gave
him occupation. The two had
their cots side by side, and would
sometimes  spend  a  long  afternoon swearing at each other; but
Simmons was afraid of Losson
and dared not challenge him to a fight.  He thought over the words
in the hot still nights, and half
the hate he felt toward Losson be vented on the wretched
punkahcoolie.
</para>

<para>
Losson bought a parrot in the bazar, and put it into a little cage,
and lowered the cage into the
cool darkness of a well, and sat on the well-curb, shouting bad
language down to the parrot. He
taught it to say:  "Simmons, ye so-oor," which means swine, and
several other things entirely
unfit for publication. He was a big gross man, and he shook like a
jelly when the parrot had the
sentence correctly.  Simmons, however, shook with rage, for all
the room were laughing at
him-the parrot was such a disreputable puff of green feathers and it
looked so human when it
chattered. Losson used to sit, swinging his fat legs, on the side of
the cot, and ask the parrot what
it thought of Simmons.  The parrot would answer:
"Simmons, ye so-oor."  "Good boy," Losson used to say, scratching
the parrot's head; "ye 'ear
that, Sim?" And Simmons used to turn over on his stomach and
make answer:  "I 'ear. Take 'eed
you don't 'ear something one of these days."
</para>

<para>
In the restless nights, after he had been asleep all day, fits of blind
rage came upon Simmons and
held him till he trembled all over, while he thought in how many
different ways he would slay
Losson.  Sometimes he would picture himself trampling the life
out of the man, with heavy
ammunition-boots, and at others smashing in his face with
the butt, and at others jumping on his shoulders and dragging the
head back till the neckbone
cracked.  Then his mouth would feel hot and fevered, and he
would reach out for another sup of
the beer in the pannikin.
</para>

<para>
But the fancy that came to him most frequently and stayed with
him longest was one connected
with the great roll of fat under Losson's right ear.  He noticed it
first on a moonlight night, and
thereafter it was always before his eyes. It was a fascinating roll of
fat. A man could get his hand
upon it and tear away one side of the neck; or he could place the
muzzle of a rifle on it and blow
away all the head in a flash. Losson had no right to be sleek and
contented and well-to-do,  when
he, Simmons, was the butt of the room, Some day, perhaps, he
would show those who laughed at
the "Simmons, ye so-oor" joke, that he was as good as the rest, and
held a man's life in the crook
of his forefinger.  When Losson snored, Simmons hated him more
bitterly than ever.  Why
should Losson be able to sleep when Simmons had to stay awake
hour after hour, tossing and
turning on the tapes, with the dull liver pain gnawing into his right
side and his head throbbing
and aching after Canteen?  He thought over this for many nights,
and the world became
unprofitable to him.  He even blunted his naturally fine appetite
with beer and tobacco; and all
the while the parrot talked at and made a mock of him.
</para>

<para>
The heat continued and the tempers wore away more quickly than
before. A Sergeant's wife died
of heat-apoplexy in the night, and the rumor ran abroad
that it was cholera.  Men rejoiced openly, hoping that it would
spread and send them into camp.
But that was a false alarm.
</para>

<para>
It was late on a Tuesday evening, and the men were waiting in the
deep double verandas for
"Last Posts," when Simmons went to the box at the foot of his bed,
took aut his pipe, and
slammed the lid down with a bang that echoed through the
deserted barrack like the crack of a
rifle.  Ordinarily speaking, the men would have taken no notice;
but their nerves were fretted to
fiddle-strings. They jumped up, and three or four clattered into the
barrack-room only to find
Simmons kneeling by his box.
</para>

<para>
"Owl It's you, is it?" they said and laughed  foolishly.   "We t h o u
g h t 'twas"-Simmons rose
slowly.  If the accident had so shaken his fellows, what would not
the reality do?
</para>

<para>
"You thought it was-did you? And what makes you think?" he said,
lashing himself into madness
as he went on; "to Hell with your thinking, ye dirty spies."
</para>

<para>
"Simmons, ye so-oor," chuckled the parrot in the veranda, sleepily,
recognizing a well-known
voice. Now that was absolutely all.
</para>

<para>
The tension snapped.  Simmons fell back on the arm-rack
deliberately,-the men were at the far
end of the room,-and took out his rifle and packet of ammunition.
"Don't go ~laying the goat,
Sim!"  said Losson.  "Put it down," but there was a quaver in his
voice.  Another man stooped,
slipped his boot and hurled it at Simmon's head.  The prompt
answer was a shot
which, fired at random, found its billet in Losson's throat. Losson
fell forward without a word,
and the others scattered.
</para>

<para>
"You thought it was!" yelled Simmons.  "You're drivin' me to it!  I
tell you you're drivin' me to it!
Get up, Losson, an' don't lie shammin' there-you an' your blasted
parrit that druv me to it!"
</para>

<para>
But there was an unaffected reality about Losson's pose that
showed Simmons what he had done.
The men were still clamoring n the veranda. Simmons
appropriated two more packets of
ammunition and ran into the moonlight, muttering:  "I'll make a
night of it. Thirty roun's, an' the
last for myself. Take you that, you dogs!"
</para>

<para>
He dropped on one knee and fired into the brown of the men on
the veranda, but the bullet flew
high, and landed in the brickwork with a vicious phant that made
some of the younger ones turn
pale. It is, as musketry theorists observe, one thing to fire and
another to be fired at.
</para>

<para>
Then the instinct of the chase flared up.  The news spread from
barrack to barrack, and the men
doubled out intent on the capture of Simmons, the wild beast, who
was heading for the Cavalry
parade-ground, stopping now and again to send back a shot and a
curse in the direction of his
pursuers.
</para>

<para>
"I'll learn you to spy on me!" he shouted;  "I'll learn you to give me
dorg's names!  Come on the
'ole lot 0' you!  Colonel John Anthony Deever, C.B.!"-he turned
toward the Infantry Mess and
shook his rifle-"you think yourself the devil of a man-but I tell 'jou
that if you Put your ugly old
car-cass outside 0' that door, I'll make you the poorest-lookin' man in
the army. Come  out,  Colonel
John  Anthony Deever, C.B.!  Come out and see me practiss on the
rainge.  I'm the crack shot of
the 'ole bloomin' battalion." In proof of which statement Simmons
fired at the lighted windows
of the mes~house.
</para>

<para>
"Private Simmons, E Comp'ny, on the Cavalry p'rade-ground, Sir,
with thirty rounds," said a
Sergeant breathlessly to the Colonel.  "Shootin' right and lef', Sir.
Shot Private Losson What's to
be done, Sir?"
</para>

<para>
Colonel John Anthony Deever, C.B., sallied out, only to be saluted
by s spurt of dust at his feet.
</para>

<para>
"Pull up!" said the Second in Command; "I don't want my step in
that way, Colonel.  He's as
dangerous as a mad dog."
</para>

<para>
"Shoot him like one, then," said the Colonel, bitterly, "if he won't
take his chance, My regiment,
too!  If it had been the Towheads I could have under stood."
</para>

<para>
Private Simmons had occupied a strong position near a well on the
edge of the parade-ground,
and was defying the regiment to come on.  The regiment was not
anxious to comply, for there is
small honor in being shot by a fellow-private.  Only Corporal
Slane, rifle in band, threw himself
down on the ground, and wormed his way toward the well.
</para>

<para>
"Don't shoot," said he to the men round him; "like as not you'll hit
me. I'll catch the beggar,
livin'."
</para>

<para>
Simmons ceased shouting for a while, and the noise of trap-wheels
could be heard across the
plain.  Major Oldyn~.
Commanding the Horse Battery, was coming back from a dinner in
the Civil Lines; was driving
after his usual custom-that is to say, as fast as the horse could go.
</para>

<para>
"A orf'cer!  A blooming spangled orf'cer," shrieked Simmons; "I'll
make a scarecrow of that
orf'cer!" The trap stopped.
</para>

<para>
"What's this?" demanded the Major of Gunners.  "You there, drop
your rifle."
</para>

<para>
"Why, it's Jerry Blazes!  I ain't got no quarrel with you, Jerry
Blazes. Pass frien', an' all's well!"
</para>

<para>
But Jerry Blazes had not the faintest intention of passing a
dangerous murderer.  He was, as his
adoring Battery swore  long  and  fervently,  without knowledge of
fear, and they were surely the
best judges, for Jerry Blazes, it was notorious, had done his
possible to kill a man each time the
Battery went out.
</para>

<para>
He walked toward Simmons, with the intention of rushing him,
and knocking him down.
</para>

<para>
"Don't make me do it, Sir," said Simmons; "I ain't got nothing agin
you. Ah! you would?"-the
Major broke into a run-"Take that then!"
</para>

<para>
The Major dropped with a bullet through his shoulder, and
Simmons stood over him. He had lost
the satisfaction of killing Losson in the desired way: hut here was a
helpless body to his hand.
Should be slip in another cartridge, and blow off the head, or with
the butt smash in the white
face? He stopped to consider, and a cry went up from the far side
of the parade-ground: "He's
killed Jerry Blazes!" But in the shelter of the well-pillars Simmons
was safe except when he
stepped
out to fire.  "I'll blow yer 'andsome 'ead off, Jerry Blazes," said
Simmons, reflectively.  "Six an'
three is nine an one is ten, an' that leaves me another nineteen, an'
one for myself."  He tugged at
the string of the second packet  of  ammunition.   Corporal Slane
crawled out of the shadow of a
bank into the moonlight.
</para>

<para>
"I see you!" said Simmons.  "Come a bit furder on an' I'll do for
you."
</para>

<para>
"I'm comm'," said Corporal Slane, briefly; "you've done a bad day's
work, Sim.  Come out 'ere an'
come back with me."
</para>

<para>
"Come to,"-laugbed Simmons, sending a cartridge home with his
thumb. '~Not before I've settled
you an' Jerry Blazes."
</para>

<para>
The Corporal was lying at full length in the dust of the
parade-ground, a rifle under him.  Some
of the less-cautious men in the distance shouted:
"Shoot 'im! Shoot 'im, Slane !"
</para>

<para>
"You move 'and or foot, Slane," said Simmons, "an' I'll kick Jerry
Blazes' 'ead in, and shoot you
after."
</para>

<para>
"I ain't movin'," said the Corporal, raising his head; "you daren't 'it
a man on 'is legs. Let go 0'
Jerry Blazes an' come out 0' that with your fistes. Come an' 'it me.
You daren't, you bloomin'
dog-shooter!"
</para>

<para>
"I dare."
</para>

<para>
"You lie, you man-sticker.  You sneakin', Sheeny butcher, you lie.
See there!"  Slane kicked the
rifle away, and stood up in the peril of his life. "Come on, now!"
</para>

<para>
The temptation was more than Simmons could resist, for the
Corporal in his white clothes
offered a perfect mark.
</para>

<para>
"Don't misname me," shouted Simmons, firing as he spoke.  
The shot missed, and the shooter, blind
with rage, threw his rifle down
and rushed at Slane from the protection of the well. Within
striking distance, he kicked savagely
at Slane's stomach, but the weedy Corporal knew something of
Simmons's weakness, and knew,
too, the deadly guard for that kick.  Bowing forward and drawing
up his right leg till the heel of
the right foot was set some three inches above the inside of the left
knee-cap, he met the blow
standing on one leg~exactly as Gonds stand when they
meditate-and ready for the fall that would
follow. There was an oath, the Corporal fell over his own left as
shinbone met shinbone, and the
Private collapsed, his right leg broken an inch above the ankle.
</para>

<para>
"'Pity you don't know that guard, Sim," said Slane, spitting out the
dust as he rose.  Then raising
his voice "Come an' take him orf.  I've bruk 'is leg."  This was not
strictly true, for the Private
had accomplished his own downfall, since it is the special merit of
that leg-guard that the harder
the kick the greater the kicker's discomfiture.
</para>

<para>
Slane walked to Jerry Blazes and hung over him with ostentatious
anxiety,  while  Simmons,
weeping with pain, was carried away.  " 'Ope you ain't 'urt badly,
Sir," said Slane.  The Major
had fainted, and there was an ugly, ragged hole through the top of
his arm.  Slane knelt down
and murmured. "S'elp me, I believe 'e's dead. Well, if that ain't my
blooming luck all over!"
</para>

<para>
But the Major was destined to lead
his Battery afield for many a long day with unshaken nerve. He
was removed, and nursed and
petted into convalescence, while the Battery discussed the wisdom
of capturing Simmons, and
blowing him from a gun. They idolized their Major, and his
reappearance on parade brought
about a scene nowhere provided for in the Army Regulations.
</para>

<para>
Great, too, was the glory that fell to Slane's share. The Gunners
would have made him drunk
thrice a day for at least a fortnight. Even the Colonel of his own
regiment complimented him
upon his coolness, and the local paper called him a hero.  These
things did not puff him up.
When the Major offered him money and thanks, the virtuous
Corporal took the one and put aside
the other.  But he had a request to make and prefaced it with many
a "Beg y'pardon, Sir." Could
the Major see his way to letting the SlaneM'Kenna wedding be
adorned by the presence of four
Battery horses to pull a hired barouche?  The Major could, and so
could the Battery.  Excessively
so. It was a gorgeous wedding.
</para>

<para>
*
*
*
*
*
*
</para>

<para>

"Wot did I do it for?" said Corporal Slane.  "For the 'orses 0'
course. Jhansi ain't a beauty to look
at, but I wasn't goin' to 'ave a hired turn-out. Jerry Blazes?  If I
'adn't 'a' wanted something, Sim
might ha' blowed Jerry Blazes' blooming 'ead into Hirish stew for
aught I'd 'a' cared."
</para>

<para>
And they hanged Private Simmons-hanged him as high as Haman
in hollow square of the
regiment; and the Colonel said it was Drink; and the Chaplain
was sure it was the Devil; and Simmons fancied it was both, but he
didn't know, and only hoped
his fate would be a warning to his companions; and half a dozen
"intelligent publicists" wrote six
beautiful leading articles on
"'The Prevalence  of Crime in the Army."
</para>

<para>
But not a soul thought of comparing the "bloody-minded
Simmons" to the squawking, gaping
schoolgirl with which this story opens.
</para>
</chapter>

<chapter>
<chapheader>
<title>
The Enlightenments of Pagett, M.P
</title>

<blockquote>
<para>
"Because half a dozen grasshoppers under a fern make the field
ring with their importunate
chink while thousands of great cattle, reposed beneath the shadow
of the British oak, chew the
cud and are silent, pray do not imagine that those who make the
noise are the only inhabitants of
the field-that, of course, they are many in number that, after all,
they are other than the little,
shrivelled, meagre, hopping, though loud and troublesome insects
of the hour."
</para>
<attrib>-Burke:
"Reflections on the Revolution in France."</attrib>
</blockquote>
</chapheader>
<para>

THEY were sitting in the veranda of "the splendid palace of an
Indian Pro-Consul"; surrounded
by all the glory and mystery of the immemorial East. In plain
English it was a one-storied,
ten-roomed, whitewashed, mud-roofed bungalow, set in a dry
garden of dusty tamarisk trees and
divided from the road by a low mud wall. The green parrots
screamed overhead as they flew in
battalions to the river for their morning drink.  Beyond the wall,
clouds of fine dust showed
where the cattle and goats of the city were passing afield to graze.
The remorseless white light of
the winter sunshine of Northern India lay upon everything and
improved nothing, from the
whining Peisian-wheel by the lawn-tennis court to the long perspec
tive of level road and the blue, domed tombs of Mohammedan
saints just visible above the trees.
</para>

<para>
"A Happy New Year," said Orde to his guest.  "It's the first you've
ever spent out of England, isn't
it?"
</para>

<para>
"Yes.  'Happy New Year,"  said Pagett, smiling at the sunshine.
"What a divine climate you
have here!  Just think of the brown cold fog hanging over London
now!"  And he rubbed his
hands.
</para>

<para>
It was more than twenty years since he had last seen Orde, his
schoolmate, and their paths in the
world had divided early.  The one had quitted college to become a
cog-wheel in the machinery
of the great Indian Government; the other more blessed with
goods, had been whirled into a
similar position in the English scheme. Three successive elections
had not affected Pagett's
position with a loyal constituency, and he had grown insensibly to
regard himself in some sort as
a pillar of the Empire, whose real worth would be known later
on. After a few years of conscientious attendance at many
divisions, after newspaper battles
innumerable and the publication  of  interminable
correspondence, and more hasty oratory than
in his calmer moments he cared to think upon, it occurred to him,
as it had occurred to many of
his fellows in Parliament, that a tour to India would enable him to
sweep a larger lyre and
address himself to the problems of Imperial administration with a
firmer hand. Accepting,
therefore, a general invitation extended to him by Orde some years
before, Pagett bad taken ship
to Karachi, and only over-night had been received with joy by the
Deputy-Commissioner of
Amara.  They had sat late, discussing the changes and chances of
twenty years, recalling the
names of the dead, and weighing the futures of the living, as is the
custom of men meeting after
intervals of action.
</para>

<para>
Next morning they smoked the after breakfast pipe in the veranda,
still regarding each other
curiously, Pagett, in a light grey frock-coat and garments much too
thin for the time of the year,
and a puggried sun-hat carefully and wonderfully made.  Orde in a
shooting coat, riding
breeches, brown cowhide boots with spurs, and a battered flax
helmet.  He had ridden some
miles in the early morning to inspect a doubtful river dam.  The
men's faces differed as much as
their attire.  Orde's worn and wrinkled around the eyes, and
grizzled at the temples, was the
harder and more square of the two, and it was with something like
envy that the owner looked at
the comfortable outlines of Pagett's blandly receptive countenance,
the clear skin, the untroubled
eye, and the mobile, clean-shaved lips.
</para>

<para>
"And this is India!" said Pagett for the twentieth time staring long
and intently at the grey
feathering of tbe tamarisks.
</para>

<para>
"One portion of India only. It's very much like this for 300 miles in
every direction.  By the way,
now that you have rested a little-I wouldn't ask the old question
before-what d'you think of the
country?"
</para>

<para>
'Tis the most pervasive country that ever yet was seen.  I acquired
several pounds of your country
coming up from Karachi. The air is heavy with it, and for miles
and miles along that distressful
eternity of rail there's no horizon to show where air and earth
separate."
</para>

<para>
"Yes.  It isn't easy to see truly or far in India.  But you had a decent
passage out, hadn't you?"
</para>

<para>
"Very good on the whole.  Your Anglo-Indian may be
unsympathetic about one's political views;
but he has reduced ship life to a science."
</para>

<para>
"The Anglo-Indian is a political orphan, and if he's wise he won't
be in a hurry to be adopted by
your party grandmothers. But how were your companions,
unsympathetic?"
</para>

<para>
"Well, there was a man called Dawlishe,  a  judge  somewhere  in
this country it seems, and a
capital partner at whist by the way, and when I wanted to talk to
him about the progress of India
in a political sense (Orde hid a grin, which might or might not
have been sympathetic), the
National Congress movement, and other things in which, as a
Member of Parliament, I'm of
course interested, he shifted the subject, and when I once cornered
him, he looked me calmly in
the eye, and said:
'That's all Tommy rot. Come and have a game at Bull.' You may
laugh; but that isn't the way to
treat a great and important question; and, knowing who I was.
well. I thought it rather rude,
don't you know; and yet Dawlishe is a thoroughly good fellow."
</para>

<para>
"Yes; he's a friend of mine, and one of the straightest men I know.
I suppose, like many
Anglo-Indians, he felt it was hopeless to give you any just idea of
any Indian question without
the documents before you, and in this case the documents you
want are the country and the
people."
</para>

<para>
"Precisely.  That was why I came straight to you, bringing an open
mind to bear on things. I'm
anxious to know what popular feeling in India is really like
y'know, now that it has wakened into
political life.  The National Congress, in spite of Dawlishe, must
have caused great excitement
among the masses?"
</para>

<para>
"On the contrary, nothing could be more tranquil than the state of
popular feeling; and as to
excitement, the people would as soon be excited over the 'Rule of
Three' as over the Congress."
</para>

<para>
"Excuse me, Orde, but do you think you are a fair judge? Isn't the
official Anglo-Indian naturally
jealous of any external influences that might move the masses, and
so much opposed to liberal
ideas, truly liberal ideas, that he can scarcely be expected to regard
a popular movement with
fairness?"
</para>

<para>
"What  did  Dawlishe  say  about Tommy Rot?  Think a moment,
old man.  You and I were
brought up together; taught by the same tutors, read the same
books, lived the same life, and new
languages, and work among new races; while you, more fortunate,
remain at home.  Why should
I change my mind-your mind-because I change my sky?  Why should
I and the few
hundred Englishmen in my service become unreasonable,
prejudiced fossils, while you and your
newer friends alone remain bright and open-minded?  You surely
don't fancy civilians are
members of a Primrose League?"
</para>

<para>
"Of course not, but the mere position of an English official gives
him a point of view which
cannot but bias his mind on this question."  Pagett moved his knee
up and down a little uneasily
as he spoke.
</para>

<para>
"That sounds plausible enough, but, like more plausible notions on
Indian matters, I believe it's a
mistake. You'll find when you come to consult the unofficial
Briton that our fault, as a class
-I speak of the civilian now-is rather to magnify the progress that
has been made toward liberal
institutions. It is of English origin, such as it is, and the stress of
our work since the Mutiny-only
thirty years ago-has been in that direction. No, I think you will get
no fairer or more dispassionate
view of the Congress business than such men as I can give you.
But I may as well say at once
that those who know most of India, from the inside, are inclined to
wonder at the noise our
scarcely begun experiment makes in England."
</para>

<para>
"But surely the gathering together of Congress delegates is of itself
a new thing."
</para>

<para>
"There's nothing new under the sun When Europe was a jungle
half Asia flocked to the canonical
conferences of Buddhism; and for centuries the people have
gathered at Pun, Hurdwar, Trimbak,
and Benares in immense numbers. A great meeting, what you call
a mass meeting, is really one
of the oldest and most popular of Indian institutions
in this topsy~turvy land, and though they have been employed in
clerical work for generations
they have no practical knowledge of affairs.  A ship's clerk is a
useful person, but he is scarcely
the captain; and an orderly room writer, however smart he may be,
is not the colonel.  You see,
the writer class in India has never till now aspired to anything like
command.  It wasn't allowed
to.  The Indian gentleman, for thousands of years past, has
resembled Victor Hugo's noble:
</para>


<blockquote>
<para>
'Un vrai sire
Chatelain
Laisse ecrire
Le vilain.
Sa main digne
Quand il signe
Egratigne
</para>

<attrib>
Le velin.'
</attrib>
</blockquote>
<para>
And the little egratignures he most likes to make have been scored
pretty deeply by the sword."
</para>

<para>
"But this is childish and mediaeval nonsense!"
</para>

<para>
"Precisely; and from your, or rather our, point of view the pen is
mightier than the sword.  In this
country it's otherwise. The fault lies in our Indian balances, not yet
adjusted to civilized weights
and measures."
</para>

<para>
"Well, at all events, this literary class represent the natural
aspirations and wishes of the people
at large, though it may not exactly lead them, and, in spite of all
you say, Orde, I defy you to find
a really sound English Radical who would not sympathize with
those aspirations."
</para>

<para>
Pagett spoke with some warmth, and he had scarcely ceased when
a weU
In the case of the Congress meetings, the only notable fact is that
the priests of the altar are
British, not Buddhist, Jam or Brabmanical, and that the whole
thing is a British contrivance kept
alive by the efforts of Messrs. Hume, Eardley, Norton, and Dighy."
</para>

<para>
"You mean to say, then, it's not a spontaneous movement?"
</para>

<para>
"What movement was ever spontaneous in any true sense of the
word? This seems to he more
factitious than usual. You seem to know a great deal about it; try it
by the touchstone of
subscriptions, a coarse but fairly trustworthy criterion, and there is
scarcely the color of money
in it. The delegates write from England that tney are out of pocket
for working expenses, railway
fares, and stationery~the mere pasteboard and scaffolding of their
show.  It is, in fact, collapsing
from mere financial inanition."
</para>

<para>
"But you cannot deny that the people of India, who are, perhaps,
too poor to subscribe, are
mentally and morally moved by the agitation," Pagett insisted.
</para>

<para>
"That is precisely what I do deny. The native side of the movement
is the work of a limited class,
a microscopic minority, as Lord Dufferin described it' when
compared with the people proper,
h~it still a very interesting class, seeing that it is of our own
creation.  It is composed almost
entirely of those of the literary or clerkly castes who have received
an English education."
</para>

<para>
"Surely that's a very important class. Its members must be the
ordained leaders of popular
thought."
</para>

<para>
"Anywhere - else  they  might  be leaders, but they have no social
weight
</para>

<para>
2~2
WORKS OF RUDYARD KIPLING
</para>

<para>
appointed dog-cart turned into the compound gates, and Orde rose
saying:
</para>

<para>
"Here is Edwards, the Master of the Lodge I neglect so diligently,
come to talk about accounts, I
suppose."
</para>

<para>
As the vehicle drove up under the porch Pagett also rose, saying
with the trained effusion born of
much practice:
</para>

<para>
"But this is also my friend, my old and valued friend Edwards.  I'm
delighted to see you. I knew
you were in India, but not exactly where."
</para>

<para>
"Then it isn't accounts, Mr. Edwards," said Orde, cheerily.
</para>

<para>
"Why, no, sir; I heard Mr. Pagett was coming, and as our works
were closed for the New Year I
thought I would drive over and see him."
</para>

<para>
"A very happy thought.  Mr. Ed-wards, you may not know, Orde,
was a leading member of our
Radical Club at Switebton when I was beginning p0litical life, and
I owe much to his exertions.
There's no pleasure like meeting an old friend, except, perhaps,
making a new one. I suppose,
Mr. Edwards, you stick to the good old cause?"
</para>

<para>
"Well, you see, sir, things are different out here. There's precious
little one can find to say
against the Government, which was the main of our talk at home,
and them that do say things are
not the sort 0' people a man who respects himself would like to be
mixed up with.  There are no
politics, in a manner of speaking, in India. It's all work."
</para>

<para>
"Surely you are mistaken, my good friend.  Why I have come all
the way from England just to
see the working of this great National movement."
</para>

<para>
"I don't know where you're going to find the nation as moves to
begin with,
and then you'll be hard put to it to find what they are moving
about.  It's like this, sir," said
Edwards, who had not quite relished being called "my good
friend."  "They haven't g~t any
grievanc~nothing to hit with, don't you see, sir; and then there's not
much to hit against, because
the Government is more like a kind of general Providence,
directing an old-established state of
things, than that at home, where there's something new thrown
down for us to fight about every
three months."
</para>

<para>
"You are probably, in your workshops, full of Er~g'ish mechanics,
out of the way of learning
what the masses think."
</para>

<para>
"I don't know so much about that. There are four of us English
foremen, and between seven and
eight hundred native  fitters,  smiths,   carpenters, painters, and
such like."
</para>

<para>
"And they are full of the Congress, of course?"
</para>

<para>
"Never hear a wnrd of it from year's end to year's end, and I speak
the talk too.  But I wanted to
ask how things are going on at home-old Tyler and Brown and the
rest?"
</para>

<para>
"We will speak of them presently, but your account of the
indifference of your men surprises me
almost as much as your own.  I fear you are a backslider from the
good old doctrine, Ed wards."
Pagett spoke as one who mourned the death of a near relative.
</para>

<para>
"Not a bit, Sir, but I should be if ~ took up with a parcel of baboos,
pleaders, and schoolboys, as
never did a day's work in their lives, and couldn't if they tried. And
if you was to poll us English
railway men, mechanics, tradespeople, and the like of that all
THE ENLIGHTENMENTS OF PAGETT, M.P.
</para>

<para>
253
up and down the country from Peshawur to Calcutta, you would
find us mostly in a tale together.
And yet yo'J know we're the same English you pay some respect to
at home at 'lection time, and
we have the pull o' knowing something about it."
</para>

<para>
"This is very curious, but you will let me come and see you, and
perhaps you will kindly show
me the railway works, and we will talk things over at leisure.  And
about all old friends and old
times," added Pagett, detecting with quick insight a look of
disappointment in the mechanic's
face.
</para>

<para>
Nodding briefly to Orde, Edwards mounted his dog-cart and drove
off.
</para>

<para>
"It's very disappointing," said the
Member to Orde, who, while his friend
discoursed with Edwards, had been
looking over a bundle of sketches drawn
~n grey paper in purple ink, brought
~o him by a Chuprassee.
</para>

<para>
"Don't let it trouble you, old chap," 'said Orde, sympathetically.
"Look here ~ moment, here are
some sketches by the man who made the carved wood screen you
admired so much in the
dining-room, and wanted a copy of, and the artist himself is here
too."
</para>

<para>
"A native?" said Pagett.
</para>

<para>
"Of course," was the reply, "Bishen Siagh is his name, and he has
two brothers to help him.
When there is an important job to do, the three go 'ato partnership,
but they spend most of their
time and all their money in litigation over an inheritance, and I'm
afraid they are getting
involved,  Thoroughbred Sikhs of the old rock, obstinate, touchy,
bigoted, and cunning, but good
men for all that. Here is Bishen
Singn -shall we ask him about the Congress?"
</para>

<para>
But Bishen Singh, who approached with a respectful salaam, had
never heard of it, and he
listened with a puzzled face and obviously feigned interest to
Orde's account of its aims and
objects, finally shaking his vast white turban with great
significance when he learned that it was
promoted by certam  pleaders named by Orde, and by educated
natives.  He began with labored
respect to explain how he was a poor man with no concern in such
matters, which were all under
the control of God, but presently broke out of Urdu into familiar
Punjabi, the mere sound of
which had a rustic smack of village smoke-reek and plough-tail, as
he denounced the wearers of
white coats, the jugglers with words who filched his field from
him, the men whose backs were
never bowed in honest work; and poured ironical scorn on the
Bengali.  He and one of his
brothers had seen Calcutta, and being at work there had Bengali
carpenters given to them as
assistants.
</para>

<para>
"Those  carpenters!"  said  Bishen Singh.  "Black apes were more
efficient workmates, and as for
th~ Bengali babu
-tchick!"  The guttural click needed no interpretation, but Orde
translated the rest, while Pagett
gazed with in.. terest at the wood-carver.
</para>

<para>
"He seems to have a most illiberal prejudice against the Bengali,"
said the
M.P.
</para>

<para>
"Yes, it's very sad that for ages outside Bengal there should he so
bitter a prejudice.  Pride of
race, which also means race-hatred, is the plague and curse of
India and it spreads far," Orde
</para>

<para>
25~
WORKS OF RUDYARD KIPLING
</para>

<para>
pointed with his riding-whip to the large map of India on the
veranda wall.
</para>

<para>
"See! I begin with the North," said he. "There's the Afghan, and, as
a highlander, he despises all
the dwellers in Hindoostan-with the exception of the Sikh, whom
he hates as cordially as the
Sikh hates him.  The Hindu loathes  Sikh and Afghan, and the
Rajput-that's  a  little  lower  down
across this yellow blot of desert-has a strong objection, to put it
mildly, to the Maratha who, by
the way, poisonously hates the Afghan. Let's go North a minute.
The Sindhi hates everybody I've
mentioned. Very good, we'll take less warlike races.  The
cultivator of Northern India domineers
over the man in the next province, and the Behari of the Northwest
ridicules the Bengali. They
are all at one on that point. I'm giving you merely the roughest
possible outlines of the facts, of
course."
</para>

<para>
Bishen Singh, his clean cut nostrils still quivering, watched the
large sweep of the whip as it
traveled from the frontier, through Sindh, the Punjab and
Rajputana, till it rested by the valley of
the Jumna
</para>

<para>
"Hate~ternal and inextinguishable hate," concluded Orde, flicking
the lash of the whip across the
large map from East to West as he sat down.  "Remember
Canning's  advice  to  Lord Granville,
'Never write or speak of Indian things without looking at a map.'"
</para>

<para>
Pagett opened his eyes, Orde resumed.  "And the race-hatred is
only a part of it.  What's really
the matter with Bisben Singh is class-hatred, which, unfortunately,
is even more intense and
more widely spread. That's one of the little drawbacks of caste,
which some of your recent
English writers find an impeccable system."
</para>

<para>
The wood-carver was glad to be recalled to the business of his
craft, and his eyes shone as he
received instruc~ tions for a carved wooden doorway for Pagett,
which he promised ~hould be
splendidly executed and despatched to England in six months.  It is
an irrelevant detail, but in
spite of Orde's reminders, fourteen months elapsed before the work
was finished.  Business over,
Bishen Singh hung about, reluctant to take his leave, and at last
joining his hands and
approaching Orde with bated breath and whispering hum. bleness,
said he had a petition to
make. Orde's face suddenly lost all trace of expression.  "Speak on,
Bishen Singh," said he, and
the carver in a whining tone explained that his case against his
brothers was fixed for hearing before  a native  judge  and-here 
he dropped his voice still lower till
he was summarily stopped by
Orde, who sternly pointed to the gate with an emphatic Begone!
</para>

<para>
Bishen Singh, showing but little sign of discomposure, salaamed
respectfully to the friends and
departed.
</para>

<para>
Pagett looked inq~ry;  Orde with complete recovery of his usual
urbanity, replied:  "It's nothing,
only the old story, he wants his case to be tried by an English
judge-they all do that-but when he
began to hint that the other side were in improper relations with
the native judge I had to shut
him up. Gunga Ram, the man he wanted to make insinuations
about, may not be very bright; but
he's as honest as day-
</para>

<para>
THE ENLIGHTENMENTS OF PAGETT, M.P.
255
</para>

<para>
light on the bench.  But that's just what one can't get a native to
believe."
</para>

<para>
"Do you really mean to say these people prefer to have their cases
tried by English judges?"
</para>

<para>
'Why, certainly."
</para>

<para>
Pagett  drew a  long breath.  "I ~idn't know that before."  At this
point a phaeton entered the
compound, and Orde rose with "Confound it, there's old Rasul Ah
Khan come to pay one of his
tiresome duty calls.  I'm afraid we shall never get through our little
Congress discussion."
</para>

<para>
Pagett was an aimost silent spectator of the grave formalities of a
visit paid by a punctilious  old
Mahommedan gentleman to an Indian official; and was much
impressed by the distinction of
manner and fine appearance of the Mohammedan landholder.
When the exhange of polite
banalities came to a pause, he expressed a wish to learn the courtly
visitor's opinion of the
National Congress.
</para>

<para>
Orde  reluctantly  interpreted,  and with a smile which even
Mohammedan politeness could not
save from bitter scorn, Rasul Ah Khan intimated that he knew
nothing about it and cared still
less. It was a kind of talk encouraged by the Government for some
mysterious purpose of its
own, and for his own part he wondered and held his peace.
</para>

<para>
Pagett was far from satisfied with this, and wished to have the old
gentleman's opinion on the
propriety of managing all Indian affairs on the basis of an elective
system.
</para>

<para>
Orde did his best to explain, but it was plain the visitor was bored
and bewilder~d.  Frankly, he
didn't think much of committees; they had a Mu-
nicipal Committee at Lahore and had elected a menial servant, an
orderly, as a member.  He had
been informed of this on good authority, and after that, committees
had ceased to interest him.
But all was according to the rule of Government, and, please God,
it was all for the best.
</para>

<para>
"What an old fossil it is!" cried Pagett, as Orde returned from
seeing his guest to the door; "just
like some old blue-blooded hidalgo of Spain. What does he really
think of the Congress after all,
and of the elective system?"
</para>

<para>
"Hates it all like poison. When you are sure of a majority, election
is a fine system; but you can
scarcely expect the Mahommedans, the mast mas terful and
powerful minority in the country, to
contemplate their own extinction with joy.  The worst of it is that
he and his co-religionists, who
are many, and the landed proprietors, also, of Hindu race, are
frightened and put out by this
electiop business and by the importance we have bestowed on
lawyers, pleaders, writers, and the
like, who have, up to now, been in abject submission to them.
They say little, hut after all they
are the most important fagots in the great bundle of communities,
and all the glib bunkum in the
world would not pay for their estrangement.  They have controlled
the land."
</para>

<para>
"But I am assured that experience of local self-gov~rnment in your
municipalities has been most
satisfactory, and when once the principle is accepted in your
centres, don't you know, it is bound
to spread, and these ~mportant--ah'm
people of yours would learn it like the rest. I see no difficulty at
all," and the smooth lips closed
with the complacent
snap habitual to Pagett, M.P., the "man of cheerful yesterdays and
confident to-morrows."
</para>

<para>
Orde looked at him with a dreary smile.
</para>

<para>
'~The privilege of election has been most reluctantly withdrawn
from scores of municipalities,
others have had to be summarily suppressed, and, outside the
Presidency towns, the actual work
done has been badly performed.  This is of less moment, perhaps-it
only sends up the local
death-rates-than the fact that the public interest in municipal
elections, never very strong, has
waned, and is waning, in spite of careful nursing on the part of
Government servants."
</para>

<para>
"Can you explain this lack of interest?" said Pagett, putting aside
the rest of Orde's remarks.
</para>

<para>
'~You may find a ward of the key in the fact that only one in every
thousand af our population
can spell.  Then they are infinitely more interested in religion and
caste questions than in any
sort of politics.  When the business of mere existence is over, their
minds are occupied  by a
series  of  interests, pleasures, rituals, superstitions, and the like,
based on centuries of tradition
and usage.  You, perhaps, find it hard to conceive of people
absolutely devoid of curiosity, to
whom the book, the daily paper, and the printed speech are
unknown, and you would describe
their life as blank.  That's a profound mistake. You are in another
land, another century, down on
the bed-rock of society, where the family merely, and not the
community, is all-important.  The
average Oriental cannot be brought to look beyond his clan.  His
life, too, is naore complete and
self-sufficing, and
less sordid and low-thoughted than you might imagine.  It is
bovine and slow in some respects,
but it is never empty. You and I are inclined to put the cart before
the horse, and to forget that it
is the man that is elemental, not the book.
</para>

<para>

'The corn and the cattle are all my care, And the rest is the will of
God.'
</para>

<para>
Why should such folk look up from their immemorially appointed
round of duty and interests to
meddle with the unknown and fuss with voting-papers. How would
you, atop of all your interests
care to conduct even one-tenth of your life according to the
manners and customs of the
Papuans, let's say? That's what it comes to."
</para>

<para>
"But if they won't take the trouble to vote, why do you anticipate
that Mohammedans,
proprietors, and the rest would be crushed by majorities of them?"
</para>

<para>
Again Pagett disregarded the closing sentence.
</para>

<para>
"Because,  though the landholders would not move a finger on any
purely political question, they
could be raised in dangerous excitement by religious hatreds.
Already the first note of this has
been sounded by the people who are trying to get up an agitation
on the cow-killing question,
and every year there is trouble over the Mohammedan Muharrum
processions.
</para>

<para>
"But who looks after the popular rights, being thus unrepresented?"
</para>

<para>
"The Government of Hcr Majesty the Queen, Empress of India, in
which, if the Congress
promoters are to be believed, the people have an implicit trust; for
the Congress circular,
specially prepared for rustic comprehension, says the movement is 'for the
remission of tax, the advancement
of Hindnstan, and the strengthening of the British Govemment.'
This paper is headed in large
letters-'MAY THE PROSPERITY OF THE EMPIRE OF INDIA
ENDURE."'
</para>

<para>
"Really!" said Pagett, "that shows some cleverness.  But there are
things better worth imitation in
our Englisb methods of-er-political statement than this sort of
amiable fraud."
</para>

<para>
"Anyhow," resumed Orde, "you perceive that not a word is said
about elections and the elective
principle, and the reticence of the Congress promoters here shows
they are wise in their
generation."
</para>

<para>
"But the elective principle must triumph in the end, and the little
difficulties you seem to
anticipate would give way on the introduction of a well-balanced
scheme, capable of indefinite
extension."
</para>

<para>
"But is it possible to devise a scheme which, always assuming that
the people took any interest
in it, without enormous expense, ruinous dislocation of the
administ:ation and danger to the
public peace, can satisfy the aspirations of Mr. Hume and his
following, and yet safeguard the
interests of the Mahommedans, the landed and wealthy classes, the
Conservative Hindus, the
Eurasians,  Parsees,  Sikhs,  Rajputs, native Christians, domiciled
Europeans and others, who are
each important and powerful in their way?"
</para>

<para>
Pagett's attention, however, was diverted to the gate, where a
group of cultivators stood in
apparent hesitation.
</para>

<para>
"Here are the twelve Apostles, by
Jove -come straight out of Raffaele's cartoons," said the M.P., with
the fresh appreciation of a
newcomer.
</para>

<para>
Orde, loth to be interrupted, turned impatiently toward the
villagers, and their leader, handing
his long staff to one of his companions, advanced to the house.
</para>

<para>
"It is old Jelbo, the Lumherdar, or head-man of Pind Sharkot, and a
very' intelligent man for a
villager."
</para>

<para>
The Jat farmer had removed his shoes and stood smiling on the
edge of the veranda. His strongly
marked features glowed with russet bronze, and his bright eyes
gleamed under deeply set brows,
contracted by lifelong exposure to sunshine.  His beard and
moustache streaked with grey swept
from bold cliffs of brow and cheek in the large sweeps one sees
drawn by Michael Angelo, and
strands of long black hair mingled with the irregularly piled
wreaths and folds of his turban.  The
drapery of stout blue cotton cloth thrown over his broad shoulders
and girt round his narrow
loins, hung from his tall form in broadly sculptured folds, and ~e
would have made a superb
model for an artist in search of a patriarch.
</para>

<para>
Orde greeted him cordially, and after a polite pause the
countryman started off with a long story
told with impressive earnestness.  Orde listened and smiled,
interrupting  the  speaker at '~mes
to argue and reason with him in a tone which Pagett could hear
was kindly, and finally checking
the flux of words was about to dismiss him, when Pagett suggested
that he should be asked about
the National Congress.
</para>

<para>
But Jelloc had never heard of it.
</para>

<para>
258
WORKS OF RUDYARD KIPLING
</para>

<para>
He was a poor man and such things, by the favor of his Honor, did
not concern him.
</para>


<para>
"What's the matter with your big friend  that he was  so terribly in
earnest?" asked Pagett, when
he had left.
</para>

<para>
"Nothing much. He wants the blood of the people in the next
village, who have had smallpox
and cattle plague pretty badly, and by the help of a wizard, a
currier, and several pigs have
passed it on to his own village.  'Wants to know if they can't be run
in for this awful crime. It
seems they made a dreadful charivari at the village boundary,
threw a quantity of spell-bearing
objects over the border, a buffalo's skull and other things; then
branded a chamur-what you
would call a currier-on his hinder parts and drove him and a
number of pigs over into JelIno's
village. Jelbo says he can bring evidence to prove that the wizard
directing these proceedings,
who is a Sansi, has been guilty of theft, arson, rattle-killing,
perjury and murder, but would
prefer to have him punished for bewitching them and inflicting
small-pox."
</para>

<para>
"And how on earth did you answer such a lunatic?"
</para>

<para>
"Lunatic I the old fellow is as sane as you or I; and he has some
ground of complaint  against
those  Sansis.   I as~ed if he would likc a native superintendent of
police with some men to make
inquiries, but he objected on the grounds the police were rather
worse than smallpox and
criminal tribes put together."
</para>

<para>
"Crimin~ tribes-er-I don't quite understand," said Paget~
</para>

<para>
"We have in India many tribes of people who in the slack
anti-British days became robbers, in
various kind. and preye~ on the people.  They are being restrained
and reclaimed little by little,
and in time will become uscfu; citizens, but they still cherish
hereditar~ traditions of crime, and
are a difficul lot to deal with.  By the way wh~; about the political
rights of these folk under your
schemes?  The country people call them vermin, but I sup-pose
they would be electors with th~
rest."
</para>

<para>
"Nonsens~speaal provision would be made for them in a
well-considered electoral scheme, and
they would doubtless be treated with fitting severity," said Pagett,
with a magisterial air.
</para>

<para>
"Severity, yes-but whether it would be fitting is doubtful. Even
those poor devils have rights,
and, after all, they only practice what they have been taught."
</para>

<para>
"But criminals, Ordel"
</para>

<para>
"Yes,  criminals  with  codes  and rituals of crime, gods and
godlings of crime, and a hundred
songs and sayings in praise of it. Puzzling, isn't it?"
</para>

<para>
"It's simply dreadful.  They ought to be put down at once.  Are
there many of them?"
</para>

<para>
"Not more than about sixty thousand in this province, for many of
the trlbes broadly described as
criminal are really vagabond and crimlnal only on occasion, while
others are being settled and
reclaimed. They are of great antiquity, a legacy from the past, the
golden, glorious Aryan past of
Max Muller, Birdwood and the rest of your spindrif~
philosophers."
</para>

<para>
An orderly brought a card to Orde
who took it with a movement of irritation at the interruption, and
banded it to Pagett; a large
card with a ruled border in red ink, and in the centre in schoolboy
copper plate, Mr. Dma Nath.
"Give salaam," said the civilian, and there entered in haste a
slender youth, clad in a closely
fitting coat of grey homespun, tight trousers, patent-leather shoes,
and a small black velvet cap.
His thin cheek twitched, and his eyes wandered restlessly, for the
young man was evidently
nervous and uncomfortable, though striving to assume a free and
easy air.
</para>

<para>
"Your honor may perhaps remember me," he said in Englisb, and
Orde scanned him keenly.
</para>

<para>
"I know your face somehow.  You belonged to the Shershah
district I think, when I was in charge
there?"
</para>

<para>
"Yes, Sir, my father is writer at Shershah, and your honor gave me
a prize when I was first in the
Middle School examination five years ago.  Since then I have
prosecuted my studies, and I am
now second year's student in the Mission College~"
</para>

<para>
"Of course: you are Kedar Nath's son
-the boy who said he liked geography better than play or sugar
cakes, and I didn't believe you.
How is your father getting on?"
</para>

<para>
"He is well, and he sends his salaam, but his circumstances are
depressed, and be also is down
on his luck."
</para>

<para>
"You learn English idiom". at the Mission College, it seems."
</para>

<para>
"Yes, sir, they are the best idioms, and my father ordered me to ask
your honor to say a word for
him to the present incumbent  of your honor's shoes, the latchet of
which he is not
worthy to open, and who knows not Joseph; for things are different
at Sher shah now, and my
father wants promotion."
</para>

<para>
"Your father is a good man, and I will do what I can for him."
</para>

<para>
At this point a telegram was handed to Orde, who, after glancing at
it, said he must leave his
young friend whom he introduced to Pagett, "a member of the
English House of Commons who
wishes to learn about India."
</para>

<para>
Orde bad scarcely retired with his telegram when Pagett began:
</para>

<para>
"Perhaps you can tell me something of the National Congress
movement?"
</para>

<para>
"Sir, it is the greatest movement of modern times, and one in
which all edvcated men like us
must join. All our students are for the Congress."
</para>

<para>
"Excepting, I suppose, Mahommedans, and the Christians?" said
Pagett, quick to use his recent
instruction.
</para>

<para>
"These are some mere exceptions to the universal rule."
</para>

<para>
"But the people outside the College, the working classes, the
agriculturists; your father and
mother, for instance."
</para>

<para>
"My mother," said the young man, with a visible effort to bring
himself to pronounce the word,
"has no ideas, and my father is not agriculturist, nor working class;
he is of the Kayeth caste; but
he had not the advantage of a collegiate education, and he does not
know much of the Congress.
It is a movement for the educated young-man"
-connecting adjective and noun in a sort of vocal hyphen.
</para>

<para>
"Ah, yes," said Pagett, feeling he was a little off the rails, "and
what are the benefits you expect
to gain by it?"
</para>

<para>
"Oh, sir, everything.  England owes
</para>

<para>
260
WORKS OF RUDYARD KIPLING
</para>

<para>
its greatness to Parliamentary institutions, and we should at once
gain the same high position in
scale of nations. Sir, we wish to have the sciences, the arts, the
manufactures, the industrial
factories, with steam engines, and other motive powers and public
meetings, and debates.
Already we have a debating club in connection with the college,
and elect a Mr. Speaker.  Sir,
the progress must come. You also are a Member of Parliament and
worship the great Lord
Ripon," said the youth, breathlessly, and his black eyes flashed as
he finished his commaless
sentences.
</para>

<para>
"Well," said Pagett, drily, "it has not vet occurred to me to worship
his Lord-ship, although I
believe he is a very worthy man, and I am not sure that England
owes quite all the things you
name to the House of Commons. You see, my young friend, the
growth of a nation like ours is
slow, subject to many influences, and if you have read your history
aright"-"Sir. I know it all-all!
Norman
</para>

<para>
Conquest, Magna Charta, Runnymede,
Reformation,  Tudors,  Stuarts,  Mr.
Milton and Mr. Burke, and I have read
something of Mr. Herbert Spencer and
</para>

<para>
Gibbon's 'Decline and Fall,' Reynolds'
</para>

<para>
Mysteries of the Court,' and"-~)agett felt lite one who had pulled
the string of a shower-bath unawares, and hastened to stop the
torrent with a qtlestion as to what
particular grievances of the people of India the attention of an
elected assembly should be first
directed.  But young Mr. Dma Nath was slow to particularize.
There were many, very many
demanding consideration.  Mr. Pagett would like to hear of one or
two typical examples.
The Repeal of the Arms Act was at last named, and the student
learned for the first time that a
license was necessary before an Englishman could carry a gun in
England. Then natives of India
ought to be allowed to become Volunteer Riflemen if they chose,
and the absolute equality of
the Oriental with his European fellow-subject in civil status should
be proclaimed on principle,
and the Indian Army should be considerably reduced.  The student
was not, however, prepared
with answers to Mr. Pagett's mildest questions on these points, and
he returned to vague
generalities, leaving the M.P. so much impressed with the crudity
of his views that he was glad
on Orde's return to say good-bye to his "very interesting" young
friend.
</para>

<para>
"What do you think of young India?" asked Orde.
</para>

<para>
"Curious, very curious-and callow."
</para>

<para>
"And yet," the civilian replied, "one can scarcely help
sympathizing with him for his mere
youth's sake.  The young orators of the Oxford Union arrived at the
same  conclusions  and
showed doubtless just the same enthusiasm. If there were any
political analogy between  India
and  England,  if  the thousand races of this Empire were one, if
there were any chance even of
their learning to speak one language, if, in short, India were a
Utopia of the debating-room, and
not a real land, this kind of talk might be worth listening to, but it
is all based on false analogy
and ignorance of the facts."
</para>

<para>
"But he is a native and knows the facts."
</para>

<para>
"He is a sort of English schoolboy, but married three years, and the
father
</para>

<para>

THE ENLIGHTENMENTS OF PAGETT, M.P.
26.
</para>

<para>
of two weaklings, and knows less than most English schoolboys.
You saw all he is and knows,
and such ideas as he has acquired are directly hostile to the most
cherished convictions of the
vast majority of the people."
</para>

<para>
"But what does he mean by saying he is a student of a mission
college? Is he a Christian?"
</para>

<para>
"He meant just what he said, and he is not a Christian, nor ever
will he be. Good people in
America, Scotland and England, most of whom would never
dream of collegiate education for
their own sons, are pinching themselves to bestow it in pure waste
on Indian youths.  Their
scheme is an oblique, subterranean attack on heathenism; the
theory being that with the jam of
secular education, leading to a University degree, the pill of moral
or religious instruction may
he coaxed down the heathen gullet."
</para>

<para>
"But does it succeed; do they make converts?"
</para>

<para>
"They make no converts, for the subtle Oriental swallows the jam
and rejects the pill; but the
mere example of the sober, righteous, and godly lives of the
principals and professors who are
most excellent and devoted men, must have a certain moral value.
Yet, as Lord Lansdowne
pointed out the other day, the market is dangerously overstocked
with graduates of our
Universities who look for employment in the  administration.   An
immense number are
employed, but year by year the college mills grind out increasing
lists of youths foredoomed to
failure and  disappointment, and meanwhile, trade. manufactures.
and the industrial
arts are neglected, and in fact regarded with contempt by our new
literary mandarins in posse."
</para>

<para>
"But  our  young  friend  said  he wanted steam-engines and
factories," said Pagett.
</para>

<para>
"Yes, he would like to direct such concerns.  He wants to begin at
the top, for manual labor is
held to be discreditable, and he would never defile his hands by
the apprenticeship which the
architects, engineers, and manufacturers of England cheerfully
undergo; and he would be aghast
to learn that the leading names of industrial enterprise in England
belonged a generation or two
since, or now belong, to men who wrought with their own hands.
And, though he talks glibly of
manufacturers, he refuses to see that the Indian manufacturer of
the future will be the despised
workman of the present. It was proposed, for example, a few
weeks ago, that a certain
municipality in this province should establish an elementary
technical school for the sons of
workmen. The stress of the opposition to the plan came from a
pleader who owed all he had to a
college education bestowed on him gratis by Government and
missions. You would have fancied
some fine old crusted Tory squire of the last generation was
speaking. 'These people,' he said,
'want no education, for they learn their trades from their fathers,
and to teach a workman's son
the elements of mathematics and physical science would give him
ideas above his business.
They must be kept in their place, and it was idle to imagine that
there was any science in wood
or iron work.'  And he carried his point. But the Indian workman
will rise in
</para>

<para>
202
WORKS OF RUDYARD KIPLING
</para>

<para>
the social scale in spite of the new literary caste."
</para>

<para>
"In England we have scarcely begun to realize that there is an
industrial class in this country, yet,
I suppose, the example of men, like Edwards for instance, must
tell," said Pagett, thoughtfully.
</para>

<para>
"That you shouldn't know much about it is natural enough, for
there are but few sources of
information. India in this, as in other respects, is like a badly kept
ledger-not written up to date.
And men like Edwards are, in reality, missionaries, who by precept
and example are teaching
more lessons than they know. Only a few, however, of their
crowds of subordinates seem to care
to try to emulate them, and aim at individual advancement; the rest
drop into the ancient Indian
caste gr('ove."
</para>

<para>
"How do you mean?" asked ~ "Well, it is found that the new
railway and factory workmen, the
fitter, the smith, the engine-driver, and the rest are already forming
separate hereditary castes.
You may notice this down at Jamalpur in Bengal, one of the oldest
railway centres; and at other
places, and in other industries, they are following the same
inexorable Indian law."
</para>

<para>
"Which means?"~ueried Pagett.
</para>

<para>
"It means that the rooted habit of the people is to gather in small
self-contained, self-sufficing
family groups with no thought or care for any interests but their
own-a habit which is scarcely
compatible with the right acceptation of the elective principle."
</para>

<para>
"Yet you must admit, Orde, that though our young friend was not
able to expound tbe f~ith that
is in him, your Indian army is too big."
</para>

<para>
"Not nearly big enough for its main purpose.  And, as a side issue,
there are certain powerful
minorities of fighting folk whose interests an Asiatic Government
is bound to consider.  Arms is
as much a means of livelihood as civil employ under Government
and law. And it would be a
heavy strain on British bayonets to hold down Sikhs, Jats, Bilochis,
Rohillas, Rajputs, Bhils,
Dogras, Pahtans, and Gurkbas to abide by the decisions of a
numerical majority opposed to their
interests. Leave the 'numerical majority' to itself without the
British bayonets-a flock of sheep
might as reasonably hope to manage a troop of collies."
</para>

<para>
"This  complaint  about  excessive growth of the army is akin to
another contention of the
Congress party. They protest against the malversation of the whole
of the moneys raised by
additional taxes as a Famine Insurance Fund to  other  purposes.
You  must  be aware that this
special Famine Fund has all been spent on frontier roads and
defences and strategic railway
schemes as a protection against Russia."
</para>

<para>
"But  there was  never a  special famine fund raised by special
taxation and put by as in a box.
No sane administrator would dream of such a thing. In a time of
prosperity a finance minister,
rejoicing in a margin, proposed to annually apply a million and a
half to the construction of
railways and canals for the protection of districts liable to scarcity,
and to the reduction of the
annual loans for public works. But times were not always
prosperous, and the finance minister
had to choose whether be would bang up the insurance scheme for
a year or impose fresh
</para>

<para>
THE ENLIGHTENMENTS OF PAGETT, M.P.
263
</para>

<para>
taxation.  When a farmer hasn't got the little surplus he I]oped to
have for buying a new wagon
and draining a low-lying field corner, you don't accuse him of
m~versation, if he spends what he
has on the necessary work of the rest of his farm."
</para>

<para>
A clatter of hoofs was heard, and Orde looked up with vexation,
but his brow cleared as a
horseman halted under the porch.
</para>

<para>
"HelIn, Orde! just looked in to ask if you are coming to polo on
Tuesday:
we want you badly to help to crumple up the Krab Bokbar team."
</para>

<para>
Orde explained that he had to go out into the District, and while
the visitor complained that
though good men wouldn't play, duffers were always keen, and
that his side would probalny be
beaten, Pagett rose to look at his n~ount, a red, lathered Biloch
mare, with a curious lyre4ike
incurving of the ears.  "Quite a little thoroughbred in all other
respects," said the M.P., and Orde
presented Mr. Reginald Burke, Manager of the Siad and Sialkote
Bank to his friend.
</para>

<para>
"Yes, she's as good as they make 'em, and she's all the female I
possess and spoiled in
consequence, aren't you, old girl?" said Burke, patting the mare's
glossy neck as she backed and
plunged.
</para>

<para>
"Mr. Pagett," said Orde, "has been asking me about the Congress.
What is your opinion?"  Burke
turned to the M. P. with a frank smile.
</para>

<para>
"Well, if it's all the same to you, sir, I should say, Damn the
Congress, but then I'm no politician,
but only a business man."
</para>

<para>
"You find it a tiresome subject?"
</para>

<para>
"Yes, it's all that, and worse than
that, for this kind of agitation is anything but wholesome for the
country."
</para>

<para>
"How do you mean?"
</para>

<para>
"It would be a long job to explain, and Sara here won't stand, but
you know how sensitive ca~ital
is, and how timid investors are.  All this sort of rot is likely to
frighten them, and we can't afford
to frighten them. The passengers aboard an Ocean steamer don't
feel reassured when the ship's
way is stopped, and they hear the workmen's hammers tinkering at
the engines down below. The
old Ark's going on all right as she is, and only wants quiet and
room to move. Them's my
sentiments, and those of some other people who have to do with
money and business."
</para>

<para>
"Then you are a thick-and-thin supporter of the Government as it
is."
</para>

<para>
"Why, no!  The Indian Government is much too timid with its
money-like an old maiden aunt of
mine-always in a funk about her investments. They don't spend
half enough on railways for
instance, and they are slow in a general way, and ought to be made
to sit up in all that concerns
the encouragement of private enterprise, and coaxing out into use
the millions of capital that lie
dormant in the country."
</para>

<para>
The mare was dancing with impatience, and Burke was evidently
anxious to be off, so the men
wished him good-bye.
</para>

<para>
"Who is your genial friend who condemns both Congress and
Government in a breath?" asked
Pagett, with an amused smile.
</para>

<para>
"Just now he is Reggie Burke, keener on polo than on anything
else, but if you go to the Sind and
Sialkote Bank to-morrow you would find Mr. Reginald
</para>

<para>
264
WORKS OF RUDYARD KIPLING
</para>

<para>
Burke a very capable man of business, known and liked by an
immense constituency North and
South of this."
</para>

<para>
"Do you think he is right about the Government's want of
enterpnse?"
</para>

<para>
"I should hesitate to say. Better consult the merchants and
chambers of commerce in Cawnpore,
Madras, Bombay, and Calcutta. But though these bodies would
like, as Reggie puts it, to make
Government sit up, it is an elementary consideration in governing
a country like India, which
must be administered for the benefit of the people at large, that the
counsels of those who resort
to it for the sake of making money should be judiciously weighed
and not allowed to overpower
the rest. They are welcome guests here, as a matter of course, but it
has been found best to
restrain their influence.  Thus the rights of plantation laborers,
factory operatives, and the like,
have been protected, and the capitalist, eager to get on, has not
always regarded Government
action with favor.  It is quite conceivable that under an elective
system the commercial
communities of the great towns might find means to secure
majorities on labor questions and on
financial matters."
</para>

<para>
"They would act at least with intelligence and consideration."
</para>

<para>
"Intelligence, yes; but as to consideration, who at the present

moment most bitterly resents the
tender solicitude of Lancashire for the welfare and protection of
the Indian factory operative?
English and native capitalists running cotton mills and factories."
</para>

<para>
"But is the solicitude of Lancashire in this matter entirely
disinterested?"
</para>

<para>
"It is no b~~siness of mine to say. I
merely indicate an example of how a powerful  commercial
interest  might hamper a
Government intent in the first place on the larger interests of
humanity."
</para>

<para>
Orde broke off to listen a moment. "There's Dr. Lathrop talking to
my wife in the
drawing-room," said he.
</para>

<para>
"Surely not; that's a lady's voice, and if my ears don't deceive me,
an American."
</para>

<para>
"Exactly, Dr. Eva McCreery La.. throp, chief of the new Women's
Hos~ pital here, and a very
good fellow forbye.  Good-morning, Doctor," he said, as a graceful
figure came out on the
veranda, "you seem to be in trouble. I hope Mrs. Orde was able to
help you."
</para>

<para>
"Your wife is real kind and good, ] always come to her when I'm in
a fix but I fear it's more than
comforting ~ want."
</para>

<para>
"You work too hard and wear yourself out," said Orde, kindly.
"Let me introduce my friend, Mr.
Pagett, just fresh from home, and anxious to learn his India.  You
could tell him something of
that more important half of which a mere man knows so little."
</para>

<para>
"Perhaps I could if I'd any heart to do it, but I'm in trouble, I've lost
a case, a case that was  doing
well, through nothing in the world but inattention on the part of a
nurse I had begun to trust. And
when I spoke only a small piece of my mind she collapsed in a
whining heap on the floor.  It is
hopeless."
</para>

<para>
The men were silent, for the blue eyes of the lady doctor were dim.
Recovering herself she
looked up with a smile, half sad, half humorous, "And I
</para>

<para>

THE ENLIGHTENMENTS OF PAGETT, M.P.
265
</para>

<para>
am in a whining heap, too; but what phase of Indian life are you
particularly interested in, sir?"
</para>

<para>
"Mr. Pagett intends to study the p0litical aspect of things and the
possibility of bestowing
electoral institutions on the people."
</para>

<para>
"Wouldn't it be as much to the purpose to bestow point-lace collars
on them?  They need many
things more urgently than votes.  Why it's like giving a bread-pill
for a broken leg."
</para>

<para>
"Er-I  don't  quite  follow,"  said Pagett, uneasily.
</para>

<para>
"Well, what's the matter with this country is not in the least
political, but an all round
entanglement of physical, social, and moral evils and corruptions,
all more or less due to the
unnatural treatment of women. You can't gather figs from thistles,
and so long as the system of
infant marriage, the prohibition of the remarriage of widows, the
lifelong imprisonment of wives
and mothers in a worse than penal confinement, and the
withholding from them of any kind of
education or treatment as rational beings continues, the country
can't advance a step.  Half of it
is morally dead, and worse than dead, and that's just the half from
which we have a right to look
for the best impulses.   It's  right  here where  the trouble is, and
not in any political
con~iderations whatsoever."
</para>

<para>
"But do they marry so early?" said Pagett, vaguely.
</para>

<para>
"The  average  age is  seven, but thousands are married still earlier.
One result is that girls of
twelve and thirteen have to bear the burden of wifehood and
motherhood, and, as might be
expected, the rate of mortality both for
mothers and children is terrible.  Pauperism, domestic
unhappiness, and a low state of health are
only a few of the consequences of this.  Then, when, as frequently
happens, the boy-husband
dies prematurely, his widow is condemned to worse than death.
She may not re-marry, must live
a secluded and despised life, a life so unnatural that she sometimes
prefers suicide; more often
she goes astray. You don't know in England what such words as
'infant-marriage, baby-wife,
girl-mother, and virgin-widow' mean; but they mean unspeakable
horrors here."
</para>

<para>
"Well, but the advanced political party here will surely make it
their business to advocate social
reforms as well as political ones," said Pagett.
</para>

<para>
"Very surely they will do no such thing," said the lady doctor,
emphatically. "I u~ish I could
make you understand. Why, even of the funds devoted to the
Marchioness of Dufferin's
organization for medical aid to the women of India, it was said in
print and in speech, that they
would be better spent on more college scholarships for men. And
in all the advanced parties'
talk-God forg~ve them-and in all their programmes, they carefully
avoid all such subjects. They
will talk about the protection of the cow, for that's an ancient
superstition-they can all
understand that; but the protection of the women is a new and
dangerous idea." She turned to
Pagett impulsively:
</para>

<para>
"You are a member of the English Parliament. Can you do
nothing? The foundations of their life
are rotten-utterly and bestially rotten.  I could tell your wife things
that I couldn't tell you.  I
know the bf~the inner life
</para>

<para>
266
WORKS OF RUDYARD KIPLING
</para>

<para>
that belongs to the native, and I know nothing else; and believe me
you might as well try to grow
golden-rod in a mushroom-pit as to make anything of a people that
are born and reared as
thes~these things 're.  The 'men talk of their rights and privileges.  I
have seen the women that
bear these very men, and again-may God forgive the men!"
</para>

<para>
Pagett's eyes opened with a large wonder.  Dr. Lathrop rose
tempestuously.
</para>

<para>
"I must be off to lecture," said she, "and I'm sorry that I can't show
you my hospitals; but you had
better believe, sir, that it's more necessary for India than all the
elections in creation."
</para>

<para>
"That's a woman with a mission, and no mistake," said Pagett, after
a pause.
</para>

<para>
"Yes; she believes in her work, and so do I," said Orde.  "I've a
notion that in the end it will be
found that the most helpful work done for India in this generation
was wrought by Lady Dufferin
in drawing attention-what work that was, by the way, even with
her husband's great name to
back it
to the needs of women here. In effect, native habits and beliefs are
an organized conspiracy
against the laws of health and happy hf~but there is some dawning
of hope now."
</para>

<para>
"How d' you account for the general ~differencc, then?"
</para>

<para>
"I suppose it's due in part to their fatalism and their utter
indifference to all human suffering.
How much do you imagine the great province of the Pun-jab with
over twenty million people
and half a score rich towns has contributed to the mainten~nce of
civil dispen
saries last year? About seven thousand rupees."
</para>

<para>
"That's seven hundred pounds," said Pagett, quickly.
</para>

<para>
"I wish it was," replied Orde; "but anyway, it's an absurdly
inadequate sum, and shows one of the
blank sides of Oriental character."
</para>

<para>
Pagett was silent for a long time. The question of direct and
personal pain did not lie within his
researches.  He pre ferred to discuss the weightier matters of the
law, and contented himself with
murmuring: "They'll do better later on." Then, with a rush,
returning to his first thought:
</para>

<para>
"But, my dear Orde, if it's merely a class movement of a local and
temporary character, how d'
you account for Bradlaugh, who is at least a man of sense taking it
up?"
</para>

<para>
"I know nothing of the champion of the New Brahmins but what I
see in the papers.  I suppose
there is something tempting in being hailed by a large assemblage
as the representative of the
aspirations of two hundred and fifty millions of people.  Such a
man looks 'through all the
roaring and the wreaths,' and does not reflect that it is a false
perspective, which, as a matter of
fact, hides the real complex and manifold India from his gaze.  He
can scarcely be expected to
distinguish between the ambitions of a new oligarchy and the real
wants of the people of whom
he knows nothing. But it's strange that a professed Radical should
come to be the chosen
advocate of a movement which has for its aim the revival of an
ancient tyranny. Shows how even
Radicalism  can  fall  into  academic grooves and miss the
essential truths of
THE ENLIGHTENMENTS OF PAGETT, M.P
</para>

<para>
267
its own creed.  Believe me, Pagett, to deal with India you want
first-hand knowledge and
experience.  I wish he would come and live here for a couple of
years or so."
</para>

<para>
"Is not this rather an ad ho~'inem style of argument?"
</para>

<para>
"Can't help it in a case like this. Indeed, I am not sure you ought
not to go further and weigh the
whole character and quality and upbringing of the man.  You must
admit that the monumental
complacency with which he trotted out his ingenious little
Constitution for India showed a
strange want of imagination and the sense of humor."
</para>

<para>
"No, I don't quite admit it," said Pagett.
</para>

<para>
"Well, you know him and I don't, but that's how it strikes a
stranger."  He turned on his heel and
paced the veranda thoughtfully. "And, after all, the burden of the
actual, daily unromantic toil
falls on the shoulders of the men out here, and not on his own. He
enjoys all the privileges of
recommendation without responsibility, and we-well, perhaps,
when you've seen a little more of
India you'll understand.  To begin with, our death rate's five times
higher than yours-I speak now
for the
brutal bureaucrat-and we work on the refuse of worked-out cities
and exhausted civilizations,
among the bones of the dead."
</para>

<para>
Pagett laughed.  "That's an epigrammatic way of putting it, Orde."
</para>

<para>
"Is it?  Let's see," said the Deputy Commissioner of Amara,
striding into the sunshine toward a
half-naked gardener potting roses. He took the man's hoe, and went
to a rain-scarped bank at the
bottom of the garden.
</para>

<para>
"Come here, Pagett," he said, and cut at the sun-baked soil.  After
three strokes there rolled from
under the blade of the hoe the half of a clanking skeleton that
settled at Pagett's feet in an
unseemly jumble of bones.  The M.P. drew back.
</para>

<para>
"Our houses are built on cemeteries," said Orde. "There are scores
of thousands of graves within
ten miles."
</para>

<para>
Pagett was contemplating the skull with the awed fascination of a
man who has but little to do
with the dead. "India's a very curious place," said he, after a pause.
</para>

<para>
"Ah? You'll know all about it in three months. Come in to lunch,"
said Orde.
</para>
</chapter>
</bookbody>
</book>
