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<book>
<bookbody>
<part>
<acknowledge>A production of Project Gutenberg and the HTML Writers Guild. Markup by Frank Boumphrey</acknowledge>
<titlepage>
<title>
VOLUME VI  THE LIGHT THAT FAILED
</title>
<para>
by
</para>
<author>
Rudyard Kipling
</author>
</titlepage>

<htitlepage>
<title>
THE LIGHT THAT FAILED
</title>
</htitlepage>

<chapter>
<chapheader>
<title>
CHAPTER I
</title>

<blockquote>
<poem>
 <line>So we settled it all when the storm was done</line>
 <line>As comf'y as comf'y could be;</line>
 <line>And I was to wait in the barn, my dears,</line>
 <line>Because I was only three;</line>
 <line>And Teddy would run to the rainbow's foot,</line>
 <line>Because he was five and a man;</line>
 <line>And that's how it all began, my dears,</line>
 <line>And that's how it all began.</line>
</poem>
<attrib>--Big Barn Stories.</attrib>
</blockquote>
</chapheader>

<para>
 'WHAT do you think she'd do if she caught us? We oughtn't to
have it,
 you know,' said Maisie.
</para>

<para>
 'Beat me, and lock you up in your bedroom,' Dick answered,
without
 hesitation. 'Have you got the cartridges?'
</para>

<para>
 "Yes; they're in my pocket, but they are joggling horribly. Do
pin-fire
 cartridges go off of their own accord?'
</para>

<para>
 'Don't know. Take the revolver, if you are afraid, and let me carry
 them.'
</para>

<para>
 "I'm not afraid.' Maisie strode forward swiftly, a hand in her
pocket
 and her chin in the air. Dick followed with a small pin-fire
revolver-
</para>

<para>
 The children had discovered that their lives would be unendurable
 without pistol-practice. After much forethought and self-denial,
Dick
 had saved seven shillings and sixpence, the price of a badly
constructed
 Belgian revolver. Maisie could only contribute half a crown to the
 syndicate for the purchase of a hundred cartridges. 'You can save
better
 than I can, Dick,' she explained; 'I like nice things to eat, and it
 doesn't matter to you. Besides, boys ought to do these things.'
</para>

<para>
 Dick grumbled a little at the arrangement, but went out and made
the
 purchase, which the children were then on their way to test.
Revolvers
 did not lie in the scheme of their daily life as decreed for them by
the
 guardian who was incorrectly supposed to stand in the place of a
mother
 to these two orphans. Dick had been under her care for six years,
during
 which time she had made her profit of the allowances supposed to
be
 expended on his clothes, and, partly through thoughtlessness,
partly
 through a natural desire to pain,--she was a widow of some years
anxious
 to marry again,--had made his days burdensome on his young
shoulders-
</para>

<para>
 Where he had looked for love, she gave him first aversion and
then hate-
</para>

<para>
 Where he growing older had sought a little sympathy, she gave
him
 ridicule. The many hours that she could spare from the ordering of
her
 small house she devoted to what she called the home-training of
Dick
 Heldar. Her religion, manufactured in the main by her own
intelligence
 and a keen study of the Scriptures, was an aid to her in this matter.
At
 such times as she herself was not personally displeased with Dick,
she
 left him to understand that he had a heavy account to settle with
his
 Creator; wherefore Dick learned to loathe his God as intensely as
he
 loathed Mrs. Jennett; and this is not a wholesome frame of mind
for the
 young. Since she chose to regard him as a hopeless liar, but an
 economical and self-contained one, never throwing away the least
 unnecessary fib, and never hesitating at the blackest, were it only
 plausible, that might make his life a little easier. The treatment
 taught him at least the power of living alone,--a power that was of
 service to him when he went to a public school and the boys
laughed at
 his clothes, which were poor in quality and much mended. In the
holidays
 he returned to the teachings of Mrs. Jennett, and, that the chain of
 discipline might not be weakened by association with the world,
was
 generally beaten, on one account or another, before he had been
twelve
 hours under her roof-
</para>

<para>
 The autumn of one year brought him a companion in bondage, a
 long-haired, gray-eyed little atom, as self-contained as himself,
who
 moved about the house silently and for the first few weeks spoke
only to
 the goat that was her chiefest friend on earth and lived in the
 back-garden. Mrs. Jennett objected to the goat on the grounds that
he
 was un-Christian,--which he certainly was. 'Then,' said the atom,
 choosing her words very deliberately, 'I shall write to my
 lawyer-peoples and tell them that you are a very bad woman.
Amomma is
 mine, mine, mine!' Mrs. Jennett made a movement to the hall,
where
 certain umbrellas and canes stood in a rack. The atom understood
as
 clearly as Dick what this meant. 'I have been beaten before,' she
said,
 still in the same passionless voice; 'I have been beaten worse than
you
 can ever beat me. If you beat me I shall write to my
lawyer-peoples and
 tell them that you do not give me enough to eat. I am not afraid of
 you.' Mrs. Jennett did not go into the hall, and the atom, after a
pause
 to assure herself that all danger of war was past, went out, to weep
 bitterly on Amomma's neck-
</para>

<para>
 Dick learned to know her as Maisie, and at first mistrusted her
 profoundly, for he feared that she might interfere with the small
 liberty of action left to him. She did not, however; and she
volunteered
 no friendliness until Dick had taken the first steps. Long before
the
 holidays were over, the stress of punishment shared in common
drove the
 children together, if it were only to play into each other's hands as
 they prepared lies for Mrs. Jennett's use. When Dick returned to
school,
 Maisie whispered, 'Now I shall be all alone to take care of myself;
 but,' and she nodded her head bravely, 'I can do it. You promised
to
 send Amomma a grass collar. Send it soon.' A week later she
asked for
 that collar by return of post, and wa not pleased when she learned
that
 it took time to make. When at last Dick forwarded the gift, she
forgot
 to thank him for it-
</para>

<para>
 Many holidays had come and gone since that day, and Dick had
grown into
 a lanky hobbledehoy more than ever conscious of his bad clothes.
Not for
 a moment had Mrs. Jennett relaxed her tender care of him, but the
 average canings of a public school--Dick fell under punishment
about
 three times a month--filled him with contempt for her powers.
'She
 doesn't hurt,' he explained to Maisie, who urged him to rebellion,
'and
 she is kinder to you after she has whacked me.' Dick shambled
through
 the days unkempt in body and savage in soul, as the smaller boys
of the
 school learned to know, for when the spirit moved him he would
hit them,
 cunningly and with science. The same spirit made him more than
once try
 to tease Maisie, but the girl refused to be made unhappy. 'We are
both
 miserable as it is,' said she. 'What is the use of trying to make
things
 worse? Let's find things to do, and forget things.'
</para>

<para>
 The pistol was the outcome of that search. It could only be used
on the
 muddiest foreshore of the beach, far away from the
bathing-machines and
 pierheads, below the grassy slopes of Fort Keeling. The tide ran
out
 nearly two miles on that coast, and the many-coloured mud-banks,
touched
 by the sun, sent up a lamentable smell of dead weed. It was late in
the
 afternoon when Dick and Maisie arrived on their ground,
Amomma trotting
 patiently behind them-
</para>

<para>
 'Mf!' said Maisie, sniffing the air. 'I wonder what makes the sea so
 smelly? I don't like it!'
</para>

<para>
 'You never like anything that isn't made just for you,' said Dick
 bluntly. 'Give me the cartridges, and I'll try first shot. How far
does
 one of these little revolvers carry?'
</para>

<para>
 'Oh, half a mile,' said Maisie, promptly. 'At least it makes an awful
 noise. Be careful with the cartridges; I don't like those jagged
 stick-up things on the rim. Dick, do be careful.'
</para>

<para>
 'All right. I know how to load. I'll fire at the breakwater out there.'
</para>

<para>
 He fired, and Amomma ran away bleating. The bullet threw up a
spurt of
 mud to the right of the wood-wreathed piles-
</para>

<para>
 'Throws high and to the right. You try, Maisie. Mind, it's loaded
all
 round.'
</para>

<para>
 Maisie took the pistol and stepped delicately to the verge of the
mud,
 her hand firmly closed on the butt, her mouth and left eye screwed
up-
</para>

<para>
 Dick sat down on a tuft of bank and laughed. Amomma returned
very
 cautiously. He was accustomed to strange experiences in his
afternoon
 walks, and, finding the cartridge-box unguarded, made
investigations
 with his nose. Maisie fired, but could not see where the bullet
went-
</para>

<para>
 'I think it hit the post,' she said, shading her eyes and looking out
 across the sailless sea-
</para>

<para>
 'I know it has gone out to the Marazion Bell-buoy,' said Dick, with
a
 chuckle. 'Fire low and to the left; then perhaps you'll get it. Oh,
look
 at Amomma!--he's eating the cartridges!'
</para>

<para>
 Maisie turned, the revolver in her hand, just in time to see
Amomma
 scampering away from the pebbles Dick threw after him. Nothing
is sacred
 to a billy-goat. Being well fed and the adored of his mistress,
Amomma
 had naturally swallowed two loaded pin-fire cartridges. Maisie
hurried
 up to assure herself that Dick had not miscounted the tale-
</para>

<para>
 'Yes, he's eaten two.'
</para>

<para>
 'Horrid little beast! Then they'll joggle about inside him and blow
up,
 and serve him right. . . . Oh, Dick! have I killed you?'
</para>

<para>
 Revolvers are tricky things for young hands to deal with. Maisie
could
 not explain how it had happened, but a veil of reeking smoke
separated
 her from Dick, and she was quite certain that the pistol had gone
off in
 his face. Then she heard him sputter, and dropped on her knees
beside
 him, crying, 'Dick, you aren't hurt, are you? I didn't mean it.'
</para>

<para>
 'Of course you didn't, said Dick, coming out of the smoke and
wiping his
 cheek. 'But you nearly blinded me. That powder stuff stings
awfully.' A
 neat little splash of gray led on a stone showed where the bullet
had
 gone. Maisie began to whimper-
</para>

<para>
 'Don't,' said Dick, jumping to his feet and shaking himself. 'I'm not
a
 bit hurt.'
</para>

<para>
 'No, but I might have killed you,' protested Maisie, the corners of
her
 mouth drooping. 'What should I have done then?'
</para>

<para>
 'Gone home and told Mrs. Jennett.' Dick grinned at the thought;
then,
 softening, 'Please don't worry about it. Besides, we are wasting
time-
</para>

<para>
 We've got to get back to tea. I'll take the revolver for a bit.'
</para>

<para>
 Maisie would have wept on the least encouragement, but Dick's
 indifference, albeit his hand was shaking as he picked up the
pistol,
 restrained her. She lay panting on the beach while Dick
methodically
 bombarded the breakwater. 'Got it at last!' he exclaimed, as a lock
of
 weed flew from the wood-
</para>

<para>
 'Let me try,' said Maisie, imperiously. 'I'm all right now.'
</para>

<para>
 They fired in turns till the rickety little revolver nearly shook itself
 to pieces, and Amomma the outcast--because he might blow up at
any
 moment--browsed in the background and wondered why stones
were thrown at
 him. Then they found a balk of timber floating in a pool which
was
 commanded by the seaward slope of Fort Keeling, and they sat
down
 together before this new target-
</para>

<para>
 'Next holidays,' said Dick, as the now thoroughly fouled revolver
kicked
 wildly in his hand, 'we'll get another pistol,--central fire,--that will
 carry farther.'
</para>

<para>
 'There won't b any next holidays for me,' said Maisie. 'I'm going
away.'
</para>

<para>

 'Where to?'
</para>

<para>
 'I don't know. My lawyers have written to Mrs. Jennett, and I've
got to
 be educated somewhere,--in France, perhaps,--I don't know where;
but I
 shall be glad to go away.'
</para>

<para>
 'I shan't like it a bit. I suppose I shall be left. Look here, Maisie,
 is it really true you're going? Then these holidays will be the last I
 shall see anything of you; and I go back to school next week. I
 wish----'
</para>

<para>
 The young blood turned his cheeks scarlet. Maisie was picking
 grass-tufts and throwing them down the slope at a yellow
sea-poppy
 nodding all by itself to the illimitable levels of the mud-flats and
the
 milk-white sea beyond-
</para>

<para>
 'I wish,' she said, after a pause, 'that I could see you again
sometime-
</para>

<para>
 You wish that, too?'
</para>

<para>
 'Yes, but it would have been better if--if--you had--shot straight
over
 there--down by the breakwater.'
</para>

<para>
 Maisie looked with large eyes for a moment. And this was the boy
who
 only ten days before had decorated Amomma's horns with
cut-paper
 ham-frills and turned him out, a bearded derision, among the
public
 ways! Then she dropped her eyes: this was not the boy-
</para>

<para>
 'Don't be stupid,' she said reprovingly, and with swift instinct
 attacked the side-issue. 'How selfish you are! Just think what I
should
 have felt if that horrid thing had killed you! I'm quite miserable
 enough already.'
</para>

<para>
 'Why? Because you're going away from Mrs. Jennett?'
</para>

<para>
 'No.'
</para>

<para>
 'From me, then?'
</para>

<para>
 No answer for a long time. Dick dared not look at her. He felt,
though
 he did not know, all that the past four years had been to him, and
this
 the more acutely since he had no knowledge to put his feelings in
words-
</para>

<para>

 'I don't know,' she said. 'I suppose it is.'
</para>

<para>
 'Maisie, you must know. I'm not supposing.'
</para>

<para>
 'Let's go home,' said Maisie, weakly-
</para>

<para>
 But Dick was not minded to retreat-
</para>

<para>
 'I can't say things,' he pleaded, 'and I'm awfully sorry for teasing
you
 about Amomma the other day. It's all different now, Maisie, can't
you
 see? And you might have told me that you were going, instead of
leaving
 me to find out.'
</para>

<para>
 'You didn't. I did tell. Oh, Dick, what's the use of worrying?'
</para>

<para>
 'There isn't any; but we've been together years and years, and I
didn't
 know how much I cared.'
</para>

<para>
 'I don't believe you ever did care.'
</para>

<para>
 'No, I didn't; but I do,--I care awfully now, Maisie,' he
 gulped,--'Maisie, darling, say you care too, please.'
</para>

<para>
 'I do, indeed I do; but it won't be any use.'
</para>

<para>
 'Why?'
</para>

<para>
 'Because I am going away.'
</para>

<para>
 'Yes, but if you promise before you go. Only say--will you?' A
second
 'darling' came to his lips more easily than the first. There were few
 endearments in Dick's home or school life; he had to find them by
 instinct. Dick caught the little hand blackened with the escaped
gas of
 the revolver-
</para>

<para>
 'I promise,' she said solemnly; 'but if I care there is no need for
 promising.'
</para>

<para>
 'And do you care?' For the first time in the past few minutes their
eyes
 met and spoke for them who had no skill in speech. . . -
</para>

<para>
 'Oh, Dick, don't! Please don't! It was all right when we said
 good-morning; but now it's all different!' Amomma looked on
from afar-
</para>

<para>
 He had seen his property quarrel frequently, but he had never seen
 kisses exchanged before. The yellow sea-poppy was wiser, and
nodded its
 head approvingly. Considered as a kiss, that was a failure, but
since it
 was the first, other than those demanded by duty, in all the world
that
 either had ever given or taken, it opened to them new worlds, and
every
 one of them glorious, so that they were lifted above the
consideration
 of any worlds at all, especially those in which tea is necessary,
and
 sat still, holding each other's hands and saying not a word-
</para>

<para>
 'You can't forget now,' said Dick, at last. There was that on his
cheek
 that stung more than gunpowder-
</para>

<para>
 'I shouldn't have forgotten anyhow,' said Maisie, and they looked
at
 each other and saw that each was changed from the companion of
an hour
 ago to a wonder and a mystery they could not understand. The sun
began
 to set, and a night-wind thrashed along the bents of the foreshore-
</para>

<para>
 'We shall be awfully late for tea,' said Maisie. 'Let's go home.'
</para>

<para>
 'Let's use the rest of the cartridges first,' said Dick; and he helped
 Maisie down the slope of the fort to the sea,--a descent that she
was
 quite capable of covering at full speed. Equally gravely Maisie
took the
 grimy hand. Dick bent forward clumsily; Maisie drew the hand
away, and
 Dick blushed-
</para>

<para>
 'It's very pretty,' he said-
</para>

<para>
 'Pooh!' said Maisie, with a little laugh of gratified vanity. She
stood
 close to Dick as he loaded the revolver for the last time and fired
over
 the sea with a vague notion at the back of his head that he was
 protecting Maisie from all the evils in the world. A puddle far
across
 the mud caught the last rays of the sun and turned into a wrathful
red
 disc. The light held Dick's attention for a moment, and as he
raised his
 revolver there fell upon him a renewed sense of the miraculous, in
that
 he was standing by Maisie who had promised to care for him for
an
 indefinite length of time till such date as---- A gust of the growing
 wind drove the girl's long black hair across his face as she stood
with
 her hand on his shoulder calling Amomma 'a little beast,' and for a
 moment he was in the dark,--a darkness that stung. The bullet
went
 singing out to the empty sea-
</para>

<para>
 'Spoilt my aim,' said he, shaking his head. 'There aren't any more
 cartridges; we shall have to run home.' But they did not run. They
 walked very slowly, arm in arm. And it was a matter of
indifference to
 them whether the neglected Amomma with two pin-fire cartridges
in his
 inside blew up or trotted beside them; for they had come into a
golden
 heritage and were disposing of it with all the wisdom of all their
 years-
</para>

<para>
 'And I shall be----' quoth Dick, valiantly. Then he checked himself:
'I
 don't know what I shall be. I don't seem to be able to pass any
exams,
 but I can make awful caricatures of the masters. Ho! Ho!'
</para>

<para>
 'Be an artist, then,' said Maisie. 'You're always laughing at my
trying
 to draw; and it will do you good.'
</para>

<para>
 'I'll never laugh at anything you do,' he answered. 'I'll be an artist,
 and I'll do things.'
</para>

<para>
 'Artists always want money, don't they?'
</para>

<para>
 'I've got a hundred and twenty pounds a year of my own. My
guardians
 tell me I'm to have it when I come of age. That will be enough to
begin
 with.'
</para>

<para>
 'Ah, I'm rich,' said Maisie. 'I've got three hundred a year all my
own
 when I'm twenty-one. That's why Mrs. Jennett is kinder to me than
she is
 to you. I wish, though, that I had somebody that belonged to
me,--just a
 father or a mother.'
</para>

<para>
 'You belong to me,' said Dick, 'for ever and ever.'
</para>

<para>
 'Yes, we belong--for ever. It's very nice.' She squeezed his arm.
The
 kindly darkness hid them both, and, emboldened because he could
only
 just see the profile of Maisie's cheek with the long lashes veiling
the
 gray eyes, Dick at the front door delivered himself of the words he
had
 been boggling over for the last two hours-
</para>

<para>
 'And I--love you, Maisie,' he said, in a whisper that seemed to him
to
 ring across the world,--the world that he would to-morrow or the
next
 day set out to conquer-
</para>

<para>
 There was a scene, not, for the sake of discipline, to be reported,
when
 Mrs. Jennett would have fallen upon him, first for disgraceful
 unpunctuality, and secondly for nearly killing himself with a
forbidden
 weapon-
</para>

<para>
 'I was playing with it, and it went off by itself,' said Dick, when
the
 powder-pocked cheek could no longer be hidden, 'but if you think
you're
 going to lick me you're wrong. You are never going to touch me
again-
</para>

<para>
 Sit down and give me my tea. You can't cheat us out of that,
anyhow.'
</para>

<para>
 Mrs. Jennett gasped and became livid. Maisie said nothing, but
 encouraged Dick with her eyes, and he behaved abominably all
that
 evening. Mrs. Jennett prophesied an immediate judgment of
Providence and
 a descent into Tophet later, but Dick walked in Paradise and
would not
 hear. Only when he was going to bed Mrs. Jennett recovered and
asserted
 herself. He had bidden Maisie good-night with down-dropped
eyes and from
 a distance-
</para>

<para>
 'If you aren't a gentleman you might try to behave like one,' said
Mrs-
</para>

<para>
 Jennett, spitefully. 'You've been quarrelling with Maisie again.'
</para>

<para>
 This meant that the usual good-night kiss had been omitted.
Maisie,
 white to the lips, thrust her cheek forward with a fine air of
 indifference, and was duly pecked by Dick, who tramped out of
the room
 red as fire. That night he dreamed a wild dream. He had won all
the
 world and brought it to Maisie in a cartridge-box, but she turned it
 over with her foot, and, instead of saying 'Thank you,' cried--
</para>

<para>
 'Where is the grass collar you promised for Amomma? Oh, how
selfish you
 are!'
</para>

</chapter>
<chapter>
<chapheader>
<title>
CHAPTER II
</title>

<blockquote>
<poem>
<line>Then we brought the lances down, then the bugles blew,</line>
<line>When we went to Kandahar, ridin' two an' two,</line>
<line>Ridin', ridin', ridin', two an' two,</line>
<line>Ta-ra-ra-ra-ra-ra-ra,</line>
<line>All the way to Kandahar, ridin' two an' two.</line>
</poem>
<attrib>--Barrack-Room Ballad.</attrib>
</blockquote>
</chapheader>

<para>
'I'M NOT angry with the British public, but I wish we had a few
thousand of them scattered among these rooks. They wouldn't be
in such
a hurry to get at their morning papers then. Can't you imagine the
regulation householder--Lover of Justice, Constant Reader,
Paterfamilias, and all that lot--frizzling on hot gravel?'
</para>

<para>
'With a blue veil over his head, and his clothes in strips. Has any
man
here a needle? I've got a piece of sugar-sack.'
</para>

<para>
'I'll lend you a packing-needle for six square inches of it then. Both
my
knees are worn through.'
</para>

<para>
'Why not six square acres, while you're about it? But lend me the
needle,
and I'll see what I can do with the selvage. I don't think there's
enough to
protect my royal body from the cold blast as it is. What are you
doing
with that everlasting sketch-book of yours, Dick?'
</para>

<para>
'Study of our Special Correspondent repairing his wardrobe,' said
Dick,
gravely, as the other man kicked off a pair of sorely worn
riding-breeches and began to fit a square of coarse canvas over the
most
obvious open space. He grunted disconsolately as the vastness of
the void
developed itself.
</para>

<para>
'Sugar-bags, indeed! Hi! you pilot man there! lend me all the sails
for
that whale-boat.'
</para>

<para>
A fez-crowned head bobbed up in the stern-sheets, divided itself
into
exact halves with one flashing grin, and bobbed down again. The
man of
the tattered breeches, clad only in a Norfolk jacket and a gray
flannel
shirt, went on with his clumsy sewing, while Dick chuckled over
the
sketch.
</para>

<para>
Some twenty whale-boats were nuzzling a sand-bank which was
dotted
with English soldiery of half a dozen corps, bathing or washing
their
clothes. A heap of boat-rollers, commissariat-boxes, sugar-bags,
and
flour- and small-arm-ammunition-cases showed where one of the
whale-boats had been compelled to unload hastily; and a
regimental
carpenter was swearing aloud as he tried, on a wholly insufficient
allowance of white lead, to plaster up the sun-parched gaping
seams of
the boat herself.
</para>

<para>
'First the bloomin' rudder snaps,' said he to the world in general;
'then
the mast goes; an' then, s' 'help me, when she can't do nothin' else,
she
opens 'erself out like a cock-eyes Chinese lotus.'
</para>

<para>
'Exactly the case with my breeches, whoever you are,' said the
tailor,
without looking up. 'Dick, I wonder when I shall see a decent shop
again.'
</para>

<para>
There was no answer, save the incessant angry murmur of the Nile
as it
raced round a basalt-walled bend and foamed across a rock-ridge
half a
mile upstream. It was as though the brown weight of the river
would
drive the white men back to their own country. The indescribable
scent
of Nile mud in the air told that the stream was falling and the next
few
miles would be no light thing for the whale-boats to overpass. The
desert
ran down almost to the banks, where, among gray, red, and black
hillocks, a camel-corps was encamped. No man dared even for a
day lose
touch of the slow-moving boats; there had been no fighting for
weeks
past, and throughout all that time the Nile had never spared them.
Rapid
had followed rapid, rock rock, and island-group island-group, till
the
rank and file had long since lost all count of direction and very
nearly of
time. They were moving somewhere, they did not know why, to do
something, they did not know what. Before them lay the Nile, and
at the
other end of it was one Gordon, fighting for the dear life, in a town
called
Khartoum. There were columns of British troops in the desert, or
in one
of the many deserts; there were yet more columns waiting to
embark on
the river; there were fresh drafts waiting at Assioot and Assuan;
there
were lies and rumours running over the face of the hopeless land
from
Suakin to the Sixth Cataract, and men supposed generally that
there
must be some one in authority to direct the general scheme of the
many
movements. The duty of that particular river-column was to keep
the
whale-boats afloat in the water, to avoid trampling on the villagers'
crops
when the gangs 'tracked' the boats with lines thrown from
midstream, to
get as much sleep and food as was possible, and, above all, to
press on
without delay in the teeth of the churning Nile.
</para>

<para>
With the soldiers sweated and toiled the correspondents of the
newspapers, and they were almost as ignorant as their companions.
But
it was above all things necessary that England at breakfast should
be
amused and thrilled and interested, whether Gordon lived or died,
or
half the British army went to pieces in the sands. The Soudan
campaign
was a picturesque one, and lent itself to vivid word-painting. Now
and
again a 'Special' managed to get slain,--which was not altogether a
disadvantage to the paper that employed him,--and more often the
hand-to-hand nature of the fighting allowed of miraculous escapes
which
were worth telegraphing home at eighteenpence the word. There
were
many correspondents with many corps and columns,--from the
veterans
who had followed on the heels of the cavalry that occupied Cairo
in '82,
what time Arabi Pasha called himself king, who had seen the first
miserable work round Suakin when the sentries were cut up
nightly and
the scrub swarmed with spears, to youngsters jerked into the
business at
the end of a telegraph-wire to take the places of their betters killed
or
invalided.
</para>

<para>
Among the seniors--those who knew every shift and change in the
perplexing postal arrangements, the value of the seediest, weediest
Egyptian garron offered for sale in Cairo or Alexandria, who could
talk a
telegraph-clerk into amiability and soothe the ruffled vanity of a
newly
appointed staff-officer when press regulations became
burdensome--was
the man in the flannel shirt, the black-browed Torpenhow. He
represented the Central Southern Syndicate in the campaign, as he
had
represented it in the Egyptian war, and elsewhere. The syndicate
did not
concern itself greatly with criticisms of attack and the like. It
supplied
the masses, and all it demanded was picturesqueness and
abundance of
detail; for there is more joy in England over a soldier who
insubordinately steps out of square to rescue a comrade than over
twenty
generals slaving even to baldness at the gross details of transport
and
commissariat.
</para>

<para>
He had met at Suakin a young man, sitting on the edge of a
recently
abandoned redoubt about the size of a hat-box, sketching a clump
of
shell-torn bodies on the gravel plain.
</para>

<para>
'What are you for?' said Torpenhow. The greeting of the
correspondent
is that of the commercial traveller on the road.
</para>

<para>
'My own hand,' said the young man, without looking up. 'Have you
any
tobacco?'
</para>

<para>
Torpenhow waited till the sketch was finished, and when he had
looked
at it said, 'What's your business here?'
</para>

<para>
'Nothing; there was a row, so I came. I'm supposed to be doing
something
down at the painting-slips among the boats, or else I'm in charge of
the
condenser on one of the water-ships. I've forgotten which.'
</para>

<para>
'You've cheek enough to build a redoubt with,' said Torpenhow,
and took
stock of the new acquaintance. 'Do you always draw like that?'
</para>

<para>
The young man produced more sketches. 'Row on a Chinese
pig-boat,'
</para>

<para>
said he, sententiously, showing them one after another.--'Chief
mate
dirked by a comprador.--Junk ashore off Hakodate.--Somali
muleteer
being flogged.--Star-shelled bursting over camp at
Berbera.--Slave-dhow
being chased round Tajurrah Bah.--Soldier lying dead in the
moonlight
outside Suakin.--throat cut by Fuzzies.'
</para>

<para>
'H'm!' said Torpenhow, 'can't say I care for Verestchagin-and-water
myself, but there's no accounting for tastes. Doing anything now,
are
you?'
</para>

<para>
'No. I'm amusing myself here.'
</para>

<para>
Torpenhow looked at the sketches again, and nodded. 'Yes, you're
right
to take your first chance when you can get it.'
</para>

<para>
He rode away swiftly through the Gate of the Two War-Ships,
rattled
across the causeway into the town, and wired to his syndicate, 'Got
man
here, picture-work. Good and cheap. Shall I arrange? Will do
letterpress
with sketches.'
</para>

<para>
The man on the redoubt sat swinging his legs and murmuring, 'I
knew
the chance would come, sooner or later. By Gad, they'll have to
sweat for
it if I come through this business alive!'
</para>

<para>
In the evening Torpenhow was able to announce to his friend that
the
Central Southern Agency was willing to take him on trial, paying
expenses for three months. 'And, by the way, what's your name?'
said
Torpenhow.
</para>

<para>
'Heldar. Do they give me a free hand?'
</para>

<para>
'They've taken you on chance. You must justify the choice. You'd
better
stick to me. I'm going up-country with a column, and I'll do what I
can
for you. Give me some of your sketches taken here, and I'll send
'em
along.' To himself he said, 'That's the best bargain the Central
southern
has ever made; and they got me cheaply enough.'
</para>

<para>
So it came to pass that, after some purchase of horse-flesh and
arrangements financial and political, Dick was made free of the
New and
Honourable Fraternity of war correspondents, who all possess the
inalienable right of doing as much work as they can and getting as
much
for it as Providence and their owners shall please. To these things
are
added in time, if the brother be worthy, the power of glib speech
that
neither man nor woman can resist when a meal or a bed is in
question,
the eye of a horse-cope, the skill of a cook, the constitution of a
bullock,
the digestion of an ostrich, and an infinite adaptability to all
circumstances. But many die before they attain to this degree, and
the
past-masters in the craft appear for the most part in dress-clothes
when
they are in England, and thus their glory is hidden from the
multitude.
</para>

<para>
Dick followed Torpenhow wherever the latter's fancy chose to lead
him,
and between the two they managed to accomplish some work that
almost
satisfied themselves. It was not an easy life in any way, and under
its
influence the two were drawn ver closely together, for they ate
from the
same dish, they shared the same water-bottle, and, most binding tie
of all,
their mails went off together. It was Dick who managed to make
gloriously drunk a telegraph-clerk in a palm hut far beyond the
Second
Cataract, and, while the man lay in bliss on the floor, possessed
himself of
some laboriously acquired exclusive information, forwarded by a
confiding correspondent of an opposition syndicate, made a
careful
duplicate of the matter, and brought the result to Torpenhow, who
said
that all was fair in love or war correspondence, and built an
excellent
descriptive article from his rival's riotous waste of words. It was
Torpenhow who--but the tale of their adventures, together and
apart,
from Philae to the waste wilderness of Herawi and Muella, would
fill
many books. They had been penned into a square side by side, in
deadly
fear of being shot by over-excited soldiers; they had fought with
baggage-camels in the chill dawn; they had jogged along in silence
under
blinding sun on indefatigable little Egyptian horses; and they had
floundered on the shallows of the Nile when the whale-boat in
which they
had found a berth chose to hit a hidden rock and rip out half her
bottom-planks.
</para>

<para>
Now they were sitting on the sand-bank, and the whale-boats were
bringing up the remainder of the column.
</para>

<para>
'Yes,' said Torpenhow, as he put the last rude stitches into his
over-long-neglected gear, 'it has been a beautiful business.'
</para>

<para>
'The patch or the campaign?' said Dick. 'Don't think much of
either,
myself.'
</para>

<para>
'You want the Euryalus brought up above the Third Cataract, don't
you?
and eighty-one-ton guns at Jakdul? Now, I'm quite satisfied with
my
breeches.' He turned round gravely to exhibit himself, after the
manner
of a clown.
</para>

<para>
'It's very pretty. Specially the lettering on the sack. G.B.T.
Government
Bullock Train. That's a sack from India.'
</para>

<para>
'It's my initials,--Gilbert Belling Torpenhow. I stole the cloth on
purpose.
</para>

<para>
What the mischief are the camel-corps doing yonder?' Torpenhow
shaded his eyes and looked across the scrub-strewn gravel.
</para>

<para>
A bugle blew furiously, and the men on the bank hurried to their
arms
and accoutrements.
</para>

<para>
'"Pisan soldiery surprised while bathing,"' remarked Dick, calmly.
</para>

<para>
'D'you remember the picture? It's by Michael Angelo; all beginners
copy
it. That scrub's alive with enemy.'
</para>

<para>
The camel-corps on the bank yelled to the infantry to come to
them, and
a hoarse shouting down the river showed that the remainder of the
column had wind of the trouble and was hastening to take share in
it. As
swiftly as a reach of still water is crisped by the wind, the
rock-strewn
ridges and scrub-topped hills were troubled and alive with armed
men.
</para>

<para>
Mercifully, it occurred to these to stand far off for a time, to shout
and
gesticulate joyously. One man even delivered himself of a long
story. The
camel-corps did not fire. They were only too glad of a little
breathing-space, until some sort of square could be formed. The
men on
the sand-bank ran to their side; and the whale-boats, as they toiled
up
within shouting distance, were thrust into the nearest bank and
emptied
of all save the sick and a few men to guard them. The Arab orator
ceased
his outcries, and his friends howled.
</para>

<para>
'They look like the Mahdi's men,' said Torpenhow, elbowing
himself into
the crush of the square; 'but what thousands of 'em there are! The
tribes
hereabout aren't against us, I know.'
</para>

<para>
'Then the Mahdi's taken another town,' said Dick, 'and set all these
yelping devils free to show us up. Lend us your glass.'
</para>

<para>
'Our scouts should have told us of this. We've been trapped,' said a
subaltern. 'Aren't the camel guns ever going to begin? Hurry up,
you
men!'
</para>

<para>
There was no need of any order. The men flung themselves
panting
against the sides of the square, for they had good reason to know
that
whoso was left outside when the fighting began would very
probably die
in an extremely unpleasant fashion. The little
hundred-and-fifty-pound
camel-guns posted at one corner of the square opened the ball as
the
square moved forward by its right to get possession of a knoll of
rising
ground. All had fought in this manner many times before, and
there was
no novelty in the entertainment; always the same hot and stifling
formation, the smell of dust and leather, the same boltlike rush of
the
enemy, the same pressure on the weakest side, the few minutes of
hand-to-hand scuffle, and then the silence of the desert, broken
only by
the yells of those whom their handful of cavalry attempted to
purse. They
had become careless. The camel-guns spoke at intervals, and the
square
slouched forward amid the protesting of the camels. Then came
the
attack of three thousand men who had not learned from books that
it is
impossible for troops in close order to attack against
breech-loading fire.
</para>

<para>
A few dropping shots heralded their approach, and a few horsemen
led,
but the bulk of the force was naked humanity, mad with rage, and
armed
with the spear and the sword. The instinct of the desert, where
there is
always much war, told them that the right flank of the square was
the
weakest, for they swung clear of the front. The camel-guns shelled
them
as they passed and opened for an instant lanes through their midst,
most
like those quick-closing vistas in a Kentish hop-garden seen when
the
train races by at full speed; and the infantry fire, held till the
opportune
moment, dropped them in close-packing hundreds. No civilised
troops in
the world could have endured the hell through which they came,
the
living leaping high to avoid the dying who clutched at their heels,
the
wounded cursing and staggering forward, till they fell--a torrent
black as
the sliding water above a mill-dam--full on the right flank of the
square.
</para>

<para>
Then the line of the dusty troops and the faint blue desert sky
overhead
went out in rolling smoke, and the little stones on the heated
ground ant
the tinder-dry clumps of scrub became matters of surpassing
interest, for
men measured their agonised retreat and recovery by these things,
counting mechanically and hewing their way back to chosen
pebble and
branch. There was no semblance of any concerted fighting. For
aught the
men knew, the enemy might be attempting all four sides of the
square at
once. Their business was to destroy what lay in front of them, to
bayonet
in the back those who passed over them, and, dying, to drag down
the
slayer till he could be knocked on the head by some avenging
gun-butt.
</para>

<para>
Dick waited with Torpenhow and a young doctor till the stress
grew
unendurable. It was hopeless to attend to the wounded till the
attack was
repulsed, so the three moved forward gingerly towards the weakest
side
of the square. There was a rush from without, the short
hough-hough of
the stabbing spears, and a man on a horse, followed by thirty or
forty
others, dashed through, yelling and hacking. The right flank of the
square sucked in after them, and the other sides sent help. The
wounded,
who knew that they had but a few hours more to live, caught at the
enemy's feet and brought them down, or, staggering into a
discarded
rifle, fired blindly into the scuffle that raged in the centre of the
square.
</para>

<para>
Dick was conscious that somebody had cut him violently across
his
helmet, that he had fired his revolver into a black, foam-flecked
face
which forthwith ceased to bear any resemblance to a face, and that
Torpenhow had gone down under an Arab whom he had tried to
'collar
low,' and was turning over and over with his captive, feeling for
the
man's eyes. The doctor jabbed at a venture with a bayonet, and a
helmetless soldier fired over Dick's shoulder: the flying grains of
powder
stung his cheek. It was to Torpenhow that Dick turned by instinct.
The
representative of the Central Southern Syndicate had shaken
himself
clear of his enemy, and rose, wiping his thumb on his trousers. The
Arab,
both hands to his forehead, screamed aloud, then snatched up his
spear
and rushed at Torpenhow, who was panting under shelter of Dick's
revolver. Dick fired twice, and the man dropped limply. His
upturned
face lacked one eye. The musketry-fire redoubled, but cheers
mingled
with it. The rush had failed and the enemy were flying. If the heart
of the
square were shambles, the ground beyond was a butcher's shop.
Dick
thrust his way forward between the maddened men. The remnant
of the
enemy were retiring, as the few--the very few--English cavalry
rode
down the laggards.
</para>

<para>
Beyond the lines of the dead, a broad blood-stained Arab spear
cast aside
in the retreat lay across a stump of scrub, and beyond this again the
illimitable dark levels of the desert. The sun caught the steel and
turned
it into a red disc. Some one behind him was saying, 'Ah, get away,
you
brute!' Dick raised his revolver and pointed towards the desert. His
eye
was held by the red spash in the distance, and the clamour about
him
seemed to die down to a very far-away whisper, like the whisper of
a
level sea. There was the revolver and the red light. . . . and the
voice of
some one scaring something away, exactly as had fallen
somewhere
before,--a darkness that stung. He fired at random, and the bullet
went
out across the desert as he muttered, 'Spoilt my aim. There aren't
any
more cartridges. We shall have to run home.' He put his hand to his
head
and brought it away covered with blood.
</para>

<para>
'Old man, you're cut rather badly,' said Torpenhow. 'I owe you
something for this business. Thanks. Stand up! I say, you can't be
ill
here.'
</para>

<para>
Throughout the night, when the troops were encamped by the
whale-boats, a black figure danced in the strong moonlight on the
sand-bar and shouted that Khartoum the accursed one was
dead,--was
dead,--was dead,--that two steamers were rock-staked on the Nile
outside
the city, and that of all their crews there remained not one; and
Khartoum was dead,--was dead,--was dead!
But Torpenhow took no heed. He was watching Dick, who called
aloud to
the restless Nile for Maisie,--and again Maisie!
'Behold a phenomenon,' said Torpenhow, rearranging the blanket.
'Here
is a man, presumably human, who mentions the name of one
woman
only. And I've seen a good deal of delirium, too.--Dick, here's
some fizzy
drink.'
</para>

<para>
'Thank you, Maisie,' said Dick.
</para>

</chapter>
<chapter>
<chapheader>
<title>
CHAPTER III
</title>

<blockquote>
<poem>
<line>So he thinks he shall take to the sea again</line>
<line>For one more cruise with his buccaneers,</line>
<line>To singe the beard of the King of Spain,</line>
<line>And capture another Dean of Jaen</line>
<line>And sell him in Algiers.</line>
 </poem>
<attrib>A Dutch Picture. Longfellow</attrib>
</blockquote>
</chapheader>

<para>
THE SOUDAN campaign and Dick's broken head had been some
months
ended and mended, and the Central Southern Syndicate had paid
Dick a
certain sum on account for work done, which work they were
careful to
assure him was not altogether up to their standard. Dick heaved the
letter into the Nile at Cairo, cashed the draft in the same town, and
bade
a warm farewell to Torpenhow at the station.
</para>

<para>
'I am going to lie up for a while and rest,' said Torpenhow. 'I don't
know
where I shall live in London, but if God brings us to meet, we shall
meet.
</para>

<para>
Are you starying here on the off-chance of another row? There will
be
none till the Southern Soudan is reoccupied by our troops. Mark
that.
</para>

<para>
Good-bye; bless you; come back when your money's spent; and
give me
your address.'
</para>

<para>
Dick loitered in Cairo, Alexandria, Ismailia, and Port
Said,--especially
Port Said. There is iniquity in many parts of the world, and vice in
all,
but the concentrated essence of all the iniquities and all the vices
in all
the continents finds itself at Port Said. And through the heart of
that
sand-bordered hell, where the mirage flickers day long above the
Bitter
Lake, move, if you will only wait, most of the men and women you
have
known in this life. Dick established himself in quarters more
riotous than
respectable. He spent his evenings on the quay, and boarded many
ships,
and saw very many friends,--gracious Englishwomen with whom
he had
talked not too wisely in the veranda of Shepherd's Hotel, hurrying
war
correspondents, skippers of the contract troop-ships employed in
the
campaign, army officers by the score, and others of less reputable
trades.
</para>

<para>
He had choice of all the races of the East and West for studies, and
the
advantage of seeing his subjects under the influence of strong
excitement,
at the gaming-tables, saloons, dancing-hells, and elsewhere. For
recreation there was the straight vista of the Canal, the blazing
sands,
the procession of shipping, and the white hospitals where the
English
soldiers lay. He strove to set down in black and white and colour
all that
Providence sent him, and when that supply was ended sought
about for
fresh material. It was a fascinating employment, but it ran away
with his
money, and he had drawn in advance the hundred and twenty
pounds to
which he was entitled yearly. 'Now I shall have to work and
starve!'
</para>

<para>
thought he, and was addressing himself to this new fate when a
mysterious telegram arrived from Torpenhow in England, which
said,
'Come back, quick; you have caught on. Come.'
</para>

<para>
A large smile overspread his face. 'So soon! that's a good hearing,'
said
he to himself. 'There will be an orgy to-night. I'll stand or fall by
my
luck. Faith, it's time it came!' He deposited half of his funds in the
hands
of his well-known friends Monsieur and Madame Binat, and
ordered
himself a Zanzibar dance of the finest. Monsieur Binat was
shaking with
drink, but Madame smiles sympathetically--
'Monsieur needs a chair, of course, and of course Monsieur will
sketch;
Monsieur amuses himself strangely.'
</para>

<para>
Binat raised a blue-white face from a cot in the inner room. 'I
understand,' he quavered. 'We all know Monsieur. Monsieur is an
artist,
as I have been.' Dick nodded. 'In the end,' said Binat, with gravity,
'Monsieur will descend alive into hell, as I have descended.' And
he
laughed.
</para>

<para>
'You must come to the dance, too,' said Dick; 'I shall want you.'
</para>

<para>
'For my face? I knew it would be so. For my face? My God! and for
my
degradation so tremendous! I will not. Take him away. He is a
devil. Or
at least do thou, Celeste, demand of him more.' The excellent
Binat began
to kick and scream.
</para>

<para>
'All things are for sale in Port Said,' said Madame. 'If my husband
comes
it will be so much more. Eh, 'how you call--'alf a sovereign.'
</para>

<para>
The money was paid, and the mad dance was held at night in a
walled
courtyard at the back of Madame Binat's house. The lady herself,
in
faded mauve silk always about to slide from her yellow shoulders,
played
the piano, and to the tin-pot music of a Western waltz the naked
Zanzibari girls danced furiously by the light of kerosene lamps.
Binat sat
upon a chair and stared with eyes that saw nothing, till the whirl of
the
dance and the clang of the rattling piano stole into the drink that
took the
place of blood in his veins, and his face glistened. Dick took him
by the
chin brutally and turned that face to the light. Madame Binat
looked
over her shoulder and smiled with many teeth. Dick leaned against
the
wall and sketched for an hour, till the kerosene lamps began to
smell, and
the girls threw themselves panting on the hard-beaten ground.
Then he
shut his book with a snap and moved away, Binat plucking feebly
at his
elbow. 'Show me,' he whimpered. 'I too was once an artist, even I!'
Dick
showed him the rough sketch. 'Am I that?' he screamed. 'Will you
take
that away with you and show all the world that it is I,--Binat?' He
moaned and wept.
</para>

<para>
'Monsieur has paid for all,' said Madame. 'To the pleasure of
seeing
Monsieur again.'
</para>

<para>
The courtyard gate shut, and Dick hurried up the sandy street to
the
nearest gambling-hell, where he was well known. 'If the luck
holds, it's
an omen; if I lose, I must stay here.' He placed his money
picturesquely
about the board, hardly daring to look at what he did. The luck
held.
</para>

<para>
Three turns of the wheel left him richer by twenty pounds, and he
went
down to the shipping to make friends with the captain of a decayed
cargo-steamer, who landed him in London with fewer pounds in
his
pocket than he cared to think about.
</para>

<para>
A thin gray fog hung over the city, and the streets were very cold;
for
summer was in England.
</para>

<para>
'It's a cheerful wilderness, and it hasn't the knack of altering much,'
Dick
thought, as he tramped from the Docks westward. 'Now, what must
I
do?'
</para>

<para>
The packed houses gave no answer. Dick looked down the long
lightless
streets and at the appalling rush of traffic. 'Oh, you rabbit-hutches!'
said
he, addressing a row of highly respectable semi-detached
residences. 'Do
you know what you've got to do later on? You have to supply me
with
men-servants and maid-servants,'--here he smacked his lips,--'and
the
peculiar treasure of kings. Meantime I'll clothes and boots, and
presently
I will return and trample on you.' He stepped forward
energetically; he
saw that one of his shoes was burst at the side. As he stooped to
make
investigations, a man jostled him into the gutter. 'All right,' he said.
</para>

<para>
'That's another nick in the score. I'll jostle you later on.'
</para>

<para>
Good clothes and boots are not cheap, and Dick left his last shop
with the
certainty that he would be respectably arrayed for a time, but with
only
fifty shillings in his pocket. He returned to streets by the Docks,
and
lodged himself in one room, where the sheets on the bed were
almost
audibly marked in case of theft, and where nobody seemed to go to
bed at
all. When his clothes arrived he sought the Central Southern
Syndicate
for Torpenhow's address, and got it, with the intimation that there
was
still some money waiting for him.
</para>

<para>
'How much?' said Dick, as one who habitually dealt in millions.
</para>

<para>
'Between thirty and forty pounds. If it would be any convenience to
you,
of course we could let you have it at once; but we usually settle
accounts
monthly.'
</para>

<para>
'If I show that I want anything now, I'm lost,' he said to himself.
'All I
need I'll take later on.' Then, aloud, 'It's hardly worth while; and I'm
going to the country for a month, too. Wait till I come back, and
I'll see
about it.'
</para>

<para>
'But we trust, Mr. Heldar, that you do not intend to sever your
connection with us?'
</para>

<para>
Dick's business in life was the study of faces, and he watched the
speaker
keenly. 'That man means something,' he said. 'I'll do no business
till I've
seen Torpenhow. There's a big deal coming.' So he departed,
making no
promises, to his one little room by the Docks. And that day was the
seventh of the month, and that month, he reckoned with awful
distinctness, had thirty-one days in it!
It is not easy for a man of catholic tastes and healthy appetites to
exist for
twenty-four days on fifty shillings. Nor is it cheering to begin the
experiment alone in all the loneliness of London. Dick paid seven
shillings
a week for his lodging, which left him rather less than a shilling a
day for
food and drink. Naturally, his first purchase was of the materials of
his
craft; he had been without them too long. Half a day's
investigations and
comparison brought him to the conclusion that sausages and
mashed
potatoes, twopence a plate, were the best food. Now, sausages
once or
twice a week for breakfast are not unpleasant. As lunch, even, with
mashed potatoes, they become monotonous. At dinner they are
impertinent. At the end of three days Dick loathed sausages, and,
going,
forth, pawned his watch to revel on sheep's head, which is not as
cheap
as it looks, owing to the bones and the gravy. Then he returned to
sausages and mashed potatoes. Then he confined himself entirely
to
mashed potatoes for a day, and was unhappy because of pain in his
inside. Then he pawned his waistcoat and his tie, and thought
regretfully
of money thrown away in times past. There are few things more
edifying
unto Art than the actual belly-pinch of hunger, and Dick in his few
walks
abroad,--he did not care for exercise; it raised desires that could
not be
satisfied--found himself dividing mankind into two classes,--those
who
looked as if they might give him something to eat, and those who
looked
otherwise. 'I never knew what I had to learn about the human face
before,' he thought; and, as a reward for his humility, Providence
caused
a cab-driver at a sausage-shop where Dick fed that night to leave
half
eaten a great chunk of bread. Dick took it,--would have fought all
the
world for its possession,--and it cheered him.
</para>

<para>
The month dragged through at last, and, nearly prancing with
impatience, he went to draw his money. Then he hastened to
Torpenhow's address and smelt the smell of cooking meats all
along the
corridors of the chambers. Torpenhow was on the top floor, and
Dick
burst into his room, to be received with a hug which nearly
cracked his
ribs, as Torpenhow dragged him tot he light and spoke of twenty
different things in the same breath.
</para>

<para>
'But you're looking tucked up,' he concluded.
</para>

<para>
'Got anything to eat?' said Dick, his eye roaming round the room.
</para>

<para>
'I shall be having breakfast in a minute. What do you say to
sausages?'
</para>

<para>
'No, anything but sausages! Torp, I've been starving on that
accursed
horse-flesh for thirty days and thirty nights.'
</para>

<para>
'Now, what lunacy has been your latest?'
</para>

<para>
Dick spoke of the last few weeks with unbridled speech. Then he
opened
his coat; there was no waistcoat below. 'I ran it fine, awfully fine,
but
I've just scraped through.'
</para>

<para>
'You haven't much sense, but you've got a backbone, anyhow. Eat,
and
talk afterwards.' Dick fell upon eggs and bacon and gorged till he
could
gorge no more. Torpenhow handed him a filled pipe, and he
smoked as
men smoke who for three weeks have been deprived of good
tobacco.
</para>

<para>
'Ouf!' said he. 'That's heavenly! Well?'
</para>

<para>
'Why in the world didn't you come to me?'
</para>

<para>
'Couldn't; I owe you too much already, old man. Besides I had a
sort of
superstition that this temporary starvation--that's what it was, and
it
hurt--would bring me luck later. It's over and done with now, and
none
of the syndicate know how hard up I was. Fire away. What's the
exact
state of affairs as regards myself?'
</para>

<para>
'You had my wire? You've caught on here. People like your work
immensely. I don't know why, but they do. They say you have a
fresh
touch and a new way of drawing things. And, because they're
chiefly
home-bred English, they say you have insight. You're wanted by
half a
dozen papers; you're wanted to illustrate books.'
</para>

<para>
Dick grunted scornfully.
</para>

<para>
'You're wanted to work up your smaller sketches and sell them to
the
dealers. They seem to think the money sunk in you is a good
investment.
</para>

<para>
Good Lord! who can account for the fathomless folly of the
public?'
</para>

<para>
'They're a remarkably sensible people.'
</para>

<para>
'They are subject to fits, if that's what you mean; and you happen
to be
the object of the latest fit among those who are interested in what
they
call Art. Just now you're a fashion, a phenomenon, or whatever you
please. I appeared to be the only person who knew anything about
you
here, and I have been showing the most useful men a few of the
sketches
you gave me from time to time. Those coming after your work on
the
Central Southern Syndicate appear to have done your business.
You're
in luck.'
</para>

<para>
'Huh! call it luck! Do call it luck, when a man has been kicking
about the
world like a dog, waiting for it to come! I'll luck 'em later on. I
want a
place to work first.'
</para>

<para>
'Come here,' said Torpenhow, crossing the landing. 'This place is a
big
box room really, but it will do for you. There's your skylight, or
your
north light, or whatever window you call it, and plenty of room to
thrash
about in, and a bedroom beyond. What more do you need?'
</para>

<para>
'Good enough,' said Dick, looking round the large room that took
up a
third of a top story in the rickety chambers overlooking the
Thames. A
pale yellow sun shone through the skylight and showed the much
dirt of
the place. Three steps led from the door to the landing, and three
more to
Torpenhow's room. The well of the staircase disappeared into
darkness,
pricked by tiny gas-jets, and there were sounds of men talking and
doors
slamming seven flights below, in the warm gloom.
</para>

<para>
'Do they give you a free hand here?' said Dick, cautiously. He was
Ishmael enough to know the value of liberty.
</para>

<para>
'Anything you like; latch-keys and license unlimited. We are
permanent
tenants for the most part here. 'Tisn't a place I would recommend
for a
Young Men's Christian Association, but it will serve. I took these
rooms
for you when I wired.'
</para>

<para>
'You're a great deal too kind, old man.'
</para>

<para>
'You didn't suppose you were going away from me, did you?'
Torpenhow
put his hand on Dick's shoulder, and the two walked up and down
the
room, henceforward to be called the studio, in sweet and silent
communion. They heard rapping at Torpenhow's door. 'That's some
ruffian come up for a drink,' said Torpenhow; and he raised his
voice
cheerily. There entered no one more ruffianly than a portly
middle-aged
gentleman in a satin-faced frockcoat. His lips were parted and
pale, and
there were deep pouches under the eyes.
</para>

<para>
'Weak heart,' said Dick to himself, and, as he shook hands, 'very
weak
heart. His pulse is shaking his fingers.'
</para>

<para>
The man introduced himself as the head of the Central Southern
Syndicate and 'one of the most ardent admirers of your work, Mr.
</para>

<para>
Heldar. I assure you, in the name of the syndicate, that we are
immensely
indebted to you; and I trust, Mr. Heldar, you won't forget that we
were
largely instrumental in bringing you before the public.' He panted
because of the seven flights of stairs.
</para>

<para>
Dick glanced at Torpenhow, whose left eyelid lay for a moment
dead on
his cheek.
</para>

<para>
'I shan't forget,' said Dick, every instinct of defence roused in him.
</para>

<para>
'You've paid me so well that I couldn't, you know. By the way,
when I
am settled in this place I should like to send and get my sketches.
There
must be nearly a hundred and fifty of them with you.'
</para>

<para>
'That is er--is what I came to speak about. I fear we can't allow it
exactly, Mr. Heldar. In the absence of any specified agreement, the
sketches are our property, of course.'
</para>

<para>
'Do you mean to say that you are going to keep them?'
</para>

<para>
'Yes; and we hope to have your help, on your own terms, Mr.
Heldar, to
assist us in arranging a little exhibition, which, backed by our
name and
the influence we naturally command among the press, should be of
material service to you. Sketches such as yours----'
</para>

<para>
'Belong to me. You engaged me by wire, you paid me the lowest
rates you
dared. You can't mean to keep them! Good God alive, man, they're
all
I've got in the world!'
</para>

<para>
Torpenhow watched Dick's face and whistled.
</para>

<para>
Dick walked up and down, thinking. He saw the whole of his little
stock
in trade, the first weapon of his equipment, annexed at the outset
of his
campaign by an elderly gentleman whose name Dick had not
caught
aright, who said that he represented a syndicate, which was a thing
for
which Dick had not the least reverence. The injustice of the
proceedings
did not much move him; he had seen the strong hand prevail too
often in
other places to be squeamish over the moral aspects of right and
wrong.
</para>

<para>
But he ardently desired the blood of the gentleman in the
frockcoat, and
when he spoke again, and when he spoke again it was with a
strained
sweetness that Torpenhow knew well for the beginning of strife.
</para>

<para>
'Forgive me, sir, but you have no--no younger man who can
arrange this
business with me?'
</para>

<para>
'I speak for the syndicate. I see no reason for a third party to----'
</para>

<para>
'You will in a minute. Be good enough to give back my sketches.'
</para>

<para>
The man stared blankly at Dick, and then at Torpenhow, who was
leaning against the wall. He was not used to ex-employees who
ordered
him to be good enough to do things.
</para>

<para>
'Yes, it is rather a cold-blooded steal,' said Torpenhow, critically;
'but
I'm afraid, I am very much afraid, you've struck the wrong man. Be
careful, Dick; remember, this isn't the Soudan.'
</para>

<para>
'Considering what services the syndicate have done you in putting
your
name before the world----'
</para>

<para>
This was not a fortunate remark; it reminded Dick of certain
vagrant
years lived out in loneliness and strife and unsatisfied desires. The
memory did not contrast well with the prosperous gentleman who
proposed to enjoy the fruit of those years.
</para>

<para>
'I don't know quite what to do with you,' began Dick, meditatively.
'Of
course you're a thief, and you ought to be half killed, but in your
case
you'd probably die. I don't want you dead on this floor, and,
besides, it's
unlucky just as one's moving in. Don't hit, sir; you'll only excite
yourself.'
</para>

<para>
He put one hand on the man's forearm and ran the other down the
plump
body beneath the coat. 'My goodness!' said he to Torpenhow, 'and
this
gray oaf dares to be a thief! I have seen an Esneh camel-driver
have the
black hide taken off his body in strips for stealing half a pound of
wet
dates, and he was as tough as whipcord. This things' soft all
over--like a
woman.'
</para>

<para>
There are few things more poignantly humiliating than being
handled by
a man who does not intend to strike. The head of the syndicate
began to
breathe heavily. Dick walked round him, pawing him, as a cat
paws a soft
hearth-rug. Then he traced with his forefinger the leaden pouches
underneath the eyes, and shook his head. 'You were going to steal
my
things,--mine, mine, mine!--you, who don't know when you may
die.
</para>

<para>
Write a note to your office,--you say you're the head of it,--and
order
them to give Torpenhow my sketches,--every one of them. Wait a
minute:
your hand's shaking. Now!' He thrust a pocket-book before him.
The note
was written. Torpenhow took it and departed without a word,
while Dick
walked round and round the spellbound captive, giving him such
advice
as he conceived best for the welfare of his soul. When Torpenhow
returned with a gigantic portfolio, he heard Dick say, almost
soothingly,
'Now, I hope this will be a lesson to you; and if you worry me
when I
have settled down to work with any nonsense about actions for
assault,
believe me, I'll catch you and manhandle you, and you'll die. You
haven't
very long to live, anyhow. Go! Imshi, Vootsak,--get out!' The man
departed, staggering and dazed. Dick drew a long breath: 'Phew!
what a
lawless lot these people are! The first thing a poor orphan meets is
gang
robbery, organised burglary! Think of the hideous blackness of that
man's mind! Are my sketches all right, Torp?'
</para>

<para>
'Yes; one hundred and forty-seven of them. Well, I must say, Dick,
you've
begun well.'
</para>

<para>
'He was interfering with me. It only meant a few pounds to him,
but it
was everything to me. I don't think he'll bring an action. I gave him
some
medical advice gratis about the state of his body. It was cheap at
the little
flurry it cost him. Now, let's look at my things.'
</para>

<para>
Two minutes later Dick had thrown himself down on the floor and
was
deep in the portfolio, chuckling lovingly as he turned the drawings
over
and thought of the price at which they had been bought.
</para>

<para>
The afternoon was well advanced when Torpenhow came to the
door and
saw Dick dancing a wild saraband under the skylight.
</para>

<para>
'I builded better than I knew, Torp,' he said, without stopping the
dance.
</para>

<para>
'They're good! They're damned good! They'll go like flame! I shall
have
an exhibition of them on my own brazen hook. And that man
would have
cheated me out of it! Do you know that I'm sorry now that I didn't
actually hit him?'
</para>

<para>
'Go out,' said Torpenhow,--'go out and pray to be delivered from
the sin
of arrogance, which you never will be. Bring your things up from
whatever place you're staying in, and we'll try to make this barn a
little
more shipshape.'
</para>

<para>
'And then--oh, then,' said Dick, still capering, 'we will spoil the
Egyptians!'
</para>

</chapter>
<chapter>
<chapheader>
<title>
CHAPTER IV
</title>

<blockquote>
<poem>
<line>The wolf-cub at even lay hid in the corn,</line>
<line>When the smoke of the cooking hung gray:</line>
<line>He knew where the doe made a couch for her fawn,</line>
<line>And he looked to his strength for his prey.</line>

<line>But the moon swept the smoke-wreaths away.</line>
<line>And he turned from his meal in the villager's close,</line>
<line>And he bayed to the moon as she rose.</line>
 </poem>
<attrib>In Seonee-</attrib>
</blockquote>
</chapheader>

<para>
'WELL, and how does success taste?' said Torpenhow, some three
months later. He had just returned to chambers after a holiday in
the
country.
</para>

<para>
'Good,' said Dick, as he sat licking his lips before the easel in the
studio.
</para>

<para>
'I want more,--heaps more. The lean years have passed, and I
approve of
these fat ones.'
</para>

<para>
'Be careful, old man. That way lies bad work.'
</para>

<para>
Torpenhow was sprawling in a long chair with a small fox-terrier
asleep
on his chest, while Dick was preparing a canvas. A dais, a
background,
and a lay-figure were the only fixed objects in the place. They rose
from
a wreck of oddments that began with felt-covered water-bottles,
belts,
and regimental badges, and ended with a small bale of
second-hand
uniforms and a stand of mixed arms. The mark of muddy feet on
the dais
showed that a military model had just gone away. The watery
autumn
sunlight was falling, and shadows sat in the corners of the studio.
</para>

<para>
'Yes,' said Dick, deliberately, 'I like the power; I like the fun; I like
the
fuss; and above all I like the money. I almost like the people who
make
the fuss and pay the money. Almost. But they're a queer gang,--an
amazingly queer gang!'
</para>

<para>
'They have been good enough to you, at any rate. Than tin-pot
exhibition
of your sketches must have paid. Did you see that the papers called
it the
"Wild Work Show"?'
</para>

<para>
'Never mind. I sold every shred of canvas I wanted to; and, on my
word,
I believe it was because they believed I was a self-taught flagstone
artist.
</para>

<para>
I should have got better prices if I worked my things on wool or
scratched them on camel-bone instead of using mere black and
white and
colour. Verily, they are a queer gang, these people. Limited isn't
the
word to describe 'em. I met a fellow the other day who told me that
it
was impossible that shadows on white sand should be
blue,--ultramarine,--as they are. I found out, later, that the man had
been
as far as Brighton beach; but he knew all about Art, confound him.
He
gave me a lecture on it, and recommended me to go to school to
learn
technique. I wonder what old Kami would have said to that.'
</para>

<para>
'When were you under Kami, man of extraordinary beginnings?'
</para>

<para>
'I studied with him for two years in Paris. He taught by personal
magnetism. All he ever said was, "Continuez, mes enfants," and
you had
to make the best you could of that. He had a divine touch, and he
knew
something about colour. Kami used to dream colour; I swear he
could
never have seen the genuine article; but he evolved it; and it was
good.'
</para>

<para>
'Recollect some of those views in the Soudan?' said Torpenhow,
with a
provoking drawl.
</para>

<para>
Dick squirmed in his place. 'Don't! It makes me want to get out
there
again. What colour that was! Opal and umber and amber and claret
and
brick-red and sulphur--cockatoo-crest--sulphur--against brown,
with a
nigger-black rock sticking up in the middle of it all, and a
decorative
frieze of camels festooning in front of a pure pale turquoise sky.'
He
began to walk up and down. 'And yet, you know, if you try to give
these
people the thing as God gave it, keyed down to their
comprehension and
according to the powers He has given you----'
</para>

<para>
'Modest man! Go on.'
</para>

<para>
'Half a dozen epicene young pagans who haven't even been to
Algiers
will tell you, first, that your notion is borrowed, and, secondly, that
it
isn't Art.
</para>

<para>
''This comes of my leaving town for a month. Dickie, you've been
promenading among the toy-shops and hearing people talk.'
</para>

<para>
'I couldn't help it,' said Dick, penitently. 'You weren't here, and it
was
lonely these long evenings. A man can't work for ever.'
</para>

<para>
'A man might have gone to a pub, and got decently drunk.'
</para>

<para>
'I wish I had; but I forgathered with some men of sorts. They said
they
were artists, and I knew some of them could draw,--but they
wouldn't
draw. They gave me tea,--tea at five in the afternoon!--and talked
about
Art and the state of their souls. As if their souls mattered. I've
heard
more about Art and seen less of her in the last six months than in
the
whole of my life. Do you remember Cassavetti, who worked for
some
continental syndicate, out with the desert column? He was a
regular
Christmas-tree of contraptions when he took the field in full fig,
with his
water-bottle, lanyard, revolver, writing-case, housewife, gig-lamps,
and
the Lord knows what all. He used to fiddle about with 'em and
show us
how they worked; but he never seemed to do much except fudge
his
reports from the Nilghai. See?'
</para>

<para>
'Dear old Nilghai! He's in town, fatter than ever. He ought to be up
here
this evening. I see the comparison perfectly. You should have kept
clear
of all that man-millinery. Serves you right; and I hope it will
unsettle
your mind.'
</para>

<para>
'It won't. It has taught me what Art--holy sacred Art--means.'
</para>

<para>
'You've learnt something while I've been away. What is Art?'
</para>

<para>
'Give 'em what they know, and when you've done it once do it
again.'
</para>

<para>
Dick dragged forward a canvas laid face to the wall. 'Here's a
sample of
real Art. It's going to be a facsimile reproduction for a weekly. I
called it
"His Last Shot." It's worked up from the little water-colour I made
outside El Maghrib. Well, I lured my model, a beautiful rifleman,
up
here with drink; I drored him, and I redrored him, and I redrored
him,
and I made him a flushed, dishevelled, bedevilled scallawag, with
his
helmet at the back of his head, and the living fear of death in his
eye, and
the blood oozing out of a cut over his ankle-bone. He wasn't pretty,
but
he was all soldier and very much man.'
</para>

<para>
'Once more, modest child!'
</para>

<para>
Dick laughed. 'Well, it's only to you I'm talking. I did him just as
well as
I knew how, making allowance for the slickness of oils. Then the
art-manager of that abandoned paper said that his subscribers
wouldn't
like it. It was brutal and coarse and violent,--man being naturally
gentle
when he's fighting for his life. They wanted something more
restful, with
a little more colour. I could have said a good deal, but you might
as well
talk to a sheep as an art-manager. I took my "Last Shot" back.
Behold
the result! I put him into a lovely red coat without a speck on it.
That is
Art. I polished his boots,--observe the high light on the toe. That is
Art. I
cleaned his rifle,--rifles are always clean on service,--because that
is Art.
</para>

<para>
I pipeclayed his helmet,--pipeclay is always used on active service,
and is
indispensable to Art. I shaved his chin, I washed his hands, and
gave him
an air of fatted peace. Result, military tailor's pattern-plate. Price,
thank
Heaven, twice as much as for the first sketch, which was
moderately
decent.'
</para>

<para>
'And do you suppose you're going to give that thing out as your
work?'
</para>

<para>
'Why not? I did it. Alone I did it, in the interests of sacred,
home-bred
Art and Dickenson's Weekly.'
</para>

<para>
Torpenhow smoked in silence for a while. Then came the verdict,
delivered from rolling clouds: 'If you were only a mass of
blathering
vanity, Dick, I wouldn't mind,--I'd let you go to the deuce on your
own
mahl-stick; but when I consider what you are to me, and when I
find that
to vanity you add the twopenny-halfpenny pique of a
twelve-year-old
girl, then I bestir myself in your behalf. Thus!'
</para>

<para>
The canvas ripped as Torpenhow's booted foot shot through it, and
the
terrier jumped down, thinking rats were about.
</para>

<para>
'If you have any bad language to use, use it. You have not. I
continue.
</para>

<para>
You are an idiot, because no man born of woman is strong enough
to take
liberties with his public, even though they be--which they ain't--all
you
say they are.'
</para>

<para>
'But they don't know any better. What can you expect from
creatures
born and bred in this light?' Dick pointed to the yellow fog. 'If they
want
furniture-polish, let them have furniture-polish, so long as they pay
for it.
</para>

<para>
They are only men and women. You talk as if they were gods.'
</para>

<para>
'That sounds very fine, but it has nothing to do with the case. They
are
they people you have to do work for, whether you like it or not.
They are
your masters. Don't be deceived, Dickie, you aren't strong enough
to
trifle with them,--or with yourself, which is more important.
</para>

<para>
Moreover,--Come back, Binkie: that red daub isn't going
anywhere,--unless you take precious good care, you will fall under
the
damnation of the check-book, and that's worse than death. You
will get
drunk--you-re half drunk already--on easily acquired money. For
that
money and you own infernal vanity you are willing to deliberately
turn
out bad work. You'll do quite enough bad work without knowing
it. And,
Dickie, as I love you and as I know you love me, I am not going to
let you
cut off your nose to spite your face for all the gold in England.
That's
settled. Now swear.'
</para>

<para>
'Don't know, said Dick. 'I've been trying to make myself angry, but
I
can't, you're so abominably reasonable. There will be a row on
Dickenson's Weekly, I fancy.'
</para>

<para>
'Why the Dickenson do you want to work on a weekly paper? It's
slow
bleeding of power.'
</para>

<para>
'It brings in the very desirable dollars,' said Dick, his hands in his
pockets.
</para>

<para>
Torpenhow watched him with large contempt. 'Why, I thought it
was a
man!' said he. 'It's a child.'
</para>

<para>
'No, it isn't,' said Dick, wheeling quickly. 'You've no notion owhat
the
certainty of cash means to a man who has always wanted it badly.
</para>

<para>
Nothing will pay me for some of my life's joys; on that Chinese
pig-boat,
for instance, when we ate bread and jam for every meal, because
Ho-Wang wouldn't allow us anything better, and it all tasted of
pig,--Chinese pig. I've worked for this, I've sweated and I've
starved for
this, line on line and month after month. And now I've got it I am
going
to make the most of it while it lasts. Let them pay--they've no
knowledge.'
</para>

<para>
'What does Your Majesty please to want? You can't smoke more
than
you do; you won't drink; you're a gross feeder; and you dress in the
dark, by the look of you. You wouldn't keep a horse the other day
when I
suggested, because, you said, it might fall lame, and whenever you
cross
the street you take a hansom. Even you are not foolish enough to
suppose
that theatres and all the live things you can by thereabouts mean
Life.
</para>

<para>
What earthly need have you for money?'
</para>

<para>
'It's there, bless its golden heart,' said Dick. 'It's there all the time.
</para>

<para>
Providence has sent me nuts while I have teeth to crack 'em with. I
haven't yet found the nut I wish to crack, but I'm keeping my teeth
filed.
</para>

<para>
Perhaps some day you and I will go for a walk round the wide
earth.'
</para>

<para>
'With no work to do, nobody to worry us, and nobody to compete
with?
You would be unfit to speak to in a week. Besides, I shouldn't go. I
don't
care to profit by the price of a man's soul,--for that's what it would
mean.
</para>

<para>
Dick, it's no use arguing. You're a fool.'
</para>

<para>
'Don't see it. When I was on that Chinese pig-boat, our captain got
credit
for saving about twenty-five thousand very seasick little pigs,
when our
old tramp of a steamer fell foul of a timber-junk. Now, taking
those pigs
as a parallel----'
</para>

<para>
'Oh, confound your parallels! Whenever I try to improve your soul,
you
always drag in some anecdote from your very shady past. Pigs
aren't the
British public; and self-respect is self-respect the world over. Go
out for
a walk and try to catch some self-respect. And, I say, if the Nilghai
comes
up this evening can I show him your diggings?'
</para>

<para>
'Surely.' And Dick departed, to take counsel with himself in the
rapidly
gathering London fog.
</para>

<para>
Half an hour after he had left, the Nilghai laboured up the
staircase. He
was the chiefest, as he was the youngest, of the war
correspondents, and
his experiences dated from the birth of the needle-gun. Saving only
his
ally, Keneu the Great War Eagle, there was no man higher in the
craft
than he, and he always opened his conversation with the news that
there
would be trouble in the Balkans in the spring. Torpenhow laughed
as he
entered.
</para>

<para>
'Never mind the trouble in the Balkans. Those little states are
always
screeching. You've heard about Dick's luck?'
</para>

<para>
'Yes; he has been called up to notoriety, hasn't he? I hope you keep
him
properly humble. He wants suppressing from time to time.'
</para>

<para>
'He does. He's beginning to take liberties with what he thinks is his
reputation.'
</para>

<para>
'Already! By Jove, he has cheek! I don't know about his reputation,
but
he'll come a cropper if he tries that sort of thing.'
</para>

<para>
'So I told him. I don't think he believes it.'
</para>

<para>
'They never do when they first start off. What's that wreck on the
ground there?'
</para>

<para>
'Specimen of his latest impertinence.' Torpenhow thrust the torn
edges of
the canvas together and showed the well-groomed picture to the
Nilghai,
who looked at it for a moment and whistled.
</para>

<para>
'It's a chromo,' said he,--'a chromo-litholeomargarine fake! What
possessed him to do it? And yet how thoroughly he has caught the
note
that catches a public who think with their boots and read with their
elbows! The cold-blooded insolence of the work almost saves it;
but he
mustn't go on with this. Hasn't he been praised and cockered up too
much? You know these people here have no sense of proportion.
They'll
call him a second Detaille and a third-hand Meissonier while his
fashion
lasts. It's windy diet for a colt.'
</para>

<para>
'I don't think it affects Dick much. You might as well call a young
wolf a
lion and expect him to take the compliment in exchange for a
shin-bone.
</para>

<para>
Dick's soul is in the bank. He's working for cash.'
</para>

<para>
'Now he has thrown up war work, I suppose he doesn't see that the
obligations of the service are just the same, only the proprietors are
changed.'
</para>

<para>
'How should he know? He thinks he is his own master.'
</para>

<para>
'Does he? I could undeceive him for his good, if there's any virtue
in
print. He wants the whiplash.'
</para>

<para>
'Lay it on with science, then. I'd flay him myself, but I like him too
much.'
</para>

<para>
'I've no scruples. He had the audacity to try to cut me out with a
woman
at Cairo once. I forgot that, but I remember now.'
</para>

<para>
'Did he cut you out?'
</para>

<para>
'You'll see when I have dealt with him. But, after all, what's the
good?
Leave him alone and he'll come home, if he has any stuff in him,
dragging or wagging his tail behind him. There's more in a week of
life
than in a lively weekly. None the less I'll slate him. I'll slate him
ponderously in the Cataclysm.'
</para>

<para>
'Good luck to you; but I fancy nothing short of a crowbar would
make
Dick wince. His soul seems to have been fired before we came
across him.
</para>

<para>
He's intensely suspicious and utterly lawless.'
</para>

<para>
'Matter of temper,' said the Nilghai. 'It's the same with horses.
Some you
wallop and they work, some you wallop and they jib, and some
you
wallop and they go out for a walk with their hands in their
pockets.'
</para>

<para>
'That's exactly what Dick has done,' said Torpenhow. 'Wait till he
comes
back. In the meantime, you can begin your slating here. I'll show
you
some of his last and worst work in his studio.'
</para>

<para>
Dick had instinctively sought running water for a comfort to his
mood of
mind. He was leaning over the Embankment wall, watching the
rush of
the Thames through the arches of Westminster Bridge. He began
by
thinking of Torpenhow's advice, but, as of custom, lost himself in
the
study of the faces flocking past. Some had death written on their
features, and Dick marvelled that they could laugh. Others, clumsy
and
coarse-built for the most part, were alight with love; others were
merely
drawn and lined with work; but there was something, Dick knew,
to be
made out of them all. The poor at least should suffer that he might
learn,
and the rich should pay for the output of his learning. Thus his
credit in
the world and his cash balance at the bank would be increased. So
much
the better for him. He had suffered. Now he would take toll of the
ills of
others.
</para>

<para>
The fog was driven apart for a moment, and the sun shone, a
blood-red
wafer, on the water. Dick watched the spot till he heard the voice
of the
tide between the piers die down like the wash of the sea at low
tide. A girl
hard pressed by her lover shouted shamelessly, 'Ah, get away, you
beast!'
</para>

<para>
and a shift of the same wind that had opened the fog drove across
Dick's
face the black smoke of a river-steamer at her berth below the
wall. He
was blinded for the moment, then spun round and found himself
face to
face with--Maisie.
</para>

<para>
There was no mistaking. The years had turned the child to a
woman, but
they had not altered the dark-gray eyes, the thin scarlet lips, or the
firmly modelled mouth and chin; and, that all should be as it was
of old,
she wore a closely fitting gray dress.
</para>

<para>
Since the human soul is finite and not in the least under its own
command, Dick, advancing, said 'Halloo!' after the manner of
schoolboys, and Maisie answered, 'Oh, Dick, is that you?' Then,
against
his will, and before the brain newly released from considerations
of the
cash balance had time to dictate to the nerves, every pulse of
Dick's body
throbbed furiously and his palate dried in his mouth. The fog shut
down
again, and Maisie's face was pearl-white through it. No word was
spoken, but Dick fell into step at her side, and the two paced the
Embankment together, keeping the step as perfectly as in their
afternoon
excursions to the mud-flats. Then Dick, a little hoarsely--
'What has happened to Amomma?'
</para>

<para>
'He died, Dick. Not cartridges; over-eating. He was always greedy.
Isn't
it funny?'
</para>

<para>
'Yes. No. Do you mean Amomma?'
</para>

<para>
'Ye--es. No. This. Where have you come from?'
</para>

<para>
'Over there,' He pointed eastward through the fog. 'And you?'
</para>

<para>
'Oh, I'm in the north,--the black north, across all the Park. I am
very
busy.'
</para>

<para>
'What do you do?'
</para>

<para>
'I paint a great deal. That's all I have to do.'
</para>

<para>
'Why, what's happened? You had three hundred a year.'
</para>

<para>
'I have that still. I am painting; that's all.'
</para>

<para>
'Are you alone, then?'
</para>

<para>
'There's a girl living with me. Don't walk so fast, Dick; you're out
of
step.'
</para>

<para>
'Then you noticed it too?'
</para>

<para>
'Of course I did. You're always out of step.'
</para>

<para>
'So I am. I'm sorry. You went on with the painting?'
</para>

<para>
'Of course. I said I should. I was at the Slade, then at Merton's in
St.
</para>

<para>
John's Wood, the big studio, then I pepper-potted,--I mean I went
to the
National,--and now I'm working under Kami.'
</para>

<para>
'But Kami is in Paris surely?'
</para>

<para>
'No; he has his teaching studio in Vitry-sur-Marne. I work with
him in
the summer, and I live in London in the winter. I'm a householder.'
</para>

<para>
'Do you sell much?'
</para>

<para>
'Now and again, but not often. There is my 'bus. I must take it or
lose
half an hour. Good-bye, Dick.'
</para>

<para>
'Good-bye, Maisie. Won't you tell me where you live? I must see
you
again; and perhaps I could help you. I--I paint a little myself.'
</para>

<para>
'I may be in the Park to-morrow, if there is no working light. I walk
from
the Marble Arch down and back again; that is my little excursion.
But of
course I shall see you again.' She stepped into the omnibus and was
swallowed up by the fog.
</para>

<para>
'Well--I--am--damned!' exclaimed Dick, and returned to the
chambers.
</para>

<para>
Torpenhow and the Nilghai found him sitting on the steps to the
stgudio
door, repeating the phrase with an awful gravity.
</para>

<para>
'You'll be more damned when I'm done with you,' said the Nilghai,
upheaving his bulk from behind Torpenhow's shoulder and waving
a
sheaf of half-dry manuscript. 'Dick, it is of common report that you
are
suffering from swelled head.'
</para>

<para>
'Halloo, Nilghai. Back again? How are the Balkans and all the little
Balkans? One side of your face is out of drawing, as usual.'
</para>

<para>
'Never mind that. I am commissioned to smite you in print.
Torpenhow
refuses from false delicacy. I've been overhauling the pot-boilers in
your
studio. They are simply disgraceful.'
</para>

<para>
'Oho! that's it, is it? If you think you can slate me, you're wrong.
You
can only describe, and you need as much room to turn in, on paper,
as a
P. and O. cargo-boat. But continue, and be swift. I'm going to bed.'
</para>

<para>
'H'm! h'm! h'm! The first part only deals with your pictures. Here's
the
peroration: "For work done without conviction, for power wasted
on
trivialities, for labour expended with levity for the deliberate
purpose of
winning the easy applause of a fashion-driven public----"
'That's "His Last Shot," second edition. Go on.'
</para>

<para>
'----"public, there remains but one end,--the oblivion that is
preceded by
toleration and cenotaphed with contempt. From that fate Mr.
Heldar has
yet to prove himself out of danger.'
</para>

<para>
'Wow--wow--wow--wow--wow!' said Dick, profanely. 'It's a clumsy
ending
and vile journalese, but it's quite true. And yet,'--he sprang to his
feet
and snatched at the manuscript,--'you scarred, deboshed, battered
old
gladiator! you're sent out when a war begins, to minister to the
blind,
brutal, British public's bestial thirst for blood. They have no arenas
now,
but they must have special correspondents. You're a fat gladiator
who
comes up through a trap-door and talks of what he's seen. You
stand on
precisely the same level as an energetic bishop, an affable actress,
a
devastating cyclone, or--mine own sweet self. And you presume to
lecture
me about my work! Nilghai, if it were worth while I'd caricature
you in
four papers!'
</para>

<para>
The Nilghai winced. He had not thought of this.
</para>

<para>
'As it is, I shall take this stuff and tear it small--so!' The manuscript
fluttered in slips down the dark well of the staircase. 'Go home,
Nilghai,'
</para>

<para>
said Dick; 'go home to your lonely little bed, and leave me in
peace. I am
about to turn in till to-morrow.'
</para>

<para>
'Why, it isn't seven yet!' said Torpenhow, with amazement.
</para>

<para>
'It shall be two in the morning, if I choose,' said Dick, backing to
the
studio door. 'I go to grapple with a serious crisis, and I shan't want
any
dinner.'
</para>

<para>
The door shut and was locked.
</para>

<para>
'What can you do with a man like that?' said the Nilghai.
</para>

<para>
'Leave him alone. He's as mad as a hatter.'
</para>

<para>
At eleven there was a kicking on the studio door. 'Is the Nilghai
with you
still?' said a voice from within. 'Then tell him he might have
condensed
the whole of his lumbering nonsense into an epigram: "Only the
free are
bond, and only the bond are free." Tell him he's an idiot, Torp, and
tell
him I'm another.'
</para>

<para>
'All right. Come out and have supper. You're smoking on an empty
stomach.'
</para>

<para>
There was no answer.
</para>

</chapter>
<chapter>
<chapheader>
<title>
CHAPTER V
</title>

<blockquote>
<poem>
<verse>
<line>'I have a thousand men,' said he,</line>
<line>'To wait upon my will,</line>
<line>And towers nine upon the Tyne,</line>
<line>And three upon the Till.'</line>
</verse>

<verse>
<line>'And what care I for you men,' said she,</line>
<line>'Or towers from Tyne to Till,</line>
<line>Sith you must go with me,' she said,</line>
<line>'To wait upon my will?'</line>
</verse>
</poem>
<attrib>-Sir Hoggie and the Fairies</attrib>
</blockquote>
</chapheader>

<para>
NEXT morning Torpenhow found Dick sunk in deepest repose of
tobacco.
</para>

<para>
'Well, madman, how d'you feel?'
</para>

<para>
'I don't know. I'm trying to find out.'
</para>

<para>
'You had much better do some work.'
</para>

<para>
'Maybe; but I'm in no hurry. I've made a discovery. Torp, there's
too
much Ego in my Cosmos.'
</para>

<para>
'Not really! Is this revelation due to my lectures, or the Nilghai's?'
</para>

<para>
'It came to me suddenly, all on my own account. Much too much
Ego;
and now I'm going to work.'
</para>

<para>
He turned over a few half-finished sketches, drummed on a new
canvas,
cleaned three brushes, set Binkie to bite the toes of the lay figure,
rattled
through his collection of arms and accoutrements, and then went
out
abruptly, declaring that he had done enough for the day.
</para>

<para>
'This is positively indecent,' said Torpenhow, 'and the first time
that
Dick has ever broken up a light morning. Perhaps he has found out
that
he has a soul, or an artistic temperament, or something equally
valuable.
</para>

<para>
That comes of leaving him alone for a month. Perhaps he has been
going
out of evenings. I must look to this.' He rang for the bald-headed
old
housekeeper, whom nothing could astonish or annoy.
</para>

<para>
'Beeton, did Mr. Heldar dine out at all while I was out of town?'
</para>

<para>
'Never laid 'is dress-clothes out once, sir, all the time. Mostly 'e
dined in;
but 'e brought some most remarkable young gentlemen up 'ere after
theatres once or twice. Remarkable fancy they was. You
gentlemen on
the top floor does very much as you likes, but it do seem to me, sir,
droppin' a walkin'-stick down five flights o' stairs an' then goin'
down
four abreast to pick it up again at half-past two in the mornin',
singin'
</para>

<para>
"Bring back the whiskey, Willie darlin,'"--not once or twice, but
scores
o' times,--isn't charity to the other tenants. What I say is, "Do as
you
would be done by." That's my motto.'
</para>

<para>
'Of course! of course! I'm afraid the top floor isn't the quietest in
the
house.'
</para>

<para>
'I make no complaints, sir. I have spoke to Mr. Heldar friendly, an'
he
laughed, an' did me a picture of the missis that is as good as a
coloured
print. It 'asn't the high shine of a photograph, but what I say is,
"Never
look a gift-horse in the mouth." Mr. Heldar's dress-clothes 'aven't
been
on him for weeks.'
</para>

<para>
'Then it's all right,' said Torpenhow to himself. 'Orgies are healthy,
and
Dick has a head of his own, but when it comes to women making
eyes I'm
not so certain,--Binkie, never you be a man, little dorglums.
They're
contrary brutes, and they do things without any reason.'
</para>

<para>
Dick had turned northward across the Park, but he was walking in
the
spirit on the mud-flats with Maisie. He laughed aloud as he
remembered
the day when he had decked Amomma's horns with the ham-frills,
and
Maisie, white with rage, had cuffed him. How long those four
years
seemed in review, and how closely Maisie was connected with
every hour
of them! Storm across the sea, and Maisie in a gray dress on the
beach,
sweeping her drenched hair out of her eyes and laughing at the
homeward race of the fishing-smacks; hot sunshine on the
mud-flats, and
Maisie sniffing scornfully, with her chin in the air; Maisie flying
before
the wind that threshed the foreshore and drove the sand like small
shot
about her ears; Maisie, very composed and independent, telling
lies to
Mrs. Jennett while Dick supported her with coarser perjuries;
Maisie
picking her way delicately from stone to stone, a pistol in her hand
and
her teeth firm-set; and Maisie in a gray dress sitting on the grass
between the mouth of a cannon and a nodding yellow sea-poppy.
The
pictures passed before him one by one, and the last stayed the
longest.
</para>

<para>
Dick was perfectly happy with a quiet peace that was as new to his
mind
as it was foreign to his experiences. It never occurred to him that
there
might be other calls upon his time than loafing across the Park in
the
forenoon.
</para>

<para>
'There's a good working light now,' he said, watching his shadow
placidly. 'Some poor devil ought to be grateful for this. And there's
Maisie.'
</para>

<para>
She was walking towards him from the Marble Arch, and he saw
that no
mannerism of her gait had been changed. It was good to find her
still
Maisie, and, so to speak, his next-door neighbour. No greeting
passed
between them, because there had been none in the old days.
</para>

<para>
'What are you doing out of your studio at this hour?' said Dick, as
one
who was entitled to ask.
</para>

<para>
'Idling. Just idling. I got angry with a chin and scraped it out. Then
I left
it in a little heap of paint-chips and came away.'
</para>

<para>
'I know what palette-knifing means. What was the piccy?'
</para>

<para>
'A fancy head that wouldn't come right,--horrid thing!'
</para>

<para>
'I don't like working over scraped paint when I'm doing flesh. The
grain
comes up woolly as the paint dries.'
</para>

<para>
'Not if you scrape properly.' Maisie waved her hand to illustrate
her
methods. There was a dab of paint on the white cuff. Dick
laughed.
</para>

<para>
'You're as untidy as ever.'
</para>

<para>
'That comes well from you. Look at your own cuff.'
</para>

<para>
'By Jove, yes! It's worse than yours. I don't think we've much
altered in
anything. Let's see, though.' He looked at Maisie critically. The
pale blue
haze of an autumn day crept between the tree-trunks of the Park
and
made a background for the gray dress, the black velvet toque
above the
black hair, and the resolute profile.
</para>

<para>
'No, there's nothing changed. How good it is! D'you remember
when I
fastened your hair into the snap of a hand-bag?'
</para>

<para>
Maisie nodded, with a twinkle in her eyes, and turned her full face
to
Dick.
</para>

<para>
'Wait a minute,' said he. 'That mouth is down at the corners a little.
</para>

<para>
Who's been worrying you, Maisie?'
</para>

<para>
'No one but myself. I never seem to get on with my work, and yet I
try
hard enough, and Kami says----'
</para>

<para>
'"Continuez, mesdemoiselles. Continuez toujours, mes enfants."
Kami is
depressing. I beg your pardon.'
</para>

<para>
'Yes, that's what he says. He told me last summer that I was doing
better
and he'd let me exhibit this year.'
</para>

<para>
'Not in this place, surely?'
</para>

<para>
'Of course not. The Salon.'
</para>

<para>
'You fly high.'
</para>

<para>
'I've been beating my wings long enough. Where do you exhibit,
Dick?'
</para>

<para>
'I don't exhibit. I sell.'
</para>

<para>
'What is your line, then?'
</para>

<para>
'Haven't you heard?' Dick's eyes opened. Was this thing possible?
He
cast about for some means of conviction. They were not far from
the
Marble Arch. 'Come up Oxford Street a little and I'll show you.'
</para>

<para>
A small knot of people stood round a print-shop that Dick knew
well.
</para>

<para>
'Some reproduction of my work inside,' he said, with suppressed
triumph. Never before had success tasted so sweet upon the
tongue. 'You
see the sort of things I paint. D'you like it?'
</para>

<para>
Maisie looked at the wild whirling rush of a field-battery going
into
action under fire. Two artillery-men stood behind her in the crowd.
</para>

<para>
'They've chucked the off lead-'orse' said one to the other. ''E's tore
up
awful, but they're makin' good time with the others. That
lead-driver
drives better nor you, Tom. See 'ow cunnin' 'e's nursin' 'is 'orse.'
</para>

<para>
'Number Three'll be off the limber, next jolt,' was the answer.
</para>

<para>
'No, 'e won't. See 'ow 'is foot's braced against the iron? 'E's all
right.'
</para>

<para>
Dick watched Maisie's face and swelled with joy--fine, rank,
vulgar
triumph. She was more interested in the little crowd than in the
picture.
</para>

<para>
That was something that she could understand.
</para>

<para>
'And I wanted it so! Oh, I did want it so!' she said at last, under her
breath.
</para>

<para>
'Me,--all me!' said Dick, placidly. 'Look at their faces. It hits 'em.
They
don't know what makes their eyes and mouths open; but I know.
And I
know my work's right.'
</para>

<para>
'Yes. I see. Oh, what a thing to have come to one!'
</para>

<para>
'Come to one, indeed! I had to go out and look for it. What do you
think?'
</para>

<para>
'I call it success. Tell me how you got it.'
</para>

<para>
They returned to the Park, and Dick delivered himself of the saga
of his
own doings, with all the arrogance of a young man speaking to a
woman.
</para>

<para>
From the beginning he told the tale, the I--I--I's flashing through
the
records as telegraph-poles fly past the traveller. Maisie listened
and
nodded her head. The histories of strife and privation did not move
her a
hair's-breadth. At the end of each canto he would conclude, 'And
that
gave me some notion of handling colour,' or light, or whatever it
might
be that he had set out to pursue and understand. He led her
breathless
across half the world, speaking as he had never spoken in his life
before.
</para>

<para>
And in the flood-tide of his exaltation there came upon him a great
desire
to pick up this maiden who nodded her head and said, 'I
understand. Go
on,'--to pick her up and carry her away with him, because she was
Maisie, and because she understood, and because she was his right,
and a
woman to be desired above all women.
</para>

<para>
Then he checked himself abruptly. 'And so I took all I wanted,' he
said,
'and I had to fight for it. Now you tell.'
</para>

<para>
Maisie's tale was almost as gray as her dress. It covered years of
patient
toil backed by savage pride that would not be broken thought
dealers
laughed, and fogs delayed work, and Kami was unkind and even
sarcastic, and girls in other studios were painfully polite. It had a
few
bright spots, in pictures accepted at provincial exhibitions, but it
wound
up with the oft repeated wail, 'And so you see, Dick, I had no
success,
though I worked so hard.'
</para>

<para>
Then pity filled Dick. Even thus had Maisie spoken when she
could not
hit the breakwater, half an hour before she had kissed him. And
that had
happened yesterday.
</para>

<para>
'Never mind,' he said. 'I'll tell you something, if you'll believe it.'
The
words were shaping themselves of their own accord. 'The whole
thing,
lock, stock, and barrel, isn't worth one big yellow sea-poppy below
Fort
Keeling.'
</para>

<para>
Maisie flushed a little. 'It's all very well for you to talk, but you've
had
the success and I haven't.'
</para>

<para>
'Let me talk, then. I know you'll understand. Maisie, dear, it sounds
a bit
absurd, but5 those ten years never existed, and I've come back
again. It
really is just the same. Can't you see? You're alone now and I'm
alone.
</para>

<para>
What's the use of worrying? Come to me instead, darling.'
</para>

<para>
Maisie poked the gravel with her parasol. They were sitting on a
bench.
</para>

<para>
'I understand,' she said slowly. 'But I've got my work to do, and I
must
do it.'
</para>

<para>
'Do it with me, then, dear. I won't interrupt.'
</para>

<para>
'No, I couldn't. It's my work,--mine,--mine,--mine! I've been alone
all my
life in myself, and I'm not going to belong to anybody except
myself. I
remember things as well as you do, but that doesn't count. We
were
babies then, and we didn't know what was before us. Dick, don't be
selfish. I think I see my way to a little success next year. Don't take
it
away from me.'
</para>

<para>
'I beg your pardon, darling. It's my fault for speaking stupidly. I
can't
expect you to throw up all your life just because I'm back. I'll go to
my
own place and wait a little.'
</para>

<para>
'But, Dick, I don't want you to--go--out of--my life, now you've just
come
back.'
</para>

<para>
'I'm at your orders; forgive me.' Dick devoured the troubled little
face
with his eyes. There was triumph in them, because he could not
conceive
that Maisie should refuse sooner or later to love him, since he
loved her.
</para>

<para>
'It's wrong of me,' said Maisie, more slowly than before; 'it's wrong
and
selfish; but, oh, I've been so lonely! No, you misunderstand. Now
I've
seen you again,--it's absurd, but I want to keep you in my life.'
</para>

<para>
'Naturally. We belong.'
</para>

<para>
'We don't; but you always understood me, and there is so much in
my
work that you could help me in. You know things and the ways of
doing
things. You must.'
</para>

<para>
'I do, I fancy, or else I don't know myself. Then you won't care to
lose
sight of me altogether, and--you want me to help you in your
work?'
</para>

<para>
'Yes; but remember, Dick, nothing will ever come of it. That's why
I feel
so selfish. Can't things stay as they are? I do want your help.'
</para>

<para>
'You shall have it. But let's consider. I must see your pics first, and
overhaul your sketches, and find out about your tendencies. You
should
see what the papers say about my tendencies! Then I'll give you
good
advice, and you shall paint according. Isn't that it, Maisie?'
</para>

<para>
Again there was triumph in Dick's eye.
</para>

<para>
'It's too good of you,--much too good. Because you are consoling
yourself
with what will never happen, and I know that, and yet I want to
keep
you. Don't blame me later, please.'
</para>

<para>
'I'm going into the matter with my eyes open. Moreover the Queen
can
do no wrong. It isn't your selfishness that impresses me. It's your
audacity in proposing to make use of me.'
</para>

<para>
'Pooh! You're only Dick,--and a print-shop.'
</para>

<para>
'Very good: that's all I am. But, Maisie, you believe, don't you, that
I love
you? I don't want you to have any false notions about brothers and
sisters.'
</para>

<para>
Maisie looked up for a moment and dropped her eyes.
</para>

<para>
'It's absurd, but--I believe. I wish I could send you away before you
get
angry with me. But--but the girl that lives with me is red-haired,
and an
impressionist, and all our notions clash.'
</para>

<para>
'So do ours, I think. Never mind. Three months from to-day we
shall be
laughing at this together.'
</para>

<para>
Maisie shook her head mournfully. 'I knew you wouldn't
understand,
and it will only hurt you more when you find out. Look at my face,
Dick,
and tell me what you see.'
</para>

<para>
They stood up and faced each other for a moment. The fog was
gathering, and it stifled the roar of the traffic of London beyond
the
railings. Dick brought all his painfully acquired knowledge of
faces to
bear on the eyes, mouth, and chin underneath the black velvet
toque.
</para>

<para>
'It's the same Maisie, and it's the same me,' he said. 'We've both
nice
little wills of our own, and one or other of us has to be broken.
Now about
the future. I must come and see your pictures some day,--I suppose
when
the red-haired girl is on the premises.'
</para>

<para>
'Sundays are my best times. You must come on Sundays. There are
such
heaps of things I want to talk about and ask your advice about.
Now I
must get back to work.'
</para>

<para>
'Try to find out before next Sunday what I am,' said Dick. 'Don't
take my
word for anything I've told you. Good-bye, darling, and bless you.'
</para>

<para>
Maisie stole away like a little gray mouse. Dick watched her till
she was
out of sight, but he did not hear her say to herself, very soberly,
'I'm a
wretch,--a horrid, selfish wretch. But it's Dick, and Dick will
understand.'
</para>

<para>
No one has yet explained what actually happens when an
irresistible
force meets the immovable post, though many have thought
deeply, even
as Dick thought. He tried to assure himself that Maisie would be
led in a
few weeks by his mere presence and discourse to a better way of
thinking. Then he remembered much too distinctly her face and all
that
was written on it.
</para>

<para>
'If I know anything of heads,' he said, 'there's everything in that
face but
love. I shall have to put that in myself; and that chin and mouth
won't be
won for nothing. But she's right. She knows what she wants, and
she's
going to get it. What insolence! Me! Of all the people in the wide
world,
to use me! But then she's Maisie. There's no getting over that fact;
and
it's good to see her again. This business must have been simmering
at the
back of my head for years. . . . She'll use me as I used Binat at Port
Said.
</para>

<para>
She's quite right. It will hurt a little. I shall have to see her every
Sunday,--like a young man courting a housemaid. She's sure to
come
around; and yet--that mouth isn't a yielding mouth. I shall be
wanting to
kiss her all the time, and I shall have to look at her pictures,--I
don't even
know what sort of work she does yet,--and I shall have to talk
about
Art,--Woman's Art! Therefore, particularly and perpetually, damn
all
varieties of Art. It did me a good turn once, and now it's in my
way. I'll
go home and do some Art.'
</para>

<para>
Half-way to the studio, Dick was smitten with a terrible thought.
The
figure of a solitary woman in the fog suggested it.
</para>

<para>
'She's all alone in London, with a red-haired impressionist girl,
who
probably has the digestion of an ostrich. Most red-haired people
have.
</para>

<para>
Maisie's a bilious little body. They'll eat like lone women,--meals
at all
hours, and tea with all meals. I remember how the students in Paris
used
to pig along. She may fall ill at any minute, and I shan't be able to
help.
</para>

<para>
Whew! this is ten times worse than owning a wife.'
</para>

<para>
Torpenhow entered the studio at dusk, and looked at Dick with
eyes full
of the austere love that springs up between men who have tugged
at the
same oar together and are yoked by custom and use and the
intimacies of
toil. This is a good love, and, since it allows, and even encourages,
strife,
recrimination, and brutal sincerity, does not die, but grows, and is
proof
against any absence and evil conduct.
</para>

<para>
Dick was silent after he handed Torpenhow the filled pipe of
council. He
thought of Maisie and her possible needs. It was a new thing to
think of
anybody but Torpenhow, who could think for himself. Here at last
was
an outlet for that cash balance. He could adorn Maisie barbarically
with
jewelry,--a thick gold necklace round that little neck, bracelets
upon the
rounded arms, and rings of price upon her hands,--thie cool,
temperate,
ringless hands that he had taken between his own. It was an absurd
thought, for Maisie would not even allow him to put one ring on
one
finger, and she would laugh at golden trappings. It would be better
to sit
with her quietly in the dusk, his arm around her neck and her face
on his
shoulder, as befitted husband and wife. Torpenhow's boots creaked
that
night, and his strong voice jarred. Dick's brows contracted and he
murmured an evil word because he had taken all his success as a
right
and part payment for past discomfort, and now he was checked in
his
stride by a woman who admitted all the success and did not
instantly
care for him.
</para>

<para>
'I say, old man,' said Torpenhow, who had made one or two vain
attempts at conversation, 'I haven't put your back up by anything
I've
said lately, have I?'
</para>

<para>
'You! No. How could you?'
</para>

<para>
'Liver out of order?'
</para>

<para>
'The truly healthy man doesn't know he has a liver. I'm only a bit
worried about things in general. I suppose it's my soul.'
</para>

<para>
'The truly healthy man doesn't know he has a soul. What business
have
you with luxuries of that kind?'
</para>

<para>
'It came of itself. Who's the man that says that we're all islands
shouting
lies to each other across seas of misunderstanding?'
</para>

<para>
'He's right, whoever he is,--except about the misunderstanding. I
don't
think we could misunderstand each other.'
</para>

<para>
The blue smoke curled back from the ceiling in clouds. Then
Torpenhow,
insinuatingly--
'Dick, is it a woman?'
</para>

<para>
'Be hanged if it's anything remotely resembling a woman; and if
you
begin to talk like that, I'll hire a red-brick studio with white paint
trimmings, and begonias and petunias and blue Hungarias to play
among
three-and-sixpenny pot-palms, and I'll mount all my pics in
aniline-dye
plush plasters, and I'll invite every woman who maunders over
what her
guide-books tell her is Art, and you shall receive 'em, Torp,--in a
snuff-brown velvet coat with yellow trousers and an orange tie.
You'll
like that?'
</para>

<para>
'Too thin, Dick. A better man than you once denied with cursing
and
swearing. You've overdone it, just as he did. It's no business of
mine, of
course, but it's comforting to think that somewhere under the stars
there's saving up for you a tremendous thrashing. Whether it'll
come
from heaven or earth, I don't know, but it's bound to come and
break you
up a little. You want hammering.'
</para>

<para>
Dick shivered. 'All right,' said he. 'When this island is
disintegrated, it
will call for you.'
</para>

<para>
'I shall come round the corner and help to disintegrate it some
more.
</para>

<para>
We're talking nonsense. Come along to a theatre.'
</para>

</chapter>
<chapter>
<chapheader>
<title>
CHAPTER VI
</title>

<blockquote>
<poem>
<verse>
<line>'And you may lead a thousand men,</line>
<line>Nor ever draw the rein,</line>
<line>But ere ye lead the Faery Queen</line>
<line>'Twill burst your heart in twain.'</line>
</verse>

<verse>
<line>He has slipped his foot from the stirrup-bar,</line>
<line>The bridle from his hand,</line>
<line>And he is bound by hand and foot</line>
<line>To the Queen o' Faery-land.</line>
</verse>
</poem>
<attrib>Sir Hoggie and the Fairies.</attrib>
</blockquote>
</chapheader>
<para>
SOME weeks later, on a very foggy Sunday, Dick was returning
across
the Park to his studio. 'This,' he said, 'is evidently the thrashing that
Torp meant. It hurts more than I expected; but the Queen can do
no
wrong; and she certainly has some notion of drawing.'
</para>

<para>
He had just finished a Sunday visit to Maisie,--always under the
green
eyes of the red-haired impressionist girl, whom he learned to hate
at
sight,--and was tingling with a keen sense of shame. Sunday after
Sunday, putting on his best clothes, he had walked over to the
untidy
house north of the Park, first to see Maisie's pictures, and then to
criticise and advise upon them as he realised that they were
productions
on which advice would not be wasted. Sunday after Sunday, and
his love
grew with each visit, he had been compelled to cram his heart back
from
between his lips when it prompted him to kiss Maisie several times
and
very much indeed. Sunday after Sunday, the head above the heart
had
warned him that Maisie was not yet attainable, and that it would be
better to talk as connectedly as possible upon the mysteries of the
craft
that was all in all to her. Therefore it was his fate to endure weekly
torture in the studio built out over the clammy back garden of a
frail
stuffy little villa where nothing was ever in its right place and
nobody
every called,--to endure and to watch Maisie moving to and fro
with the
teacups. He abhorred tea, but, since it gave him a little longer time
in her
presence, he drank it devoutly, and the red-haired girl sat in an
untidy
heap and eyed him without speaking. She was always watching
him.
</para>

<para>
Once, and only once, when she had left the studio, Maisie showed
him an
album that held a few poor cuttings from provincial papers,--the
briefest
of hurried notes on some of her pictures sent to outlying
exhibitions. Dick
stooped and kissed the paint-smudged thumb on the open page.
'Oh, my
love, my love,' he muttered, 'do you value these things? Chuck 'em
into
the waste-paper basket!'
</para>

<para>
'Not till I get something better,' said Maisie, shutting the book.
</para>

<para>
Then Dick, moved by no respect for his public and a very deep
regard for
the maiden, did deliberately propose, in order to secure more of
these
coveted cuttings, that he should paint a picture which Maisie
should sign.
</para>

<para>
'That's childish,' said Maisie, 'and I didn't think it of you. It must be
my
work. Mine,--mine,--mine!'
</para>

<para>
'Go and design decorative medallions for rich brewers' houses.
You are
thoroughly good at that.' Dick was sick and savage.
</para>

<para>
'Better things than medallions, Dick,' was the answer, in tones that
recalled a gray-eyed atom's fearless speech to Mrs. Jennett. Dick
would
have abased himself utterly, but that other girl trailed in.
</para>

<para>
Next Sunday he laid at Maisie's feet small gifts of pencils that
could
almost draw of themselves and colours in whose permanence he
believed,
and he was ostentatiously attentive to the work in hand. It
demanded,
among other things, an exposition of the faith that was in him.
</para>

<para>
Torpenhow's hair would have stood on end had he heard the
fluency
with which Dick preached his own gospel of Art.
</para>

<para>
A month before, Dick would have been equally astonished; but it
was
Maisie's will and pleasure, and he dragged his words together to
make
plain to her comprehension all that had been hidden to himself of
the
whys and wherefores of work. There is not the least difficulty in
doing a
thing if you only know how to do it; the trouble is to explain your
method.
</para>

<para>
'I could put this right if I had a brush in my hand,' said Dick,
despairingly, over the modelling of a chin that Maisie complained
would
not 'look flesh,'--it was the same chin that she had scraped out with
the
palette knife,--'but I find it almost impossible to teach you. There's
a
queer grin, Dutch touch about your painting that I like; but I've a
notion
that you're weak in drawing. You foreshorten as though you never
used
the model, and you've caught Kami's pasty way of dealing with
flesh in
shadow. Then, again, though you don't know it yourself, you shirk
hard
work. Suppose you spend some of your time on line lone. Line
doesn't
allow of shirking. Oils do, and three square inches of flashy, tricky
stuff
in the corner of a pic sometimes carry a bad thing off,--as I know.
That's
immoral. Do line-work for a little while, and then I can tell more
about
your powers, as old Kami used to say.'
</para>

<para>
Maisie protested; she did not care for the pure line.
</para>

<para>
'I know,' said Dick. 'You want to do your fancy heads with a bunch
of
flowers at the base of the neck to hide bad modelling.' The
red-haired girl
laughed a little. 'You want to do landscapes with cattle knee-deep
in
grass to hide bad drawing. You want to do a great deal more than
you
can do. You have sense of colour, but you want form. Colour's a
gift,--put
it aside and think no more about it,--but form you can be drilled
into.
</para>

<para>
Now, all your fancy heads--and some of them are very good--will
keep
you exactly where you are. With line you must go forward or
backward,
and it will show up all your weaknesses.'
</para>

<para>
'But other people----' began Maisie.
</para>

<para>
'You mustn't mind what other people do. If their souls were your
soul, it
would be different. You stand and fall by your own work,
remember, and
it's waste of time to think of any one else in this battle.'
</para>

<para>
Dick paused, and the longing that had been so resolutely put away
came
back into his eyes. He looked at Maisie, and the look asked as
plainly as
words, Was it not time to leave all this barren wilderness of canvas
and
counsel and join hands with Life and Love?
Maisie assented to the new programme of schooling so adorably
that
Dick could hardly restrain himself from picking her up then and
there
and carrying her off to the nearest registrar's office. It was the
implicit
obedience to the spoken word and the blank indifference to the
unspoken
desire that baffled and buffeted his soul. He held authority in that
house,--authority limited, indeed, to one-half of one afternoon in
seven,
but very real while it lasted. Maisie had learned to appeal to him
on
many subjects, from the proper packing of pictures to the
condition of a
smoky chimney. The red-haired girl never consulted him about
anything.
</para>

<para>
On the other hand, she accepted his appearances without protest,
and
watched him always. He discovered that the meals of the
establishment
were irregular and fragmentary. They depended chiefly on tea,
pickles,
and biscuit, as he had suspected from the beginning. The girls were
supposed to market week and week about, but they lived, with the
help of
a charwoman, as casually as the young ravens. Maisie spent most
of her
income on models, and the other girl revelled in apparatus as
refined as
her work was rough. Armed with knowledge, dear-bought from the
Docks, Dick warned Maisie that the end of semi-starvation meant
the
crippling of power to work, which was considerably worse than
death.
</para>

<para>
Maisie took the warning, and gave more thought to what she ate
and
drank. When his trouble returned upon him, as it generally did in
the
long winter twilights, the remembrance of that little act of
domestic
authority and his coercion with a hearth-brush of the smoky
drawing-room chimney stung Dick like a whip-lash.
</para>

<para>
He conceived that this memory would be the extreme of his
sufferings,
till one Sunday, the red-haired girl announced that she would make
a
study of Dick's head, and that he would be good enough to sit still,
and--quite as an afterthought--look at Maisie. He sat, because he
could
not well refuse, and for the space of half an hour he reflected on
all the
people in the past whom he had laid open for the purposes of his
own
craft. He remembered Binat most distinctly,--that Binat who had
once
been an artist and talked about degradation.
</para>

<para>
It was the merest monochrome roughing in of a head, but it
presented the
dumb waiting, the longing, and, above all, the hopeless
enslavement of
the man, in a spirit of bitter mockery.
</para>

<para>
'I'll buy it,' said Dick, promptly, 'at your own price.'
</para>

<para>
'My price is too high, but I dare say you'll be as grateful if----' The
wet
sketch, fluttered from the girl's hand and fell into the ashes of the
studio
stove. When she picked it up it was hopelessly smudged.
</para>

<para>
'Oh, it's all spoiled!' said Maisie. 'And I never saw it. Was it like?'
</para>

<para>
'Thank you,' said Dick under his breath to the red-haired girl, and
he
removed himself swiftly.
</para>

<para>
'How that man hates me!' said the girl. 'And how he loves you,
Maisie!'
</para>

<para>
'What nonsense? I knew Dick's very fond of me, but he had his
work to
do, and I have mine.'
</para>

<para>
'Yes, he is fond of you, and I think he knows there is something in
impressionism, after all. Maisie, can't you see?'
</para>

<para>
'See? See what?'
</para>

<para>
'Nothing; only, I know that if I could get any man to look at me as
that
man looks at you, I'd--I don't know what I'd do. But he hates me.
Oh,
how he hates me!'
</para>

<para>
She was not altogether correct. Dick's hatred was tempered with
gratitude for a few moments, and then he forgot the girl entirely.
Only
the sense of shame remained, and he was nursing it across the Park
in the
fog. 'There'll be an explosion one of these days,' he said wrathfully.
'But
it isn't Maisie's fault; she's right, quite right, as far as she knows,
and I
can't blame her. This business has been going on for three months
nearly.
</para>

<para>
Three months!--and it cost me ten years' knocking about to get at
the
notion, the merest raw notion, of my work. That's true; but then I
didn't
have pins, drawing-pins, and palette-knives, stuck into me every
Sunday.
</para>

<para>
Oh, my little darling, if ever I break you, somebody will have a
very bad
time of it. No, she won't. I'd be as big a fool about her as I am now.
I'll
poison that red-haired girl on my wedding-day,--she's
unwholesome,--and now I'll pass on these present bad times to
Torp.'
</para>

<para>
Torpenhow had been moved to lecture Dick more than once lately
on the
sin of levity, and Dick and listened and replied not a word. In the
weeks
between the first few Sundays of his discipline he had flung
himself
savagely into his work, resolved that Maisie should at least know
the full
stretch of his powers. Then he had taught Maisie that she must not
pay
the least attention to any work outside her own, and Maisie had
obeyed
him all too well. She took his counsels, but was not interested in
his
pictures.
</para>

<para>
'Your things smell of tobacco and blood,' she said once. 'Can't you
do
anything except soldiers?'
</para>

<para>
'I could do a head of you that would startle you,' thought
Dick,--this was
before the red-haired girl had brought him under the
guillotine,--but he
only said, 'I am very sorry,' and harrowed Torpenhow's soul that
evening with blasphemies against Art. Later, insensibly and to a
large
extent against his own will, he ceased to interest himself in his
own work.
</para>

<para>
For Maisie's sake, and to soothe the self-respect that it seemed to
him he
lost each Sunday, he would not consciously turn out bad stuff, but,
since
Maisie did not care even for his best, it were better not to do
anything at
all save wait and mark time between Sunday and Sunday.
Torpenhow
was disgusted as the weeks went by fruitless, and then attacked
him one
Sunday evening when Dick felt utterly exhausted after three hours'
</para>

<para>
biting self-restraint in Maisie's presence. There was Language, and
Torpenhow withdrew to consult the Nilghai, who had come it to
talk
continental politics.
</para>

<para>
'Bone-idle, is he? Careless, and touched in the temper?' said the
Nilghai.
</para>

<para>
'It isn't worth worrying over. Dick is probably playing the fool with
a
woman.'
</para>

<para>
'Isn't that bad enough?'
</para>

<para>
'No. She may throw him out of gear and knock his work to pieces
for a
while. She may even turn up here some day and make a scene on
the
staircase: one never knows. But until Dick speaks of his own
accord you
had better not touch him. He is no easy-tempered man to handle.'
</para>

<para>
'No; I wish he were. He is such an aggressive, cocksure,
you-be-damned
fellow.'
</para>

<para>
'He'll get that knocked out of him in time. He must learn that he
can't
storm up and down the world with a box of moist tubes and a slick
brush.
</para>

<para>
You're fond of him?'
</para>

<para>
'I'd take any punishment that's in store for him if I could; but the
worst
of it is, no man can save his brother.'
</para>

<para>
'No, and the worser of it is, there is no discharge in this war. Dick
must
learn his lesson like the rest of us. Talking of war, there'll be
trouble in
the Balkans in the spring.'
</para>

<para>
'That trouble is long coming. I wonder if we could drag Dick out
there
when it comes off?'
</para>

<para>
Dick entered the room soon afterwards, and the question was put
to him.
</para>

<para>
'Not good enough,' he said shortly. 'I'm too comf'y where I am.'
</para>

<para>
'Surely you aren't taking all the stuff in the papers seriously?' said
the
Nilghai. 'Your vogue will be ended in less than six months,--the
public
will know your touch and go on to something new,--and where will
you
be then?'
</para>

<para>
'Here, in England.'
</para>

<para>
'When you might be doing decent work among us out there?
Nonsense! I
shall go, the Keneu will be there, Torp will be there, Cassavetti
will be
there, and the whole lot of us will be there, and we shall have as
much as
ever we can do, with unlimited fighting and the chance for you of
seeing
things 